Written by
Pablo Neruda |
There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.
And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.
Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence.
Death arrives among all that sound
like a shoe with no foot in it, like a suit with no man in it,
comes and knocks, using a ring with no stone in it, with no
finger in it,
comes and shouts with no mouth, with no tongue, with no
throat.
Nevertheless its steps can be heard
and its clothing makes a hushed sound, like a tree.
I'm not sure, I understand only a little, I can hardly see,
but it seems to me that its singing has the color of damp violets,
of violets that are at home in the earth,
because the face of death is green,
and the look death gives is green,
with the penetrating dampness of a violet leaf
and the somber color of embittered winter.
But death also goes through the world dressed as a broom,
lapping the floor, looking for dead bodies,
death is inside the broom,
the broom is the tongue of death looking for corpses,
it is the needle of death looking for thread.
Death is inside the folding cots:
it spends its life sleeping on the slow mattresses,
in the black blankets, and suddenly breathes out:
it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.
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Written by
Rudyard Kipling |
1918
This is the State above the Law.
The State exists for the State alone."
[This is a gland at the back of the jaw,
And an answering lump by the collar-bone.],
Some die shouting in gas or fire;
Some die silent, by shell and shot.
Some die desperate, caught on the wire -
Some die suddenly. This will not.
"Regis suprema voluntas Lex"
[It will follow the regular course of--throats.]
Some die pinned by the broken decks,
Some die sobbing between the boats.
Some die eloquent, pressed to death
By the sliding trench as their friends can hear
Some die wholly in half a breath.
Some--give trouble for half a year.
"There is neither Evil nor Good in life
Except as the needs of the State ordain."
[Since it is rather too late for the knife,
All we can do is to mask the pain.]
Some die saintly in faith and hope--
One died thus in a prison-yard--
Some die broken by rape or the rope;
Some die easily. This dies hard.
"I will dash to pieces who bar my way.
Woe to the traitor! Woe to the weak! "
[Let him write what he wishes to say.
It tires him out if he tries to speak.]
Some die quietly. Some abound
In loud self-pity. Others spread
Bad morale through the cots around .
This is a type that is better dead.
"The war was forced on me by my foes.
All that I sought was the right to live."
[Don't be afraid of a triple dose;
The pain will neutralize all we give.
Here are the needles. See that he dies
While the effects of the drug endure. . . .
What is the question he asks with his eyes?--
Yes, All-Highest, to God, be sure.]
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Written by
Charles Bukowski |
you haven't lived
until you've been in a
flophouse
with nothing but one
light bulb
and 56 men
squeezed together
on cots
with everybody
snoring
at once
and some of those
snores
so
deep and
gross and
unbelievable-
dark
snotty
gross
subhuman
wheezings
from hell
itself.
your mind
almost breaks
under those
death-like
sounds
and the
intermingling
odors:
hard
unwashed socks
pissed and
shitted
underwear
and over it all
slowly circulating
air
much like that
emanating from
uncovered
garbage
cans.
and those
bodies
in the dark
fat and
thin
and
bent
some
legless
armless
some
mindless
and worst of
all:
the total
absence of
hope
it shrouds
them
covers them
totally.
it's not
bearable.
you get
up
go out
walk the
streets
up and
down
sidewalks
past buildings
around the
corner
and back
up
the same
street
thinking
those men
were all
children
once
what has happened
to
them?
and what has
happened
to
me?
it's dark
and cold
out
here.
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Written by
Sylvia Plath |
The air is a mill of hooks --
Questions without answer,
Glittering and drunk as flies
Whose kiss stings unbearably
In the fetid wombs of black air under pines in summer.
I remember
The dead smell of sun on wood cabins,
The stiffness of sails, the long salt winding sheets.
Once one has seen God, what is the remedy?
Once one has been seized up
Without a part left over,
Not a toe, not a finger, and used,
Used utterly, in the sun's conflagration, the stains
That lengthen from ancient cathedrals
What is the remedy?
The pill of the Communion tablet,
The walking beside still water? Memory?
Or picking up the bright pieces
Of Christ in the faces of rodents,
The tame flower-nibblers, the ones
Whose hopes are so low they are comfortable --
The humpback in his small, washed cottage
Under the spokes of the clematis.
Is there no great love, only tenderness?
Does the sea
Remember the walker upon it?
Meaning leaks from the molecules.
The chimneys of the city breathe, the window sweats,
The children leap in their cots.
The sun blooms, it is a geranium.
The heart has not stopped.
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Written by
Walt Whitman |
1
AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes, (was one side so brave? the other was equally brave;)
Now be witness again—paint the mightiest armies of earth;
Of those armies so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains?
2
O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls;
Soldier alert I arrive, after a long march, cover’d with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful
charge;
Enter the captur’d works.... yet lo! like a swift-running river, they fade;
Pass and are gone, they fade—I dwell not on soldiers’ perils or soldiers’
joys;
(Both I remember well—many the hardships, few the joys, yet I was content.)
