Written by
Heather McHugh |
The gh comes from rough, the o from women's,
and the ti from unmentionables--presto:
there's the perfect English instance of
unlovablility--complete
with fish.
Our wish was for a better
revelation: for a correspondence--
if not lexical, at least
phonetic; if not with Madonna
then at least with Mary Magdalene.
Instead we get the sheer
opacity of things: an accident
of incident, a tracery of history: the dung
inside the dungarees, the jock strap for a codpiece, and
the ruined patches bordering the lip.
One boot (high-heeled) could make
Sorrento sorry, Capri corny, even little Italy
a little ill.
Low-cased, a lover looks
one over--eggs without ease, semen without oars--
and there, on board, tricked out in fur and fin,
the landlubber who wound up captain.
Where's it going,
this our (H)MS? More west? More forth? The quest
itself is at a long and short behest: it's wound
in winds.
(Take rough from seas, and women from the shore,
unmentionables out of mind).
We're here
for something rich, beyond
appearances.
What do I mean? (What can one say?)
A minute of millenium, unculminating
stint, a stonishment: my god, what's
utterable? Gargah, gatto, goat.
Us animals is made
to seine and trawl and drag and gaff
our way across the earth.
The earth, it rolls.
We dig, lay lines, book arguably
perfect passages.
But earth remains untranslated,
unplumbed.
A million herring run where we
catch here a freckle, there a pock; the depths to which things live
words only glint at.
Terns in flight work up
what fond minds might
call syntax.
As for that
semantic antic in the distance, is it
whiskered fish, finned cat? Don't settle
just for two.
Some bottomographies are
brooded over, and some skies swum through.
.
.
|
Written by
Robert Burns |
O DEATH! thou tyrant fell and bloody!
The meikle devil wi’ a woodie
Haurl thee hame to his black smiddie,
O’er hurcheon hides,
And like stock-fish come o’er his studdie
Wi’ thy auld sides!
He’s gane, he’s gane! he’s frae us torn,
The ae best fellow e’er was born!
Thee, Matthew, Nature’s sel’ shall mourn,
By wood and wild,
Where haply, Pity strays forlorn,
Frae man exil’d.
Ye hills, near neighbours o’ the starns,
That proudly cock your cresting cairns!
Ye cliffs, the haunts of sailing earns,
Where Echo slumbers!
Come join, ye Nature’s sturdiest bairns,
My wailing numbers!
Mourn, ilka grove the cushat kens!
Ye haz’ly shaws and briery dens!
Ye burnies, wimplin’ down your glens,
Wi’ toddlin din,
Or foaming, strang, wi’ hasty stens,
Frae lin to lin.
Mourn, little harebells o’er the lea;
Ye stately foxgloves, fair to see;
Ye woodbines hanging bonilie,
In scented bow’rs;
Ye roses on your thorny tree,
The first o’ flow’rs.
At dawn, when ev’ry grassy blade
Droops with a diamond at his head,
At ev’n, when beans their fragrance shed,
I’ th’ rustling gale,
Ye maukins, whiddin thro’ the glade,
Come join my wail.
Mourn, ye wee songsters o’ the wood;
Ye grouse that crap the heather bud;
Ye curlews, calling thro’ a clud;
Ye whistling plover;
And mourn, we whirring paitrick brood;
He’s gane for ever!
Mourn, sooty coots, and speckled teals;
Ye fisher herons, watching eels;
Ye duck and drake, wi’ airy wheels
Circling the lake;
Ye bitterns, till the quagmire reels,
Rair for his sake.
Mourn, clam’ring craiks at close o’ day,
’Mang fields o’ flow’ring clover gay;
And when ye wing your annual way
Frae our claud shore,
Tell thae far warlds wha lies in clay,
Wham we deplore.
Ye houlets, frae your ivy bow’r
In some auld tree, or eldritch tow’r,
What time the moon, wi’ silent glow’r,
Sets up her horn,
Wail thro’ the dreary midnight hour,
Till waukrife morn!
O rivers, forests, hills, and plains!
Oft have ye heard my canty strains;
But now, what else for me remains
But tales of woe;
And frae my een the drapping rains
Maun ever flow.
Mourn, Spring, thou darling of the year!
Ilk cowslip cup shall kep a tear:
Thou, Simmer, while each corny spear
Shoots up its head,
Thy gay, green, flow’ry tresses shear,
For him that’s dead!
Thou, Autumn, wi’ thy yellow hair,
In grief thy sallow mantle tear!
Thou, Winter, hurling thro’ the air
The roaring blast,
Wide o’er the naked world declare
The worth we’ve lost!
Mourn him, thou Sun, great source of light!
Mourn, Empress of the silent night!
And you, ye twinkling starnies bright,
My Matthew mourn!
For through your orbs he’s ta’en his flight,
Ne’er to return.
O Henderson! the man! the brother!
And art thou gone, and gone for ever!
And hast thou crost that unknown river,
Life’s dreary bound!
Like thee, where shall I find another,
The world around!
Go to your sculptur’d tombs, ye Great,
In a’ the tinsel trash o’ state!
But by thy honest turf I’ll wait,
Thou man of worth!
And weep the ae best fellow’s fate
E’er lay in earth.
|
Written by
Henry Lawson |
His old clay pipe stuck in his mouth,
His hat pushed from his brow,
His dress best fitted for the South --
I think I see him now;
And when the city streets are still,
And sleep upon me comes,
I often dream that me an' Bill
Are humpin' of our drums.
I mind the time when first I came
A stranger to the land;
And I was stumped, an' sick, an' lame
When Bill took me in hand.
Old Bill was what a chap would call
A friend in poverty,
And he was very kind to all,
And very good to me.
We'd camp beneath the lonely trees
And sit beside the blaze,
A-nursin' of our wearied knees,
A-smokin' of our clays.
Or when we'd journeyed damp an' far,
An' clouds were in the skies,
We'd camp in some old shanty bar,
And sit a-tellin' lies.
Though time had writ upon his brow
And rubbed away his curls,
He always was -- an' may be now --
A favourite with the girls;
I've heard bush-wimmin scream an' squall --
I've see'd 'em laugh until
They could not do their work at all,
Because of Corny Bill.
He was the jolliest old pup
As ever you did see,
And often at some bush kick-up
They'd make old Bill M.
C.
He'd make them dance and sing all night,
He'd make the music hum,
But he'd be gone at mornin' light
A-humpin' of his drum.
Though joys of which the poet rhymes
Was not for Bill an' me,
I think we had some good old times
Out on the wallaby.
I took a wife and left off rum,
An' camped beneath a roof;
But Bill preferred to hump his drum
A-paddin' of the hoof.
The lazy, idle loafers what
In toney houses camp
Would call old Bill a drunken sot,
A loafer, or a tramp;
But if the dead should ever dance --
As poets say they will --
I think I'd rather take my chance
Along of Corny Bill.
His long life's-day is nearly o'er,
Its shades begin to fall;
He soon must mount his bluey for
The last long tramp of all;
I trust that when, in bush an' town,
He's lived and learnt his fill,
They'll let the golden slip-rails down
For poor old Corny Bill.
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