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Best Famous Countenances Poems

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Written by Walt Whitman | Create an image from this poem

Carol of Words

 1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
 said; 
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future, 
Behold! these are vast words to be said.
Were you thinking that those were the words—those upright lines? those curves, angles, dots? No, those are not the words—the substantial words are in the ground and sea, They are in the air—they are in you.
Were you thinking that those were the words—those delicious sounds out of your friends’ mouths? No, the real words are more delicious than they.
Human bodies are words, myriads of words; In the best poems re-appears the body, man’s or woman’s, well-shaped, natural, gay, Every part able, active, receptive, without shame or the need of shame.
2 Air, soil, water, fire—these are words; I myself am a word with them—my qualities interpenetrate with theirs—my name is nothing to them; Though it were told in the three thousand languages, what would air, soil, water, fire, know of my name? A healthy presence, a friendly or commanding gesture, are words, sayings, meanings; The charms that go with the mere looks of some men and women, are sayings and meanings also.
3 The workmanship of souls is by the inaudible words of the earth; The great masters know the earth’s words, and use them more than the audible words.
Amelioration is one of the earth’s words; The earth neither lags nor hastens; It has all attributes, growths, effects, latent in itself from the jump; It is not half beautiful only—defects and excrescences show just as much as perfections show.
The earth does not withhold, it is generous enough; The truths of the earth continually wait, they are not so conceal’d either; They are calm, subtle, untransmissible by print; They are imbued through all things, conveying themselves willingly, Conveying a sentiment and invitation of the earth—I utter and utter, I speak not, yet if you hear me not, of what avail am I to you? To bear—to better—lacking these, of what avail am I? 4 Accouche! Accouchez! Will you rot your own fruit in yourself there? Will you squat and stifle there? The earth does not argue, Is not pathetic, has no arrangements, Does not scream, haste, persuade, threaten, promise, Makes no discriminations, has no conceivable failures, Closes nothing, refuses nothing, shuts none out, Of all the powers, objects, states, it notifies, shuts none out.
5 The earth does not exhibit itself, nor refuse to exhibit itself—possesses still underneath; Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves, Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of bargainers, Underneath these, possessing the words that never fail.
To her children, the words of the eloquent dumb great mother never fail; The true words do not fail, for motion does not fail, and reflection does not fail; Also the day and night do not fail, and the voyage we pursue does not fail.
6 Of the interminable sisters, Of the ceaseless cotillions of sisters, Of the centripetal and centrifugal sisters, the elder and younger sisters, The beautiful sister we know dances on with the rest.
With her ample back towards every beholder, With the fascinations of youth, and the equal fascinations of age, Sits she whom I too love like the rest—sits undisturb’d, Holding up in her hand what has the character of a mirror, while her eyes glance back from it, Glance as she sits, inviting none, denying none, Holding a mirror day and night tirelessly before her own face.
7 Seen at hand, or seen at a distance, Duly the twenty-four appear in public every day, Duly approach and pass with their companions, or a companion, Looking from no countenances of their own, but from the countenances of those who are with them, From the countenances of children or women, or the manly countenance, From the open countenances of animals, or from inanimate things, From the landscape or waters, or from the exquisite apparition of the sky, From our countenances, mine and yours, faithfully returning them, Every day in public appearing without fail, but never twice with the same companions.
8 Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round the sun; Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of the first, sure and necessary as they.
9 Tumbling on steadily, nothing dreading, Sunshine, storm, cold, heat, forever withstanding, passing, carrying, The Soul’s realization and determination still inheriting, The fluid vacuum around and ahead still entering and dividing, No balk retarding, no anchor anchoring, on no rock striking, Swift, glad, content, unbereav’d, nothing losing, Of all able and ready at any time to give strict account, The divine ship sails the divine sea.
10 Whoever you are! motion and reflection are especially for you; The divine ship sails the divine sea for you.
Whoever you are! you are he or she for whom the earth is solid and liquid, You are he or she for whom the sun and moon hang in the sky, For none more than you are the present and the past, For none more than you is immortality.
11 Each man to himself, and each woman to herself, such is the word of the past and present, and the word of immortality; No one can acquire for another—not one! Not one can grow for another—not one! The song is to the singer, and comes back most to him; The teaching is to the teacher, and comes back most to him; The murder is to the murderer, and comes back most to him; The theft is to the thief, and comes back most to him; The love is to the lover, and comes back most to him; The gift is to the giver, and comes back most to him—it cannot fail; The oration is to the orator, the acting is to the actor and actress, not to the audience; And no man understands any greatness or goodness but his own, or the indication of his own.
12 I swear the earth shall surely be complete to him or her who shall be complete! I swear the earth remains jagged and broken only to him or her who remains jagged and broken! I swear there is no greatness or power that does not emulate those of the earth! I swear there can be no theory of any account, unless it corroborate the theory of the earth! No politics, art, religion, behavior, or what not, is of account, unless it compare with the amplitude of the earth, Unless it face the exactness, vitality, impartiality, rectitude of the earth.
13 I swear I begin to see love with sweeter spasms than that which responds love! It is that which contains itself—which never invites, and never refuses.
I swear I begin to see little or nothing in audible words! I swear I think all merges toward the presentation of the unspoken meanings of the earth! Toward him who sings the songs of the Body, and of the truths of the earth; Toward him who makes the dictionaries of words that print cannot touch.
14 I swear I see what is better than to tell the best; It is always to leave the best untold.
When I undertake to tell the best, I find I cannot, My tongue is ineffectual on its pivots, My breath will not be obedient to its organs, I become a dumb man.
The best of the earth cannot be told anyhow—all or any is best; It is not what you anticipated—it is cheaper, easier, nearer; Things are not dismiss’d from the places they held before; The earth is just as positive and direct as it was before; Facts, religions, improvements, politics, trades, are as real as before; But the Soul is also real,—it too is positive and direct; No reasoning, no proof has establish’d it, Undeniable growth has establish’d it.
15 This is a poem—a carol of words—these are hints of meanings, These are to echo the tones of Souls, and the phrases of Souls; If they did not echo the phrases of Souls, what were they then? If they had not reference to you in especial, what were they then? I swear I will never henceforth have to do with the faith that tells the best! I will have to do only with that faith that leaves the best untold.
16 Say on, sayers! Delve! mould! pile the words of the earth! Work on—(it is materials you must bring, not breaths;) Work on, age after age! nothing is to be lost; It may have to wait long, but it will certainly come in use; When the materials are all prepared, the architects shall appear.
I swear to you the architects shall appear without fail! I announce them and lead them; I swear to you they will understand you, and justify you; I swear to you the greatest among them shall be he who best knows you, and encloses all, and is faithful to all; I swear to you, he and the rest shall not forget you—they shall perceive that you are not an iota less than they; I swear to you, you shall be glorified in them.


