Written by
Marge Piercy |
Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk.
Every day
I will paint you, as women
color each other with henna
on hands and on feet.
Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.
Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.
Yellow as a goat's wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.
Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.
Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.
Blue as cornflowers, delphiniums,
bachelors' buttons.
Blue as Roquefort,
blue as Saga.
Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on new snow, as a spring
azure sipping from a puddle on the blacktop.
Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other's arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es.
IV.
E.
P.
Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense.
Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case .
.
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later .
.
.
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" .
.
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive .
.
.
.
"Ah, poor Jenny's case" .
.
.
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub .
.
.
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M.
Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr.
Nixon
In the cream gilded cabin of his steam yacht
Mr.
Nixon advised me kindly, to advance with fewer
Dangers of delay.
"Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr.
Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers.
From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr.
Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure.
"
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it.
"
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion.
The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly.
But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively.
In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St.
where
Dr.
Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Barry Tebb |
Here is a silence I had not hoped for
This side of paradise, I am an old believer
In nature’s bounty as God’s grace
To us poor mortals, fretting and fuming
At frustrated lust or the scent of fame
Coming too late to make a difference
Blue with white vertebrae of cloud forms
Riming the spectrum of green dark of poplars
Lined like soldiers, paler the hue of hawthorn
With the heather beginning to bud blue
Before September purple, yellow ragwort
Sways in the wind as distantly a plane hums
And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie,
My favourite of her seven cats, they soothe better
Than Diazepan for panic
Seroxat for grief
Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea
Aware of the ticking clock: I have to be back
To talk to my son’s key nurse when she comes on
For the night shift.
Always there are things to sort,
Misapprehensions to untangle, delusions to decipher,
Lies to expose, statistics to disclose, Trust Boards
And team meetings to attend, ‘Mental Health Monthly’
To peruse, funds for my press to raise – the only one
I ever got will leave me out of pocket.
A couple sat on the next bench
Are earnestly discussing child custody, broken marriages,
Failed affairs, social service interventions –
Even here I cannot escape complexity
"I should never have slept with her once we split"
"The kids are what matters when it comes to the bottom line"
"Is he poisoning their minds against me?"
Part of me nags to offer help but I’ve too much
On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear"
But better not to interfere.
Damn my bloody superego
Nattering like an old woman or Daisy nagging
About my pipe and my loud voice on buses –
No doubt she’s right – smoking’s not good
And hearing about psychosis, medication and end-on-sections
Isn’t what people are on buses for.
I long for a girl in summer, pubescent
With a twinkle in her eye to come and say
"Come on, let’s do it!"
I was always shy in adolescence, too busy reading Baudelaire
To find a decent whore and learn to score
And now I’m probably impotent with depression
So I’d better forget sex and read more of Andr? Green
On metaphor from Hegel to Lacan and how the colloquium
At Bonneval changed analytic history, a mystery
I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss
From jumped-up SHO’s and locums who’d miss vital side effects
And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors
To cut and suture neatly and renew my stocks
Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks
On the moor? Suburban excesses spread like the sores
Of syphilis and more regulations in a decade of Blair
Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E
If you want NHS treatment free.
Be careful not to bleed to death
While finding the certificate.
Blunkett wants us all to have ID
Photo cards, genetic codes, DNA database, eye scans, the lot –
And kiss good-bye to the last bits of freedom we’ve got"
"At the end of the day she shopped me and all I’d done
Was take a few pound from the till ’cos Jenny was ill
And I didn’t have thirteen quid to get the bloody prescription done"
To-morrow I’ll be back in the Great Wen,
Two days of manic catching up and then
Thistledown, wild wheat, a dozen kinds of grass,
The mass of beckoning hills I’d love to make
A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines
Entice me still but slimy Fenton had to have his will
And slate it in the NYB, arguing that panetone
Isn’t tin foil as Lowell thought.
James you are a dreadful bore,
A pedantic creep like hundreds more, five A4 pages
Of sniping and nit-picking for how many greenbacks?
A thousand or two I’d guess, they couldn’t pay you less
For churning out such a king-size mess
But not even you can spoil this afternoon
Of watching Haworth heather bloom.
|
Written by
Marriott Edgar |
Joe Dunn were a bobby for football
He gave all his time to that sport,
He played for the West Wigan Whippets,
On days when they turned out one short.
He’d been member of club for three seasons
And had grumbled again and again,
Cos he found only time that they’d used him,
Were when it were pouring with rain!
He felt as his talents were wasted
When each week his job seemed to be
No but minding the clothes for the others
And chucking clods at referee!
So next time selection committee
Came round to ask him for his sub
He told them if they didn’t play him,
He’d transfer to some other club.
Committee they coaxed and cudgelled him
But found he’d have none of their shifts
So they promised to play him next weekend
In match against Todmorden Swifts.
