Written by
William Shakespeare |
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire!
I do wander everywhere,
Swifter than the moon's sphere;
And I serve the Fairy Queen,
To dew her orbs upon the green;
The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favours;
In those freckles live their savours;
I must go seek some dewdrops here,
And hang a pearl in every cowslip's ear.
|
Written by
Oscar Wilde |
The seasons send their ruin as they go,
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea
Flows at our heels, and gloom of sunless night
Covers the days which never more return?
Ambition, love and all the thoughts that burn
We lose too soon, and only find delight
In withered husks of some dead memory.
|
Written by
John Milton |
In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.
YET once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.
Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,"
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed."
O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune's plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?"
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:--
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies' sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more."
Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf suck the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where'er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
|
Written by
Robert Louis Stevenson |
Thank you, pretty cow, that made
Pleasant milk to soak my bread,
Every day and every night,
Warm, and fresh, and sweet, and white.
Do not chew the hemlock rank,
Growing on the weedy bank;
But the yellow cowslips eat;
They perhaps will make it sweet.
Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there to dine.
|
Written by
Robert Burns |
AGAIN rejoicing Nature sees
Her robe assume its vernal hues:
Her leafy locks wave in the breeze,
All freshly steep’d in morning dews.
Chorus.—And maun I still on Menie doat,
And bear the scorn that’s in her e’e?
For it’s jet, jet black, an’ it’s like a hawk,
An’ it winna let a body be.
In vain to me the cowslips blaw,
In vain to me the vi’lets spring;
In vain to me in glen or shaw,
The mavis and the lintwhite sing.
And maun I still, &c.
The merry ploughboy cheers his team,
Wi’ joy the tentie seedsman stalks;
But life to me’s a weary dream,
A dream of ane that never wauks.
And maun I still, &c.
The wanton coot the water skims,
Amang the reeds the ducklings cry,
The stately swan majestic swims,
And ev’ry thing is blest but I.
And maun I still, &c.
The sheep-herd steeks his faulding slap,
And o’er the moorlands whistles shill:
Wi’ wild, unequal, wand’ring step,
I meet him on the dewy hill.
And maun I still, &c.
And when the lark, ’tween light and dark,
Blythe waukens by the daisy’s side,
And mounts and sings on flittering wings,
A woe-worn ghaist I hameward glide.
And maun I still, &c.
Come winter, with thine angry howl,
And raging, bend the naked tree;
Thy gloom will soothe my cheerless soul,
When nature all is sad like me!
And maun I still, &c.
|
Written by
Edmund Spenser |
In praise of Eliza Queen of the Shepherds
SEE where she sits upon the grassie greene,
(O seemely sight!)
Yclad in Scarlot, like a mayden Queene,
And ermines white:
Upon her head a Cremosin coronet 5
With Damaske roses and Daffadillies set:
Bay leaves betweene,
And primroses greene,
Embellish the sweete Violet.
Tell me, have ye seene her angelick face 10
Like Phoebe fayre?
Her heavenly haveour, her princely grace,
Can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten lively chere: 15
Her modest eye,
Her Majestie,
Where have you seene the like but there?
I see Calliope speede her to the place,
Where my Goddesse shines; 20
And after her the other Muses trace
With their Violines.
Bene they not Bay braunches which they do beare,
All for Elisa in her hand to weare?
So sweetely they play, 25
And sing all the way,
That it a heaven is to heare.
Lo, how finely the Graces can it foote
To the Instrument:
They dauncen deffly, and singen soote, 30
In their meriment.
Wants not a fourth Grace to make the daunce even?
Let that rowme to my Lady be yeven.
She shal be a Grace,
To fyll the fourth place, 35
And reigne with the rest in heaven.
Bring hether the Pincke and purple Cullambine,
With Gelliflowres;
Bring Coronations, and Sops-in-wine
Worne of Paramoures: 40
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and lov¨¨d Lillies:
The pretie Pawnce,
And the Chevisaunce,
Shall match with the fayre flowre Delice. 45
Now ryse up, Elisa, deck¨¨d as thou art
In royall aray;
And now ye daintie Damsells may depart
Eche one her way.
I feare I have troubled your troupes to longe: 50
Let dame Elisa thanke you for her song:
And if you come hether
When Damsines I gether,
I will part them all you among.
GLOSS: medled] mixed. yfere] together. soote] sweet. coronations] carnations. sops-in-wine] striped pinks. pawnce] pansy. chevisaunce] wallflower. flowre delice] iris.
|
Written by
Robert Herrick |
MONTANO, SILVIO, AND MIRTILLO, SHEPHERDS
MON. Bad are the times. SIL. And worse than they are we.
MON. Troth, bad are both; worse fruit, and ill the tree:
The feast of shepherds fail. SIL. None crowns the cup
Of wassail now, or sets the quintel up:
And he, who used to lead the country-round,
Youthful Mirtillo, here he comes, grief-drown'd.
AMBO. Let's cheer him up. SIL. Behold him weeping-ripe.
