Written by
Barry Tebb |
I
Eddie Linden
Dear Eddie we’ve not met
Except upon the written page
And at your age the wonder
Is that you write at all
When so many have gone under
Or been split asunder by narcissistic humours
Blunder following blunder
Barker and Graham, godfathering my verse
Bearing me cloud-handed to Haworth moor
From my chained metropolitan moorings,
O hyaline March morning with Leeds
At its thrusting best, the thirsty beasts
Of night quenched as the furnaces
Of Hunslet where Hudswell Clarke’s locos
Rust in their skeletal sheds, rails skewed
To graveyards platforms and now instead
Skyscrapers circle the city, cranes, aeroplanes,
Electric trains but even they cannot hinder
Branches bursting with semen
Seraphic cloud sanctuaries shunting
Us homeward to the beckoning moors.
II
Brenda Williams
Leeds voices soothe the turbulence
‘Ey’ ‘sithee’ and ‘love’, lastingly lilt
From cradle to grave, from backstreet
On the social, our son, beat his way
To Eton, Balliol, to Calcatta’s Shantiniketan
And all the way back to a locked ward.
While I in the meantime fondly fiddled
With rhyme and unreason, publishing pamphlets
And Leeds Poetry Weekly while under the bane
Of his tragic illness, poet and mother,
You were driven from pillar to post
By the taunting yobbery of your family
And the crass insensitivity of wild therapy
To the smoking dark of despair,
Locked in your flat in the Abbey Road
With seven cats and poetry.
O stop and strop your bladed darkness
On the rock of ages while plangent tollings
Mock your cradled rockings, knock by knock.
III
Debjani Chatterjee
In these doom-laden days
You are steady as a pilot nursing tired ships homeward
Through churning seas
Where grey gulls scream
Forlornly and for ever.
I am the red-neck,
Bear-headed blaster
Shifting sheer rock
To rape the ore of poetry’s plunder
Or bulldozing trees to glean mines of silver
While you sail serenely onward
Ever the diplomat’s daughter
Toujours de la politesse.
IV
Daisy Abey
Daisy, dearest of all, safest
And kindest, watcher and warner
Of chaotic corners looming
Round poetry’s boomerang bends
I owe you most a letter
While you are here beside me
Patient as a miller waiting on wind
To drive the great sails
Through summer.
When the muse takes over
I am snatched from order and duty
Blowing routine into a riot of going
And coming, blind, backwards, tip
Over ****, sea waves crashing in suburbia,
Saturnalia in Sutton, headlines of mad poet
Striding naked over moors, roaring
"I am here I am waiting".
V
Jeremy Reed
Niagaras of letters on pink sheets
In sheaths of silver envelopes
Mutually exchanged. I open your missives
Like undressing a girl in my teens
Undoing the flap like a recalcitrant
Bra strap, the letters stiff as nipples
While I stroke the creviced folds
Of amber and mauve and lick
As I stick stamps like the ********
Of a reluctant virgin, urgent for
Defloration and the pulse of ******.
|
Written by
Alfred Lord Tennyson |
THE groundflame of the crocus breaks the mould,
Fair Spring slides hither o'er the Southern sea,
Wavers on her thin stem the snowdrop cold
That trembles not to kisses of the bee:
Come Spring, for now from all the dripping eaves
The spear of ice has wept itself away,
And hour by hour unfolding woodbine leaves
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run;
The frost-bead melts upon her golden hair;
Her mantle, slowly greening in the Sun,
Now wraps her close, now arching leaves her bar
To breaths of balmier air;
Up leaps the lark, gone wild to welcome her,
About her glance the ****, and shriek the jays,
Before her skims the jubilant woodpecker,
The linnet's bosom blushes at her gaze,
While round her brows a woodland culver flits,
Watching her large light eyes and gracious looks,
And in her open palm a halcyon sits
Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood,
On farm and field: but enter also here,
Diffuse thyself at will thro' all my blood,
And, tho' thy violet sicken into sere,
Lodge with me all the year!
Once more a downy drift against the brakes,
Self-darken'd in the sky, descending slow!
