Written by
Emily Dickinson |
A Counterfeit -- a Plated Person --
I would not be --
Whatever strata of Iniquity
My Nature underlie --
Truth is good Health -- and Safety, and the Sky.
How meagre, what an Exile -- is a Lie,
And Vocal -- when we die --
|
Written by
Jonathan Swift |
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
"Those secrets of the hoary deep"!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
|
Written by
Philip Larkin |
A stationary sense... as, I suppose,
I shall have, till my single body grows
Inaccurate, tired;
Then I shall start to feel the backward pull
Take over, sickening and masterful -
Some say, desired.
And this must be the prime of life... I blink,
As if at pain; for it is pain, to think
This pantomime
Of compensating act and counter-act
Defeat and counterfeit, makes up, in fact
My ablest time.
|
Written by
Sylvia Plath |
The engine is killing the track, the track is silver,
It stretches into the distance. It will be eaten nevertheless.
Its running is useless.
At nightfall there is the beauty of drowned fields,
Dawn gilds the farmers like pigs,
Swaying slightly in their thick suits,
White towers of Smithfield ahead,
Fat haunches and blood on their minds.
There is no mercy in the glitter of cleavers,
The butcher's guillotine that whispers: 'How's this, how's this?'
In the bowl the hare is aborted,
Its baby head out of the way, embalmed in spice,
Flayed of fur and humanity.
Let us eat it like Plato's afterbirth,
Let us eat it like Christ.
These are the people that were important ----
Their round eyes, their teeth, their grimaces
On a stick that rattles and clicks, a counterfeit snake.
Shall the hood of the cobra appall me ----
The loneliness of its eye, the eye of the mountains
Through which the sky eternally threads itself?
The world is blood-hot and personal
Dawn says, with its blood-flush.
There is no terminus, only suitcases
Out of which the same self unfolds like a suit
Bald and shiny, with pockets of wishes,
Notions and tickets, short circuits and folding mirrors.
I am mad, calls the spider, waving its many arms.
And in truth it is terrible,
Multiplied in the eyes of the flies.
They buzz like blue children
In nets of the infinite,
Roped in at the end by the one
Death with its many sticks.
|
Written by
John Milton |
Hence, vain deluding Joys,
............The brood of Folly without father bred!
How little you bested
............Or fill the fixed mind with all your toys!
Dwell in some idle brain,
............And fancies fond with gaudy shapes possess,
As thick and numberless
............As the gay motes that people the sun-beams,
Or likest hovering dreams,
............The fickle pensioners of Morpheus' train.
But, hail! thou Goddess sage and holy!
Hail, divinest Melancholy!
Whose saintly visage is too bright
To hit the sense of human sight,
And therefore to our weaker view
O'erlaid with black, staid Wisdom's hue;
Black, but such as in esteem
Prince Memnon's sister might beseem,
Or that starred Ethiop queen that strove
To set her beauty's praise above
The Sea-Nymphs, and their powers offended.
Yet thou art higher far descended:
Thee bright-haired Vesta long of yore
To solitary Saturn bore;
His daughter she; in Saturn's reign
Such mixture was not held a stain.
Oft in glimmering bowers and glades
He met her, and in secret shades
Of woody Ida's inmost grove,
Whilst yet there was no fear of Jove.
Come, pensive Nun, devout and pure,
Sober, steadfast, and demure,
All in a robe of darkest grain,
Flowing with majestic train,
And sable stole of cypress lawn
Over thy decent shoulders drawn.
Come; but keep thy wonted state,
With even step, and musing gait,
And looks commercing with the skies,
Thy rapt soul sitting in thine eyes:
There, held in holy passion still,
Forget thyself to marble, till
With a sad leaden downward cast
Thou fix them on the earth as fast.
And join with thee calm Peace and Quiet,
Spare Fast, that oft with gods doth diet,
And hears the Muses in a ring
Aye round about Jove's altar sing;
And add to these retired Leisure,
That in trim gardens takes his pleasure;
But, first and chiefest, with thee bring
Him that yon soars on golden wing,
Guiding the fiery-wheeled throne,
The Cherub Contemplation;
And the mute Silence hist along,
'Less Philomel will deign a song,
In her sweetest saddest plight,
Smoothing the rugged brow of Night,
While Cynthia checks her dragon yoke
Gently o'er the accustomed oak.
