Written by
Edward Thomas |
No one so much as you
Loves this my clay,
Or would lament as you
Its dying day.
You know me through and through
Though I have not told,
And though with what you know
You are not bold.
None ever was so fair
As I thought you:
Not a word can I bear
Spoken against you.
All that I ever did
For you seemed coarse
Compared with what I hid
Nor put in force.
My eyes scarce dare meet you
Lest they should prove
I but respond to you
And do not love.
We look and understand,
We cannot speak
Except in trifles and
Words the most weak.
For I at most accept
Your love, regretting
That is all: I have kept
Only a fretting
That I could not return
All that you gave
And could not ever burn
With the love you have,
Till sometimes it did seem
Better it were
Never to see you more
Than linger here
With only gratitude
Instead of love -
A pine in solitude
Cradling a dove.
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Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then. As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn. Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan...
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side. She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close....
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody...
And she'd smile as she let him
Kiss her hand. For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I...
Oh Baby I Love... I Love You...
And she'd be gone, those little mermaid tears
Running down her cheeks. Maestro
Was always cool. He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes...
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door. He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into...
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club. He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan... Goodbye.
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Written by
Lucy Maud Montgomery |
Dark hills against a hollow crocus sky
Scarfed with its crimson pennons, and below
The dome of sunset long, hushed valleys lie
Cradling the twilight, where the lone winds blow
And wake among the harps of leafless trees
Fantastic runes and mournful melodies.
The chilly purple air is threaded through
With silver from the rising moon afar,
And from a gulf of clear, unfathomed blue
In the southwest glimmers a great gold star
Above the darkening druid glens of fir
Where beckoning boughs and elfin voices stir.
And so I wander through the shadows still,
And look and listen with a rapt delight,
Pausing again and yet again at will
To drink the elusive beauty of the night,
Until my soul is filled, as some deep cup,
That with divine enchantment is brimmed up.
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Written by
Anne Sexton |
Where I waved at the sky
And waited your love through a February sleep,
I saw birds swinging in, watched them multiply
Into a tree, weaving on a branch, cradling a keep
In the arms of April sprung from the south to occupy
This slow lap of land, like cogs of some balance wheel.
I saw them build the air, with that motion birds feel.
Where I wave at the sky
And understand love, knowing our August heat,
I see birds pulling past the dim frosted thigh
Of Autumn, unlatched from the nest, and wing-beat
For the south, making their high dots across the sky,
Like beauty spots marking a still perfect cheek.
I see them bend the air, slipping away, for what birds seek.
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Written by
Robert Hayden |
(And I, I am no longer of that world)
Naked, he lies in the blinded room
chainsmoking, cradled by drugs, by jazz
as never by any lover's cradling flesh.
Miles Davis coolly blows for him:
O pena negra, sensual Flamenco blues;
the red clay foxfire voice of Lady Day
(lady of the pure black magnolias)
sobsings her sorrow and loss and fare you well,
dryweeps the pain his treacherous jailers
have released him from for a while.
His fears and his unfinished self
await him down in the anywhere streets.
He hides on the dark side of the moon,
takes refuge in a stained-glass cell,
flies to a clockless country of crystal.
Only the ghost of Lady Day knows where
he is. Only the music. And he swings
oh swings: beyond complete immortal now.
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Written by
James Wright |
Deep into spring, winter is hanging on. Bitter and skillful in his
hopelessness, he stays alive in every shady place, starving along the
Mediterranean: angry to see the glittering sea-pale boulder alive
with lizards green as Judas leaves. Winter is hanging on. He still
believes. He tries to catch a lizard by the shoulder. One olive tree
below Grottaglie welcomes the winter into noontime shade, and
talks as softly as Pythagoras. Be still, be patient, I can hear him say,
cradling in his arms the wounded head, letting the sunlight touch
the savage face.
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Written by
Rg Gregory |
there are eyes that refuse to exist
in the fresh air - they are invented
by the lies of paint or make their mark
in a memory that had a truth
to feed on but only by distortion
right now they sell a dream
i'd like to see the back of - they come
with a whole body rippling me apart
disturbing me with echoes of a flesh
so many layers down the light derides it
why can't i grasp it now
this love's reverberation of a sound
that tunes me deeper than my marrow
but runs from me when wanted to be real
(today's a dried pool whispering of an ocean)
the eyes (unreal or not) persist
life is at base such unreality - it stirs
surfaces through pretences who i am
each a wash of wish (its listless traces
the febrile flickings of a tight core's ends)
i'm struggling now for safety
want something from these diadems
this old light scores in me - these eyes
cradling me as i look through them
(won't let me go and i can't let them)
beyond love they cup aloneness
they're your eyes but my at-one-ment
(more to sing of than i can fathom)
sensing them calmly's the ripest pain
these eyes so poignant they daren't exist
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Written by
Lucy Maud Montgomery |
If Mary had known
When she held her Babe's hands in her own
Little hands that were tender and white as a rose,
All dented with dimples from finger to wrist,
Such as mothers have kissed
That one day they must feel the fierce blows
Of a hatred insane,
Must redden with holiest stain,
And grasp as their guerdon the boon of the bitterest pain,
Oh, I think that her sweet, brooding face
Must have blanched with its anguish of knowledge above her embrace.
