Written by
Robinson Jeffers |
I
The broken pillar of the wing jags from the clotted shoulder,
The wing trails like a banner in defeat,
No more to use the sky forever but live with famine
And pain a few days: cat nor coyote
Will shorten the week of waiting for death, there is game without talons.
He stands under the oak-bush and waits
The lame feet of salvation; at night he remembers freedom
And flies in a dream, the dawns ruin it.
He is strong and pain is worse to the strong, incapacity is worse.
The curs of the day come and torment him
At distance, no one but death the redeemer will humble that head,
The intrepid readiness, the terrible eyes.
The wild God of the world is sometimes merciful to those
That ask mercy, not often to the arrogant.
You do not know him, you communal people, or you have forgotten him;
Intemperate and savage, the hawk remembers him;
Beautiful and wild, the hawks, and men that are dying, remember him.
II
I'd sooner, except the penalties, kill a man than a hawk;
but the great redtail
Had nothing left but unable misery
From the bone too shattered for mending, the wing that trailed under his talons when he moved.
We had fed him six weeks, I gave him freedom,
He wandered over the foreland hill and returned in the evening, asking for death,
Not like a beggar, still eyed with the old
Implacable arrogance.
I gave him the lead gift in the twilight.
What fell was relaxed, Owl-downy, soft feminine feathers; but what
Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising
Before it was quite unsheathed from reality.
|
Written by
Vachel Lindsay |
I.
EDWIN BOOTH
An old actor at the Player's Club told me that Edwin Booth first impersonated Hamlet when a barnstormer in California.
There were few theatres, but the hotels were provided with crude assembly rooms for strolling players.
The youth played in the blear hotel.
The rafters gleamed with glories strange.
And winds of mourning Elsinore
Howling at chance and fate and change;
Voices of old Europe's dead
Disturbed the new-built cattle-shed,
The street, the high and solemn range.
The while the coyote barked afar
All shadowy was the battlement.
The ranch-boys huddled and grew pale,
Youths who had come on riot bent.
Forgot were pranks well-planned to sting.
Behold there rose a ghostly king,
And veils of smoking Hell were rent.
When Edwin Booth played Hamlet, then
The camp-drab's tears could not but flow.
Then Romance lived and breathed and burned.
She felt the frail queen-mother's woe,
Thrilled for Ophelia, fond and blind,
And Hamlet, cruel, yet so kind,
And moaned, his proud words hurt her so.
A haunted place, though new and harsh!
The Indian and the Chinaman
And Mexican were fain to learn
What had subdued the Saxon clan.
Why did they mumble, brood, and stare
When the court-players curtsied fair
And the Gonzago scene began?
And ah, the duel scene at last!
They cheered their prince with stamping feet.
A death-fight in a palace! Yea,
With velvet hangings incomplete,
A pasteboard throne, a pasteboard crown,
And yet a monarch tumbled down,
A brave lad fought in splendor meet.
Was it a palace or a barn?
Immortal as the gods he flamed.
There in his last great hour of rage
His foil avenged a mother shamed.
In duty stern, in purpose deep
He drove that king to his black sleep
And died, all godlike and untamed.
I was not born in that far day.
I hear the tale from heads grown white.
And then I walk that earlier street,
The mining camp at candle-light.
I meet him wrapped in musings fine
Upon some whispering silvery line
He yet resolves to speak aright.
II.
EPITAPH FOR JOHN BUNNY, MOTION PICTURE COMEDIAN
In which he is remembered in similitude, by reference to Yorick, the king's jester, who died when Hamlet and Ophelia were children.
Yorick is dead.
Boy Hamlet walks forlorn
Beneath the battlements of Elsinore.
Where are those oddities and capers now
That used to "set the table on a roar"?
And do his bauble-bells beyond the clouds
Ring out, and shake with mirth the planets bright?
No doubt he brings the blessed dead good cheer,
But silence broods on Elsinore tonight.
That little elf, Ophelia, eight years old,
Upon her battered doll's staunch bosom weeps.
("O best of men, that wove glad fairy-tales.
")
With tear-burned face, at last the darling sleeps.
Hamlet himself could not give cheer or help,
Though firm and brave, with his boy-face controlled.
For every game they started out to play
Yorick invented, in the days of old.
The times are out of joint! O cursed spite!
The noble jester Yorick comes no more.