Sweet bird, that shunn'st the noise of folly,
Most musical, most melancholy!
Thee, chauntress, oft the woods among
I woo, to hear thy even-song;
And, missing thee,I walk unseen
On the dry smooth-shaven green,
To behold the wandering moon,
Riding near her highest noon,
Like one that had been led astray
Through the heaven's wide pathless way,
And oft, as if her head she bowed,
Stooping through a fleecy cloud.
Oft, on a plat of rising ground,
I hear the far-off curfew sound,
Over some wide-watered shore,
Swinging slow with sullen roar;
Or, if the air will not permit,
Some still removed place will fit,
Where glowing embers through the room
Teach light to counterfeit a gloom,
Far from all resort of mirth,
Save the cricket on the hearth,
Or the bellman's drowsy charm
To bless the doors from nightly harm.
Or let my lamp, at midnight hour,
Be seen in some high lonely tower,
Where I may oft outwatch the Bear,
With thrice great Hermes, or unsphere
The spirit of Plato, to unfold
What worlds or what vast regions hold
The immortal mind that hath forsook
Her mansion in this fleshly nook;
And of those demons that are found
In fire, air, flood, or underground,
Whose power hath a true consent
With planet or with element.
Sometime let gorgeous Tragedy
In sceptred pall come sweeping by,
Presenting Thebes, or Pelops' line,
Or the tale of Troy divine,
Or what (though rare) of later age
Ennobled hath the buskined stage.
But, O sad Virgin! that thy power
Might raise Musaeus from his bower;
Or bid the soul of Orpheus sing
Such notes as, warbled to the string,
Drew iron tears down Pluto's cheek,
And made Hell grant what love did seek;
Or call up him that left half-told
The story of Cambuscan bold,
Of Camball, and of Algarsife,
And who had Canace to wife,
That owned the virtuous ring and glass,
And of the wondrous horse of brass
On which the Tartar king did ride;
And if aught else great bards beside
In sage and solemn tunes have sung,
Of turneys, and of trophies hung,
Of forests, and enchantments drear,
Where more is meant than meets the ear.
Thus, Night, oft see me in thy pale career,
Till civil-suited Morn appear,
Not tricked and frounced, as she was wont
With the Attic boy to hunt,
But kerchieft in a comely cloud
While rocking winds are piping loud,
Or ushered with a shower still,
When the gust hath blown his fill,
Ending on the rustling leaves,
With minute-drops from off the eaves.
And, when the sun begins to fling
His flaring beams, me, Goddess, bring
To arched walks of twilight groves,
And shadows brown, that Sylvan loves,
Of pine, or monumental oak,
Where the rude axe with heaved stroke
Was never heard the nymphs to daunt,
Or fright them from their hallowed haunt.
There, in close covert, by some brook,
Where no profaner eye may look,
Hide me from day's garish eye,
While the bee with honeyed thigh,
That at her flowery work doth sing,
And the waters murmuring,
With such consort as they keep,
Entice the dewy-feathered Sleep.
And let some strange mysterious dream
Wave at his wings, in airy stream
Of lively portraiture displayed,
Softly on my eyelids laid;
And, as I wake, sweet music breathe
Above, about, or underneath,
Sent by some Spirit to mortals good,
Or the unseen Genius of the wood.
But let my due feet never fail
To walk the studious cloister's pale,
And love the high embowed roof,
With antique pillars massy proof,
And storied windows richly dight,
Casting a dim religious light.
There let the pealing organ blow,
To the full-voiced quire below,
In service high and anthems clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all Heaven before mine eyes.
And may at last my weary age
Find out the peaceful hermitage,
The hairy gown and mossy cell,
Where I may sit and rightly spell
Of every star that heaven doth shew,
And every herb that sips the dew,
Till old experience do attain
To something like prophetic strain.
These pleasures, Melancholy, give;
And I with thee will choose to live.
|
Written by
Edwin Arlington Robinson |
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord
Love liars, I will have you at your word
And swallow it. Voilà. Bah!
Where do I say it is
That I have lain so long?
Where do I count myself among the dead,
As once above the living and the strong?
