Written by
William Butler Yeats |
I
Blessed be this place,
More blessed still this tower;
A bloody, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages -
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
Half dead at the top.
II
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had dragged him down into mankind,
Goldsmith deliberately sipping at the honey-pot of his mind,
And haughtier-headed Burke that proved the State a tree,
That this unconquerable labyrinth of the birds, century after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a dream,
That this pragmatical, preposterous pig of a world, its farrow that so solid seem,
Must vanish on the instant if the mind but change its theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnanimity of its own desire;
Everything that is not God consumed with intellectual fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.
IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.
|
Written by
Robert Frost |
I didn't make you know how glad I was
To have you come and camp here on our land.
I promised myself to get down some day
And see the way you lived, but I don't know!
With a houseful of hungry men to feed
I guess you'd find.... It seems to me
I can't express my feelings any more
Than I can raise my voice or want to lift
My hand (oh, I can lift it when I have to).
Did ever you feel so? I hope you never.
It's got so I don't even know for sure
Whether I am glad, sorry, or anything.
There's nothing but a voice-like left inside
That seems to tell me how I ought to feel,
And would feel if I wasn't all gone wrong.
You take the lake. I look and look at it.
I see it's a fair, pretty sheet of water.
I stand and make myself repeat out loud
The advantages it has, so long and narrow,
Like a deep piece of some old running river
Cut short off at both ends. It lies five miles
Straight away through the mountain notch
From the sink window where I wash the plates,
And all our storms come up toward the house,
Drawing the slow waves whiter and whiter and whiter.
It took my mind off doughnuts and soda biscuit
To step outdoors and take the water dazzle
A sunny morning, or take the rising wind
About my face and body and through my wrapper,
When a storm threatened from the Dragon's Den,
And a cold chill shivered across the lake.
I see it's a fair, pretty sheet of water,
Our Willoughby! How did you hear of it?
I expect, though, everyone's heard of it.
In a book about ferns? Listen to that!
You let things more like feathers regulate
Your going and coming. And you like it here?
I can see how you might. But I don't know!
It would be different if more people came,
For then there would be business. As it is,
The cottages Len built, sometimes we rent them,
Sometimes we don't. We've a good piece of shore
That ought to be worth something, and may yet.
But I don't count on it as much as Len.
He looks on the bright side of everything,
Including me. He thinks I'll be all right
With doctoring. But it's not medicine--
Lowe is the only doctor's dared to say so--
It's rest I want--there, I have said it out--
From cooking meals for hungry hired men
And washing dishes after them--from doing
Things over and over that just won't stay done.
By good rights I ought not to have so much
Put on me, but there seems no other way.
Len says one steady pull more ought to do it.
He says the best way out is always through.
And I agree to that, or in so far
As that I can see no way out but through--
Leastways for me--and then they'll be convinced.
It's not that Len don't want the best for me.
It was his plan our moving over in
Beside the lake from where that day I showed you
We used to live--ten miles from anywhere.
We didn't change without some sacrifice,
But Len went at it to make up the loss.
His work's a man's, of course, from sun to sun,
But he works when he works as hard as I do--
Though there's small profit in comparisons.
(Women and men will make them all the same.)
But work ain't all. Len undertakes too much.
He's into everything in town. This year
It's highways, and he's got too many men
Around him to look after that make waste.
They take advantage of him shamefully,
And proud, too, of themselves for doing so.
We have four here to board, great good-for-nothings,
Sprawling about the kitchen with their talk
While I fry their bacon. Much they care!
No more put out in what they do or say
Than if I wasn't in the room at all.
Coming and going all the time, they are:
I don't learn what their names are, let alone
Their characters, or whether they are safe
To have inside the house with doors unlocked.
I'm not afraid of them, though, if they're not
Afraid of me. There's two can play at that.
I have my fancies: it runs in the family.
My father's brother wasn't right. They kept him
Locked up for years back there at the old farm.
I've been away once--yes, I've been away.
The State Asylum. I was prejudiced;
I wouldn't have sent anyone of mine there;
You know the old idea--the only asylum
Was the poorhouse, and those who could afford,
Rather than send their folks to such a place,
Kept them at home; and it does seem more human.
But it's not so: the place is the asylum.
