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Best Famous Convulsed Poems

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Written by D. H. Lawrence | Create an image from this poem

Snake

 A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would kill him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.

Taormina, 1923


Written by Charlotte Bronte | Create an image from this poem

Pilates Wifes Dream

 I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream. 

It sunk, and I am wrapt in utter gloom; 
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ? 
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread! 

I'd call my women, but to break their sleep, 
Because my own is broken, were unjust; 

They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust; 
Let me my feverish watch with patience bear, 
Thankful that none with me its sufferings share. 

Yet, Oh, for light ! one ray would tranquilise 
My nerves, my pulses, more than effort can; 
I'll draw my curtain and consult the skies: 
These trembling stars at dead of night look wan, 
Wild, restless, strange, yet cannot be more drear 
Than this my couch, shared by a nameless fear. 

All black­one great cloud, drawn from east to west, 
Conceals the heavens, but there are lights below; 
Torches burn in Jerusalem, and cast 
On yonder stony mount a lurid glow. 
I see men stationed there, and gleaming spears; 
A sound, too, from afar, invades my ears. 

Dull, measured, strokes of axe and hammer ring 
From street to street, not loud, but through the night 
Distinctly heard­and some strange spectral thing 
Is now upreared­and, fixed against the light 
Of the pale lamps; defined upon that sky, 
It stands up like a column, straight and high. 

I see it all­I know the dusky sign­
A cross on Calvary, which Jews uprear 

While Romans watch; and when the dawn shall shine 
Pilate, to judge the victim will appear, 
Pass sentence­yield him up to crucify; 
And on that cross the spotless Christ must die. 

Dreams, then, are true­for thus my vision ran; 
Surely some oracle has been with me,
The gods have chosen me to reveal their plan, 
To warn an unjust judge of destiny: 
I, slumbering, heard and saw; awake I know, 
Christ's coming death, and Pilate's life of woe. 

I do not weep for Pilate­who could prove 
Regret for him whose cold and crushing sway 
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay, 
Yet with a faltering, an uncertain tread, 
That might stir up reprisal in the dead. 

Forced to sit by his side and see his deeds; 
Forced to behold that visage, hour by hour, 
In whose gaunt lines, the abhorrent gazer reads 
A triple lust of gold, and blood, and power; 
A soul whom motives, fierce, yet abject, urge 
Rome's servile slave, and Judah's tyrant scourge. 

How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung; 

I, who for grief have wept my eye-sight dim; 
Because, while life for me was bright and young, 
He robbed my youth­he quenched my life's fair ray­
He crushed my mind, and did my freedom slay. 


And at this hour­although I be his wife­ 
He has no more of tenderness from me 
Than any other wretch of guilty life; 
Less, for I know his household privacy­ 
I see him as he is­without a screen; 
And, by the gods, my soul abhors his mien ! 

Has he not sought my presence, dyed in blood­ 
Innocent, righteous blood, shed shamelessly ? 
And have I not his red salute withstood ? 
Aye,­when, as erst, he plunged all Galilee 
In dark bereavement­in affliction sore, 
Mingling their very offerings with their gore. 

Then came he­in his eyes a serpent-smile, 
Upon his lips some false, endearing word, 
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword­ 
And I, to see a man cause men such woe, 
Trembled with ire­I did not fear to show. 

And now, the envious Jewish priests have brought
Jesus­whom they in mockery call their king­ 

To have, by this grim power, their vengeance wrought; 
By this mean reptile, innocence to sting. 
Oh ! could I but the purposed doom avert, 
And shield the blameless head from cruel hurt! 

Accessible is Pilate's heart to fear, 
Omens will shake his soul, like autumn leaf; 
Could he this night's appalling vision hear, 
This just man's bonds were loosed, his life were safe, 
Unless that bitter priesthood should prevail, 
And make even terror to their malice quail. 

Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brain­at once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;­
Not what will be, but what, long since, has been. 

I suffered many things, I heard foretold 
A dreadful doom for Pilate,­lingering woes, 
In far, barbarian climes, where mountains cold 
Built up a solitude of trackless snows, 
There, he and grisly wolves prowled side by side, 
There he lived famished­there methought he died; 

But not of hunger, nor by malady;
I saw the snow around him, stained with gore; 

I said I had no tears for such as he, 
And, lo ! my cheek is wet­mine eyes run o'er; 
I weep for mortal suffering, mortal guilt, 
I weep the impious deed­the blood self-spilt. 

