Written by
Robert Pinsky |
to Robert Hass and in memory of Elliot Gilbert
Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,
The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing. "Bashõ"
He named himself, "Banana Tree": banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance
Threading a long night through the rules and channels
Of their collaborative linking-poem
Scored in their teacher's heart: live, rigid, fluid
Like passages etched in a microscopic cicuit.
Elliot had in his memory so many jokes
They seemed to breed like microbes in a culture
Inside his brain, one so much making another
It was impossible to tell them all:
In the court-culture of jokes, a top banana.
Imagine a court of one: the queen a young mother,
Unhappy, alone all day with her firstborn child
And her new baby in a squalid apartment
Of too few rooms, a different race from her neighbors.
She tells the child she's going to kill herself.
She broods, she rages. Hoping to distract her,
The child cuts capers, he sings, he does imitations
Of different people in the building, he jokes,
He feels if he keeps her alive until the father
Gets home from work, they'll be okay till morning.
It's laughter versus the bedroom and the pills.
What is he in his efforts but a courtier?
Impossible to tell his whole delusion.
In the first months when I had moved back East
From California and had to leave a message
On Bob's machine, I used to make a habit
Of telling the tape a joke; and part-way through,
I would pretend that I forgot the punchline,
Or make believe that I was interrupted--
As though he'd be so eager to hear the end
He'd have to call me back. The joke was Elliot's,
More often than not. The doctors made the blunder
That killed him some time later that same year.
One day when I got home I found a message
On my machine from Bob. He had a story
About two rabbis, one of them tall, one short,
One day while walking along the street together
They see the corpse of a Chinese man before them,
And Bob said, sorry, he forgot the rest.
Of course he thought that his joke was a dummy,
Impossible to tell--a dead-end challenge.
But here it is, as Elliot told it to me:
The dead man's widow came to the rabbis weeping,
Begging them, if they could, to resurrect him.
Shocked, the tall rabbi said absolutely not.
But the short rabbi told her to bring the body
Into the study house, and ordered the shutters
Closed so the room was night-dark. Then he prayed
Over the body, chanting a secret blessing
Out of Kabala. "Arise and breathe," he shouted;
But nothing happened. The body lay still. So then
The little rabbi called for hundreds of candles
And danced around the body, chanting and praying
In Hebrew, then Yiddish, then Aramaic. He prayed
In Turkish and Egyptian and Old Galician
For nearly three hours, leaping about the coffin
In the candlelight so that his tiny black shoes
Seemed not to touch the floor. With one last prayer
Sobbed in the Spanish of before the Inquisition
He stopped, exhausted, and looked in the dead man's face.
Panting, he raised both arms in a mystic gesture
And said, "Arise and breathe!" And still the body
Lay as before. Impossible to tell
In words how Elliot's eyebrows flailed and snorted
Like shaggy mammoths as--the Chinese widow
Granting permission--the little rabbi sang
The blessing for performing a circumcision
And removed the dead man's foreskin, chanting blessings
In Finnish and Swahili, and bathed the corpse
From head to foot, and with a final prayer
In Babylonian, gasping with exhaustion,
He seized the dead man's head and kissed the lips
And dropped it again and leaping back commanded,
"Arise and breathe!" The corpse lay still as ever.
At this, as when Bashõ's disciples wind
Along the curving spine that links the renga
Across the different voices, each one adding
A transformation according to the rules
Of stasis and repetition, all in order
And yet impossible to tell beforehand,
Elliot changes for the punchline: the wee
Rabbi, still panting, like a startled boxer,
Looks at the dead one, then up at all those watching,
A kind of Mel Brooks gesture: "Hoo boy!" he says,
"Now that's what I call really dead." O mortal
Powers and princes of earth, and you immortal
Lords of the underground and afterlife,
Jehovah, Raa, Bol-Morah, Hecate, Pluto,
What has a brilliant, living soul to do with
Your harps and fires and boats, your bric-a-brac
And troughs of smoking blood? Provincial stinkers,
Our languages don't touch you, you're like that mother
Whose small child entertained her to beg her life.
