Written by
Marina Tsvetaeva |
Children - are staring of eyes so frightful,
Mischievous legs on a wooden floor,
Children - is sun in the gloomy motives,
Hypotheses' of happy sciences world.
Eternal disorder in the ring's gold,
Tender word's whispers in semi-sleep,
On the wall in a cozy child's room, the dreaming
Peaceful pictures of birds and sheep.
Children - is evening, evening on the couch,
In the fog, through the window, glimmer street lamps,
A measured voice of the tale of King Saltan,
Mermaid-sisters of seas from tales.
Children - is rest, brief moment of respite,
A trembling vow before God's eyes,
Children - are the world's tender riddles,
Where in the riddle the answer hides!
|
Written by
Anna Akhmatova |
Holy Lot was a-going behind God's angel,
He seemed huge and bright on a hill, huge and black.
But the heart of his wife whispered stronger and stranger:
"It's not very late, you have time to look back
At these rose turrets of your native Sodom,
The square where you sang, and the yard where you span,
The windows looking from your cozy home
Where you bore children for your dear man."
She looked -- and her eyes were instantly bound
By pain -- they couldn't see any more at all:
Her fleet feet grew into the stony ground,
Her body turned into a pillar of salt.
Who'll mourn her as one of Lot's family members?
Doesn't she seem the smallest of losses to us?
But deep in my heart I will always remember
One who gave her life up for one single glance.
|
Written by
Eugene Field |
When the busy day is done,
And my weary little one
Rocketh gently to and fro;
When the night winds softly blow,
And the crickets in the glen
Chirp and chirp and chirp again;
When upon the haunted green
Fairies dance around their queen -
Then from yonder misty skies
Cometh Lady Button-Eyes.
Through the murk and mist and gloam
To our quiet, cozy home,
Where to singing, sweet and low,
Rocks a cradle to and fro;
Where the clock's dull monotone
Telleth of the day that's done;
Where the moonbeams hover o'er
Playthings sleeping on the floor -
Where my weary wee one lies
Cometh Lady Button-Eyes.
Cometh like a fleeting ghost
From some distant eerie coast;
Never footfall can you hear
As that spirit fareth near -
Never whisper, never word
From that shadow-queen is heard.
In ethereal raiment dight,
From the realm of fay and sprite
In the depth of yonder skies
Cometh Lady Button-Eyes.
Layeth she her hands upon
My dear weary little one,
And those white hands overspread
Like a veil the curly head,
Seem to fondle and caress
Every little silken tress;
Then she smooths the eyelids down
Over those two eyes of brown -
In such soothing, tender wise
Cometh Lady Button-Eyes.
Dearest, feel upon your brow
That caressing magic now;
For the crickets in the glen
Chirp and chirp and chirp again,
While upon the haunted green
Fairies dance around their queen,
And the moonbeams hover o'er
Playthings sleeping on the floor -
Hush, my sweet! from yonder skies
Cometh Lady Button-Eyes!
|
Written by
Ogden Nash |
There here are words of radical advice for a young man looking for a job;
Young man, be a snob.
Yes, if you are in search of arguments against starting at the bottom,
Why I've gottem.
Let the personnel managers differ;
It,s obvious that you will get on faster at the top than at the bottom because
there are more people at the bottom than at the top so naturally the competition
at the bottom is stiffer.
If you need any further proof that my theory works
Well, nobody can deny that presidents get paid more than vice-presidents and
vice-presidents get paid more than clerks.
Stop looking at me quizzically;
I want to add that you will never achieve fortune in a job that makes you
uncomfortable physically.
When anybody tells you that hard jobs are better for you than soft jobs be sure
to repeat this text to them,
Postmen tramp around all day through rain and snow just to deliver other
people's in cozy air-conditioned offices checks to them.
You don't need to interpret tea leaves stuck in a cup
To understand that people who work sitting down get paid more than people who
work standing up.
Another thing about having a comfortable job is you not only accommodate more
treasure;
You get more leisure.
So that when you find you have worked so comfortably that your waistline is a
menace,
You correct it with golf or tennis.
Whereas is in an uncomfortable job like piano-moving or stevedoring you
indulge,
You have no time to exercise, you just continue to bulge.