There they have every means proper to do with,
And you aren't darkening other people's lives--
Worse than no good to them, and they no good
To you in your condition; you can't know
Affection or the want of it in that state.
I've heard too much of the old-fashioned way.
My father's brother, he went mad quite young.
Some thought he had been bitten by a dog,
Because his violence took on the form
Of carrying his pillow in his teeth;
But it's more likely he was crossed in love,
Or so the story goes. It was some girl.
Anyway all he talked about was love.
They soon saw he would do someone a mischief
If he wa'n't kept strict watch of, and it ended
In father's building him a sort of cage,
Or room within a room, of hickory poles,
Like stanchions in the barn, from floor to ceiling,--
A narrow passage all the way around.
Anything they put in for furniture
He'd tear to pieces, even a bed to lie on.
So they made the place comfortable with straw,
Like a beast's stall, to ease their consciences.
Of course they had to feed him without dishes.
They tried to keep him clothed, but he paraded
With his clothes on his arm--all of his clothes.
Cruel--it sounds. I 'spose they did the best
They knew. And just when he was at the height,
Father and mother married, and mother came,
A bride, to help take care of such a creature,
And accommodate her young life to his.
That was what marrying father meant to her.
She had to lie and hear love things made dreadful
By his shouts in the night. He'd shout and shout
Until the strength was shouted out of him,
And his voice died down slowly from exhaustion.
He'd pull his bars apart like bow and bow-string,
And let them go and make them twang until
His hands had worn them smooth as any ox-bow.
And then he'd crow as if he thought that child's play--
The only fun he had. I've heard them say, though,
They found a way to put a stop to it.
He was before my time--I never saw him;
But the pen stayed exactly as it was
There in the upper chamber in the ell,
A sort of catch-all full of attic clutter.
I often think of the smooth hickory bars.
It got so I would say--you know, half fooling--
"It's time I took my turn upstairs in jail"--
Just as you will till it becomes a habit.
No wonder I was glad to get away.
Mind you, I waited till Len said the word.
I didn't want the blame if things went wrong.
I was glad though, no end, when we moved out,
And I looked to be happy, and I was,
As I said, for a while--but I don't know!
Somehow the change wore out like a prescription.
And there's more to it than just window-views
And living by a lake. I'm past such help--
Unless Len took the notion, which he won't,
And I won't ask him--it's not sure enough.
I 'spose I've got to go the road I'm going:
Other folks have to, and why shouldn't I?
I almost think if I could do like you,
Drop everything and live out on the ground--
But it might be, come night, I shouldn't like it,
Or a long rain. I should soon get enough,
And be glad of a good roof overhead.
I've lain awake thinking of you, I'll warrant,
More than you have yourself, some of these nights.
The wonder was the tents weren't snatched away
From over you as you lay in your beds.
I haven't courage for a risk like that.
Bless you, of course, you're keeping me from work,
But the thing of it is, I need to be kept.
There's work enough to do--there's always that;
But behind's behind. The worst that you can do
Is set me back a little more behind.
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.
|
Written by
William Butler Yeats |
I
What shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -
O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
|
Written by
Joyce Kilmer |
(For Edward J. Wheeler)
Within the Jersey City shed
The engine coughs and shakes its head,
The smoke, a plume of red and white,
Waves madly in the face of night.
And now the grave incurious stars
Gleam on the groaning hurrying cars.
Against the kind and awful reign
Of darkness, this our angry train,
A noisy little rebel, pouts
Its brief defiance, flames and shouts --
And passes on, and leaves no trace.
For darkness holds its ancient place,
Serene and absolute, the king
Unchanged, of every living thing.
The houses lie obscure and still
In Rutherford and Carlton Hill.
Our lamps intensify the dark
Of slumbering Passaic Park.
And quiet holds the weary feet
That daily tramp through Prospect Street.
What though we clang and clank and roar
Through all Passaic's streets? No door
Will open, not an eye will see
Who this loud vagabond may be.
Upon my crimson cushioned seat,
In manufactured light and heat,
I feel unnatural and mean.
Outside the towns are cool and clean;
Curtained awhile from sound and sight
They take God's gracious gift of night.
The stars are watchful over them.