Possibly he grew up to be the tall rabbi,
The one who washed his hands of all those capers
Right at the outset. Or maybe he became
The author of these lines, a one-man renga
The one for whom it seems to be impossible
To tell a story straight. It was a routine
Procedure. When it was finished the physicians
Told Sandra and the kids it had succeeded,
But Elliot wouldn't wake up for maybe an hour,
They should go eat. The two of them loved to bicker
In a way that on his side went back to Yiddish,
On Sandra's to some Sicilian dialect.
He used to scold her endlessly for smoking.
When she got back from dinner with their children
The doctors had to tell them about the mistake.
Oh swirling petals, falling leaves! The movement
Of linking renga coursing from moment to moment
Is meaning, Bob says in his Haiku book.
Oh swirling petals, all living things are contingent,
Falling leaves, and transient, and they suffer.
But the Universal is the goal of jokes,
Especially certain ethnic jokes, which taper
Down through the swirling funnel of tongues and gestures
Toward their preposterous Ithaca. There's one
A journalist told me. He heard it while a hero
Of the South African freedom movement was speaking
To elderly Jews. The speaker's own right arm
Had been blown off by right-wing letter-bombers.
He told his listeners they had to cast their ballots
For the ANC--a group the old Jews feared
As "in with the Arabs." But they started weeping
As the old one-armed fighter told them their country
Needed them to vote for what was right, their vote
Could make a country their children could return to
From London and Chicago. The moved old people
Applauded wildly, and the speaker's friend
Whispered to the journalist, "It's the Belgian Army
Joke come to life." I wish I could tell it
To Elliot. In the Belgian Army, the feud
Between the Flemings and Walloons grew vicious,
So out of hand the army could barely function.
Finally one commander assembled his men
In one great room, to deal with things directly.
They stood before him at attention. "All Flemings,"
He ordered, "to the left wall." Half the men
Clustered to the left. "Now all Walloons," he ordered,
"Move to the right." An equal number crowded
Against the right wall. Only one man remained
At attention in the middle: "What are you, soldier?"
Saluting, the man said, "Sir, I am a Belgian."
"Why, that's astonishing, Corporal--what's your name?"
Saluting again, "Rabinowitz," he answered:
A joke that seems at first to be a story
About the Jews. But as the renga describes
Religious meaning by moving in drifting petals
And brittle leaves that touch and die and suffer
The changing winds that riffle the gutter swirl,
So in the joke, just under the raucous music
Of Fleming, Jew, Walloon, a courtly allegiance
Moves to the dulcimer, gavotte and bow,
Over the banana tree the moon in autumn--
Allegiance to a state impossible to tell.
|
Written by
Czeslaw Milosz |
1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.
We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.
We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.
By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.
Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.
We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.
As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.
Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.
2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.
You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.
Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.
3
There can be no question of force triumphant
We live in the age of victorious justice.
Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.
He who has power, has it by historical logic.
Respectfully bow to that logic.
Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.
Let your hand, faking the experiment
No know about the lips proposing a hypothesis.
Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.
4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.
Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.
After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.
Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.
We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.
A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.
5
Let your words speak not through their meanings
But through them against whom they are used.
Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.
Judge no words before the clerks have checked
In their card index by whom they were spoken.
The voice of passion is better than the voice of reason.
The passionless cannot change history.
6
Love no country: countries soon disappear
Love no city: cities are soon rubble.
Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.
Do not love people: people soon perish.
Or they are wronged and call for your help.
Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.
7
He who invokes history is always secure.
The dead will not rise to witness against him.
You can accuse them of any deeds you like.
Their reply will always be silence.
Their empty faces swim out of the deep dark.
You can fill them with any feature desired.
Proud of dominion over people long vanished,
Change the past into your own, better likeness.
8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.
Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.
Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.
Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
|
Written by
William Butler Yeats |
The cat went here and there
And the moon spun round like a top,
And the nearest kin of the moon,
The creeping cat, looked up.