But in silence, in dreams’ projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
In nature’s reverie sad, with hinged knees returning, I enter the doors—(while
for
you up
there,
Whoever you are, follow me without noise, and be of strong heart.)
3
Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roof’d hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near—not one do I miss;
An attendant follows, holding a tray—he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied and fill’d again.
I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each—the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes—(poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.)
4
On, on I go!—(open doors of time! open hospital doors!)
The crush’d head I dress, (poor crazed hand, tear not the bandage away;)
The neck of the cavalry-man, with the bullet through and through, I examine;
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard;
(Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.)
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curv’d neck, and side-falling head;
His eyes are closed, his face is pale, (he dares not look on the bloody stump,
And has not yet look’d on it.)
I dress a wound in the side, deep, deep;
But a day or two more—for see, the frame all wasted already, and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me, holding the tray and pail.
I am faithful, I do not give out;
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand—(yet deep in my breast a fire, a burning
flame.)
5
Thus in silence, in dreams’ projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night—some are so young;
Some suffer so much—I recall the experience sweet and sad;
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips.)
|
Written by
Victor Hugo |
("De quel non te nommer?")
{PRELUDE, a, Oct. 20, 1835.}
How shall I note thee, line of troubled years,
Which mark existence in our little span?
One constant twilight in the heaven appears—
One constant twilight in the mind of man!
Creed, hope, anticipation and despair,
Are but a mingling, as of day and night;
The globe, surrounded by deceptive air,
Is all enveloped in the same half-light.
And voice is deadened by the evening breeze,
The shepherd's song, or maiden's in her bower,
Mix with the rustling of the neighboring trees,
Within whose foliage is lulled the power.
Yet all unites! The winding path that leads
Thro' fields where verdure meets the trav'ller's eye.
The river's margin, blurred with wavy reeds,
The muffled anthem, echoing to the sky!
The ivy smothering the armèd tower;
The dying wind that mocks the pilot's ear;
The lordly equipage at midnight hour,
Draws into danger in a fog the peer;
The votaries of Satan or of Jove;
The wretched mendicant absorbed in woe;
The din of multitudes that onward move;
The voice of conscience in the heart below;
The waves, which Thou, O Lord, alone canst still;
Th' elastic air; the streamlet on its way;
And all that man projects, or sovereigns will;
Or things inanimate might seem to say;
The strain of gondolier slow streaming by;
The lively barks that o'er the waters bound;
The trees that shake their foliage to the sky;
The wailing voice that fills the cots around;
And man, who studies with an aching heart—
For now, when smiles are rarely deemed sincere,
In vain the sceptic bids his doubts depart—
Those doubts at length will arguments appear!
Hence, reader, know the subject of my song—
A mystic age, resembling twilight gloom,
Wherein we smile at birth, or bear along,
With noiseless steps, a victim to the tomb!
G.W.M. REYNOLDS
|
Written by
Henry Vaughan |
Sweet, harmless lives! (on whose holy leisure
Waits innocence and pleasure),
Whose leaders to those pastures, and clear springs,
Were patriarchs, saints, and kings,
How happened it that in the dead of night
You only saw true light,
While Palestine was fast asleep, and lay
Without one thought of day?
Was it because those first and blessed swains
Were pilgrims on those plains
When they received the promise, for which now
'Twas there first shown to you?
'Tis true, He loves that dust whereon they go
That serve Him here below,
And therefore might for memory of those
His love there first disclose;
But wretched Salem, once His love, must now
No voice, nor vision know,
Her stately piles with all their height and pride
Now languished and died,
And Bethlem's humble cotes above them stepped
While all her seers slept;
Her cedar, fir, hewed stones and gold were all
Polluted through their fall,
And those once sacred mansions were now
Mere emptiness and show;
This made the angel call at reeds and thatch,
Yet where the shepherds watch,
And God's own lodging (though He could not lack)
To be a common rack;
No costly pride, no soft-clothed luxury
In those thin cells could lie,
Each stirring wind and storm blew through their cots
Which never harbored plots,
Only content, and love, and humble joys
Lived there without all noise,
Perhaps some harmless cares for the next day
Did in their bosoms play,
As where to lead their sheep, what silent nook,
What springs or shades to look,
But that was all; and now with gladsome care
They for the town prepare,
They leave their flock, and in a busy talk
All towards Bethlem walk
To see their souls' Great Shepherd, Who was come
To bring all stragglers home,
Where now they find Him out, and taught before
That Lamb of God adore,
That Lamb whose days great kings and prophets wished
And longed to see, but missed.
The first light they beheld was bright and gay
And turned their night to day,
But to this later light they saw in Him,
Their day was dark, and dim.
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