And Hamlet hides his tears in boyish pride
By some lone turret-stair of Elsinore.
|
Written by
James Tate |
I swerved to avoid hitting a squirrel
in the center of the road and that's when
the deer came charging out of the forest
and forced me to hit the brakes for all I
was worth and I careened back to the other
side of the road just as a skunk came toddling
out of Mrs.
Bancroft's front yard and I swung
back perhaps just grazing it a bit.
I glanced
quickly in the rearview mirror and in that
instant a groundhog waddled from the side
of the road and I zigzagged madly and don't
know if I nipped it or not because up ahead I
could see a coyote stalking the Collier's
cat.
Oh well, I said, and drove the rest
of the way home without incident.
|
Written by
Philip Levine |
"I've been where it hurts.
" the Kid
He becomes Sierra Kid
I passed Slimgullion, Morgan Mine,
Camp Seco, and the rotting Lode.
Dark walls of sugar pine --,
And where I left the road
I left myself behind;
Talked to no one, thought
Of nothing.
When my luck ran out
Lived on berries, nuts, bleached grass.
Driven by the wind
Through great Sonora pass,
I found an Indian's teeth;
Turned and climbed again
Without direction, compass, path,
Without a way of coming down,
Until I stopped somewhere
And gave the place a name.
I called the forests mine;
Whatever I could hear
I took to be a voice: a man
Was something I would never hear.
He faces his second winter in the Sierra
A hard brown bug, maybe a beetle,
Packing a ball of sparrow **** --
What shall I call it?
**** beetle? Why's it pushing here
At this great height in the thin air
With its ridiculous waddle
Up the hard side of Hard Luck Hill?
And the furred thing that frightened me --
Bobcat, coyote, wild dog --
Flat eyes in winter bush, stiff tail
Holding his ground, a rotted log.
Grass snakes that wouldn't die,
And night hawks hanging on the rim
Of what was mine.
I know them now;
They have absorbed a mind
Which must endure the freezing snow
They endure and, freezing, find
A clear sustaining stream.
He learns to lose
She was afraid
Of everything,
The little Digger girl.
Pah Utes had killed
Her older brother
Who may have been her lover
The way she cried
Over his ring --
The heavy brass
On the heavy hand.
She carried it for weeks
Clenched in her fist
As if it might
Keep out the loneliness
Or the plain fact
That he was gone.
When the first snows
Began to fall
She stopped her crying, picked
Berries, sweet grass,
Mended her clothes
And sewed a patchwork shawl.
We slept together
But did not speak.
It may have been
The Pah Utes took
Her off, perhaps her kin.
I came back
To find her gone
With half the winter left
To face alone --
The slow grey dark
Moving along
The dark tipped grass
Between the numbed pines.
Night after night
For four long months
My face to her dark face
We two had lain
Till the first light.
Civilization comes to Sierra Kid
They levelled Tater Hill
And I was sick.
First sun, and the chain saws
Coming on; blue haze,
Dull blue exhaust
Rising, dust rising, and the smell.
Moving from their thatched huts
The crazed wood rats
By the thousand; grouse, spotted quail
Abandoning the hills
For the sparse trail
On which, exposed, I also packed.
Six weeks.
I went back down
Through my own woods
Afraid of what I knew they'd done.
There, there, an A&P,
And not a tree
For Miles, and mammoth hills of goods.
Fat men in uniforms,
Young men in aprons
With one face shouting, "He is mad!"
I answered: "I am Lincoln,
Aaron Burr,
The aging son of Appleseed.
"I am American
And I am cold.
"
But not a one would hear me out.
Oh God, what have I seen
That was not sold!
They shot an old man in the gut.
Mad, dying, Sierra Kid enters the capital
What have I changed?
I unwound burdocks from my hair
And scalded stains
Of the black grape
And hid beneath long underwear
The yellowed tape.
Who will they find
In the dark woods of the dark mind
Now I have gone
Into the world?
Across the blazing civic lawn
A shadow's hurled
And I must follow.
Something slides beneath my vest
Like melted tallow,
Thick but thin,
Burning where it comes to rest
On what was skin.
Who will they find?
A man with no eyes in his head?
Or just a mind
Calm and alone?
Or just a mouth, silent, dead,
The lips half gone?
Will they presume
That someone once was half alive
And that the air
Was massive where
The sickening pyracanthus thrive
Staining his tomb?
I came to touch
The great heart of a dying state.
Here is the wound!
It makes no sound.
