Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind.
"
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy.
"
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol.
"
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire.
"
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand.
"
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation.
"
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad.
"
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.
'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness.
"
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent.
"
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.
' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools.
"
He says, "You know so many fools
who are not artists.
"
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command.
"
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science.
"
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket.
"
|
Written by
Gary Fincke |
When magpies die, each of the living swoops down
and pecks, one by one, in an accepted order.
He coaxed my car to start, the boy who’s killed himself.
He twisted a cable, performed CPR on
The carburetor while my three children shivered
Through the unanswerable questions about stalled.
He chose shotgun, full in the face, so no one stepped
Into the cold, blowing on his hands, to fix him.
Let him rest now, the minister says.
Let this be,
Repeating himself to four brothers, five sisters,
All of them my neighbors until they grew and left.
Let us pray.
Let us manage what we need to say.
Let this house with its three hand-made additions be
Large enough for the one day of necessity.
Let evening empty each room to ceremony
Chosen by the remaining nine.
Let the awful,
Forecasted weather hold off in east Ohio
Until each of them, oldest to youngest, has passed.
Let their thirty-seven children scatter into
The squabbling of the everyday, and let them break
This creeping chain of cars into the fanning out
Toward anger and selfishness and the need to eat
At any of the thousand tables they will pass.
Let them wait.
Let them correctly choose the right turn
Or the left, this entrance ramp, that exit, the last
Confusing fork before the familiar driveway
Three hundred miles and more from these bleak thunderheads.
Let them regather into the chairs exactly
Matched to their numbers, blessing the bountiful or
The meager with voices that soar toward renewal.
Let them have mercy on themselves.
Let my children,
Grown now, be repairing my faults with forgiveness.
© Gary Fincke
|
Written by
Denise Duhamel |
I had sex with a famous poet last night
and when I rolled over and found myself beside him I shuddered
because I was married to someone else,
because I wasn't supposed to have been drinking,
because I was in fancy hotel room
I didn't recognize.
I would have told you
right off this was a dream, but recently
a friend told me, write about a dream,
lose a reader and I didn't want to lose you
right away.
I wanted you to hear
that I didn't even like the poet in the dream, that he has
four kids, the youngest one my age, and I find him
rather unattractive, that I only met him once,
that is, in real life, and that was in a large group
in which I barely spoke up.
He disgusted me
with his disparaging remarks about women.
He even used the word "Jap"
which I took as a direct insult to my husband who's Asian.
When we were first dating, I told him
"You were talking in your sleep last night
and I listened, just to make sure you didn't
call out anyone else's name.
" My future-husband said
that he couldn't be held responsible for his subconscious,
which worried me, which made me think his dreams
were full of blond vixens in rabbit-fur bikinis.
but he said no, he dreamt mostly about boulders
and the ocean and volcanoes, dangerous weather
he witnessed but could do nothing to stop.
And I said, "I dream only of you,"
which was romantic and silly and untrue.
But I never thought I'd dream of another man--
my husband and I hadn't even had a fight,
my head tucked sweetly in his armpit, my arm
around his belly, which lifted up and down
all night, gently like water in a lake.
If I passed that famous poet on the street,
he would walk by, famous in his sunglasses
and blazer with the suede patches at the elbows,
without so much as a glance in my direction.
I know you're probably curious about who the poet is,
so I should tell you the clues I've left aren't
accurate, that I've disguised his identity,
that you shouldn't guess I bet it's him.
.
.
because you'll never guess correctly
and even if you do, I won't tell you that you have.
I wouldn't want to embarrass a stranger
who is, after all, probably a nice person,
who was probably just having a bad day when I met him,
who is probably growing a little tired of his fame--
which my husband and I perceive as enormous,
but how much fame can an American poet
really have, let's say, compared to a rock star
or film director of equal talent? Not that much,
and the famous poet knows it, knows that he's not
truly given his due.
Knows that many
of these young poets tugging on his sleeve
are only pretending to have read all his books.
But he smiles anyway, tries to be helpful.
I mean, this poet has to have some redeeming qualities, right?
For instance, he writes a mean iambic.
Otherwise, what was I doing in his arms.
|
Written by
Emily Dickinson |
I measure every grief I meet
With analytic eyes;
I wonder if it weighs like mine,
Or has an easier size.