More I recall not, yet the vision spread 
Into a world remote, an age to come­ 
And still the illumined name of Jesus shed 
A light, a clearness, through the enfolding gloom­ 
And still I saw that sign, which now I see, 
That cross on yonder brow of Calvary. 

What is this Hebrew Christ ? To me unknown, 
His lineage­doctrine­mission­yet how clear, 
Is God-like goodness, in his actions shewn ! 
How straight and stainless is his life's career ! 
The ray of Deity that rests on him, 
In my eyes makes Olympian glory dim. 

The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light 
To guide it on its upward, onward way;
Ashamed of sculptured gods­Religion turns 
To where the unseen Jehovah's altar burns. 

Our faith is rotten­all our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan 

And sever from the wheat; but will his faith 
Survive the terrors of to-morrow's death ? 

* * * * * 

I feel a firmer trust­a higher hope 
Rise in my soul­it dawns with dawning day; 
Lo ! on the Temple's roof­on Moriah's slope 
Appears at length that clear, and crimson ray, 
Which I so wished for when shut in by night; 
Oh, opening skies, I hail, I bless your light ! 

Part, clouds and shadows ! glorious Sun appear ! 
Part, mental gloom ! Come insight from on high ! 
Dusk dawn in heaven still strives with daylight clear, 
The longing soul, doth still uncertain sigh. 
Oh ! to behold the truth­that sun divine, 
How doth my bosom pant, my spirit pine ! 

This day, time travails with a mighty birth, 
This day, Truth stoops from heaven and visits earth, 
Ere night descends, I shall more surely know 
What guide to follow, in what path to go; 
I wait in hope­I wait in solemn fear, 
The oracle of God­the sole­true God­to hear.
Written by Alan Seeger | Create an image from this poem

The Torture of Cuauhtemoc

 Their strength had fed on this when Death's white arms 
Came sleeved in vapors and miasmal dew, 
Curling across the jungle's ferny floor, 
Becking each fevered brain. On bleak divides, 
Where Sleep grew niggardly for nipping cold 
That twinged blue lips into a mouthed curse, 
Not back to Seville and its sunny plains 
Winged their brief-biding dreams, but once again, 
Lords of a palace in Tenochtitlan, 
They guarded Montezuma's treasure-hoard. 
Gold, like some finny harvest of the sea, 
Poured out knee deep around the rifted floors, 
Shiny and sparkling, -- arms and crowns and rings: 
Gold, sweet to toy with as beloved hair, -- 
To plunge the lustful, crawling fingers down, 
Arms elbow deep, and draw them out again, 
And watch the glinting metal trickle off, 
Even as at night some fisherman, home bound 
With speckled cargo in his hollow keel 
Caught off Campeche or the Isle of Pines, 
Dips in his paddle, lifts it forth again, 
And laughs to see the luminous white drops 
Fall back in flakes of fire. . . . Gold was the dream 
That cheered that desperate enterprise. And now? . . . 
Victory waited on the arms of Spain, 
Fallen was the lovely city by the lake, 
The sunny Venice of the western world; 
There many corpses, rotting in the wind, 
Poked up stiff limbs, but in the leprous rags 
No jewel caught the sun, no tawny chain 
Gleamed, as the prying halberds raked them o'er. 
Pillage that ran red-handed through the streets 
Came railing home at evening empty-palmed; 
And they, on that sad night a twelvemonth gone, 
Who, ounce by ounce, dear as their own life's blood 
Retreating, cast the cumbrous load away: 
They, when brown foemen lopped the bridges down, 
Who tipped thonged chests into the stream below 
And over wealth that might have ransomed kings 
Passed on to safety; -- cheated, guerdonless -- 
Found (through their fingers the bright booty slipped) 
A city naked, of that golden dream 
Shorn in one moment like a sunset sky. 