MIRT. Ah, Amarillis! farewell mirth and pipe;
Since thou art gone, no more I mean to play
To these smooth lawns, my mirthful roundelay.
Dear Amarillis! MON. Hark! SIL. Mark! MIRT. This
earth grew sweet
Where, Amarillis, thou didst set thy feet.
AMBO Poor pitied youth! MIRT. And here the breath
of kine
And sheep grew more sweet by that breath of thine.
This dock of wool, and this rich lock of hair,
This ball of cowslips, these she gave me here.
SIL. Words sweet as love itself. MON. Hark!--
MIRT. This way she came, and this way too she went;
How each thing smells divinely redolent!
Like to a field of beans, when newly blown,
Or like a meadow being lately mown.
MON. A sweet sad passion----
MIRT. In dewy mornings, when she came this way,
Sweet bents would bow, to give my Love the day;
And when at night she folded had her sheep,
Daisies would shut, and closing, sigh and weep.
Besides (Ai me!) since she went hence to dwell,
The Voice's Daughter ne'er spake syllable.
But she is gone. SIL. Mirtillo, tell us whither?
MIRT. Where she and I shall never meet together.
MON. Fore-fend it, Pan! and Pales, do thou please
To give an end... MIRT. To what? SIL. Such griefs
as these.
MIRT. Never, O never! Still I may endure
The wound I suffer, never find a cure.
MON. Love, for thy sake, will bring her to these hills
And dales again. MIRT. No, I will languish still;
And all the while my part shall be to weep;
And with my sighs call home my bleating sheep;
And in the rind of every comely tree
I'll carve thy name, and in that name kiss thee.
MON. Set with the sun, thy woes! SIL. The day
grows old;
And time it is our full-fed flocks to fold.
CHOR. The shades grow great; but greater grows
our sorrow:--
But let's go steep
Our eyes in sleep;
And meet to weep
To-morrow.
|
Written by
Mary Darby Robinson |
BLEST be thy song, sweet NIGHTINGALE,
Lorn minstrel of the lonely vale !
Where oft I've heard thy dulcet strain
In mournful melody complain;
When in the POPLAR'S trembling shade,
At Evening's purple hour I've stray'd,
While many a silken folded flow'r
Wept on its couch of Gossamer,
And many a time in pensive mood
Upon the upland mead I've stood,
To mark grey twilight's shadows glide
Along the green hill's velvet side;
To watch the perfum'd hand of morn
Hang pearls upon the silver thorn,
Till rosy day with lustrous eye
In saffron mantle deck'd the sky,
And bound the mountain's brow with fire,
And ting'd with gold the village spire:
While o'er the frosted vale below
The amber tints began to glow:
And oft I seek the daisied plain
To greet the rustic nymph and swain,
When cowslips gay their bells unfold,
And flaunt their leaves of glitt'ring gold,
While from the blushes of the rose
A tide of musky essence flows,
And o'er the odour-breathing flow'rs
The woodlands shed their diamond show'rs,
When from the scented hawthorn bud
The BLACKBIRD sips the lucid flood,
While oft the twitt'ring THRUSH essays
To emulate the LINNET'S lays;
While the poiz'd LARK her carol sings
And BUTTERFLIES expand their wings,
And BEES begin their sultry toils
And load their limbs with luscious spoils,
I stroll along the pathless vale,
And smile, and bless thy soothing tale.
But ah ! when hoary winter chills
The plumy raceand wraps the hills
In snowy vest, I tell my pains
Beside the brook in icy chains
Bound its weedy banks between,
While sad I watch night's pensive queen,
Just emblem of MY weary woes:
For ah ! where'er the virgin goes,
Each flow'ret greets her with a tear
To sympathetic sorrow dear;
And when in black obtrusive clouds
The chilly MOON her pale cheek shrouds,
I mark the twinkling starry train
Exulting glitter in her wane,
And proudly gleam their borrow'd light
To gem the sombre dome of night.
Then o'er the meadows cold and bleak,
The glow-worm's glimm'ring lamp I seek.
Or climb the craggy cliff to gaze
On some bright planet's azure blaze,
And o'er the dizzy height inclin'd
I listen to the passing wind,
That loves my mournful song to seize,
And bears it to the mountain breeze.
Or where the sparry caves among
Dull ECHO sits with aëry tongue,
Or gliding on the ZEPHYR'S wings
From hill to hill her cadence flings,
O, then my melancholy tale
Dies on the bosom of the gale,
While awful stillness reigning round
Blanches my cheek with chilling fear;
Till from the bushy dell profound,
The woodman's song salutes mine ear.
When dark NOVEMBER'S boist'rous breath
Sweeps the blue hill and desart heath,
When naked trees their white tops wave
O'er many a famish'd REDBREAST'S grave,
When many a clay-built cot lays low
Beneath the growing hills of snow,
Soon as the SHEPHERD's silv'ry head
Peeps from his tottering straw-roof'd shed,
To hail the glimm'ring glimpse of day,
With feeble steps he ventures forth
Chill'd by the bleak breath of the North,
And to the forest bends his way,
To gather from the frozen ground
Each branch the night-blast scatter'd round.