Black Minnaloushe stared at the moon,
For, wander and wail as he would,
The pure cold light in the sky
Troubled his animal blood.
Minnaloushe runs in the grass
Lifting his delicate feet.
Do you dance, Minnaloushe, do you dance?
When two close kindred meet.
What better than call a dance?
Maybe the moon may learn,
Tired of that courtly fashion,
A new dance turn.
Minnaloushe creeps through the grass
From moonlit place to place,
The sacred moon overhead
Has taken a new phase.
Does Minnaloushe know that his pupils
Will pass from change to change,
And that from round to crescent,
From crescent to round they range?
Minnaloushe creeps through the grass
Alone, important and wise,
And lifts to the changing moon
His changing eyes.
|
Written by
William Topaz McGonagall |
Alas! the people now do sigh and moan
For the loss of Wm. Ewart Gladstone,
Who was a very great politician and a moral man,
And to gainsay it there's few people can.
'Twas in the year of 1898, and on the 19th of May,
When his soul took its flight for ever and aye,
And his body was interred in Westminster Abbey;
But I hope his soul has gone to that Heavenly shore,
Where all trials and troubles cease for evermore.
He was a man of great intellect and genius bright,
And ever faithful to his Queen by day and by night,
And always foremost in a political fight;
And for his services to mankind, God will him requite.
The funeral procession was affecting to see,
Thousands of people were assembled there, of every degree;
And it was almost eleven o'clock when the procession left Westminster Hall,
And the friends of the deceased were present- physicians and all.
A large force of police was also present there,
And in the faces of the spectators there was a pitiful air,
Yet they were orderly in every way,
And newspaper boys were selling publications without delay.
Present in the procession was Lord Playfair,
And Bailie Walcot was also there,
Also Mr Macpherson of Edinboro-
And all seemingly to be in profound sorrow.
The supporters of the coffin were the Earl Rosebery,
And the Right Honourable Earl of Kimberley,
And the Right Honourable Sir W. Vernon he was there,
And His Royal Highness the Duke of York, I do declare.
George Armitstead, Esq., was there also,
And Lord Rendal, with his heart full of woe;
And the Right Honourable Duke of Rutland,
And the Right Honourable Arthur J. Balfour, on the right hand;
Likewise the noble Marquis of Salisbury,
And His Royal Highness the Prince of Wales, of high degree.
And immediately behind the coffin was Lord Pembroke,
The representative of Her Majesty, and the Duke of Norfolk,
Carrying aloft a beautiful short wand,
The insignia of his high, courtly office, which looked very grand.
And when the procession arrived at the grave,
Mrs Gladstone was there,
And in her countenance was depicted a very grave air;
And the dear, good lady seemed to sigh and moan
For her departed, loving husband, Wm. Ewart Gladstone.
And on the opposite side of her stood Lord Pembroke,
And Lord Salisbury, who wore a skull cap and cloak;
Also the Prince of Wales and the Duke of Rutland,
And Mr Balfour and Lord Spencer, all looking very bland.
And the clergy were gathered about the head of the grave,
And the attention of the spectators the Dean did crave;
Then he said, "Man that is born of woman hath a short time to live,
But, Oh, Heavenly Father! do thou our sins forgive."
Then Mrs Gladstone and her two sons knelt down by the grave,
Then the Dean did the Lord's blessing crave,
While Mrs Gladstone and her some knelt,
While the spectators for them great pity felt.
The scene was very touching and profound,
To see all the mourners bending their heads to the ground,
And, after a minute's most silent prayer,
The leave-taking at the grave was affecting, I do declare.
Then Mrs Gladstone called on little Dorothy Drew,
And immediately the little girl to her grandmamma flew,
And they both left the grave with their heads bowed down,
While tears from their relatives fell to the ground.
Immortal Wm. Ewart Gladstone! I must conclude my muse,
And to write in praise of thee my pen does not refuse-
To tell the world, fearlessly, without the least dismay,
You were the greatest politician in your day.
|
Written by
Ellis Parker Butler |
1775
Said Congress to George Washington:
“To set this country free,
You’ll have to whip the Britishers
And chase them o’er the sea.”