Deep in a chamber that no cheerful ray 
Purged of damp air, where in unbroken night 
Black scorpions nested in the sooty beams, 
Helpless and manacled they led him down -- 
Cuauhtemotzin -- and other lords beside -- 
All chieftains of the people, heroes all -- 
And stripped their feathered robes and bound them there 
On short stone settles sloping to the head, 
But where the feet projected, underneath 
Heaped the red coals. Their swarthy fronts illumed, 
The bearded Spaniards, helmed and haubergeoned, 
Paced up and down beneath the lurid vault. 
Some kneeling fanned the glowing braziers; some 
Stood at the sufferers' heads and all the while 
Hissed in their ears: "The gold . . . the gold . . . the gold. 
Where have ye hidden it -- the chested gold? 
Speak -- and the torments cease!" 


They answered not. 
Past those proud lips whose key their sovereign claimed 
No accent fell to chide or to betray, 
Only it chanced that bound beside the king 
Lay one whom Nature, more than other men 
Framing for delicate and perfumed ease, 
Not yet, along the happy ways of Youth, 
Had weaned from gentle usages so far 
To teach that fortitude that warriors feel 
And glory in the proof. He answered not, 
But writhing with intolerable pain, 
Convulsed in every limb, and all his face 
Wrought to distortion with the agony, 
Turned on his lord a look of wild appeal, 
The secret half atremble on his lips, 
Livid and quivering, that waited yet 
For leave -- for leave to utter it -- one sign -- 
One word -- one little word -- to ease his pain. 


As one reclining in the banquet hall, 
Propped on an elbow, garlanded with flowers, 
Saw lust and greed and boisterous revelry 
Surge round him on the tides of wine, but he, 
Staunch in the ethic of an antique school -- 
Stoic or Cynic or of Pyrrho's mind -- 
With steady eyes surveyed the unbridled scene, 
Himself impassive, silent, self-contained: 
So sat the Indian prince, with brow unblanched, 
Amid the tortured and the torturers. 
He who had seen his hopes made desolate, 
His realm despoiled, his early crown deprived him, 
And watched while Pestilence and Famine piled 
His stricken people in their reeking doors, 
Whence glassy eyes looked out and lean brown arms 
Stretched up to greet him in one last farewell 
As back and forth he paced along the streets 
With words of hopeless comfort -- what was this 
That one should weaken now? He weakened not. 
Whate'er was in his heart, he neither dealt 
In pity nor in scorn, but, turning round, 
Met that racked visage with his own unmoved, 
Bent on the sufferer his mild calm eyes, 
And while the pangs smote sharper, in a voice, 
As who would speak not all in gentleness 
Nor all disdain, said: "Yes! And am -I- then 
Upon a bed of roses?" 


Stung with shame -- 
Shame bitterer than his anguish -- to betray 
Such cowardice before the man he loved, 
And merit such rebuke, the boy grew calm; 
And stilled his struggling limbs and moaning cries, 
And shook away his tears, and strove to smile, 
And turned his face against the wall -- and died.
Written by Conrad Aiken | Create an image from this poem

The Room

 Through that window—all else being extinct
Except itself and me—I saw the struggle
Of darkness against darkness. Within the room
It turned and turned, dived downward. Then I saw
How order might—if chaos wished—become:
And saw the darkness crush upon itself,
Contracting powerfully; it was as if
It killed itself, slowly: and with much pain.
Pain. The scene was pain, and nothing but pain.
What else, when chaos draws all forces inward
To shape a single leaf? . . .
 For the leaf came
Alone and shining in the empty room;
After a while the twig shot downward from it;
And from the twig a bough; and then the trunk,
Massive and coarse; and last the one black root.
The black root cracked the walls. Boughs burst
 the window:
The great tree took possession.
 Tree of trees!
Remember (when time comes) how chaos died
To shape the shining leaf. Then turn, have courage,
Wrap arms and roots together, be convulsed
With grief, and bring back chaos out of shape.
I will be watching then as I watch now.
I will praise darkness now, but then the leaf.
Written by Siegfried Sassoon | Create an image from this poem

Banishment

 I am banished from the patient men who fight 
They smote my heart to pity, built my pride. 
Shoulder to aching shoulder, side by side, 
They trudged away from life’s broad wealds of light. 
Their wrongs were mine; and ever in my sight
They went arrayed in honour. But they died,— 
Not one by one: and mutinous I cried 
To those who sent them out into the night. 

