Written by
Seamus Heaney |
As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.
Hands that aged round ashplants and cane sticks
And lapped the spurs on a lifetime of game cocks
Harked to their gift and worked with fine intent
Until your fingers moved somnambulant:
I tell and finger it like braille,
Gleaning the unsaid off the palpable,
And if I spy into its golden loops
I see us walk between the railway slopes
Into an evening of long grass and midges,
Blue smoke straight up, old beds and ploughs in hedges,
An auction notice on an outhouse wall--
You with a harvest bow in your lapel,
Me with the fishing rod, already homesick
For the big lift of these evenings, as your stick
Whacking the tips off weeds and bushes
Beats out of time, and beats, but flushes
Nothing: that original townland
Still tongue-tied in the straw tied by your hand.
The end of art is peace
Could be the motto of this frail device
That I have pinned up on our deal dresser--
Like a drawn snare
Slipped lately by the spirit of the corn
Yet burnished by its passage, and still warm.
|
Written by
Tony Hoagland |
Maxine, back from a weekend with her boyfriend,
smiles like a big cat and says
that she's a conjugated verb.
She's been doing the direct object
with a second person pronoun named Phil,
and when she walks into the room,
everybody turns:
some kind of light is coming from her head.
Even the geraniums look curious,
and the bees, if they were here, would buzz
suspiciously around her hair, looking
for the door in her corona.
We're all attracted to the perfume
of fermenting joy,
we've all tried to start a fire,
and one day maybe it will blaze up on its own.
In the meantime, she is the one today among us
most able to bear the idea of her own beauty,
and when we see it, what we do is natural:
we take our burned hands
out of our pockets,
and clap.
|
Written by
Charles Baudelaire |
When, by decree of the supreme power,
The Poet appears in this annoyed world,
His mother, blasphemous out of horror
At God's pity, cries out with fists curled:
"Ah! I'd rather You'd will me a snake's skin
Than to keep feeding this monstrous slur!
I curse that night's ephemera are sins
To make my womb atone for pleasure.
"Since You have chosen me from all the brides
To bear the disgust of my dolorous groom
And since I can't throw back into the fires
Like an old love letter this gaunt buffoon
"I'll replace Your hate that overwhelms me
On the instrument of Your wicked gloom
And torture so well this miserable tree
Its pestiferous buds will never bloom!"
She chokes down the eucharist of venom,
Not comprehending eternal designs,
She prepares a Gehenna of her own,
And consecrates a pyre of maternal crimes.
Yet, watched by an invisible seraph,
The disinherited child is drunk on the sun
And in all he devours and in all he quaffs
Receives ambrosia, nectar and honey.
He plays with the wind, chats with the vapors,
Deliriously sings the stations of the cross;
And the Spirit who follows him in his capers
Cries at his joy like a bird in the forest.
Those whom he longs to love look with disdain
And dread, strengthened by his tranquillity,
They seek to make him complain of his pain
So they may try out their ferocity.
In the bread and wine destined for his lips,
They mix in cinders and spit with their wrath,
And throw out all he touches as he grasps it,
And accuse him of putting his feet in their path.
His wife cries out so that everyone hears:
"Since he finds me good enough to adore
I'll weave as the idols of ancient years
A corona of gold as a cover.
"I'll get drunk on nard, incense and myrrh,
Get down on bent knee with meats and wines
To see if in a heart that admires,
My smile denies deference to the divine.
"And, when I tire of these impious farces,
I'll arrange for him my frail and hard nails
Sharpened just like the claws of a harpy
That out of his heart will carve a trail.
"Like a baby bird trembling in the nest
I'll dig out his heart all red from my breast
To slake the thirst of my favorite pet,
And will throw it on the ground with contempt!"
Toward the sky, where he sees a great host,
The poet, serene, lifts his pious arms high
And the vast lightning of his lucid ghost
Blinds him to the furious people nearby:
"Glory to God, who leaves us to suffer
To cure us of all our impurities
And like the best, most rarefied buffer
Prepares the strong for a saint's ecstasies!
"I know that You hold a place for the Poet
In the ranks of the blessed and the saint's legions,
That You invite him to an eternal fete
Of thrones, of virtues, of dominations.
"I know only sorrow is unequaled,
It cannot be encroached on from Hell or Earth
And if I am to braid my mystic wreath,
May I impose it on the universe.
"But the ancient jewels of lost Palmyra,
The unknown metals, pearls from the ocean
By Your hand mounted, they do not suffice,
They cannot dazzle as clearly as this crown
"For it will not be made except from halos
Drawn of pure light in a holy portal
Whose entire splendor, in the eyes of mortals
Is only a mirror, obscure and mournful."
|
Written by
Delmore Schwartz |
I Christmas Poem for Nancy
Noel, Noel
We live and we die
Between heaven and hell
Between the earth and the sky
And all shall be well
And all shall be unwell
And once again! all shall once again!