All that we learn we learn too late,
And it's not much.
|
Written by
Edward Taylor |
I swerved to avoid hitting a squirrel
in the center of the road and that's when
the deer came charging out of the forest
and forced me to hit the brakes for all I
was worth and I careened back to the other
side of the road just as a skunk came toddling
out of Mrs.
Bancroft's front yard and I swung
back perhaps just grazing it a bit.
I glanced
quickly in the rearview mirror and in that
instant a groundhog waddled from the side
of the road and I zigzagged madly and don't
know if I nipped it or not because up ahead I
could see a coyote stalking the Collier's
cat.
Oh well, I said, and drove the rest
of the way home without incident.
|
Written by
Badger Clark |
Wrangle up your mouth-harps, drag your banjo out,
Tune your old guitarra till she twangs right stout,
For the snow is on the mountains and the wind is on the plain,
But we'll cut the chimney's moanin' with a livelier refrain.
_Shinin' 'dobe fireplace, shadows on the wall--_
_(See old Shorty's friv'lous toes a-twitchin' at the call:)_
_It's the best grand high that there is within the law_
_When seven jolly punchers tackle "Turkey in the Straw."_
Freezy was the day's ride, lengthy was the trail,
Ev'ry steer was haughty with a high arched tail,
But we held 'em and we shoved 'em, for our longin' hearts were tried
By a yearnin' for tobacker and our dear fireside.
_Swing 'er into stop-time, don't you let 'er droop!_
_(You're about as tuneful as a coyote with the croup!)_
_Ay, the cold wind bit when we drifted down the draw,_
_But we drifted on to comfort and to "Turkey in the Straw."_
Snarlin' when the rain whipped, cussin' at the ford--
Ev'ry mile of twenty was a long discord,
But the night is brimmin' music and its glory is complete
When the eye is razzle-dazzled by the flip o' Shorty's feet!
_Snappy for the dance, now, fill she up and shoots!_
_(Don't he beat the devil's wife for jiggin' in 'is boots?)_
_Shorty got throwed high and we laughed till he was raw,_
_But tonight he's done forgot it prancin' "Turkey in the Straw."_
Rainy dark or firelight, bacon rind or pie,
Livin' is a luxury that don't come high;
Oh, be happy and onruly while our years and luck allow,
For we all must die or marry less than forty years from now!
_Lively on the last turn! lope 'er to the death!_
_(Reddy's soul is willin' but he's gettin' short o' breath.)_
_Ay, the storm wind sings and old trouble sucks his paw_
_When we have an hour of firelight set to "Turkey in the Straw!"_
|
Written by
Badger Clark |
Desert blue and silver in the still moonshine,
Coyote yappin' lazy on the hill,
Sleepy winks of lightnin' down the far sky line,
Time for millin' cattle to be still.
_So--o now, the lightnin's far away,_
_The coyote's nothiny skeery;_
_He's singin' to his dearie--_
_Hee--ya, tammalalleday!_
_Settle down, you cattle, till the mornin'._
Nothin' out the hazy range that you folks need,
Nothin' we kin see to take your eye.
Yet we got to watch you or you'd all stampede,
Plungin' down some 'royo bank to die.
_So--o, now, for still the shadows stay;_
_The moon is slow and steady;_
_The sun comes when he's ready._
_Hee--ya, tammalalleday!_
_No use runnin' out to meet the mornin'._
Cows and men are foolish when the light grows dim,
Dreamin' of a land too far to see.
There, you dream, is wavin' grass and streams that brim
And it often seems the same to me.
_So--o, now, for dreams they never pay._
_The dust it keeps us blinkin',_
_We're seven miles from drinkin'._
_Hee--ya, tammalalleday!_
_But we got to stand it till the mornin'._
Mostly it's a moonlight world our trail winds through.
Kaint see much beyond our saddle horns.
Always far away is misty silver-blue;
Always underfoot it's rocks and thorns.
_So--o, now. It must be this away--_
_The lonesome owl a-callin',_
_The mournful coyote squallin'._
_Hee--ya, tammalalleday!_
_Mockin-birds don't sing until the mornin'._
Always seein' 'wayoff dreams of silver-blue,
Always feelin' thorns that slab and sting.
Yet stampedin' never made a dream come true,
So I ride around myself and sing.
_So--o, now, a man has got to stay,_
_A-likin' or a-hatin',_
_But workin' on and waitin'._
_Hee--ya, tammalalleday!_
_All of us are waitin' for the mornin'._
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