Written by Walt Whitman | Create an image from this poem

Unnamed Lands

 NATIONS ten thousand years before These States, and many times ten thousand years before
 These
 States; 
Garner’d clusters of ages, that men and women like us grew up and travel’d their
 course, and pass’d on; 
What vast-built cities—what orderly republics—what pastoral tribes and nomads; 
What histories, rulers, heroes, perhaps transcending all others; 
What laws, customs, wealth, arts, traditions;
What sort of marriage—what costumes—what physiology and phrenology; 
What of liberty and slavery among them—what they thought of death and the soul; 
Who were witty and wise—who beautiful and poetic—who brutish and
 undevelop’d; 
Not a mark, not a record remains—And yet all remains.
O I know that those men and women were not for nothing, any more than we are for nothing; I know that they belong to the scheme of the world every bit as much as we now belong to it, and as all will henceforth belong to it.
Afar they stand—yet near to me they stand, Some with oval countenances, learn’d and calm, Some naked and savage—Some like huge collections of insects, Some in tents—herdsmen, patriarchs, tribes, horsemen, Some prowling through woods—Some living peaceably on farms, laboring, reaping, filling barns, Some traversing paved avenues, amid temples, palaces, factories, libraries, shows, courts, theatres, wonderful monuments.
Are those billions of men really gone? Are those women of the old experience of the earth gone? Do their lives, cities, arts, rest only with us? Did they achieve nothing for good, for themselves? I believe of all those billions of men and women that fill’d the unnamed lands, every one exists this hour, here or elsewhere, invisible to us, in exact proportion to what he or she grew from in life, and out of what he or she did, felt, became, loved, sinn’d, in life.
I believe that was not the end of those nations, or any person of them, any more than this shall be the end of my nation, or of me; Of their languages, governments, marriage, literature, products, games, wars, manners, crimes, prisons, slaves, heroes, poets, I suspect their results curiously await in the yet unseen world—counterparts of what accrued to them in the seen world.
I suspect I shall meet them there, I suspect I shall there find each old particular of those unnamed lands.
Written by Vachel Lindsay | Create an image from this poem

