Written by
Dylan Thomas |
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.
)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders.
The circular world stands still.
)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
|
Written by
Robert William Service |
I will not wash my face;
I will not brush my hair;
I "pig" around the place--
There's nobody to care.
Nothing but rock and tree;
Nothing but wood and stone,
Oh, God, it's hell to be
Alone, alone, alone!
Snow-peaks and deep-gashed draws
Corral me in a ring.
I feel as if I was
The only living thing
On all this blighted earth;
And so I frowst and shrink,
And crouching by my hearth
I hear the thoughts I think.
I think of all I miss--
The boys I used to know;
The girls I used to kiss;
The coin I used to blow:
The bars I used to haunt;
The racket and the row;
The beers I didn't want
(I wish I had 'em now).
Day after day the same,
Only a little worse;
No one to grouch or blame--
Oh, for a loving curse!
Oh, in the night I fear,
Haunted by nameless things,
Just for a voice to cheer,
Just for a hand that clings!
Faintly as from a star
Voices come o'er the line;
Voices of ghosts afar,
Not in this world of mine;
Lives in whose loom I grope;
Words in whose weft I hear
Eager the thrill of hope,
Awful the chill of fear.
I'm thinking out aloud;
I reckon that is bad;
(The snow is like a shroud)--
Maybe I'm going mad.
Say! wouldn't that be tough?
This awful hush that hugs
And chokes one is enough
To make a man go "bugs".
There's not a thing to do;
I cannot sleep at night;
No wonder I'm so blue;
Oh, for a friendly fight!
The din and rush of strife;
A music-hall aglow;
A crowd, a city, life--
Dear God, I miss it so!
Here, you have moped enough!
Brace up and play the game!
But say, it's awful tough--
Day after day the same
(I've said that twice, I bet).
Well, there's not much to say.
I wish I had a pet,
Or something I could play.
Cheer up! don't get so glum
And sick of everything;
The worst is yet to come;
God help you till the Spring.
God shield you from the Fear;
Teach you to laugh, not moan.
Ha! ha! it sounds so *****--
Alone, alone, alone!
|
Written by
Robert William Service |
Jack would laugh an' joke all day;
Never saw a lad so gay;
Singin' like a medder lark,
Loaded to the Plimsoll mark
With God's sunshine was that boy;
Had a strangle-holt on Joy.
Held his head 'way up in air,
Left no callin' cards on Care;
Breezy, buoyant, brave and true;
Sent his sunshine out to you;
Cheerfulest when clouds was black --
Happy Jack! Oh, Happy Jack!
Sittin' in my shack alone
I could hear him in his own,
Singin' far into the night,
Till it didn't seem just right
One man should corral the fun,
Live his life so in the sun;
Didn't seem quite natural
Not to have a grouch at all;
Not a trouble, not a lack --
Happy Jack! Oh, Happy Jack!
He was plumbful of good cheer
Till he struck that low-down year;
Got so thin, so little to him,
You could most see day-light through him.
Never was his eye so bright,
Never was his cheek so white.
Seemed as if somethin' was wrong,
Sort o' quaver in his song.
Same old smile, same hearty voice:
"Bless you, boys! let's all rejoice!"
But old Doctor shook his head:
"Half a lung," was all he said.
Yet that half was surely right,
For I heard him every night,
Singin', singin' in his shack --
Happy Jack! Oh, Happy Jack!
Then one day a letter came
Endin' with a female name;
Seemed to get him in the neck,
Sort o' pile-driver effect;
Paled his lip and plucked his breath,
Left him starin' still as death.
Somethin' had gone awful wrong,
Yet that night he sang his song.
Oh, but it was good to hear!
For there clutched my heart a fear,
So that I quaked listenin'
Every night to hear him sing.
But each day he laughed with me,
An' his smile was full of glee.
Nothin' seemed to set him back --
Happy Jack! Oh, Happy Jack!
Then one night the singin' stopped .
.
.
Seemed as if my heart just flopped;
For I'd learned to love the boy
With his gilt-edged line of joy,
With his glorious gift of bluff,
With his splendid fightin' stuff.
Sing on, lad, and play the game!
O dear God! .
.
.
no singin' came,
But there surged to me instead --
Silence, silence, deep and dread;
Till I shuddered, tried to pray,
Said: "He's maybe gone away.
"
Oh, yes, he had gone away,
Gone forever and a day.
But he'd left behind him there,
In his cabin, pinched and bare,
His poor body, skin and bone,
His sharp face, cold as a stone.
An' his stiffened fingers pressed
Somethin' bright upon his breast:
Locket with a silken curl,
Poor, sweet portrait of a girl.
Yet I reckon at the last
How defiant-like he passed;
For there sat upon his lips
Smile that death could not eclipse;
An' within his eyes lived still
Joy that dyin' could not kill.
An' now when the nights are long,
How I miss his cheery song!
How I sigh an' wish him back!
Happy Jack! Oh, Happy Jack!
|
Written by
William Strode |
No marvell if the Sunne's bright eye
Shower downe hott flames; that qualitie
Still waytes on light; but when wee see
Those sparkling balles of ebony
Distil such heat, the gazer straight
Stands so amazed at the sight
As when the lightning makes a breach
Through pitchie clouds: can lightning reach
The marrowe hurting not the skynne?
Your eyes to me the same have byn;
Can jett invite the loving strawe
With secrett fire? so those can draw,
And can, where ere they glance a dart,
Make stubble of the strongest hart.
Oft when I looke I may descry
A little face peep through your eye;
Sure 'tis the boy, who wisely chose
His throne among such rayes as those,
Which, if his quiver chance to fail,
May serve for darts to kill withal:
If to such powerful shafts I yeild,
If with so many wounds I bleed,
Think me noe coward, though I lye
Thus prostrate with your charming eye:
Did I say but your eye? I sweare
Death's in your beauty everywhere.
Your waxen hands when I recall,
Your lily breasts, their melting vale,
Your damaske cheeks, your lilly skynne,
Your corral lipp and dainty chynne,
Your shining locks and amber breath,
All pleasing instruments of death,
Your eye may spare itselfe: mine owne
When all your parts are duly knowne
From any part may fetch a dart
To wound itselfe.
Kill not my hart,
By saying that I will dispise
The parentage from which you rise:
I know it well, and likewise knowe
That I my myselfe my breath doe owe
To Woolsey's roofe, and can it bee
I should disdayne your pedigree?
Or is your Sire a butcher found?
The fitter you to make a wound;
Wound mee againe and more and more,
So you againe will mee restore,
But if resemblance tell the father
I think hee was an Angell rather.
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