This match were the plum of the season
An annual fixture it stood,
‘T were reckoned as good as a cup tie
By them as liked plenty of blood!
The day of the match dawned in splendour
A beautiful morning it were
With a fog drifting up from the brick fields
And a drizzle of rain in the air.
The Whippets made Joe their goalkeeper
A thing as weren’t wanted at all
For they knew once battle had started
They’d have no time to mess with the ball!
Joe stood by the goal posts and shivered
While the fog round his legs seemed to creep
'Til feeling neglected and lonely
He leant back and went fast asleep.
He dreamt he were playing at Wembley
And t’roar of a thundering cheer
He were kicking a goal for the Whippets
When he woke with a clout in his ear!
He found 'twere the ball that had struck him
And inside the net there it lay
But as no one had seen this ‘ere ‘appen
He punted it back into play!
'Twere the first ball he’d punted in anger
His feelings he couldn’t restrain
Forgetting as he were goalkeeper
He ran out and kicked it again!
Then after the ball like a rabbit
He rushed down the field full of pride
He reckoned if nobody stopped him
Then ‘appen he’d score for his side.
‘Alf way down he bumped into his captain
Who weren’t going to let him go by
But Joe, like Horatio Nelson
Put a fist to the Captain’s blind eye!
On he went 'til the goal lay before him
Then stopping to get himself set
He steadied the ball, and then kicked it
And landed it right in the net!
The fog seemed to lift at that moment
And all eyes were turned on the lad
The Whippets seemed kind of dumbfounded
While the Swifts started cheering like mad!
'Twere his own goal as he’d kicked the ball through
He’d scored for his foes ‘gainst his friends
For he’d slept through the referee’s whistle
And at half time he hadn’t changed ends!
Joe was transferred from the West Wigan Whippets
To the Todmorden Swifts, where you’ll see
Still minding the clothes for the others
And chucking clods at referee!
|
Written by
Ezra Pound |
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense.
Wrong from the start--
No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;
Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
de son eage;the case presents
No adjunct to the Muses' diadem.
II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;
Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.
Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.
O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!
IV
These fought in any case,
And some believing,
pro domo, in any case.
.
.
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later.
.
.
some in fear, learning love of slaughter;
Died some, pro patria,
non "dulce" not "et decor".
.
.
walked eye-deep in hell
believing old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
|
Written by
Marriott Edgar |
Richard the First, Coeur-de-Lion,
Is a name that we speak of with pride,
Though he only lived six months in England
From his birth to the day that he died.
He spent all his time fighting battles,
Dressed up in most rigid attire,
For he had his suits made by the Blacksmith,
And his underwear knitted of wire.
He married a lady from Flanders,
Berengaria's what they called her;
She turned out a good wife to Richard,
In spite of a name like that there.
For when he came home from his fighting
She'd bandage the wounds in his sconce,
And every time a snake bit him
She'd suck out the poison at once.
In their 'ouse they'd a minstrel called Blondel
To amuse them at t'end of the day'
And the King had but one thing against him.
.
.
He had nobbut one tune he could play.
The Queen saw nowt wrong with the number
And would have it again and again,
And when Richard said: "Put a sock in it!"
She'd give 'im a look full of pain.
The King got fed up at the finish,
And were so sick of 'earing it played,
That he packed his spare suit on a wagon
And went off and joined the Crusade.
He got fighting the moment he landed,
And though Saracen lads did their best,
He cut off their heads in such numbers,
That the hatmakers lodged a protest.
The Sultan, whose name were Saladin,
Thought he'd best try this business to stem,
So he rode up to Richard and told him
He mustn't do that there to them.
Said Richard: "Oh! Who's going to stop me?"
Said Saladin: "I will-and quick!"
So the King poked his sword at the Sultan,
Who, in turn, swiped his skimpter at Dick.
They fought all that day without ceasing;
They fought till at last they both saw
That each was a match for the other,
So they chucked it and called it a draw.
As Richard rode home in the moonlight
He heard someone trying to croon,
And there by the roadside stood Blondel,
Still playing his signature tune.
He'd worked out his passage from England
In search of his Master and Lord,
And had swum the last part of the journey
'Cos his tune got 'im thrown overboard.
This meeting filled Richard with panic:
He rode off and never drew rein
Till he got past the Austrian border
And felt he could breathe once again.
He hid in a neighbouring Castle,
But he hadn't been there very long
When one night just outside his window
Stood Blondel, still singing his song.
This 'ere took the heart out of Richard;
He went home dejected and low,
And the very next fight he got into
He were killed without striking a blow.
|
Written by
Marriott Edgar |
I'll tell of the Battle of Hastings,
As happened in days long gone by,
When Duke William became King of England,
And 'Arold got shot in the eye.