The Knight in Disguise

 [Concerning O.
Henry (Sidney Porter)] "He could not forget that he was a Sidney.
" Is this Sir Philip Sidney, this loud clown, The darling of the glad and gaping town? This is that dubious hero of the press Whose slangy tongue and insolent address Were spiced to rouse on Sunday afternoon The man with yellow journals round him strewn.
We laughed and dozed, then roused and read again, And vowed O.
Henry funniest of men.
He always worked a triple-hinged surprise To end the scene and make one rub his eyes.
He comes with vaudeville, with stare and leer.
He comes with megaphone and specious cheer.
His troupe, too fat or short or long or lean, Step from the pages of the magazine With slapstick or sombrero or with cane: The rube, the cowboy or the masher vain.
They over-act each part.
But at the height Of banter and of canter and delight The masks fall off for one ***** instant there And show real faces: faces full of care And desperate longing: love that's hot or cold; And subtle thoughts, and countenances bold.
The masks go back.
'Tis one more joke.
Laugh on! The goodly grown-up company is gone.
No doubt had he occasion to address The brilliant court of purple-clad Queen Bess, He would have wrought for them the best he knew And led more loftily his actor-crew.
How coolly he misquoted.
'Twas his art — Slave-scholar, who misquoted — from the heart.
So when we slapped his back with friendly roar Æsop awaited him without the door, — Æsop the Greek, who made dull masters laugh With little tales of fox and dog and calf .
And be it said, mid these his pranks so odd With something nigh to chivalry he trod And oft the drear and driven would defend — The little shopgirls' knight unto the end.
Yea, he had passed, ere we could understand The blade of Sidney glimmered in his hand.
Yea, ere we knew, Sir Philip's sword was drawn With valiant cut and thrust, and he was gone.
Written by Emily Dickinson | Create an image from this poem

Unto my Books -- so good to turn --

 Unto my Books -- so good to turn --
Far ends of tired Days --
It half endears the Abstinence --
And Pain -- is missed -- in Praise --

As Flavors -- cheer Retarded Guests
With Banquettings to be --
So Spices -- stimulate the time
Till my small Library --

It may be Wilderness -- without --
Far feet of failing Men --
But Holiday -- excludes the night --
And it is Bells -- within --

I thank these Kinsmen of the Shelf --
Their Countenances Kid
Enamor -- in Prospective --
And satisfy -- obtained --
Written by Emily Dickinson | Create an image from this poem

Went up a year this evening!

 Went up a year this evening!
I recollect it well!
Amid no bells nor bravoes
The bystanders will tell!
Cheerful -- as to the village --
Tranquil -- as to repose --
Chastened -- as to the Chapel
This humble Tourist rose!
Did not talk of returning!
Alluded to no time
When, were the gales propitious --
We might look for him!
Was grateful for the Roses
In life's diverse bouquet --
Talked softly of new species
To pick another day;
Beguiling thus the wonder
The wondrous nearer drew --
Hands bustled at the moorings --
The crown respectful grew --
Ascended from our vision
To Countenances new!
A Difference -- A Daisy --
Is all the rest I knew!


Written by Stephen Crane | Create an image from this poem

Three little birds in a row

 Three little birds in a row
Sat musing.
A man passed near that place.
Then did the little birds nudge each other.
They said, "He thinks he can sing.
" They threw back their heads to laugh.
With quaint countenances They regarded him.
They were very curious, Those three little birds in a row.
Written by Omar Khayyam | Create an image from this poem

Now take thy cup, carry away the gourd, O Charm of

Now take thy cup, carry away the gourd, O Charm of
my Heart! and go, explore the plains, the borders of
the brooks, for indeed idols, like to the moon in the light
of their beautiful countenances, have a hundred times
been transformed into cups, a hundred times have they
become gourds.
Written by Omar Khayyam | Create an image from this poem

The sages who have well considered this world of

The sages who have well considered this world of
dust, this sojourn of inconstancy from one end to the
other, see nothing in it agreeable but wine in ruby
cups and beautiful countenances.

Book: Shattered Sighs