But gladly see I thro' the wavering flakes
Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths,
On their perpetual pine, nor round the beech;
They fuse themselves to little spicy baths,
Solved in the tender blushes of the peach;
They lose themselves and die
On that new life that gems the hawthorn line;
Thy gay lent-lilies wave and put them by,
And out once more in varnish'd glory shine
Thy stars of celandine.
She floats across the hamlet. Heaven lours,
But in the tearful splendour of her smiles
I see the slowl-thickening chestnut towers
Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies,
A clamorous cuckoo stoops to meet her hand;
Her light makes rainbows in my closing eyes,
I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad
To roll her North below thy deepening dome,
But ere thy maiden birk be wholly clad,
And these low bushes dip their twigs in foam,
Make all true hearths thy home.
Across my garden! and the thicket stirs,
The fountain pulses high in sunnier jets,
The blackcap warbles, and the turtle purrs,
The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove,
And scatters on her throat the sparks of dew,
The kingcup fills her footprint, and above
Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen,
Bountiful, beautiful, apparell'd gay,
Whose mantle, every shade of glancing green,
Flies back in fragrant breezes to display
A tunic white as May!
She whispers, 'From the South I bring you balm,
For on a tropic mountain was I born,
While some dark dweller by the coco-palm
Watch'd my far meadow zoned with airy morn;
From under rose a muffled moan of floods;
I sat beneath a solitude of snow;
There no one came, the turf was fresh, the woods
Plunged gulf on gulf thro' all their vales below
I saw beyond their silent tops
The steaming marshes of the scarlet cranes,
The slant seas leaning oll the mangrove copse,
And summer basking in the sultry plains
About a land of canes;
'Then from my vapour-girdle soaring forth
I scaled the buoyant highway of the birds,
And drank the dews and drizzle of the North,
That I might mix with men, and hear their words
On pathway'd plains; for--while my hand exults
Within the bloodless heart of lowly flowers
To work old laws of Love to fresh results,
Thro' manifold effect of simple powers--
I too would teach the man
Beyond the darker hour to see the bright,
That his fresh life may close as it began,
The still-fulfilling promise of a light
Narrowing the bounds of night.'
So wed thee with my soul, that I may mark
The coming year's great good and varied ills,
And new developments, whatever spark
Be struck from out the clash of warring wills;
Or whether, since our nature cannot rest,
The smoke of war's volcano burst again
From hoary deeps that belt the changeful West,
Old Empires, dwellings of the kings of men;
Or should those fail, that hold the helm,
While the long day of knowledge grows and warms,
And in the heart of this most ancient realm
A hateful voice be utter'd, and alarms
Sounding 'To arms! to arms!'
A simpler, saner lesson might he learn
Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn,
And in their time thy warblers rise on wing.
How surely glidest thou from March to May,
And changest, breathing it, the sullen wind,
Thy scope of operation, day by day,
Larger and fuller, like the human mind '
Thy warmths from bud to bud
Accomplish that blind model in the seed,
And men have hopes, which race the restless blood
That after many changes may succeed
Life, which is Life indeed.
|
Written by
Osip Mandelstam |
Insomnia. Homer. Taut canvas.
Half the catalogue of ships is mine:
that flight of cranes, long stretched-out line,
that once rose, out of Hellas.
To an alien land, like a phalanx of cranes –
Foam of the gods on the heads of kings –
Where do you sail? What would the things
of Troy, be to you, Achaeans, without Helen?
The sea, or Homer – all moves by love’s glow.
Which should I hear? Now Homer is silent,
and the Black Sea thundering its oratory, turbulent,
and, surging, roars against my pillow.
|
Written by
Friedrich von Schiller |
Once to the song and chariot-fight,
Where all the tribes of Greece unite
On Corinth's isthmus joyously,
The god-loved Ibycus drew nigh.
On him Apollo had bestowed
The gift of song and strains inspired;
So, with light staff, he took his road
From Rhegium, by the godhead fired.
Acrocorinth, on mountain high,
Now burns upon the wanderer's eye,
And he begins, with pious dread,
Poseidon's grove of firs to tread.