“Oh, very well,” said Washington,
“I’ll do the best I can.
I’ll slam and bang those Britishers
And whip them to a man.”
1777
Said Congress to George Washington:
“The people all complain;
Why don’t you fight? You but retreat
And then retreat again.”
“That can’t be helped,” said Washington,
“As you will quite agree
When you see how the novelists
Have mixed up things for me.”
Said Congress to George Washington:
“Pray make your meaning clear.”
Said Washington: “Why, certainly—
But pray excuse this tear.
Of course we know,” said Washington,
“The object of this war—
It is to furnish novelists
With patriotic lore.”
Said Congress to George Washington:
“Yes! yes! but pray proceed.”
Said Washington: “My part in it
Is difficult indeed,
For every hero in the books
Must sometime meet with me,
And every sweet-faced heroine
I must kiss gallantly.”
Said Congress to George Washington:
“But why must you retreat?”
Said Washington: “One moment, please,
My story to complete.
These hero-folk are scattered through
The whole United States;
At every little country town
A man or maiden waits.”
To Congress said George Washington:
“At Harlem I must be
On such a day to chat with one,
And then I’ll have to flee
With haste to Jersey, there to meet
Another. Here’s a list
Of sixty-seven heroes, and
There may be some I’ve missed.”
To Congress said George Washington:
“Since I must meet them all
(And if I don’t you know how flat
The novels all will fall),
I cannot take much time to fight,
I must be on the run,
Or some historic novelist
Will surely be undone.”
Said Congress to George Washington:
“You are a noble man.
Your thoughtfulness is notable,
And we approve your plan;
A battle won pads very well
A novel that is thin,
But it is better to retreat
Than miss one man and win.”
Said Congress to George Washington:
“Kiss every pretty maid,
But do it in a courtly way
And in a manner staid—
And some day when your sword is sheathed
And all our banners furled,
A crop of novels will spring up
That shall appal the world.”
|
Written by
Thomas Hood |
I will not have the mad Clytie,
Whose head is turned by the sun;
The tulip is a courtly queen,
Whom, therefore, I will shun;
The cowslip is a country wench,
The violet is a nun; -
But I will woo the dainty rose,
The queen of everyone.
The pea is but a wanton witch,
In too much haste to wed,
And clasps her rings on every hand
The wolfsbane I should dread; -
Nor will I dreary rosemary
That always mourns the dead; -
But I will woo the dainty rose,
With her cheeks of tender red.
The lily is all in white, like a saint,
And so is no mate for me -
And the daisy's cheek is tipped with blush,
She is of such low degree;
Jasmine is sweet, and has many loves,
And the broom's betrothed to the bee; -
But I will plight with the dainty rose,
For fairest of all is she.
|
Written by
Erin Belieu |
This hideous,
upholstered in gift-wrap fabric, chromed
in places, design possibility
for the future canned ham.
Its genius
wonderful, circa I993.
I've assumed a great many things:
the perversity of choices, affairs
I did or did not have.
But let the record show
that I was happy.
O let the hideous chair
stand! For the Chinese apothecary
with his roots and fluids;
for Paoul at the bank;
for the young woman in Bailey's Drug,
expert on henna; and Warren Beatty,
tough, sleek stray. For Fluff and Flo,
drunk at noon, and the Am Vets lady
reading her Vogue, the cholos
on the corner where the 57 bus comes by,
for their gratifying, cool appraisal
and courtly manner when I pass.
Let the seat be comfortable
but let the chair be hideous
and stand against the correct,
hygienic, completely proper
subdued in taxidermied elegance.
Let me have in any future
some hideous thing to love,
here Boston, MA, 8 Farrington Ave.
|
Written by
Amy Levy |
A True Incident of Pre-Revolutionary French History.