It were this way - one day in October
The Duke, who were always a toff
Having no battles on at the moment,
Had given his lads a day off.
They'd all taken boats to go fishing,
When some chap in t' Conqueror's ear
Said 'Let's go and put breeze up the Saxons;'
Said Bill - 'By gum, that's an idea.
'
Then turning around to his soldiers,
He lifted his big Nonnan voice,
Shouting - 'Hands up who's coming to England.
'
That was swank 'cos they hadn't no choice.
They started away about tea-time -
The sea was so calm and so still,
And at quarter to ten the next morning
They arrived at a place called Bexhill.
King 'Arold came up as they landed -
His face full of venom and 'ate -
He said 'lf you've come for Regatta
You've got here just six weeks too late.
'
At this William rose, cool but 'aughty,
And said 'Give us none of your cheek;
You'd best have your throne re-upholstered,
I'll be wanting to use it next week.
'
When 'Arold heard this 'ere defiance,
With rage he turned purple and blue,
And shouted some rude words in Saxon,
To which William answered - 'And you.
'
'Twere a beautiful day for a battle;
The Normans set off with a will,
And when both sides was duly assembled,
They tossed for the top of the hill.
King 'Arold he won the advantage,
On the hill-top he took up his stand,
With his knaves and his cads all around him,
On his 'orse with his 'awk in his 'and.
The Normans had nowt in their favour,
Their chance of a victory seemed small,
For the slope of the field were against them,
And the wind in their faces an' all.
The kick-off were sharp at two-thirty,
And soon as the whistle had went
Both sides started banging each other
'Til the swineherds could hear them in Kent.
The Saxons had best line of forwards,
Well armed both with buckler and sword -
But the Normans had best combination,
And when half-time came neither had scored.
So the Duke called his cohorts together
And said - 'Let's pretend that we're beat,
Once we get Saxons down on the level
We'll cut off their means of retreat.
'
So they ran - and the Saxons ran after,
Just exactly as William had planned,
Leaving 'Arold alone on the hill-top
On his 'orse with his 'awk in his 'and.
When the Conqueror saw what had happened,
A bow and an arrow he drew;
He went right up to 'Arold and shot him.
He were off-side, but what could they do?
The Normans turned round in a fury,
And gave back both parry and thrust,
Till the fight were all over bar shouting,
And you couldn't see Saxons for dust.
And after the battle were over
They found 'Arold so stately and grand,
Sitting there with an eye-full of arrow
On his 'orse with his 'awk in his 'and.
|
Written by
Marriott Edgar |
When Joe Dove took his elephants out on the road
He made each one hold fast with his trunk
To the tail of the elephant walking in front
To stop them from doing a bunk.
There were fifteen in all, so 'twere rather a job
To get them linked up in a row,
But once he had fixed 'em Joe knew they'd hold on,
For an elephant never lets go.
The pace it was set by the big 'uns in front,
'Twas surprising how fast they could stride,
And poor little Aggie, the one at the back.
.
.
Had to run till she very near died.
They were walking one Sunday from Blackpool to Crewe,
They'd started at break of the day,
Joe followed behind with a bagful of buns
In case they got hungry on t'way.
They travelled along at a rattling good pace
Over moorland and valley and plain,
And poor little Aggie the one at the back
Her trunk fairly creaked with the strain.
They came to a place where the railway crossed road,
An ungated crossing it were,
And they wasn't to know as the express was due
At the moment that they landed there.
They was half way across when Joe saw the express-
It came tearing along up the track-
He tried hard to stop, but it wasn't much good,
For an elephant never turns back.
He saw if he didn't do something at once
The train looked like spoiling his troupe,
So he ran on ahead and he waggled tho buns
To show them they'd best hurry up
When they caught sight of buns they all started to run,
And they soon got across at this gait,
Except poor little Aggie-the one at the back,
She were one second too late.
The express came dashing along at full speed,
And caught her end on, fair and square
She bounced off the buffers, turned head over heels,
And lay with her legs in the air.
Joe thought she were dead when he saw her lyin' there,
With the back of her head on the line
He knelt by her side, put his ear to her chest,
And told her to say " ninety-nine.
"
She waggled her tail and she twiggled her trunk ;
To show him as she were alive;
She hadn't the strength for to say "ninety-nine,"
She just managed a weak "eighty-five.
"
When driver of th' engine got down from his cab
Joe said "Here's a nice howdedo,
To see fifteen elephants ruined for life
By a clumsy great driver like you.
"
Said the driver, "There's no need to mak' all this fuss,
There's only one hit as I've seen.
"
Joe said, "Aye, that's right, but they held on so tight
You've pulled back end off t' other fourteen.