Naught moves around him, save a swarm
Of cranes, who guide him on his way;
Who from far southern regions warm
Have hither come in squadron gray.
"Thou friendly band, all hail to thee!
Who led'st me safely o'er the sea!
I deem thee as a favoring sign,--
My destiny resembles thine.
Both come from a far distant coast,
Both pray for some kind sheltering place;--
Propitious toward us be the host
Who from the stranger wards disgrace!"
And on he hastes, in joyous wood,
And reaches soon the middle wood
When, on a narrow bridge, by force
Two murderers sudden bar his course.
He must prepare him for the fray,
But soon his wearied hand sinks low;
Inured the gentle lyre to play,
It ne'er has strung the deadly bow.
On gods and men for aid he cries,--
No savior to his prayer replies;
However far his voice he sends,
Naught living to his cry attends.
"And must I in a foreign land,
Unwept, deserted, perish here,
Falling beneath a murderous hand,
Where no avenger can appear?"
Deep-wounded, down he sinks at last,
When, lo! the cranes' wings rustle past.
He hears,--though he no more can see,--
Their voices screaming fearfully.
"By you, ye cranes, that soar on high,
If not another voice is heard,
Be borne to heaven my murder-cry!"
He speaks, and dies, too, with the word.
The naked corpse, ere long, is found,
And, though defaced by many a wound,
His host in Corinth soon could tell
The features that he loved so well.
"And is it thus I find thee now,
Who hoped the pine's victorious crown
To place upon the singer's brow,
Illumined by his bright renown?"
The news is heard with grief by all
Met at Poseidon's festival;
All Greece is conscious of the smart,
He leaves a void in every heart;
And to the Prytanis [33] swift hie
The people, and they urge him on
The dead man's manes to pacify
And with the murderer's blood atone.
But where's the trace that from the throng
The people's streaming crowds among,
Allured there by the sports so bright,
Can bring the villain back to light?
By craven robbers was he slain?
Or by some envious hidden foe?
That Helios only can explain,
Whose rays illume all things below.
Perchance, with shameless step and proud,
He threads e'en now the Grecian crowd--
Whilst vengeance follows in pursuit,
Gloats over his transgression's fruit.
The very gods perchance he braves
Upon the threshold of their fane,--
Joins boldly in the human waves
That haste yon theatre to gain.
For there the Grecian tribes appear,
Fast pouring in from far and near;
On close-packed benches sit they there,--
The stage the weight can scarcely bear.
Like ocean-billows' hollow roar,
The teaming crowds of living man
Toward the cerulean heavens upsoar,
In bow of ever-widening span.
Who knows the nation, who the name,
Of all who there together came?
From Theseus' town, from Aulis' strand
From Phocis, from the Spartan land,
From Asia's distant coast, they wend,
From every island of the sea,
And from the stage they hear ascend
The chorus's dread melody.
Who, sad and solemn, as of old,
With footsteps measured and controlled,
Advancing from the far background,
Circle the theatre's wide round.
Thus, mortal women never move!
No mortal home to them gave birth!
Their giant-bodies tower above,
High o'er the puny sons of earth.
With loins in mantle black concealed,
Within their fleshless bands they wield
The torch, that with a dull red glows,--
While in their cheek no life-blood flows;
And where the hair is floating wide
And loving, round a mortal brow,
Here snakes and adders are descried,
Whose bellies swell with poison now.
And, standing in a fearful ring,
The dread and solemn chant they sing,
That through the bosom thrilling goes,
And round the sinner fetters throws.
Sense-robbing, of heart-maddening power,
The furies' strains resound through air
The listener's marrow they devour,--
The lyre can yield such numbers ne'er.
"Happy the man who, blemish-free,
Preserves a soul of purity!
Near him we ne'er avenging come,
He freely o'er life's path may roam.
But woe to him who, hid from view,
Hath done the deed of murder base!
Upon his heels we close pursue,--
We, who belong to night's dark race!"
"And if he thinks to 'scape by flight,
Winged we appear, our snare of might
Around his flying feet to cast,
So that he needs must fall at last.