Now the lovely autumn morning breathes its freshness in earth's face,
In the crowned castle courtyard the blithe horn proclaims the chase;
And the ladies on the terrace smile adieux with rosy lips
To the huntsmen disappearing down the cedar-shaded groves,
Wafting delicate aromas from their scented finger tips,
And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak;
And the hounds, with anxious nostril, sniffed the heather-scented air,
Till at last, within his stirrups, up Lord Gaston rose, and spoke--
He, the boldest and the bravest of the wealthy nobles there :
'Friends,' quoth he, 'the time hangs heavy, for it is not as we thought,
And these woods, tho' fair and shady, will afford, I fear, no sport.
Shall we hence, then, worthy kinsmen, and desert the hunter's track
For the chateau, where the wine cup and the dice cup tempt us back?'
'Ay,' the nobles shout in chorus ; 'Ay,' the powder'd lacquey cries;
Then they stop with eager movement, reining in quite suddenly;
Peering down with half contemptuous, half with wonder-opened eyes
At a 'something' which is crawling, with slow step, from tree to tree.
Is't some shadow phantom ghastly ? No, a woman and a child,
Swarthy woman, with the 'gipsy' written clear upon her face;
Gazing round her with her wide eyes dark, and shadow-fringed, and wild,
With the cowed suspicious glances of a persecuted race.
Then they all, with unasked question, in each other's faces peer,
For a common thought has struck them, one their lips dare scarcely say,--
Till Lord Gaston cries, impatient, 'Why regret the stately deer
When such sport as yonder offers? quick ! unleash the dogs--away!'
Then they breath'd a shout of cheering, grey-haired man and stripling boy,
And the gipsy, roused to terror, stayed her step, and turned her head--
Saw the faces of those huntsmen, lit with keenest cruel joy--
Sent a cry of grief to Heaven, closer clasped her child, and fled!
* * * * * * *
O ye nobles of the palace! O ye gallant-hearted lords!
Who would stoop for Leila's kerchief, or for Clementina's gloves,
Who would rise up all indignant, with your shining sheathless swords,
At the breathing of dishonour to your languid lady loves!
O, I tell you, daring nobles, with your beauty-loving stare,
Who ne'er long the coy coquetting of the courtly dames withstood,
Tho' a woman be the lowest, and the basest, and least fair,
In your manliness forget not to respect her womanhood,
And thou, gipsy, that hast often the pursuer fled before,
That hast felt ere this the shadow of dark death upon thy brow,
That hast hid among the mountains, that hast roamed the forest o'er,
Bred to hiding, watching, fleeing, may thy speed avail thee now!
* * * * * * *
Still she flees, and ever fiercer tear the hungry hounds behind,
Still she flees, and ever faster follow there the huntsmen on,
Still she flees, her black hair streaming in a fury to the wind,
Still she flees, tho' all the glimmer of a happy hope is gone.
'Eh? what? baffled by a woman! Ah, sapristi! she can run!
Should she 'scape us, it would crown us with dishonour and disgrace;
It is time' (Lord Gaston shouted) 'such a paltry chase were done!'
And the fleeter grew her footsteps, so the hotter grew the chase--
Ha! at last! the dogs are on her! will she struggle ere she dies?
See! she holds her child above her, all forgetful of her pain,
While a hundred thousand curses shoot out darkly from her eyes,
And a hundred thousand glances of the bitterest disdain.
Ha! the dogs are pressing closer! they have flung her to the ground;
Yet her proud lips never open with the dying sinner's cry--
Till at last, unto the Heavens, just two fearful shrieks resound,
When the soul is all forgotten in the body's agony!
Let them rest there, child and mother, in the shadow of the oak,
On the tender mother-bosom of that earth from which they came.
As they slow rode back those huntsmen neither laughed, nor sang, nor spoke,
Hap, there lurked unowned within them throbbings of a secret shame.
But before the flow'ry terrace, where the ladies smiling sat,
With their graceful nothings trifling all the weary time away,
Low Lord Gaston bowed, and raising high his richly 'broider'd hat,
'Fairest ladies, give us welcome! 'Twas a famous hunt to-day.'
|
Written by
Robert Graves |
You young friskies who today
Jump and fight in Father’s hay
With bows and arrows and wooden spears,
Playing at Royal Welch Fusiliers,
Happy though these hours you spend,
Have they warned you how games end?