But if Mary had known,
As she held her Babe's hands in her own,
What a treasure of gifts to the world they would bring;
What healing and hope to the hearts that must ache,
And without him must break;
Had she known they would pluck forth death's sting
And set open the door
Of the close, jealous grave evermore,
Making free who were captives in sorrow and darkness before,
Oh, I think that a gracious sunrise
Of rapture had broken across the despair of her eyes!
If Mary had known
As she sat with her baby alone,
And guided so gently his bare little feet
To take their first steps from the throne of her knee,
How weary must be
The path that for them should be meet;
And how it must lead
To the cross of humanity's need,
Giving hissing and shame, giving blame and reproach for its meed,
Oh, I think that her tears would have dewed
Those dear feet that must walk such a hard, starless way to the Rood!
But if Mary had known,
As she sat with her Baby alone,
On what errands of mercy and peace they would go,
How those footsteps would ring through the years of all time
With an echo sublime,
Making holy the land of their woe,
That the pathway they trod
Would guide the world back to its God,
And lead ever upward away from the grasp of the clod,
She had surely forgot to be sad
And only remembered to be most immortally glad!
If Mary had known,
As she held him so closely, her own,
Cradling his shining, fair head on her breast,
Sunned over with ringlets as bright as the morn,
That a garland of thorn
On that tender brow would be pressed
Till the red drops would fall
Into eyes that looked out upon all,
Abrim with a pity divine over clamor and brawl,
Oh, I think that her lullaby song
Would have died on her lips into wailing impassioned and long!
But if Mary had known,
As she held him so closely, her own,
That over the darkness and pain he would be
The Conqueror hailed in all oncoming days,
The world's hope and praise,
And the garland of thorn,
The symbol of mocking and scorn
Would be a victorious diadem royally worn,
Oh, I think that ineffable joy
Must have flooded her soul as she bent o'er her wonderful Boy!
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Written by
T Wignesan |
for Léon Vanier*
(The texts I use for my translations are from: Yves-Alain Favre, Ed. Paul Verlaine: Œuvres Poétiques Complètes. Paris: Robert Laffont,1992, XCIX-939p.)
Some few in all this Paris:
We live off pride, yet flat broke we’re
Even if with the bottle a bit too free
We drink above all fresh water
Being very sparing when taken with hunger.
With other fine fare and wines of high-estate
Likewise with beauty: sour-tempered never.
We are the writers of good taste.
Phoebé when all the cats gray be
Highly sharpened to a point much harsher
Our bodies nourrished by glory
Hell licks its lips and in ambush does cower
And with his dart Phoebus pierces us ever
The night cradling us through dreamy waste
Strewn with seeds of peach beds over.
We are the writers of good taste.
A good many of the best minds rally
Holding high Man’s standard: toffee-nosed scoffer
And Lemerre* retains with success poetry’s destiny.
More than one poet then helter-skelter
Sought to join the rest through the narrow fissure;
But Vanier at the very end made haste
The only lucky one to assume the rôle of Fisher*.
We are the writers of good taste.
ENVOI
Even if our stock exchange tends to dither
Princes hold sway: gentle folk and the divining caste.
Whatever one might say or pours forth the preacher,
We are the writers of good taste.
*One of Verlaine’s publishers who first published his near-collected works at 19, quai Saint-Michel, Paris-V.
* Alphonse Lemerre (1838-1912) , one of Verlaine’s publishers at 47, Passage Choiseul, Paris, where from 1866 onwards the Parnassians met regularly.
*Vanier first specialised in articles for fishing as a sport.
© T. Wignesan – Paris,2013
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Written by
Lucy Maud Montgomery |
When the salt wave laps on the long, dim shore,
And frets the reef with its windy sallies,
And the dawn's white light is threading once more
The purple firs in the landward valleys,
While yet the arms of the wide gray sea
Are cradling the sunrise that is to be,
The fisherman's boat, through the mist afar,
Has sailed in the wake of the morning star.
The wind in his cordage and canvas sings
Its old glad song of strength and endeavor,
And up from the heart of the ocean rings
A call of courage and cheer forever;
Toil and danger and stress may wait
Beyond the arch of the morning's gate,
But he knows that behind him, upon the shore,
A true heart prays for him evermore.
When a young moon floats in the hollow sky,
Like a fairy shallop, all pale and golden,
And over the rocks that are grim and high,
The lamp of the light-house aloft is holden;
When the bay is like to a lucent cup
With glamor and glory and glow filled up,
In the track of the sunset, across the foam,
The fisherman's boat comes sailing home.
The wind is singing a low, sweet song
Of a rest well won and a toil well over,
And there on the shore shines clear and strong
The star of the homelight to guide the rover:
And deep unto deep may call and wail
But the fisherman laughs as he furls his sail,
For the bar is passed and the reef is dim
And a true heart is waiting to welcome him!
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