"
Joe still walks around with his elephant troupe,
He got them patched up at the vet's,
But Aggie won't walk at the back any more,
'Cos an elephant never forgets.
|
Written by
Robert William Service |
We was in a crump-'ole, 'im and me;
Fightin' wiv our bayonets was we;
Fightin' 'ard as 'ell we was,
Fightin' fierce as fire because
It was 'im or me as must be downed;
'E was twice as big as me;
I was 'arf the weight of 'e;
We was like a terryer and a 'ound.
'Struth! But 'e was sich a 'andsome bloke.
Me, I'm 'andsome as a chunk o' coke.
Did I give it 'im? Not 'arf!
Why, it fairly made me laugh,
'Cos 'is bloomin' bellows wasn't sound.
Couldn't fight for monkey nuts.
Soon I gets 'im in the guts,
There 'e lies a-floppin' on the ground.
In I goes to finish up the job.
Quick 'e throws 'is 'ands above 'is nob;
Speakin' English good as me:
"'Tain't no use to kill," says 'e;
"Can't yer tyke me prisoner instead?"
"Why, I'd like to, sir," says I;
"But -- yer knows the reason why:
If we pokes our noses out we're dead.
"Sorry, sir.
Then on the other 'and
(As a gent like you must understand),
If I 'olds you longer 'ere,
Wiv yer pals so werry near,
It's me 'oo'll 'ave a free trip to Berlin;
If I lets yer go away,
Why, you'll fight another day:
See the sitooation I am in.
"Anyway I'll tell you wot I'll do,
Bein' kind and seein' as it's you,
Knowin' 'ow it's cold, the feel
Of a 'alf a yard o' steel,
I'll let yer 'ave a rifle ball instead;
Now, jist think yerself in luck.
.
.
.
'Ere, ol' man! You keep 'em stuck,
Them saucy dooks o' yours, above yer 'ead.
"
'Ow 'is mits shot up it made me smile!
'Ow 'e seemed to ponder for a while!
Then 'e says: "It seems a shyme,
Me, a man wot's known ter Fyme:
Give me blocks of stone, I'll give yer gods.
Whereas, pardon me, I'm sure
You, my friend, are still obscure.
.
.
.
"
"In war," says I, "that makes no blurry odds.
"
Then says 'e: "I've painted picters too.
.
.
.
Oh, dear God! The work I planned to do,
And to think this is the end!"
"'Ere," says I, "my hartist friend,
Don't you give yerself no friskin' airs.
Picters, statoos, is that why
You should be let off to die?
That the best ye done? Just say yer prayers.
"
Once again 'e seems ter think awhile.
Then 'e smiles a werry 'aughty smile:
"Why, no, sir, it's not the best;
There's a locket next me breast,
Picter of a gel 'oo's eyes are blue.
That's the best I've done," says 'e.
"That's me darter, aged three.
.
.
.
"
"Blimy!" says I, "I've a nipper, too.
"
Straight I chucks my rifle to one side;
Shows 'im wiv a lovin' farther's pride
Me own little Mary Jane.
Proud 'e shows me 'is Elaine,
And we talks as friendly as can be;
Then I 'elps 'im on 'is way,
'Opes 'e's sife at 'ome to-day,
Wonders -- 'ow would eE 'Aave treated me?
|
Written by
D. H. Lawrence |
Sister, tha knows while we was on the planks
Aside o' th' grave, while th' coffin wor lyin' yet
On th' yaller clay, an' th' white flowers top of it
Tryin' to keep off 'n him a bit o' th' wet,
An' parson makin' haste, an' a' the black
Huddlin' close together a cause o' th' rain,
Did t' 'appen ter notice a bit of a lass away back
By a head-stun, sobbin' an' sobbin' again?
--How should I be lookin' round
An' me standin' on the plank
Beside the open ground,
Where our Ted 'ud soon be sank?
Yi, an' 'im that young,
Snapped sudden out of all
His wickedness, among
Pals worse n'r ony name as you could call.
Let be that; there's some o' th' bad as we
Like better nor all your good, an' 'e was one.
--An' cos I liked him best, yi, bett'r nor thee,
I canna bide to think where he is gone.
Ah know tha liked 'im bett'r nor me. But let
Me tell thee about this lass. When you had gone
Ah stopped behind on t' pad i' th' drippin wet
An' watched what 'er 'ad on.
Tha should ha' seed her slive up when we'd gone,
Tha should ha' seed her kneel an' look in
At th' sloppy wet grave--an' 'er little neck shone
That white, an' 'er shook that much, I'd like to begin
Scraïghtin' my-sen as well. 'En undid her black
Jacket at th' bosom, an' took from out of it
Over a double 'andful of violets, all in a pack
Ravelled blue and white--warm, for a bit
O' th' smell come waftin' to me. 'Er put 'er face
Right intil 'em and scraïghted out again,
Then after a bit 'er dropped 'em down that place,
An' I come away, because o' the teemin' rain.
|