Boys, from the first time you prod
And thrust with spears of curtain-rod,
From the first time you tear and slash
Your long-bows from the garden ash,
Or fit your shaft with a blue jay feather,
Binding the split tops together,
From that same hour by fate you’re bound
As champions of this stony ground,
Loyal and true in everything,
To serve your Army and your King,
Prepared to starve and sweat and die
Under some fierce foreign sky,
If only to keep safe those joys
That belong to British boys,
To keep young Prussians from the soft
Scented hay of father’s loft,
And stop young Slavs from cutting bows
And bendy spears from Welsh hedgerows.
Another War soon gets begun,
A dirtier, a more glorious one;
Then, boys, you’ll have to play, all in;
It’s the cruellest team will win.
So hold your nose against the stink
And never stop too long to think.
Wars don’t change except in name;
The next one must go just the same,
And new foul tricks unguessed before
Will win and justify this War.
Kaisers and Czars will strut the stage
Once more with pomp and greed and rage;
Courtly ministers will stop
At home and fight to the last drop;
By the million men will die
In some new horrible agony;
And children here will thrust and poke,
Shoot and die, and laugh at the joke,
With bows and arrows and wooden spears,
Playing at Royal Welch Fusiliers.
|
Written by
Alexander Pope |
Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing--This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise,
If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel
A well-bred lord t' assault a gentle belle?
O say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage,
And in soft bosoms dwells such mighty rage?
Sol thro' white curtains shot a tim'rous ray,
And op'd those eyes that must eclipse the day;
Now lap-dogs give themselves the rousing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd,
Her guardian sylph prolong'd the balmy rest:
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head;
A youth more glitt'ring than a birthnight beau,
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say.
"Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught,
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel pow'rs,
With golden crowns and wreaths of heav'nly flow'rs,
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd,
To maids alone and children are reveal'd:
What tho' no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky;
These, though unseen, are ever on theg,
Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once inclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to these of air.
Think not, when woman's transient breath is fled,
That all her vanities at once are dead;
Succeeding vanities she still regards,
And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.
Know further yet; whoever fair and chaste
Rejects mankind, is by some sylph embrac'd:
For spirits, freed from mortal laws, with ease
Assume what sexes and what shapes they please.
What guards the purity of melting maids,
In courtly balls, and midnight masquerades,
Safe from the treach'rous friend, the daring spark,
The glance by day, the whisper in the dark,
When kind occasion prompts their warm desires,
When music softens, and when dancing fires?
'Tis but their sylph, the wise celestials know,
Though honour is the word with men below.
Some nymphs there are, too conscious of their face,
For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride,
When offers are disdain'd, and love denied:
Then gay ideas crowd the vacant brain,
While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,
And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.
Oft, when the world imagine women stray,
The Sylphs through mystic mazes guide their way,
Thro' all the giddy circle they pursue,
And old impertinence expel by new.
What tender maid but must a victim fall
To one man's treat, but for another's ball?
When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from ev'ry part,
They shift the moving toyshop of their heart;
Where wigs with wigs, with sword-knots sword-knots strive,
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call,
Oh blind to truth! the Sylphs contrive it all.
Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend,
But Heav'n reveals not what, or how, or where:
Warn'd by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can.
Beware of all, but most beware of man!"
He said; when Shock, who thought she slept too long,
Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true,
Thy eyes first open'd on a billet-doux;
Wounds, charms, and ardors were no sooner read,
But all the vision vanish'd from thy head.
And now, unveil'd, the toilet stands display'd,
Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores
With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears,
To that she bends, to that her eyes she rears;
Th' inferior priestess, at her altar's side,
Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here
The various off'rings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,
Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows,
Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens ev'ry grace,
And calls forth all the wonders of her face;
Sees by degrees a purer blush arise,
And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care;
These set the head, and those divide the hair,
Some fold the sleeve, whilst others plait the gown;
And Betty's prais'd for labours not her own.
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