Get Your Premium Membership

Best Famous Craps Poems

Here is a collection of the all-time best famous Craps poems. This is a select list of the best famous Craps poetry. Reading, writing, and enjoying famous Craps poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of craps poems.

Search and read the best famous Craps poems, articles about Craps poems, poetry blogs, or anything else Craps poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Stephen Dunn | Create an image from this poem

Walking The Marshland

 It was no place for the faithless,
so I felt a little odd
walking the marshland with my daughters,

Canada geese all around and the blue 
herons just standing there;
safe, and the abundance of swans.
The girls liked saying the words, gosling, egret, whooping crane, and they liked when I agreed.
The casinos were a few miles to the east.
I liked saying craps and croupier and sometimes I wanted to be lost in those bright windowless ruins.
It was April, the gnats and black flies weren't out yet.
The mosquitoes hadn't risen from their stagnant pools to trouble paradise and to give us the great right to complain.
I loved these girls.
The world beyond Brigantine awaited their beauty and beauty is what others want to own.
I'd keep that to myself.
The obvious was so sufficient just then.
Sandpiper.
Red-wing Blackbird.
"Yes," I said.
But already we were near the end.
Praise refuge, I thought.
Praise whatever you can.


Written by Carl Sandburg | Create an image from this poem

Potato Blossom Songs and Jigs

 RUM tiddy um,
 tiddy um,
 tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road? When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little: Say, why do I feel so gabby? Why do I want to holler all over the place?.
.
.
Do you remember I held empty hands to you and I said all is yours the handfuls of nothing?.
.
.
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.
” The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”.
.
.
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this rubbish till it has lain in the sun.
.
.
.
The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.
The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.
.
.
.
In Burlington long ago And later again in Ashtabula I said to myself: I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told? There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head.
.
.
.
Does a famous poet eat watermelon? Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.
And the Japanese, two-legged like us, The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.
Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon? Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons.
.
.
.
Niggers play banjos because they want to.
The explanation is easy.
It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split away from a school-room geography lesson in April when the crawfishes come out and the young frogs are calling and the pussywillows and the cat-tails know something about geography themselves.
.
.
.
I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at: potato blossoms in summer night mist filling the garden with white spots; a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.
Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, “Excuse … me…”
Written by Philip Larkin | Create an image from this poem

Vers De Société

 My wife and I have asked a crowd of craps
To come and waste their time and ours: perhaps
You'd care to join us? In a pig's ****, friend.
Day comes to an end.
The gas fire breathes, the trees are darkly swayed.
And so Dear Warlock-Williams: I'm afraid-- Funny how hard it is to be alone.
I could spend half my evenings, if I wanted, Holding a glass of washing sherry, canted Over to catch the drivel of some ***** Who's read nothing but Which; Just think of all the spare time that has flown Straight into nothingness by being filled With forks and faces, rather than repaid Under a lamp, hearing the noise of wind, And looking out to see the moon thinned To an air-sharpened blade.
A life, and yet how sternly it's instilled All solitude is selfish.
No one now Believes the hermit with his gown and dish Talking to God (who's gone too); the big wish Is to have people nice to you, which means Doing it back somehow.
Virtue is social.
Are, then, these routines Playing at goodness, like going to church? Something that bores us, something we don't do well (Asking that ass about his fool research) But try to feel, because, however crudely, It shows us what should be? Too subtle, that.
Too decent, too.
Oh hell, Only the young can be alone freely.
The time is shorter now for company, And sitting by a lamp more often brings Not peace, but other things.
Beyond the light stand failure and remorse Whispering Dear Warlock-Williams: Why, of course--
Written by Robert Burns | Create an image from this poem