Thus we pursue him, tiring ne'er,--
Our wrath repentance cannot quell,--
On to the shadows, and e'en there
We leave him not in peace to dwell!"
Thus singing, they the dance resume,
And silence, like that of the tomb,
O'er the whole house lies heavily,
As if the deity were nigh.
And staid and solemn, as of old,
Circling the theatre's wide round,
With footsteps measured and controlled,
They vanish in the far background.
Between deceit and truth each breast.
Now doubting hangs, by awe possessed,
And homage pays to that dread might,
That judges what is hid from sight,--
That, fathomless, inscrutable,
The gloomy skein of fate entwines,
That reads the bosom's depths full well,
Yet flies away where sunlight shines.
When sudden, from the tier most high,
A voice is heard by all to cry:
"See there, see there, Timotheus!
Behold the cranes of Ibycus!"
The heavens become as black as night,
And o'er the theatre they see,
Far over-head, a dusky flight
Of cranes, approaching hastily.
"Of Ibycus!"--That name so blest
With new-born sorrow fills each breast.
As waves on waves in ocean rise,
From mouth to mouth it swiftly flies:
"Of Ibycus, whom we lament?
Who fell beneath the murderer's hand?
What mean those words that from him went?
What means this cranes' advancing band?"
And louder still become the cries,
And soon this thought foreboding flies
Through every heart, with speed of light--
"Observe in this the furies' might!
The poets manes are now appeased
The murderer seeks his own arrest!
Let him who spoke the word be seized,
And him to whom it was addressed!"
That word he had no sooner spoke,
Than he its sound would fain invoke;
In vain! his mouth, with terror pale,
Tells of his guilt the fearful tale.
Before the judge they drag them now
The scene becomes the tribunal;
Their crimes the villains both avow,
When neath the vengeance-stroke they fall.
|
Written by
Ezra Pound |
In one salutation to thee, my God,
let all my senses spread out and touch this world at thy feet.
Like a rain-cloud of July
hung low with its burden of unshed showers
let all my mind bend down at thy door in one salutation to thee.
Let all my songs gather together their diverse strains into a single current
and flow to a sea of silence in one salutation to thee.
Like a flock of homesick cranes flying night and day
back to their mountain nests
let all my life take its voyage to its eternal home
in one salutation to thee.
|
Written by
Emma Lazarus |
Here was a man who watched the river flow
Past the huge town, one gray November day.
Round him in narrow high-piled streets at play
The boys made merry as they saw him go,
Murmuring half-loud, with eyes upon the stream,
The immortal screed he held within his hand.
For he was walking in an April land
With Faust and Helen. Shadowy as a dream
Was the prose-world, the river and the town.
Wild joy possessed him; through enchanted skies
He saw the cranes of Ibycus swoop down.
He closed the page, he lifted up his eyes,
Lo--a black line of birds in wavering thread
Bore him the greetings of the deathless dead!
|
Written by
Randall Jarrell |
Looking back in my mind I can see
The white sun like a tin plate
Over the wooden turning of the weeds;
The street jerking --a wet swing--
To end by the wall the children sang.
The thin grass by the girls' door,
Trodden on, straggling, yellow and rotten,
And the gaunt field with its one tied cow--
The dead land waking sadly to my life--
Stir, and curl deeper in the eyes of time.
The rotting pumpkin under the stairs
Bundled with switches and the cold ashes
Still holds for me, in its unwavering eyes,
The stinking shapes of cranes and witches,
Their path slanting down the pumpkin's sky.
Its stars beckon through the frost like cottages
(Homes of the Bear, the Hunter--of that absent star,
The dark where the flushed child struggles into sleep)
Till, leaning a lifetime to the comforter,
I float above the small limbs like their dream:
I, I, the future that mends everything.
|
Written by
Carolyn Forche |
By way of a vanished bridge we cross this river
as a cloud of lifted snow would ascend a mountain.
She has always been afraid to come here.
It is the river she most
remembers, the living
and the dead both crying for help.
A world that allowed neither tears nor lamentation.