All shall be well
By the ringing and the swinging
of the great beautiful holiday bell
Of Noel! Noel!
II Salute Valentine
I'll drink to thee only with my eyes
When two are three and four,
And guzzle reality's rise and cries
And praise the truth beyond surmise
When small shots shout: More! More! More! More!
III Rabbi to Preach
Rabbi Robert Raaba will preach
on "An Eye for an Eye"
(an I for an I?)
(Two weeks from this week: "On the Sacred Would")
At Temple Sholem on Lake Shore Drive
- Pavel Slavensky will chant the liturgical responses
And William Leon, having now thirteen years
will thank his parents that he exists
To celebrate his birthday of manhood, his chocolate
Bar Mitzvah, his yum-yum kippered herring, his Russian
Corona.
|
Written by
Delmira Agustini |
SpanishEl ancla de oro canta…la vela azul asciendeComo el ala de un sueño abierta al nuevo día. Partamos, musa mía!Ante lo prora alegre un bello mar se extiende.En el oriente claro como un cristal, esplendeEl fanal sonrosado de Aurora. FantasíaEstrena un raro traje lleno de pedreríapara vagar brillante por las olas. Ya tiendeLa vela azul a Eolo su oriflama de raso…El momento supremo!…Yo me estremezco; acasoSueño lo que me aguarda en los mundos no vistos!…Acaso un fresco ramo de laureles fragantes,El toison reluciente, el cetro de diamantes,El naufragio o la eterna corona de los Cristos?… EnglishThe golden anchor beckons, the blue sail risesLike the wing of a dream unfolding to a new day. Let us depart, my muse!Beyond an anxious prow, the sea stretches itself out.In the crystal clear East, Aurora'sBlushed beacon shines. FantasyIs donning a rare garment of gemsTo wander brilliantly over the waves. The blue sailUnfolds its private oriflamme to Aeolus…The supreme moment!…I tremble: do I know–Oh God!–what awaits me in unseen worlds?Perhaps a freshly picked bouquet of fragrant laurels,The golden fleece, a diamond scepter,A shipwreck, or the eternal crown of the Anointed Ones?…
|
Written by
Dejan Stojanovic |
There can be no forced inspiration,
But there can be mergers with the world
There can be a flowing of feelings
Quiet, yet overwhelming
Flying outside to unite
Flying inside to find
The melody of the moment
When the yellow corona appears on the horizon
And blue light appears over the mountain
And the world becomes mellow
Hospitable and generous,
And you fly into the heart of the mountain
To find an egg of an unborn bird
Able to break out and fly as a newborn eagle
|
Written by
Paul Celan |
Autunm eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.
In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.
My eye moves down to the sex of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.
We stand by the window embracing, and people look up from
the street:
it is time they knew!
It is time the stone made an effort to flower,
time unrest had a beating heart.
It is time it were time.
It is time.
|
Written by
Robert William Service |
I used to think a pot of ink
Held magic in its fluid,
And I would ply a pen when I
Was hoary a a Druid;
But as I scratch my silver thatch
My battered old Corona
Calls out to me as plaintively
As dying Desdemona.
"For old time's sake give me a break:
To you I've been as loyal
As ever could an Underwood,
Or Remington or Royal.
The globe we've spanned together and
Two million words, maybe,
For you I've tapped - it's time you rapped
A rhyme or two for me.
"I've seen you sit and smoke and spit
With expletives profane,
Then tear with rage the virgin page
I tendered you in vain.
I've watched you glare in dull despair
Through hours of brooding thought,
Then with a shout bang gaily out
The 'word unique' you sought.
"I've heard you groan and grunt and moan
That rhyme's a wretched fetter;
That after all you're just a small
Fat-headed verse-begetter;
You'd balance me upon your knee
Like any lady friend,
Then with a sigh you'd lay me by
For weeks and weeks on end.
"I've known when you were mighty blue
And hammered me till dawn,
Dire poverty! But I would be
The last thing you would pawn.
Days debt-accurst! Then at its worst
The sky, behold, would clear;
A poem sold, the garret cold
Would leap to light and cheer.
"You've toted me by shore and sea
From Mexico to Maine;
From Old Cathay to Mandalay,
From Samarkand to Spain.
You've thumped me in the battle's din
And pounded me in peace;
By air and land you've lugged me and
Your shabby old valise.
"But now my keys no more with ease
To your two fingers yield;
With years of use my joints are loose,
With wear of flood and field.
And even you are slipping too:
You're puffy, stiff and grey:
Old Sport, we're done, our race is run -
Why not call it a day?"
Why not? You've been, poor old machine!
My tried and faithful friend.
With fingertip your keys I'll flip
Serenely to the end.
For even though you're stiff and slow,
No other will I buy.
And though each word be wan and blurred
I'll tap you till I die.
|