On Clifton as on Bethlehem
The angels, leaning down the sky,
Shed peace and gentle dreams. And I --
I ride, I blasphemously ride
Through all the silent countryside.
The engine's shriek, the headlight's glare,
Pollute the still nocturnal air.
The cottages of Lake View sigh
And sleeping, frown as we pass by.
Why, even strident Paterson
Rests quietly as any nun.
Her foolish warring children keep
The grateful armistice of sleep.
For what tremendous errand's sake
Are we so blatantly awake?
What precious secret is our freight?
What king must be abroad so late?
Perhaps Death roams the hills to-night
And we rush forth to give him fight.
Or else, perhaps, we speed his way
To some remote unthinking prey.
Perhaps a woman writhes in pain
And listens -- listens for the train!
The train, that like an angel sings,
The train, with healing on its wings.
Now "Hawthorne!" the conductor cries.
My neighbor starts and rubs his eyes.
He hurries yawning through the car
And steps out where the houses are.
This is the reason of our quest!
Not wantonly we break the rest
Of town and village, nor do we
Lightly profane night's sanctity.
What Love commands the train fulfills,
And beautiful upon the hills
Are these our feet of burnished steel.
Subtly and certainly I feel
That Glen Rock welcomes us to her
And silent Ridgewood seems to stir
And smile, because she knows the train
Has brought her children back again.
We carry people home -- and so
God speeds us, wheresoe'er we go.
Hohokus, Waldwick, Allendale
Lift sleepy heads to give us hail.
In Ramsey, Mahwah, Suffern stand
Houses that wistfully demand
A father -- son -- some human thing
That this, the midnight train, may bring.
The trains that travel in the day
They hurry folks to work or play.
The midnight train is slow and old
But of it let this thing be told,
To its high honor be it said
It carries people home to bed.
My cottage lamp shines white and clear.
God bless the train that brought me here.
|
Written by
William Topaz McGonagall |
All ye tourists who wish to be away
From the crowded city for a brief holiday;
The town of Nairn is worth a visit, I do confess,
And it's only about fifteen miles from Inverness.
And in the summer season it's a very popular bathing-place,
And the visitors from London and Edinburgh finds solace,
As they walk along the yellow sand beach inhaling fresh air;
Besides, there's every accommodation for ladies and gentlemen there.
Then there's a large number of bathing coaches there,
And the climate is salubrious, and very warm the air;
And every convenience is within the bathers' reach,
Besides, there's very beautiful walks by the sea beach.
The visitors to Nairn can pass away the time agreeably,
By viewing Tarbetness, which slopes downwards to the sea;
And Queen Street is one of the prettiest thoroughfares,
Because there's splendid shops in it, and stocked with different wares.
And there's ornamental grounds, and lovely shady nooks,
Which is a great advantage to visitors while reading their books;
And there's a certain place known as the Ladies' Beach,
So private that no intruder can them reach.
And there's many neat cottages with gardens very nice,
And picturesque villas, which can be rented at a reasonable price;
Besides, there's a golf course for those that such a game seeks,
Which would prove a great attraction to the knights of clubs and cleeks.
The surrounding scenery of Nairn is magnificent to be seen,
Especially its fertile fields and woodlands so green;
Besides, not far from Nairn, there's Cawdor Castle, the ancient seat
Of the noble Thanes of Cawdor, with its bold turrets so neat.
And its massive proportions is very imposing to see,
Because the arched entrance is secured by a drawbridge and a fosse;
And visitors will be allowed all over the grounds to roam,
Besides shown over the castle if the Earl is not at home.
The scenery surrounding the castle is charming in the summertime,
And the apples in the orchard there is very fine,
Also the flower-beds are most beautiful to see,
Especially in the month of June, when the birds sing merrily.
Then there's the ancient stronghold of the Bays of Lochloy,
And visitors when they see it will it heartily enjoy;
And a little further on there's the blasted heath of Macbeth,
And a hillock where the witches are wont to dance till out of breath.
And as the visitors to Nairn walk along the yellow sand,
They can see, right across the Moray Firth, the Black Island so grand,
With its productive fields and romantic scenery,
And as the tourist gazes thereon his heart fills with ecstasy.
And Darnaway Castle is well worthy of praise,
And to oblige all visitors there are open days,
When they can see the castle where one thousand warriors in all
Oft have assembled in the Earl of Randolph's Hall.