To sum it up, young man, there is every reason to refuse a job that will make
heavy demands on you corporally or manually,
And the only intelligent way to start your career is to accept a sitting
position paying at least twenty-five thousand dollars annually.
|
Written by
Marge Piercy |
The bonsai tree
in the attractive pot
could have grown eighty feet tall
on the side of a mountain
till split by lightning.
But a gardener
carefully pruned it.
It is nine inches high.
Every day as he
whittles back the branches
the gardener croons,
It is your nature
to be small and cozy,
domestic and weak;
how lucky, little tree,
to have a pot to grow in.
With living creatures
one must begin very early
to dwarf their growth:
the bound feet,
the crippled brain,
the hair in curlers,
the hands you
love to touch.
|
Written by
Robert William Service |
I'm dead.
Officially I'm dead. Their hope is past.
How long I stood as missing! Now, at last
I'm dead.
Look in my face -- no likeness can you see,
No tiny trace of him they knew as "me".
How terrible the change!
Even my eyes are strange.
So keyed are they to pain,
That if I chanced to meet
My mother in the street
She'd look at me in vain.
When she got home I think she'd say:
"I saw the saddest sight to-day --
A poilu with no face at all.
Far better in the fight to fall
Than go through life like that, I think.
Poor fellow! how he made me shrink.
No face. Just eyes that seemed to stare
At me with anguish and despair.
This ghastly war! I'm almost cheered
To think my son who disappeared,
My boy so handsome and so gay,
Might have come home like him to-day."
I'm dead. I think it's better to be dead
When little children look at you with dread;
And when you know your coming home again
Will only give the ones who love you pain.
Ah! who can help but shrink? One cannot blame.
They see the hideous husk, not, not the flame
Of sacrifice and love that burns within;
While souls of satyrs, riddled through with sin,
Have bodies fair and excellent to see.
Mon Dieu! how different we all would be
If this our flesh was ordained to express
Our spirit's beauty or its ugliness.
(Oh, you who look at me with fear to-day,
And shrink despite yourselves, and turn away --
It was for you I suffered woe accurst;
For you I braved red battle at its worst;
For you I fought and bled and maimed and slew;
For you, for you!
For you I faced hell-fury and despair;
The reeking horror of it all I knew:
I flung myself into the furnace there;
I faced the flame that scorched me with its glare;
I drank unto the dregs the devil's brew --
Look at me now -- for you and you and you. . . .)
. . . . .
I'm thinking of the time we said good-by:
We took our dinner in Duval's that night,
Just little Jacqueline, Lucette and I;
We tried our very utmost to be bright.
We laughed. And yet our eyes, they weren't gay.
I sought all kinds of cheering things to say.
"Don't grieve," I told them. "Soon the time will pass;
My next permission will come quickly round;
We'll all meet at the Gare du Montparnasse;
Three times I've come already, safe and sound."
(But oh, I thought, it's harder every time,
After a home that seems like Paradise,
To go back to the vermin and the slime,
The weariness, the want, the sacrifice.
"Pray God," I said, "the war may soon be done,
But no, oh never, never till we've won!")
Then to the station quietly we walked;
I had my rifle and my haversack,
My heavy boots, my blankets on my back;
And though it hurt us, cheerfully we talked.
We chatted bravely at the platform gate.
I watched the clock. My train must go at eight.
One minute to the hour . . . we kissed good-by,
Then, oh, they both broke down, with piteous cry.
I went. . . . Their way was barred; they could not pass.
I looked back as the train began to start;
Once more I ran with anguish at my heart
And through the bars I kissed my little lass. . . .
Three years have gone; they've waited day by day.
I never came. I did not even write.
For when I saw my face was such a sight
I thought that I had better . . . stay away.
And so I took the name of one who died,
A friendless friend who perished by my side.
In Prussian prison camps three years of hell
I kept my secret; oh, I kept it well!
And now I'm free, but none shall ever know;
They think I died out there . . . it's better so.
To-day I passed my wife in widow's weeds.
I brushed her arm. She did not even look.
So white, so pinched her face, my heart still bleeds,
And at the touch of her, oh, how I shook!