88. The Author's Earnest Cry and Prayer

 YE Irish lords, ye knights an’ squires,
Wha represent our brughs an’ shires,
An’ doucely manage our affairs
 In parliament,
To you a simple poet’s pray’rs
 Are humbly sent.
Alas! my roupit Muse is hearse! Your Honours’ hearts wi’ grief ’twad pierce, To see her sittin on her **** Low i’ the dust, And scriechinh out prosaic verse, An like to brust! Tell them wha hae the chief direction, Scotland an’ me’s in great affliction, E’er sin’ they laid that curst restriction On aqua-vit&æ; An’ rouse them up to strong conviction, An’ move their pity.
Stand forth an’ tell yon Premier youth The honest, open, naked truth: Tell him o’ mine an’ Scotland’s drouth, His servants humble: The muckle deevil blaw you south If ye dissemble! Does ony great man glunch an’ gloom? Speak out, an’ never fash your thumb! Let posts an’ pensions sink or soom Wi’ them wha grant them; If honestly they canna come, Far better want them.
In gath’rin votes you were na slack; Now stand as tightly by your tack: Ne’er claw your lug, an’ fidge your back, An’ hum an’ haw; But raise your arm, an’ tell your crack Before them a’.
Paint Scotland greetin owre her thrissle; Her mutchkin stowp as toom’s a whissle; An’ d—mn’d excisemen in a bussle, Seizin a stell, Triumphant crushin’t like a mussel, Or limpet shell! Then, on the tither hand present her— A blackguard smuggler right behint her, An’ cheek-for-chow, a chuffie vintner Colleaguing join, Picking her pouch as bare as winter Of a’ kind coin.
Is there, that bears the name o’ Scot, But feels his heart’s bluid rising hot, To see his poor auld mither’s pot Thus dung in staves, An’ plunder’d o’ her hindmost groat By gallows knaves? Alas! I’m but a nameless wight, Trode i’ the mire out o’ sight? But could I like Montgomeries fight, Or gab like Boswell, 2 There’s some sark-necks I wad draw tight, An’ tie some hose well.
God bless your Honours! can ye see’t— The kind, auld cantie carlin greet, An’ no get warmly to your feet, An’ gar them hear it, An’ tell them wi’a patriot-heat Ye winna bear it? Some o’ you nicely ken the laws, To round the period an’ pause, An’ with rhetoric clause on clause To mak harangues; Then echo thro’ Saint Stephen’s wa’s Auld Scotland’s wrangs.
Dempster, 3 a true blue Scot I’se warran’; Thee, aith-detesting, chaste Kilkerran; 4 An’ that glib-gabbit Highland baron, The Laird o’ Graham; 5 An’ ane, a chap that’s damn’d aulfarran’, Dundas his name: 6 Erskine, a spunkie Norland billie; 7 True Campbells, Frederick and Ilay; 8 An’ Livistone, the bauld Sir Willie; 9 An’ mony ithers, Whom auld Demosthenes or Tully Might own for brithers.
See sodger Hugh, 10 my watchman stented, If poets e’er are represented; I ken if that your sword were wanted, Ye’d lend a hand; But when there’s ought to say anent it, Ye’re at a stand.
Arouse, my boys! exert your mettle, To get auld Scotland back her kettle; Or faith! I’ll wad my new pleugh-pettle, Ye’ll see’t or lang, She’ll teach you, wi’ a reekin whittle, Anither sang.
This while she’s been in crankous mood, Her lost Militia fir’d her bluid; (Deil na they never mair do guid, Play’d her that pliskie!) An’ now she’s like to rin red-wud About her whisky.
An’ Lord! if ance they pit her till’t, Her tartan petticoat she’ll kilt, An’durk an’ pistol at her belt, She’ll tak the streets, An’ rin her whittle to the hilt, I’ the first she meets! For God sake, sirs! then speak her fair, An’ straik her cannie wi’ the hair, An’ to the muckle house repair, Wi’ instant speed, An’ strive, wi’ a’ your wit an’ lear, To get remead.