I wonder if they bore it long,
Or did it just begin?
I could not tell the date of mine,
It feels so old a pain.
I wonder if it hurts to live,
And if they have to try,
And whether, could they choose between,
They would not rather die.
I wonder if when years have piled--
Some thousands--on the cause
Of early hurt, if such a lapse
Could give them any pause;
Or would they go on aching still
Through centuries above,
Enlightened to a larger pain
By contrast with the love.
The grieved are many, I am told;
The reason deeper lies,--
Death is but one and comes but once
And only nails the eyes.
There's grief of want, and grief of cold,--
A sort they call 'despair,'
There's banishment from native eyes,
In sight of native air.
And though I may not guess the kind
Correctly yet to me
A piercing comfort it affords
In passing Calvary,
To note the fashions of the cross
Of those that stand alone
Still fascinated to presume
That some are like my own.
|
Written by
Ezra Pound |
Kung walked
by the dynastic temple
and into the cedar grove,
and then out by the lower river,
And with him Khieu Tchi
and Tian the low speaking
And "we are unknown," said Kung,
"You will take up charioteering?
"Then you will become known,
"Or perhaps I should take up charioterring, or archery?
"Or the practice of public speaking?"
And Tseu-lou said, "I would put the defences in order,"
And Khieu said, "If I were lord of a province
"I would put it in better order than this is.
"
And Tchi said, "I would prefer a small mountain temple,
"With order in the observances,
with a suitable performance of the ritual,"
And Tian said, with his hand on the strings of his lute
The low sounds continuing
after his hand left the strings,
And the sound went up like smoke, under the leaves,
And he looked after the sound:
"The old swimming hole,
"And the boys flopping off the planks,
"Or sitting in the underbrush playing mandolins.
"
And Kung smiled upon all of them equally.
And Thseng-sie desired to know:
"Which had answered correctly?"
And Kung said, "They have all answered correctly,
"That is to say, each in his nature.
"
And Kung raised his cane against Yuan Jang,
Yuan Jang being his elder,
or Yuan Jang sat by the roadside pretending to
be receiving wisdom.
And Kung said
"You old fool, come out of it,
"Get up and do something useful.
"
And Kung said
"Respect a child's faculties
"From the moment it inhales the clear air,
"But a man of fifty who knows nothing
Is worthy of no respect.
"
And "When the prince has gathered about him
"All the savants and artists, his riches will be fully employed.
"
And Kung said, and wrote on the bo leaves:
If a man have not order within him
He can not spread order about him;
And if a man have not order within him
His family will not act with due order;
And if the prince have not order within him
He can not put order in his dominions.
And Kung gave the words "order"
and "brotherly deference"
And said nothing of the "life after death.
"
And he said
"Anyone can run to excesses,
"It is easy to shoot past the mark,
"It is hard to stand firm in the middle.
"
And they said: If a man commit murder
Should his father protect him, and hide him?
And Kung said:
He should hide him.
And Kung gave his daughter to Kong-Tchang
Although Kong-Tchang was in prison.
And he gave his niece to Nan-Young
although Nan-Young was out of office.
And Kung said "Wan ruled with moderation,
"In his day the State was well kept,
"And even I can remember
"A day when the historians left blanks in their writings,
"I mean, for things they didn't know,
"But that time seems to be passing.
A day when the historians left blanks in their writings,
But that time seems to be passing.
"
And Kung said, "Without character you will
"be unable to play on that instrument
"Or to execute the music fit for the Odes.
"The blossoms of the apricot
"blow from the east to the west,
"And I have tried to keep them from falling.
"
|
Written by
Heather McHugh |
He came at night to each of us asleep
And trained us in the virtues we most lacked.
Me he admonished to return his stare
Correctly, without fear.
Unless I could,
Unblinking, more and more incline
Toward a deep unblinkingness of his,
He would not let me rest.
Outside
In the dark of the world, at the foot
Of the library steps, there lurked
A Mercury of rust, its cab half-lit.
(Two worldly forms who huddled there
Knew what they meant.
I had no business
With the things they knew.
Nor did I feel myself
Drawn back through Circulation into Reference,
Until I saw how blue I had become, by virtue
Of its five TVs, their monitors abuzz with is's
Etymologies.