And what is this that comes and goes,
Fades and swells and overflows,
Like music underneath and overhead?
What is it in me now that rings and roars
Like fever-laden wine?
What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine?
Where do I say it is
That Time has made my bed?
What lowering outland hostelry is this
For one the stars have disinherited?
An island, I have said:
A peak, where fiery dreams and far desires
Are rained on, like old fires:
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with unsuccess
An acreage of God’s forgetfulness,
Left here above the foam and long ago
Made right for my duress;
Where soon the sea,
My foaming and long-clamoring enemy,
Will have within the cryptic, old embrace
Of her triumphant arms—a memory.
Why then, the place?
What forage of the sky or of the shore
Will make it any more,
To me, than my award of what was left
Of number, time, and space?
And what is on me now that I should heed
The durance or the silence or the scorn?
I was the gardener who had the seed
Which holds within its heart the food and fire
That gives to man a glimpse of his desire;
And I have tilled, indeed,
Much land, where men may say that I have planted
Unsparingly my corn—
For a world harvest-haunted
And for a world unborn.
Meanwhile, am I to view, as at a play,
Through smoke the funeral flames of yesterday
And think them far away?
Am I to doubt and yet be given to know
That where my demon guides me, there I go?
An island? Be it so.
For islands, after all is said and done,
Tell but a wilder game that was begun,
When Fate, the mistress of iniquities,
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day,
And even in such a curst and sodden way
Made my three colors one.
—So be it, and the way be as of old:
So be the weary truth again retold
Of great kings overthrown
Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled,
Say what will be the word when I am gone:
What learned little acrid archive men
Will burrow to find me out and burrow again,—
But all for naught, unless
To find there was another Island.… Yes,
There are too many islands in this world,
There are too many rats, and there is too much rain.
So three things are made plain
Between the sea and sky:
Three separate parts of one thing, which is Pain …
Bah, what a way to die!—
To leave my Queen still spinning there on high,
Still wondering, I dare say,
To see me in this way …
Madame à sa tour monte
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry,
But no, not I …
Faugh, what a way to die!
But who are these that come and go
Before me, shaking laurel as they pass?
Laurel, to make me know
For certain what they mean:
That now my Fate, my Queen,
Having found that she, by way of right reward,
Will after madness go remembering,
And laurel be as grass,—
Remembers the one thing
That she has left to bring.
The floor about me now is like a sward
Grown royally. Now it is like a sea
That heaves with laurel heavily,
Surrendering an outworn enmity
For what has come to be.
But not for you, returning with your curled
And haggish lips. And why are you alone?
Why do you stay when all the rest are gone?
Why do you bring those treacherous eyes that reek
With venom and hate the while you seek
To make me understand?—
Laurel from every land,
Laurel, but not the world?
Fury, or perjured Fate, or whatsoever,
Tell me the bloodshot word that is your name
And I will pledge remembrance of the same
That shall be crossed out never;
Whereby posterity
May know, being told, that you have come to me,
You and your tongueless train without a sound,
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor
To mirror me the demon of my days,
To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest
That was ordained and manifest,
You shake it off and wish me joy of it?
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine,
Such are the words of men.
So be it, and what then?
Poor, tottering counterfeit,
Are you a thing to tell me what is mine?
Grant we the demon sees
An inch beyond the line,
What comes of mine and thine?
A thousand here and there may shriek and freeze,
Or they may starve in fine.
The Old Physician has a crimson cure
For such as these,
And ages after ages will endure
The minims of it that are victories.
The wreath may go from brow to brow,
The state may flourish, flame, and cease;
But through the fury and the flood somehow
The demons are acquainted and at ease,
And somewhat hard to please.
Mine, I believe, is laughing at me now
In his primordial way,
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say.
Therefore, be what you may,
Time has no further need
Of you, or of your breed.
My demon, irretrievably astray,
Has ruined the last chorus of a play
That will, so he avers, be played again some day;
And you, poor glowering ghost,
Have staggered under laurel here to boast
Above me, dying, while you lean
In triumph awkward and unclean,
About some words of his that you have read?
Thing, do I not know them all?
He tells me how the storied leaves that fall
Are tramped on, being dead?