The darkness tells how vainly I have striven 
To free them from the pit where they must dwell
In outcast gloom convulsed and jagged and riven 
By grappling guns. Love drove me to rebel. 
Love drives me back to grope with them through hell; 
And in their tortured eyes I stand forgiven.


Written by Emile Verhaeren | Create an image from this poem

The Rope-maker

In his village grey
At foot of the dykes, that encompass him
With weary weaving of curves and lines
Toward the sea outstretching dim,
The rope-maker, visionary white.
Stepping backwards along the way,
Prudently 'twixt his hands combines
The distant threads, in their twisting play.
That come to him from the infinite.


When day is gone.
Through ardent, weary evenings, yon
The whirr of a wheel can yet be heard;
Something by unseen hands is stirred.
And parallel o'er the rakes, that trace
An even space
From point to point along all the way,
The flaxen hemp still plaits its chain
Ceaseless, for days and weeks amain.
With his poor, tired fingers, nimble still.
Fearing to break for want of skill
The fragments of gold that the gliding light
Threads through his toil so scantily—
Passing the walls and the houses by
The rope-maker, visionary white,
From depths of the evening's whirlpool dim,
Draws the horizons in to him.


Horizons that stretch back afar.
Where strife, regrets, hates, furies are:
Tears of the silence, and the tears
That find a voice: serenest years,
Or years convulsed with pang and throe:
Horizons of the long ago,
These gestures of the Past they shew.


Of old—as one in sleep, life, errant, strayed
Its wondrous morns and fabled evenings through;
When God's right hand toward far Canaan's blue
Traced golden paths, deep in the twilight shade.


Of old, 'twas life exasperate, huge and tense,
Swung savage at some stallion's mane—life, fleet.
With mighty lightnings flashing 'neath her feet,
Upreared immensely over space immense.


Of old, 'twas life evoking ardent will;
And hell's red cross and Heaven's cross of white
Each marched, with gleam of steely armours' light.
Through streams of blood, to heavens of victory still.


Of old—life, livid, foaming, came and went
'Mid strokes of tocsin and assassin's knife;
Proscribers, murderers, each with each at strife,
While, mad and splendid. Death above them bent.


'Twixt fields of flax and of osiers red.
On the road where nothing doth move or tread,
By houses and walls to left and right
The rope-maker, visionary white,
From depths of evening's treasury dim
Draws the horizons in to him.


Horizons that stretch yonder far.
Where work, strifes, ardours, science are;
Horizons that change—they pass and glide,
And on their way
They shew in mirrors of eventide
The mourning image of dark To-day.


Here—writhing fires that never rest nor end.
Where, in one giant effort all employed,
Sages cast down the Gods, to change the void
Whither the flights of human science tend.


Here—'tis a room where thought, assertive, saith
That there are weights exact to gauge her by,
That inane ether, only, rounds the sky.
And that in phials of glass men breed up death.


Here—'tis a workship, where, all fiery bright,
Matter intense vibrates with fierce turmoil
In vaults where wonders new, 'mid stress and toil,
Are forged, that can absorb space, time and night.


—A palace—of an architecture grown
Effete, and weary 'neath its hundred years.
Whence voices vast invoke, instinct with fears,
The thunder in its flights toward the Unknown.


On the silent, even road—his eyes
Still fixed towards the waning light
That skirts the houses and walls as it dies—
The rope-maker, visionary white,
From depths of the evening's halo dim
Draws the horizons in to him.


Horizons that are there afar
Where light, hope, wakenings, strivings are;
Horizons that he sees defined
As hope for some future, far and kind.
Beyond those distant shores and faint
That evening on the clouds doth paint.


Yon—'mid that distance calm and musical
Twin stairs of gold suspend their steps of blue,
The sage doth climb them, and the seer too,
Starting from sides opposed toward one goal.


Yon—contradiction's lightning-shocks lose power.
Doubt's sullen hand unclenches to the light,
The eye sees in their essence laws unite
Rays scattered once 'mid doctrines of an hour.


Yon—keenest spirits pierce beyond the land
Of seeming and of death. The heart hath ease,
And one would say that Mildness held the keys
Of the colossal silence in her hand.


Up yon—the God each soul is, once again
Creates, expands, gives, finds himself in all;
And rises higher, the lowlier he doth fall
Before meek tenderness and sacred pain.