And then last night I passed the window where
They sat together; I could see them clear,
The lamplight softly gleaming on their hair,
And all the room so full of cozy cheer.
My wife was sewing, while my daughter read;
I even saw my portrait on the wall.
I wanted to rush in, to tell them all;
And then I cursed myself: "You're dead, you're dead!"
God! how I watched them from the darkness there,
Clutching the dripping branches of a tree,
Peering as close as ever I might dare,
And sobbing, sobbing, oh, so bitterly!
But no, it's folly; and I mustn't stay.
To-morrow I am going far away.
I'll find a ship and sail before the mast;
In some wild land I'll bury all the past.
I'll live on lonely shores and there forget,
Or tell myself that there has never been
The gay and tender courage of Lucette,
The little loving arms of Jacqueline.
A man lonely upon a lonely isle,
Sometimes I'll look towards the North and smile
To think they're happy, and they both believe
I died for France, and that I lie at rest;
And for my glory's sake they've ceased to grieve,
And hold my memory sacred. Ah! that's best.
And in that thought I'll find my joy and peace
As there alone I wait the Last Release.
|
Written by
Robert William Service |
Her little head just topped the window-sill;
She even mounted on a stool, maybe;
She pressed against the pane, as children will,
And watched us playing, oh so wistfully!
And then I missed her for a month or more,
And idly thought: "She's gone away, no doubt,"
Until a hearse drew up beside the door . . .
I saw a tiny coffin carried out.
And after that, towards dusk I'd often see
Behind the blind another face that looked:
Eyes of a young wife watching anxiously,
Then rushing back to where her dinner cooked.
She often gulped it down alone, I fear,
Within her heart the sadness of despair,
For near to midnight I would vaguely hear
A lurching step, a stumbling on the stair.
These little dramas of the common day!
A man weak-willed and fore-ordained to fail . . .
The window's empty now, they've gone away,
And yonder, see, their furniture's for sale.
To all the world their door is open wide,
And round and round the bargain-hunters roam,
And peer and gloat, like vultures avid-eyed,
Above the corpse of what was once a home.
So reverent I go from room to room,
And see the patient care, the tender touch,
The love that sought to brighten up the gloom,
The woman-courage tested overmuch.
Amid those things so intimate and dear,
Where now the mob invades with brutal tread,
I think: "What happiness is buried here,
What dreams are withered and what hopes are dead!"
Oh, woman dear, and were you sweet and glad
Over the lining of your little nest!
What ponderings and proud ideas you had!
What visions of a shrine of peace and rest!
For there's his easy-chair upon the rug,
His reading-lamp, his pipe-rack on the wall,
All that you could devise to make him snug --
And yet you could not hold him with it all.
Ah, patient heart, what homelike joys you planned
To stay him by the dull domestic flame!
Those silken cushions that you worked by hand
When you had time, before the baby came.
Oh, how you wove around him cozy spells,
And schemed so hard to keep him home of nights!
Aye, every touch and turn some story tells
Of sweet conspiracies and dead delights.
And here upon the scratched piano stool,
Tied in a bundle, are the songs you sung;
That cozy that you worked in colored wool,
The Spanish lace you made when you were young,
And lots of modern novels, cheap reprints,
And little dainty knick-knacks everywhere;
And silken bows and curtains of gay chintz . . .
And oh, her tiny crib, her folding chair!
Sweet woman dear, and did your heart not break,
To leave this precious home you made in vain?
Poor shabby things! so prized for old times' sake,
With all their memories of love and pain.
Alas! while shouts the raucous auctioneer,
And rat-faced dames are prying everywhere,
The echo of old joy is all I hear,
All, all I see just heartbreak and despair.
|
Written by
Thomas Hardy |
I
I would that folk forgot me quite,
Forgot me quite!
I would that I could shrink from sight,
And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
Of my day's work as done.
II
Ah! dairy where I lived so long,
I lived so long;
Where I would rise up stanch and strong,
And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat -
Loved me, and learnt to call me sweet,
And whispered words to me.
III
And now he's gone; and now he's gone; . . .
And now he's gone!
The flowers we potted p'rhaps are thrown
To rot upon the farm.