And in conclusion I will say for good bathing Nairn is the best,
And besides its pleasant scenery is of historical interest;
And the climate gives health to many visitors while there,
Therefore I would recommend Nairn for balmy pure air.
|
Written by
John Betjeman |
Those moments, tasted once and never done,
Of long surf breaking in the mid-day sun.
A far-off blow-hole booming like a gun-
The seagulls plane and circle out of sight
Below this thirsty, thrift-encrusted height,
The veined sea-campion buds burst into white
And gorse turns tawny orange, seen beside
Pale drifts of primroses cascading wide
To where the slate falls sheer into the tide.
More than in gardened Surrey, nature spills
A wealth of heather, kidney-vetch and squills
Over these long-defended Cornish hills.
A gun-emplacement of the latest war
Looks older than the hill fort built before
Saxon or Norman headed for the shore.
And in the shadowless, unclouded glare
Deep blue above us fades to whiteness where
A misty sea-line meets the wash of air.
Nut-smell of gorse and honey-smell of ling
Waft out to sea the freshness of the spring
On sunny shallows, green and whispering.
The wideness which the lark-song gives the sky
Shrinks at the clang of sea-birds sailing by
Whose notes are tuned to days when seas are high.
From today's calm, the lane's enclosing green
Leads inland to a usual Cornish scene-
Slate cottages with sycamore between,
Small fields and tellymasts and wires and poles
With, as the everlasting ocean rolls,
Two chapels built for half a hundred souls.
|
Written by
Robinson Jeffers |
There is a jaggle of masonry here, on a small hill
Above the gray-mouthed Pacific, cottages and a thick-walled tower, all made of rough sea rock
And Portland cement. I imagine, fifty years from now,
A mist-gray figure moping about this place in mad moonlight, examining the mortar-joints, pawing the
Parasite ivy: "Does the place stand? How did it take that last earthquake?" Then someone comes
From the house-door, taking a poodle for his bedtime walk. The dog snarls and retreats; the man
Stands rigid, saying "Who are you? What are you doing here?" "Nothing to hurt you," it answers, "I am just looking
At the walls that I built. I see that you have played hell
With the trees that I planted." "There has to be room for people," he answers. "My God," he says, "That still!"
|
Written by
William Topaz McGonagall |
All ye lovers of the picturesque, away
To beautiful Torquay and spend a holiday
'Tis health for invalids for to go there
To view the beautiful scenery and inhale the fragrant air,
Especially in the winter and spring-time of the year,
When the weather is not too hot, but is balmy and clear.
Torquay lies in a very deep and well-sheltered spot,
And at first sight by strangers it won't be forgot;
'Tis said to be the mildest place in ah England,
And surrounded by lofty hills most beautiful and grand.
Twas here that William of Orange first touched English ground,
And as he viewed the beautiful spot his heart with joy did rebound;
And an obelisk marks the spot where he did stand,
And which for long will be remembered throughout England.
Torquay, with its pier and its diadem of white,
Is a moat beautiful and very dazzling sight,
With its white villas glittering on the sides of its green hills,
And as the tourist gases thereon with joy his heart fills.
The heights around Torquay are most beautiful to be seen,
Especially when the trees and shrubberies are green,
And to see the pretty houses under the cliff is a treat,
And the little town enclosed where two deep valleys meet.
There is also a fine bathing establishment near the pier,
Where the tourist can bathe without any fear;
And as the tourists there together doth stroll,
I advise them to visit a deep chasm called Daddy's Hole.
Then there's Bablicome, only two miles from Torquay,
Which will make the stranger's heart feel gay,
As he stands on the cliff four hundred feet above the sea,
Looking down,'tis sure to fill his heart with ecstasy.
The lodging-houses at Bablicome are magnificent to be seen,
And the accommodation there would suit either king or queen,
And there's some exquisite cottages embowered in the woodland,
And sloping down to the sea shore, is really very grand.
You do not wonder at Napoleon's exclamation
As he stood on the deck of the "Bellerophon," in a fit of admiration,
When the vessel was lying to windbound,
He exclaimed - "Oh, what a beautiful country!" his joy was profound.