The matsu trees brush her hair as she passes
beneath them, as do the shining strands of barbed wire.
Where this lake is, there was a lake,
where these black pine grow, there grew black pine.
Where there is no teahouse I see a wooden teahouse
and the corpses of those who slept in it.
On the opposite bank of the Ota, a weeping willow
etches its memory of their faces into the water.
Where light touches the face, the character for heart is written.
She strokes a burnt trunk wrapped in straw:
I was weak and my skin hung from my fingertips like cloth
Do you think for a moment we were human beings to them?
She comes to the stone angel holding paper cranes.
Not an angel, but a woman where she once had been,
who walks through the garden Shukkei-en
calling the carp to the surface by clapping her hands.
Do Americans think of us?
So she began as we squatted over the toilets:
If you want, I'll tell you, but nothing I say will be enough.
We tried to dress our burns with vegetable oil.
Her hair is the white froth of rice rising up kettlesides, her mind also.
In the postwar years she thought deeply about how to live.
The common greeting dozo-yiroshku is please take care of me.
All hibakusha still alive were children then.
A cemetery seen from the air is a child's city.
I don't like this particular red flower because
it reminds me of a woman's brain crushed under a roof.
Perhaps my language is too precise, and therefore difficult to understand?
We have not, all these years, felt what you call happiness.
But at times, with good fortune, we experience something close.
As our life resembles life, and this garden the garden.
And in the silence surrounding what happened to us
it is the bell to awaken God that we've heard ringing.
|
Written by
Du Fu |
Qutang gorge mouth bend river bank 10,000 li wind mist join pale autumn Calyx secret wall through imperial energy Lotus little park enter border sorrow Pearl curtain embroider pillar surround yellow crane Brocade hawser ivory mast rise white gull Turn head can regret sing dance place Qin middle from old emperor place The mouth of the Qutang Gorge, the bank of the Bending River, Ten thousand miles of wind and mist join them in pale autumn. Through Calyx Hall's hidden passage the imperial aura passed, Now the little Lotus Park is filled with border sorrows. Pearls on curtains, embroidery on pillars, around the yellow cranes, From brocade hawsers and ivory masts rise the white gulls. I turn my head, sad now for the place of song and dance, Qin has been since olden days the land of emperors.
|
Written by
Rudyard Kipling |
1918Being the Words of the Tune Hummed at Her Lathe by Mrs. L. Embsay, Widow
The fans and the beltings they roar round me.
The power is shaking the floor round me
Till the lathes pick up their duty and the midnight-shift takes over.
It is good for me to be here!
Guns in Flanders--Flanders guns!
(I had a man that worked 'em once!)
Shells for guns in Flanders, Flanders!
Shells for guns in Flanders, Flanders!
Shells for guns in Flanders! Feeds the guns!
The cranes and the carriers they boom over me,
The bays and the galleries they loom over me,
With their quarter-mile of pillars growing little in the distance--
It is good for me to be here!
The Zeppelins and Gothas they raid over us.
Our lights give warning, and fade over us.
(Seven thousand women keeping quiet in the darkness!)
Oh, it's good for me to be here.
The roofs and the buildings they grow round me,
Eating up the fields I used to know round me;
And the shed that I began in is a sub-inspector's office--
So long have I been here!
I've seen six hundred mornings make our lamps grow dim,
Through the bit that isn't painted round our sky-light rim,
And the sunshine through the window slope according to the seasons,
Twice since I've been here.
The trains on the sidings they call to us
With the hundred thousand blanks that they haul to us;
And we send 'em what we've finished, and they take it where it's wanted,
For that is why we are here!
Man's hate passes as his love will pass.
God made Woman what she always was.
Them that bear the burden they will never grant forgiveness
So long as they are here!
Once I was a woman, but that's by with me.
All I loved and looked for, it must die with me;
But the Lord has left me over for a servant of the Judgment,
And I serve His Judgments here!
Guns in Flanders--Flanders guns!
(I had a son that worked 'em once!)
Shells for guns in Flanders, Flanders!
Shells for guns in Flanders, Flanders!
Shells for guns in Flanders! Feeds the guns!
|