Written by
Rg Gregory |
(roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)
1.
the blind rose
today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
what blindly grows
imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)
the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
what blindly grows
2.
squeaking
there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
my truth's not been gazumped
love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped
if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
my truth's not been gazumped
3.
ease of mind
the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
that is love's overspill
wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is - i love you still
hope itself by nature is inane
i squat in a box dismembered from such will
to let me find the ease of mind again
that is love's overspill
4.
a roundel for ptolemy
the earth is not the system's centre- so ok
heliocentric - well our sun's a midget
spawning galaxies blow our minds away
space then equal to a digit
the mightiest telescope's a widget
science at best hard guessing gone astray
no genius stretch beyond a second's fidget
ptolemy discarded yet may have his say
infinity takes a hologram to bridge it
each shard of us contains the cosmos -
space then equal to a digit
5.
reflection
everything you do is my reflection
the hurts you cause are my pain inside out
blame's no matter for a close inspection
your guilt turns mine about
love itself is many hands of doubt
it cannot be without it breeds rejection
its silences result in one big shout
i am left with nothing but dejection
what's gold in me has nowhere to get out
love's pride is fatal to correction
my guilt turns yours about
6.
the round
the round understands the fluidity of order
how the thing lit up and the shadow can't compete
how the centre is that version of the border
the moment makes complete
notice each face around a space at times replete
with insights given to no one else as warder
but not condemned when those insights retreat
impermanence is eternity's recorder -
with an intricate sense of pattern power can't delete
the round honours those cracks in the divine disorder
the moment makes complete
7.
the actor
acting is not the true self's dissipation
but not its preening either - outside the role
it honours it best fights shy of reputation -
being what prometheus stole
it is a distant spark of that first live coal
a conscious glimpse of human desperation
rekindled as a longing to console
the waning spirit or the shattered dedication
actors are allies of the delphic hole
for good or ill they echo human expectation
being what prometheus stole
8.
roundels in honour of the round
(i)
when energy was born it asked this question
which way dear parents do i go from here
mum fluttered indifferently (i blame exhaustion)
dad pointed with his sexual gear
so energy thrust straight ahead and fostered fear
at once its dreaded source became a bastion
too holy to be doubted - mum flipped a gear
she sought revenge on dad for his lewd suggestion
taking too long of course - things went nuclear
the scale of the damage was too much to ingest when
dad pointed with his sexual gear
(ii)
she sat with her flowing skirt spread out on the earth
and tore the garment into strips from toe to waist
laying them to point around the wide world's girth
my way the truth flows best
dad laughed his head off at the pointless waste
and energy itself was seized by powerful mirth
perhaps mum's petalled skirt was not well placed
in time mishandled plenty breeds its dearth
dad's roisterous one-way-ism was disgraced
energy began to sense what mum was worth
her way the truth flows best
|
Written by
Kahlil Gibran |
In the silence of the night Death descended from God toward the earth. He hovered above a city and pierced the dwellings with his eyes. He say the spirits floating on wings of dreams, and the people who were surrendered to the Slumber.
When the moon fell below the horizon and the city became black, Death walked silently among the houses -- careful to touch nothing -- until he reached a palace. He entered through the bolted gates undisturbed, and stood by the rich man's bed; and as Death touched his forehead, the sleeper's eyes opened, showing great fright.
When he saw the specter, he summoned a voice mingled with fear and anger, and said, "God away, oh horrible dream; leave me, you dreadful ghost. Who are you? How did you enter this place? What do you want? Leave this place at once, for I am the lord of the house and will call my slaves and guards, and order them to kill you!"
Then Death spoke, softly but with smoldering thunder, "I am Death. Stand and bow!"
The man responded, "What do you want? What have you come here when I have not yet finished my affairs? What see you from strength such as mine? Go to the weak man, and take him away!
"I loathe the sight of your bloody paws and hollow face, and my eyes take sick at your horrible ribbed winds and cadaverous body."
After a moment of fearful realization he added, "No, No, oh merciful Death! Mind not talk, for even fear reveals what the heart forbids.
"Take a bushelful of my gold, or a handful of my slave's souls, but leave me. I have accounts with Life requiring settling; I have due from people much gold; my ships have not reached the harbor; my demand, but spare my life. Death, I own harems of supernatural beauty; your choice is my gift to you. Give heed, Death -- I have but one child, and I love him dearly for he is my only joy in this life. I offer supreme sacrifice -- take him, but spare me!"