And as the tourist there in search of beautiful spots doth rove,
Let them not forget to enquire for Anstey's Cove,
And there they will see a beautiful beach of milky white,
And the sight will fill their hearts with delight.
Oh! beautiful Torquay, with your lovely scenery,
And your magnificent cottages sloping down to the sea,
You are the most charming spot in all England,
With your picturesque bay and villas most grand.
And, in conclusion, to tourists I will say,
Off! off to Torquay and make no delay,
For the scenery is magnificent, and salubrious the air,
And 'tis good for the health to reside there.
|
Written by
Barry Tebb |
Memories bursting like tears or waves
On some lonely Adriatic shore
Beating again and again
Threshings of green sea foam
Flecked like the marble Leonardo
Chipped for his ‘Moses’.
And my tears came as suddenly
In that dream, criss-crossed
With memory and desire.
Grandad Nicky had worked
Down the pits for a pittance
To bring up his six children
But nothing left over for more
Than a few nuts and an orange
For six Christmas stockings
So hopefully hung, weighted by pennies,
Stretched across the black mantle.
So Lawrence-like and yet not, grandad
A strict Methodist who read only a vast Bible
Hunched in his fireside chair insisting
On chapel three times on Sundays.
Only in retirement did joy and wisdom
Enter him, abandoning chapel he took
To the Friends or Quakers as they called them then
And somehow at seventy the inner light
Consumed him.
Gruff but kind was my impression:
He would take me for walks
Along abandoned railways to the shutdown
Pipeworks where my three uncles
Worked their early manhood through.
It would have delighted Auden and perhaps
That was the bridge between us
Though we were of different generations
And by the time I began to write he had died.
All are gone except some few who may live still
But in their dotage.After my mother’s funeral
None wanted contact: I had been judged in my absence
And found wanting.
Durham was not my county,
Hardly my country, memories from childhood
Of Hunwick Village with its single cobbled street
Of squat stone cottages and paved yards
With earth closets and stacks of sawn logs
Perfuming the air with their sap
In a way only French poets could say
And that is why we have no word but clich?
‘Reflect’ or ‘make come alive’ or other earthbound
Anglicanisms; yet it is there in Valery Larbaud
‘J’ai senti pour la premiere fois toute la douceur de vivre’-
I experienced for the first time all the joy of living.
I quote of their plenitude to mock the absurdity
Of English poets who have no time for Francophiles
Better the ‘O altitudo’ of earlier generations –
Wallace Stevens’ "French and English
Are one language indivisible."
That scent of sawdust, the milkcart the pony pulled
Each morning over the cobbles, the earthenware jug
I carried to be filled, ladle by shining ladle,
From the great churns and there were birds singing
In the still blue over the fields beyond the village
But because I was city-bred I could not name them.
I write to please myself: ‘Only other poets read poems’
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Written by
Thomas Hardy |
It faces west, and round the back and sides
High beeches, bending, hang a veil of boughs,
And sweep against the roof. Wild honeysucks
Climb on the walls, and seem to sprout a wish
(If we may fancy wish of trees and plants)
To overtop the apple trees hard-by.
Red roses, lilacs, variegated box
Are there in plenty, and such hardy flowers
As flourish best untrained. Adjoining these
Are herbs and esculents; and farther still
A field; then cottages with trees, and last
The distant hills and sky.
Behind, the scene is wilder. Heath and furze
Are everything that seems to grow and thrive
Upon the uneven ground. A stunted thorn
Stands here and there, indeed; and from a pit
An oak uprises, Springing from a seed
Dropped by some bird a hundred years ago.
In days bygone--
Long gone--my father's mother, who is now
Blest with the blest, would take me out to walk.
At such a time I once inquired of her
How looked the spot when first she settled here.
The answer I remember. 'Fifty years
Have passed since then, my child, and change has marked
The face of all things. Yonder garden-plots
And orchards were uncultivated slopes
O'ergrown with bramble bushes, furze and thorn:
That road a narrow path shut in by ferns,
Which, almost trees, obscured the passers-by.
Our house stood quite alone, and those tall firs
And beeches were not planted. Snakes and efts
Swarmed in the summer days, and nightly bats
Would fly about our bedrooms. Heathcroppers
Lived on the hills, and were our only friends;
So wild it was when we first settled here.'
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