Yon ill-tongu’d tinkler, Charlie Fox, May taunt you wi’ his jeers and mocks; But gie him’t het, my hearty cocks! E’en cowe the cadie! An’ send him to his dicing box An’ sportin’ lady.
Tell you guid bluid o’ auld Boconnock’s, 11 I’ll be his debt twa mashlum bonnocks, An’ drink his health in auld Nance Tinnock’s 12 Nine times a-week, If he some scheme, like tea an’ winnocks, Was kindly seek.
Could he some commutation broach, I’ll pledge my aith in guid braid Scotch, He needna fear their foul reproach Nor erudition, Yon mixtie-maxtie, ***** hotch-potch, The Coalition.
Auld Scotland has a raucle tongue; She’s just a devil wi’ a rung; An’ if she promise auld or young To tak their part, Tho’ by the neck she should be strung, She’ll no desert.
And now, ye chosen Five-and-Forty, May still you mither’s heart support ye; Then, tho’a minister grow dorty, An’ kick your place, Ye’ll snap your gingers, poor an’ hearty, Before his face.
God bless your Honours, a’ your days, Wi’ sowps o’ kail and brats o’ claise, In spite o’ a’ the thievish kaes, That haunt St.
Jamie’s! Your humble poet sings an’ prays, While Rab his name is.
POSTSCRIPTLET half-starv’d slaves in warmer skies See future wines, rich-clust’ring, rise; Their lot auld Scotland ne’re envies, But, blythe and frisky, She eyes her freeborn, martial boys Tak aff their whisky.
What tho’ their Phoebus kinder warms, While fragrance blooms and beauty charms, When wretches range, in famish’d swarms, The scented groves; Or, hounded forth, dishonour arms In hungry droves! Their gun’s a burden on their shouther; They downa bide the stink o’ powther; Their bauldest thought’s a hank’ring swither To stan’ or rin, Till skelp—a shot—they’re aff, a’throw’ther, To save their skin.
But bring a Scotchman frae his hill, Clap in his cheek a Highland gill, Say, such is royal George’s will, An’ there’s the foe! He has nae thought but how to kill Twa at a blow.
Nae cauld, faint-hearted doubtings tease him; Death comes, wi’ fearless eye he sees him; Wi’bluidy hand a welcome gies him; An’ when he fa’s, His latest draught o’ breathin lea’es him In faint huzzas.
Sages their solemn een may steek, An’ raise a philosophic reek, An’ physically causes seek, In clime an’ season; But tell me whisky’s name in Greek I’ll tell the reason.
Scotland, my auld, respected mither! Tho’ whiles ye moistify your leather, Till, whare ye sit on craps o’ heather, Ye tine your dam; Freedom an’ whisky gang thegither! Take aff your dram! Note 1.
This was written before the Act anent the Scotch distilleries, of session 1786, for which Scotland and the author return their most grateful thanks.
—R.
B.
[back] Note 2.
James Boswell of Auchinleck, the biographer of Johnson.
[back] Note 3.
George Dempster of Dunnichen.
[back] Note 4.
Sir Adam Ferguson of Kilkerran, Bart.
[back] Note 5.
The Marquis of Graham, eldest son of the Duke of Montrose.
[back] Note 6.
Right Hon.
Henry Dundas, M.
P.
[back] Note 7.
Probably Thomas, afterward Lord Erskine.
[back] Note 8.
Lord Frederick Campbell, second brother of the Duke of Argyll, and Ilay Campbell, Lord Advocate for Scotland, afterward President of the Court of Session.
[back] Note 9.
Sir Wm.
Augustus Cunningham, Baronet, of Livingstone.
[back] Note 10.
Col.
Hugh Montgomery, afterward Earl of Eglinton.
[back] Note 11.
Pitt, whose grandfather was of Boconnock in Cornwall.
[back] Note 12.
A worthy old hostess of the author’s in Mauchline, where he sometimes studies politics over a glass of gude auld Scotch Drink.
—R.
B.
[back]
Written by Carl Sandburg | Create an image from this poem