And where we had our supper-fire
May now grow nettle, dock, and briar,
And all the place be mould and mire
So cozy once and warm.
IV
And it was I who did it all,
Who did it all;
'Twas I who made the blow to fall
On him who thought no guile.
Well, it is finished--past, and he
Has left me to my misery,
And I must take my Cross on me
For wronging him awhile.
V
How gay we looked that day we wed,
That day we wed!
"May joy be with ye!" all o'm said
A standing by the durn.
I wonder what they say o's now,
And if they know my lot; and how
She feels who milks my favourite cow,
And takes my place at churn!
VI
It wears me out to think of it,
To think of it;
I cannot bear my fate as writ,
I'd have my life unbe;
Would turn my memory to a blot,
Make every relic of me rot,
My doings be as they were not,
And what they've brought to me!
|
Written by
Vasko Popa |
Line the inside of the little box
With your precious skin
And make yourself cozy
Just as you would in your own home
Make space voyages inside her
Gather stars make time squirt its milk
And sleep in the clouds
Just don't go around pretending
You're more important than her length
And wiser than her width
If you do we'll sell her for a song
Your box and everything inside her
To the first fleecer to the wind
We don't care about profit
And we don't keep spoiled goods
So don't keep saying
It's we who told you this
From inside the little box
|
Written by
Robert William Service |
Day after day behold me plying
My pen within an office drear;
The dullest dog, till homeward hieing,
Then lo! I reign a king of cheer.
A throne have I of padded leather,
A little court of kiddies three,
A wife who smiles whate'er the weather,
A feast of muffins, jam and tea.
The table cleared, a romping battle,
A fairy tale, a "Children, bed,"
A kiss, a hug, a hush of prattle
(God save each little drowsy head!)
A cozy chat with wife a-sewing,
A silver lining clouds that low'r,
Then she too goes, and with her going,
I come again into my Hour.
I poke the fire, I snugly settle,
My pipe I prime with proper care;
The water's purring in the kettle,
Rum, lemon, sugar, all are there.
And now the honest grog is steaming,
And now the trusty briar's aglow:
Alas! in smoking, drinking, dreaming,
How sadly swift the moments go!
Oh, golden hour! 'twixt love and duty,
All others I to others give;
But you are mine to yield to Beauty,
To glean Romance, to greatly live.
For in my easy-chair reclining . . .
I feel the sting of ocean spray;
And yonder wondrously are shining
The Magic Isles of Far Away.
Beyond the comber's crashing thunder
Strange beaches flash into my ken;
On jetties heaped head-high with plunder
I dance and dice with sailor-men.
Strange stars swarm down to burn above me,
Strange shadows haunt, strange voices greet;
Strange women lure and laugh and love me,
And fling their bastards at my feet.
Oh, I would wish the wide world over,
In ports of passion and unrest,
To drink and drain, a tarry rover
With dragons tattooed on my chest,
With haunted eyes that hold red glories
Of foaming seas and crashing shores,
With lips that tell the strangest stories
Of sunken ships and gold moidores;
Till sick of storm and strife and slaughter,
Some ghostly night when hides the moon,
I slip into the milk-warm water
And softly swim the stale lagoon.
Then through some jungle python-haunted,
Or plumed morass, or woodland wild,
I win my way with heart undaunted,
And all the wonder of a child.
The pathless plains shall swoon around me,
The forests frown, the floods appall;
The mountains tiptoe to confound me,
The rivers roar to speed my fall.
Wild dooms shall daunt, and dawns be gory,
And Death shall sit beside my knee;
Till after terror, torment, glory,
I win again the sea, the sea. . . .
Oh, anguish sweet! Oh, triumph splendid!
Oh, dreams adieu! my pipe is dead.
My glass is dry, my Hour is ended,
It's time indeed I stole to bed.
How peacefully the house is sleeping!
Ah! why should I strange fortunes plan?
To guard the dear ones in my keeping --
That's task enough for any man.
So through dim seas I'll ne'er go spoiling;
The red Tortugas never roam;
Please God! I'll keep the pot a-boiling,
And make at least a happy home.
My children's path shall gleam with roses,
Their grace abound, their joy increase.
And so my Hour divinely closes
With tender thoughts of praise and peace.
|