.
.
)
|
Written by
Henry Lawson |
As the night was falling slowly down on city, town and bush,
From a slum in Jones's Alley sloped the Captain of the Push;
And he scowled towards the North, and he scowled towards the South,
As he hooked his little finger in the corners of his mouth.
Then his whistle, loud and shrill, woke the echoes of the `Rocks',
And a dozen ghouls came sloping round the corners of the blocks.
There was nought to rouse their anger; yet the oath that each one swore
Seemed less fit for publication than the one that went before.
For they spoke the gutter language with the easy flow that comes
Only to the men whose childhood knew the brothels and the slums.
Then they spat in turns, and halted; and the one that came behind,
Spitting fiercely on the pavement, called on Heaven to strike him blind.
Let us first describe the captain, bottle-shouldered, pale and thin,
For he was the beau-ideal of a Sydney larrikin;
E'en his hat was most suggestive of the city where we live,
With a gallows-tilt that no one, save a larrikin, can give;
And the coat, a little shorter than the writer would desire,
Showed a more or less uncertain portion of his strange attire.
That which tailors know as `trousers' -- known by him as `bloomin' bags' --
Hanging loosely from his person, swept, with tattered ends, the flags;
And he had a pointed sternpost to the boots that peeped below
(Which he laced up from the centre of the nail of his great toe),
And he wore his shirt uncollar'd, and the tie correctly wrong;
But I think his vest was shorter than should be in one so long.
And the captain crooked his finger at a stranger on the kerb,
Whom he qualified politely with an adjective and verb,
And he begged the Gory Bleeders that they wouldn't interrupt
Till he gave an introduction -- it was painfully abrupt --
`Here's the bleedin' push, me covey -- here's a (something) from the bush!
Strike me dead, he wants to join us!' said the captain of the push.
Said the stranger: `I am nothing but a bushy and a dunce;
`But I read about the Bleeders in the WEEKLY GASBAG once;
`Sitting lonely in the humpy when the wind began to "whoosh,"
`How I longed to share the dangers and the pleasures of the push!
`Gosh! I hate the swells and good 'uns -- I could burn 'em in their beds;
`I am with you, if you'll have me, and I'll break their blazing heads.
'
`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- suppose a feller was to split upon the push,
`Would you lay for him and fetch him, even if the traps were round?
`Would you lay him out and kick him to a jelly on the ground?
`Would you jump upon the nameless -- kill, or cripple him, or both?
`Speak? or else I'll SPEAK!' The stranger answered, `My kerlonial oath!'
`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- suppose the Bleeders let you come and join the push,
`Would you smash a bleedin' bobby if you got the blank alone?
`Would you break a swell or Chinkie -- split his garret with a stone?
`Would you have a "moll" to keep yer -- like to swear off work for good?'
`Yes, my oath!' replied the stranger.
`My kerlonial oath! I would!'
`Now, look here,' exclaimed the captain to the stranger from the bush,
`Now, look here -- before the Bleeders let yer come and join the push,
`You must prove that you're a blazer -- you must prove that you have grit
`Worthy of a Gory Bleeder -- you must show your form a bit --
`Take a rock and smash that winder!' and the stranger, nothing loth,
Took the rock -- and smash! They only muttered, `My kerlonial oath!'
So they swore him in, and found him sure of aim and light of heel,
And his only fault, if any, lay in his excessive zeal;
He was good at throwing metal, but we chronicle with pain
That he jumped upon a victim, damaging the watch and chain,
Ere the Bleeders had secured them; yet the captain of the push
Swore a dozen oaths in favour of the stranger from the bush.
Late next morn the captain, rising, hoarse and thirsty from his lair,
Called the newly-feather'd Bleeder, but the stranger wasn't there!
Quickly going through the pockets of his `bloomin' bags,' he learned
That the stranger had been through him for the stuff his `moll' had earned;
And the language that he muttered I should scarcely like to tell.
(Stars! and notes of exclamation!! blank and dash will do as well).
In the night the captain's signal woke the echoes of the `Rocks,'
Brought the Gory Bleeders sloping thro' the shadows of the blocks;
And they swore the stranger's action was a blood-escaping shame,
While they waited for the nameless, but the nameless never came.