Hoodlums

 I AM a hoodlum, you are a hoodlum, we and all of us are a world of hoodlums—maybe so.
I hate and kill better men than I am, so do you, so do all of us—maybe—maybe so.
In the ends of my fingers the itch for another man’s neck, I want to see him hanging, one of dusk’s cartoons against the sunset.
This is the hate my father gave me, this was in my mother’s milk, this is you and me and all of us in a world of hoodlums—maybe so.
Let us go on, brother hoodlums, let us kill and kill, it has always been so, it will always be so, there is nothing more to it.
Let us go on, sister hoodlums, kill, kill, and kill, the torsoes of the world’s mother’s are tireless and the loins of the world’s fathers are strong—so go on—kill, kill, kill.
Lay them deep in the dirt, the stiffs we fixed, the cadavers bumped off, lay them deep and let the night winds of winter blizzards howl their burial service.
The night winds and the winter, the great white sheets of northern blizzards, who can sing better for the lost hoodlums the old requiem, “Kill him! kill him!…” Today my son, to-morrow yours, the day after your next door neighbor’s—it is all in the wrists of the gods who shoot craps—it is anybody’s guess whose eyes shut next.
Being a hoodlum now, you and I, being all of us a world of hoodlums, let us take up the cry when the mob sluffs by on a thousand shoe soles, let us too yammer, “Kill him! kill him!…” Let us do this now … for our mothers … for our sisters and wives … let us kill, kill, kill—for the torsoes of the women are tireless and the loins of the men are strong.
Chicago, July 29, 1919.


Written by Robert Burns | Create an image from this poem

377. Song—The Country Lass

 IN simmer, when the hay was mawn,
 And corn wav’d green in ilka field,
While claver blooms white o’er the lea
 And roses blaw in ilka beild!
Blythe Bessie in the milking shiel,
 Says—“I’ll be wed, come o’t what will”:
Out spake a dame in wrinkled eild;
 “O’ gude advisement comes nae ill.
“It’s ye hae wooers mony ane, And lassie, ye’re but young ye ken; Then wait a wee, and cannie wale A routhie butt, a routhie ben; There’s Johnie o’ the Buskie-glen, Fu’ is his barn, fu’ is his byre; Take this frae me, my bonie hen, It’s plenty beets the luver’s fire.
” “For Johnie o’ the Buskie-glen, I dinna care a single flie; He lo’es sae weel his craps and kye, He has nae love to spare for me; But blythe’s the blink o’ Robie’s e’e, And weel I wat he lo’es me dear: Ae blink o’ him I wad na gie For Buskie-glen and a’ his gear.
” “O thoughtless lassie, life’s a faught; The canniest gate, the strife is sair; But aye fu’-han’t is fechtin’ best, A hungry care’s an unco care: But some will spend and some will spare, An’ wilfu’ folk maun hae their will; Syne as ye brew, my maiden fair, Keep mind that ye maun drink the yill.
” “O gear will buy me rigs o’ land, And gear will buy me sheep and kye; But the tender heart o’ leesome love, The gowd and siller canna buy; We may be poor—Robie and I— Light is the burden love lays on; Content and love brings peace and joy— What mair hae Queens upon a throne?”
Written by Carl Sandburg | Create an image from this poem

Singing ******

 YOUR bony head, Jazbo, O dock walloper,
Those grappling hooks, those wheelbarrow handlers,
The dome and the wings of you, ******,
The red roof and the door of you,
I know where your songs came from.
I know why God listens to your, “Walk All Over God’s Heaven.
” I heard you shooting craps, “My baby’s going to have a new dress.
” I heard you in the cinders, “I’m going to live anyhow until I die.
” I saw five of you with a can of beer on a summer night and I listened to the five of you harmonizing six ways to sing, “Way Down Yonder in the Cornfield.
” I went away asking where I come from.

Book: Shattered Sighs