Written by
Robert Lowell |
My whole eye was sunset red,
the old cut cornea throbbed,
I saw things darkly,
as through an unwashed goldfish globe.
I lay all day on my bed.
I chain-smoked through the night,
learning to flinch
at the flash of the matchlight.
Outside, the summer rain,
a simmer of rot and renewal,
fell in pinpricks.
Even new life is fuel.
My eyes throb.
Nothing can dislodge
the house with my first tooth
noosed in a knot to the doorknob.
Nothing can dislodge
the triangular blotch
of rot on the red roof,
a cedar hedge, or the shade of a hedge.
No ease from the eye
of the sharp-shinned hawk in the birdbook there,
with reddish-brown buffalo hair
on its shanks, one asectic talon
clasping the abstract imperial sky.
It says:
an eye for an eye,
a tooth for a tooth.
No ease for the boy at the keyhole,
his telescope,
when the women's white bodies flashed
in the bathroom. Young, my eyes began to fail.
Nothing! No oil
for the eye, nothing to pour
on those waters or flames.
I am tired. Everyone's tired of my turmoil.
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Written by
Anne Sexton |
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the most unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue! --
that, all by itself, becomes a passion.
Death's a sad bone; bruised, you'd say,
and yet she waits for me, year and year,
to so delicately undo an old would,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of a book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
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Written by
Thomas Moore |
"What! still those two infernal questions,
That with our meals our slumbers mix --
That spoil our tempers and digestions --
Eternal Corn and Catholics!
Gods! were there ever two such bores?
Nothing else talk'd of night or morn --
Nothing in doors, or out of doors,
But endless Catholics and Corn!
Never was such a brace of pests --
While Ministers, still worse than either,
Skill'd but in feathering their nests,
Plague us with both, and settle neither.
So addled in my cranium meet
Popery and Corn, that oft I doubt,
Whether this year, 'twas bonded Wheat
Or bonded Papists, they let out.
Here, landlords, here, polemics nail you,
Arm'd with all rubbish they can rake up;
Prices and Texts at once assail you --
From Daniel these, and those from Jacob.
And when you sleep, with head still torn
Between the two, their shapes you mix,
Till sometimes Catholics seem Corn --
Then Corn again seems Catholics.
Now, Dantzic wheat before you floats --
Now, Jesuits from California --
Now, Ceres, link'd with Titus Oats,
Comes dancing through the "Porta Cornea."
Oft, too, the Corn grows animate,
And a whole crop of heads appears,
Like Papists, bearding Church and State --
Themselves, together by the ears!
In short, these torments never cease;
And oft I wish myself transferr'd off
To some far, lonely land of peace,
Where Corn or Papists ne'er were heard of.
Yes, waft me, Parry, to the Pole,
For -- if my fate is to be chosen
'Twixt bores and icebergs -- on my soul,
I'd rather, of the two, be frozen!
|
Written by
Anne Sexton |
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!--
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
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