And the Bleeders soon forgot him; but the captain of the push
Still is `laying' round, in ballast, for the nameless `from the bush.
'
|
Written by
William Topaz McGonagall |
'Twas in the year of 1893, and on the 17th and 18th of November,
Which the people of Dundee and elsewhere will long remember,
The terrific cyclone that blew down trees,
And wrecked many vessels on the high seas.
All along the coast the Storm Fiend did loudly roar,
Whereby many ships were wrecked along the shore,
And many seamen lost their lives,
Which caused their children to mourn and their wives.
Alas! they wiil never see their husbands again,
And to weep for them 'tis all in vain,
Because sorrow never could revive the dead,
Therefore they must weep, knowing all hope is fled.
The people's hearts in Dundee were full of dread
For fear of chimney-cans falling on their heads,
And the roofs of several houses were hurled to the ground,
And the tenants were affrighted, and their sorrow was profound,
And scores of wooden sheds were levelled to the ground,
And chimney stalks fell with a crashing rebound :
The gale swept everything before it in its way;
No less than 250 trees and 37 tombstones were blown down at Balgay.
Oh! it was a pitiful and a terrible sight
To see the fallen trees lying left and right,
Scattered about in the beautiful Hill of Balgay,
Also the tombstones that were swept away.
At Broughty Ferry the gale made a noise like thunder,
Which made the inhabitants shake with fear and wonder
If their dwellings would be blown to the ground,
While the slates and chimney-cans were falling all around.
Early on the 18th a disaster occurred on the Tay :
The wreck of the steamer "Union,"- Oh! horror and dismay!
Whereby four lives have been taken away,
Which will make their friends mourn for many a day.
The steamer left Newburgh for Dundee with a cargo of sand,
And the crew expected they would safely land,
But by the time the steamer was opposite Dundee,
Alas! stronger blew the gale, and heavier grew the sea.
And in order to prevent stranding the anchor was let go,
And with the cold the hearts of the crew were full of woe,
While the merciless Storm .
Fiend loudly did roar,
As the vessel was driven towards the Fife shore.
Then the crew took shelter in the stokehole,
From the cold wind they could no longer thole,
But the high seas broke over her, one finding its way
Right into the stokehole, which filled the crew's hearts with dismay.
Then one of the crew, observing that the steamer had broached to,
Immediately went on deck to see what he could do,
And he tried hard to keep her head to the sea,
But the big waves dashed over her furiously.
Then Strachan shouted that the "Union" was sinking fast,
Which caused his companions to stand aghast,
And Strachan tried to lower the small boat,
But alas! the vessel sunk, and the boat wouldn't float,
And before he could recover himself he was struggling in the sea,
And battling with the big waves right manfully,
But his companions sank with the "Union" in the Tay,
Which filled Strachan's heart with sorrow and dismay,
And after a great struggle he reached the beach,
Fortunately so, which he never expected to reach,
For often he was drawn back by the back-wash,
As the big waves against his body did dash.
But, when nearly exhausted, and near to the land,
A piece of wreckage was near him, which he grasped with his hand,
Which providentially came within his reach,
And bruised, and battered, he was thrown on the beach.
He was so exhausted, he was unable to stand upright,
He felt so weakly, he was in such a plight,
Because the big waves had done him bodily harm,
Yet on hands and knees he crept to a house at Northfield farm.
He arrived there at ten minutes past four o'clock,
And when he awakened the inmates, their nerves got a shock,
But under their kind treatment he recovered speedily,
And was able to recount the disaster correctly.
Oh! it was a fearful, and a destructive storm!
I never mind the like since I was born,
Only the Tay Bridge storm of 1879,
And both these storms will be remembered for a very long time.
|
Written by
Dorothy Parker |
If you should sail for Trebizond, or die,
Or cry another name in your first sleep,
Or see me board a train, and fail to sigh,
Appropriately, I'd clutch my breast and weep.
And you, if I should wander through the door,
Or sin, or seek a nunnery, or save
My lips and give my cheek, would tread the floor
And aptly mention poison and the grave.
Therefore the mooning world is gratified,
Quoting how prettily we sigh and swear;
And you and I, correctly side by side,
Shall live as lovers when our bones are bare
And though we lie forever enemies,
Shall rank with Abelard and Heloise.
|