Death murmured, "You are not rich, but pitifully poor." Then Death took the hand of that earthly slave, removed his reality, and gave to the angels the heavy task of correction.
And Death walked slowly amidst the dwellings of the poor until he reached the most miserable he could find. He entered and approached a bed upon which a youth slept fitfully. Death touched his eyes; the lad sprang up as he saw Death standing by, and, with a voice full of love and hope he said, "Here I am, my beautiful Death. Accept my soul, for you are the hope of my dreams. Be their accomplishment! Embrace me, oh beloved Death! You are merciful; do not leave me. You are God's messenger; deliver me to Him. You are the right hand of Truth and the heart of Kindness; do not neglect me.
"I have begged for you many times, but you did not come; I have sought you, but you avoided me; I called out to you, but you listened not. You hear me now -- embrace my soul, beloved Death!"
Death placed his softened hand upon the trembling lips, removed all reality, and enfolded it beneath his wings for secure conduct. And returning to the sky, Death looked back and whispered his warning:
"Only those return to Eternity
Who on earth seek out Eternity."
|
Written by
William Shakespeare |
O, for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdued
To what it works in, like the dyer's hand.
Pity me then, and wish I were renewed,
Whilst like a willing patient I will drink
Potions of eisel 'gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance to correct correction.
Pity me then, dear friend, and I assure ye
Even that your pity is enough to cure me.
|
Written by
Michael Drayton |
As other men, so I myself do muse
Why in this sort I wrest invention so,
And why these giddy metaphors I use,
Leaving the path the greater part do go.
I will resolve you: I am lunatic,
And ever this in madmen you shall find,
What they last thought of when the brain grew sick
In most distraction they keep that in mind.
Thus talking idly in this bedlam fit,
Reason and I, you must conceive, are twain;
"Tis nine years now since first I lost my wit;
Bear with me then, though troubled be my brain.
With diet and correction men distraught
(Not too far past) may to their wits be brought.
|
Written by
William Shakespeare |
O, for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdued
To what it works in, like the dyer's hand:
Pity me then and wish I were renew'd;
Whilst, like a willing patient, I will drink
Potions of eisel 'gainst my strong infection
No bitterness that I will bitter think,
Nor double penance, to correct correction.
Pity me then, dear friend, and I assure ye
Even that your pity is enough to cure me.
|
Written by
Michael Drayton |
To Admiration
Marvel not, Love, though I thy power admire,
Ravish'd a world beyond the farthest thought,
And knowing more than ever hath been taught,
That I am only starv'd in my desire.
Marvel not, Love, though I thy power admire,
Aiming at things exceeding all perfection,
To Wisdom's self to minister correction,
That I am only starv'd in my desire.
Marvel not, Love, though I thy power admire,
Though my conceit I further seem to bend
Than possibly invention can extend,
And yet am only starv'd in my desire.
If thou wilt wonder, here's the wonder, Love:
That this to me doth yet no wonder prove.
|
Written by
William Shakespeare |
O, for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdu'd
To what it works in, like the dyer's hand.
Pity me then and wish I were renew'd;
Whilst, like a willing patient, I will drink
Potions of eisel 'gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance, to correct correction.
Pity me then, dear friend, and I assure ye
Even that your pity is enough to cure me.
|
Written by
Isaac Watts |
Correction for sin, and release by prayer.
From age to age exalt his name;
God and his grace are still the same;
He fills the hungry soul with food,
And feeds the poor with every good.
But if their hearts rebel and rise
Against the God that rules the skies;
If they reject his heav'nly word,
And slight the counsels of the Lord
He'll bring their spirits to the ground,
And no deliv'rer shall be found;
Laden with grief, they waste their breath
In darkness and the shades of death.
Then to the Lord they raise their cries;
He makes the dawning light arise,
And scatters all that dismal shade
That hung so heavy round their head.
He cuts the bars of brass in two,
And lets the smiling pris'ners through;
Takes off the load of guilt and grief,
And gives the lab'ring soul relief.
O may the sons of men record
The wondrous goodness of the Lord
How great his works! how kind his ways!
Let every tongue pronounce his praise.
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