And there is ardent, living peace—its urns
Of even bliss ranged 'mid these twilights, where
—Embers of hope upon the ashen air—
Each great nocturnal planet steadfast burns.


In his village at foot of the dykes, that bend,
Sinuous, weary, about him and wend
Toward that distance of eddying light,
The rope-maker, visionary white.
Along by each house and each garden wall.
Absorbs in himself the horizons all.
Written by Emile Verhaeren | Create an image from this poem

The Bell-ringer

Yon, in the depths of the evening's track,
Like a herd of blind bullocks that seek their fellows,
Wild, as in terror, the tempest bellows.
And suddenly, there, o'er the gables black
That the church, in the twilight, around it raises
All scored with lightnings the steeple blazes.


See the old bell-ringer, frenzied with fear.
Mouth gaping, yet speechless, draw hastening near.
And the knell of alarm that with strokes of lead
He rings, heaves forth in a tempest of dread
The frantic despair that throbs in his head.


With the cross at the height
Of its summit brandished, the lofty steeple
Spreads the crimson mane
Of the fire o'er the plain
Toward the dream-like horizons that bound the night;
The city nocturnal is filled with light;
The face of the swift-gathered crowds doth people
With fears and with clamours both street and lane;
On walls turned suddenly dazzling bright
The dusky panes drink the crimson flood
Like draughts of blood.


Yet, knell upon knell, the old ringer doth cast
His frenzy and fear o'er the country vast.


The steeple, it seems to be growing higher
Against the horizon that shifts and quivers,
And to be flying in gleams of fire
Far o'er the lakes and the swampy rivers.
Its slates, like wings
Of sparks and spangles, afar it flings.
They fly toward the forests across the night:
And in their passage the fires exhume
The hovels and huts from their folds of gloom,
Setting them suddenly all alight.


In the crashing fall of the steeple's crown
The cross to the brazier's depth drops down,
Where, twisted and torn in the fiery fray,
Its Christian arms are crushed like prey.
With might and main
The bell-ringer sounds his knell abroad.
As though the flames would burn his God.


The fire
Funnel-like hollows its way yet higher,
'Twixt walls of stone, up the steeple's height;
Gaining the archway and lofty stage
Where, swinging in light, the bell bounds with rage.
The daws and the owls, with wild, long cry
Pass screeching by;
On the fast-closed casements their heads they smite,
Burn in the smoke-drifts their pinions light,
Then, broken with terror and bruised with flight.
Suddenly, 'mid the surging crowd.
Fall dead outright.


The old man sees toward his brandished bells
The climbing fire
With hands of boiling gold stretch nigher.


The steeple
Looks like a thicket of crimson bushes,
With here a branch of flame that rushes
Darting the belfry boards between;
Convulsed and savage flames, they cling,
With curves that plant-like curl and lean.
Round every joist, round every pulley,
And monumental beams, whence ring
The bells, that voice forth frenzied folly.


His fear and anguish spent, the ringer
Sounds his own knell
On his ruined bell.


A final crash,
All dust and plaster in one grey flash,
Cleaves the whole steeple's height in pieces;
And like some great cry slain, it ceases
All on a sudden, the knell's dull rage.
The ancient tower
Seems sudden to lean and darkly lower;
While with heavy thuds, as from stage to stage
They headlong bound.
The bells are heard
Plunging and crashing towards the ground.


But yet the old ringer has never stirred.
And, scooping the moist earth out, the bell
Was thus his coffin, and grave as well.
Written by George Meredith | Create an image from this poem

Modern Love V: A Message from Her

 A message from her set his brain aflame. 
A world of household matters filled her mind, 
Wherein he saw hypocrisy designed: 
She treated him as something that is tame, 
And but at other provocation bites. 
Familiar was her shoulder in the glass, 
Through that dark rain: yet it may come to pass 
That a changed eye finds such familiar sights 
More keenly tempting than new loveliness. 
The 'What has been' a moment seemed his own: 
The splendours, mysteries, dearer because known, 
Nor less divine: Love's inmost sacredness 
Called to him, 'Come!'--In his restraining start, 
Eyes nurtured to be looked at, scarce could see 
A wave of the great waves of Destiny 
Convulsed at a checked impulse of the heart.

Book: Reflection on the Important Things