If in some bush o'erspread with snow
He hears thy moaning wail of woe,
A flush of warmth his cheek o'erspreads,
With anxious timid care he treads,
And when his cautious hands infold
Thy little breast benumb'd with cold,
"Come, plaintive fugitive," he cries,
While PITY dims his aged eyes,
"Come to my glowing heart, and share
"My narrow cell, my humble fare,
"Tune thy sweet carolplume thy wing,
"And quaff with me the limpid spring,
"And peck the crumbs my meals supply,
"And round my rushy pillow fly."
O, MINSTREL SWEET, whose jocund lay
Can make e'en POVERTY look gay,
Who can the poorest swain inspire
And while he fans his scanty fire,
When o'er the plain rough Winter pours
Nocturnal blasts, and whelming show'rs,
Canst thro' his little mansion fling
The rapt'rous melodies of spring.
To THEE with eager gaze I turn,
Blest solace of the aching breast;
Each gaudy, glitt'ring scene I spurn,
And sigh for solitude and rest,
For art thou not, blest warbler, say,
My mind's best balm, my bosom's friend ?
Didst thou not trill thy softest lay,
And with thy woes my sorrows blend ?
YES, darling Songstress ! when of late
I sought thy leafy-fringed bow'r,
The victim of relentless fate,
Fading in life's dark ling'ring hour,
Thou heard'st my plaint, and pour'd thy strain
Thro' the sad mansion of my breast,
And softly, sweetly lull'd to rest
The throbbing anguish of my brain.
AH ! while I tread this vale of woe,
Still may thy downy measures flow,
To wing my solitary hours
With kind, obliterating pow'rs;
And tho' my pensive, patient heart
No wild, extatic bliss shall prove,
Tho' life no raptures shall impart,
No boundless joy, or, madd'ning love,
Sweet NIGHTINGALE, thy lenient strain
Shall mock Despair, AND BLUNT THE SHAFT OF PAIN.
|
Written by
John Clare |
I saw her crop a rose
Right early in the day,
And I went to kiss the place
Where she broke the rose away
And I saw the patten rings
Where she o'er the stile had gone,
And I love all other things
Her bright eyes look upon.
If she looks upon the hedge or up the leafing tree,
The whitethorn or the brown oak are made dearer things to me.
I have a pleasant hill
Which I sit upon for hours,
Where she cropt some sprigs of thyme
And other little flowers;
And she muttered as she did it
As does beauty in a dream,
And I loved her when she hid it
On her breast, so like to cream,
Near the brown mole on her neck that to me a diamond shone;
Then my eye was like to fire, and my heart was like to stone.
There is a small green place
Where cowslips early curled,
Which on Sabbath day I traced,
The dearest in the world.
A little oak spreads o'er it,
And throws a shadow round,
A green sward close before it,
The greenest ever found:
There is not a woodland nigh nor is there a green grove,
Yet stood the fair maid nigh me and told me all her love.
|
Written by
Elizabeth Barrett Browning |
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west—
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.
Do you question the young children in their sorrow,
Why their tears are falling so?
The old man may weep for his tomorrow,
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?
They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's hoary anguish draws and presses
Down the cheeks of infancy;
"Your old earth," they say, "is very dreary;
Our young feet," they say, "are very weak!
Few paces have we taken, yet are weary—
Our grave-rest is very far to seek.
Ask the aged why they weep, and not the children,
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old."
"True," say the children, "it may happen
That we die before our time.
Little Alice died last year—her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying 'Get up, little Alice! it is day.'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens," say the children,
"That we die before our time."
Alas, alas, the children! They are seeking
Death in life, as best to have;
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow-cowslips pretty,
Laugh aloud, to feel your fingers let them through!
But they answer, "Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!
"For oh," say the children, "we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.
"For all day the wheels are droning, turning;
Their wind comes in our faces,—
Till our hearts turn, our heads with pulses burning,
And the walls turn in their places:
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling,—
All are turning, all the day, and we with all.
And all day, the iron wheels are droning,
And sometimes we could pray,
'O ye wheels,' (breaking out in a mad moaning)
'Stop! be silent for today!' "
Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.
Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, "Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word.
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?
"Two words, indeed, of praying we remember,
And at midnight's hour of harm,
'Our Father,' looking upward in the chamber,
We say softly for a charm.
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
'Our Father!' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child.'
"But, no!" say the children, weeping faster,
"He is speechless as a stone:
And they tell us, of His image is the master
Who commands us to work on.
Go to!" say the children,—"up in heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving—
We look up for God, but tears have made us blind."
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving,
And the children doubt of each.
And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man's despair, without its calm,—
Are slaves, without the liberty in Christdom,—
Are martyrs, by the pang without the palm,—
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap,—
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!
They look up with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity;—
"How long," they say, "how long, O cruel nation,
Will you stand, to move the world, on a child's heart,—
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And its purple shows your path!
But the child's sob in the silence curses deeper
Than the strong man in his wrath."
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