They are sometimes: with a storm foul enough
They are seized alive and they are blown far off
To mould on islands.—What else have you read?
He tells me that great kings look very small
When they are put to bed;
And this being said,
He tells me that the battles I have won
Are not my own,
But his—howbeit fame will yet atone
For all defect, and sheave the mystery:
The follies and the slaughters I have done
Are mine alone,
And so far History.
So be the tale again retold
And leaf by clinging leaf unrolled
Where I have written in the dawn,
With ink that fades anon,
Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again?
Well, here’s our friend the rain,—
Mironton, mironton, mirontaine...
Man, I could murder you almost,
You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes. Your rat will never fail,
My punctual assassin, to prevail—
While he has power to crawl,
Or teeth to gnaw withal—
Where kings are caged. Why has a king no cats?
You say that I’ll achieve it if I try?
Swallow it?—No, not I …
God, what a way to die!
|
Written by
John Greenleaf Whittier |
How strange to greet, this frosty morn,
In graceful counterfeit of flower,
These children of the meadows, born
Of sunshine and of showers!
How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!
It was a happy thought to bring
To the dark season's frost and rime
This painted memory of spring,
This dream of summertime.
Our hearts are lighter for its sake,
Our fancy's age renews its youth,
And dim-remembered fictions take
The guise of present truth.
A wizard of the Merrimac, -
So old ancestral legends say, -
Could call green leaf and blossom back
To frosted stem and spray.
The dry logs of the cottage wall,
Beneath his touch, put out their leaves;
The clay-bound swallow, at his call,
Played round the icy eaves.
The settler saw his oaken flail
Take bud, and bloom before his eyes;
From frozen pools he saw the pale
Sweet summer lilies rise.
To their old homes, by man profaned
Came the sad dryads, exiled long,
And through their leafy tongues complained
Of household use and wrong.
The beechen platter sprouted wild,
The pipkin wore its old-time green,
The cradle o'er the sleeping child
Became a leafy screen.
Haply our gentle friend hath met,
While wandering in her sylvan quest,
Haunting his native woodlands yet,
That Druid of the West;
And while the dew on leaf and flower
Glistened in the moonlight clear and still,
Learned the dusk wizard's spell of power,
And caught his trick of skill.
But welcome, be it new or old,
The gift which makes the day more bright,
And paints, upon the ground of cold
And darkness, warmth and light!
Without is neither gold nor green;
Within, for birds, the birch-logs sing;
Yet, summer-like, we sit between
The autumn and the spring.
The one, with bridal blush of rose,
And sweetest breath of woodland balm,
And one whose matron lips unclose
In smiles of saintly calm.
Fill soft and deep, O winter snow!
The sweet azalea's oaken dells,
And hide the banks where roses blow
And swing the azure bells!
O'erlay the amber violet's leaves,
The purple aster's brookside home,
Guard all the flowers her pencil gives
A live beyond their bloom.
And she, when spring comes round again,
By greening slope and singing flood
Shall wander, seeking, not in vain
Her darlings of the wood.
|
Written by
Andrew Marvell |
The wanton Troopers riding by
Have shot my Faun and it will dye.
Ungentle men! They cannot thrive
To kill thee. Thou neer didst alive
Them any harm: alas nor cou'd
Thy death yet do them any good.
I'me sure I never wisht them ill;
Nor do I for all this; nor will:
But, if my simple Pray'rs may yet
Prevail with Heaven to forget
Thy murder, I will Joyn my Tears
Rather then fail. But, O my fears!
It cannot dye so. Heavens King
Keeps register of every thing:
And nothing may we use in vain.
Ev'n Beasts must be with justice slain;
Else Men are made their Deodands.
Though they should wash their guilty hands
In this warm life blood, which doth part
From thine, and wound me to the Heart,
Yet could they not be clean: their Stain
Is dy'd in such a Purple Grain.
There is not such another in
The World, to offer for their Sin,
Unconstant Sylvio, when yet
I had not found him counterfeit,
One morning (I remember well)
Ty'd in this silver Chain and Bell,
Gave it to me: nay and I know
What he said then; I'm sure I do.
Said He, look how your Huntsman here
Hath taught a Faun to hunt his Dear.
But Sylvio soon had me beguil'd.
This waxed tame; while he grew wild,
And quite regardless of my Smart,
Left me his Faun, but took his Heart.
Thenceforth I set my self to play
My solitary time away,
With this: and very well content,
Could so mine idle Life have spent.
For it was full of sport; and light
Of foot, and heart; and did invite,
Me to its game: it seem'd to bless
Its self in me. How could I less
Than love it? O I cannot be
Unkind, t' a Beast that loveth me.
Had it liv'd long, I do not know
Whether it too might have done so
As Sylvio did: his Gifts might be
Perhaps as false or more than he.
But I am sure, for ought that I
Could in so short a time espie,
Thy Love was far more better then
The love of false and cruel men.
With sweetest milk, and sugar, first
I it at mine own fingers nurst.
And as it grew, so every day
It wax'd more white and sweet than they.
It had so sweet a Breath! And oft
I blusht to see its foot more soft,
And white, (shall I say then my hand?)
Nay any Ladies of the Land.
It is a wond'rous thing, how fleet
Twas on those little silver feet.
With what a pretty skipping grace,
It oft would callenge me the Race:
And when 'thad left me far away,
'T would stay, and run again, and stay.
For it was nimbler much than Hindes;
And trod, as on the four Winds.
I have a Garden of my own,
But so with Roses over grown,
And Lillies, that you would it guess
To be a little Wilderness.
And all the Spring time of the year
It onely loved to be there.
Among the beds of Lillyes, I
Have sought it oft, where it should lye;
Yet could not, till it self would rise,
Find it, although before mine Eyes.
For, in the flaxen Lillies shade,
It like a bank of Lillies laid.
Upon the Roses it would feed,
Until its lips ev'n seem'd to bleed:
And then to me 'twould boldly trip,
And print those Roses on my Lip.
But all its chief delight was still
On Roses thus its self to fill:
And its pure virgin Limbs to fold
In whitest sheets of Lillies cold.
Had it liv'd long, it would have been
Lillies without, Roses within.
O help! O help! I see it faint:
And dye as calmely as a Saint.
See how it weeps. The Tears do come
Sad, slowly dropping like a Gumme.
So weeps the wounded Balsome: so
The holy Frankincense doth flow.
The brotherless Heliades
Melt in such Amber Tears as these.
I in a golden Vial will
Keep these two crystal Tears; and fill
It till it do o'reflow with mine;
Then place it in Diana's Shrine.
Now my sweet Faun is vanish'd to
Whether the Swans and Turtles go
In fair Elizium to endure,
With milk-white Lambs, and Ermins pure.
O do not run too fast: for I
Will but bespeak thy Grave, and dye.
First my unhappy Statue shall
Be cut in Marble; and withal,
Let it be weeping too: but there
Th' Engraver sure his Art may spare;
For I so truly thee bemoane,
That I shall weep though I be Stone:
Until my Tears, still dropping, wear
My breast, themselves engraving there.
There at my feet shalt thou be laid,
Of purest Alabaster made:
For I would have thine Image be
White as I can, though not as Thee.
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Written by
Barry Tebb |
As milled silver I was welcome
In every gutter, tinkling over cobbles
I rang the truth loudly on solid-oak counters
And tills tolled for me clear as bells.
Boldly I gave myself to many,
Slipped from moist palm to pocket,
Pirouetting without points, jingling
With dull coppers and important keys.
First I was lost in a hundred
Children’s essays, found myself
With pearls in secret pockets,
Counterfeit and shiny.
Then I discovered in a deed-box,
Frowned over as I beamed a dusty smile
Of centuries, polished till I pierced the fondness
Nastily, with a sickly yellow glare.
My smooth face made the end easy;
I piled up with the rest, counted and
Columned, exchanging memories
In a sudden hot flood of death.
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Written by
William Shakespeare |
THY bosom is endeared with all hearts
Which I, by lacking, have supposed dead:
And there reigns Love, and all Love's loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear
Hath dear religious love stol'n from mine eye,
As interest of the dead!--which now appear
But things removed that hidden in thee lie.
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give:
--That due of many now is thine alone:
Their images I loved I view in thee,
And thou, all they, hast all the all of me.
WHAT is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
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