10 Best Famous Convictions Poems

Here is a collection of the top 10 all-time best famous Convictions poems. This is a select list of the best famous Convictions poetry. Reading, writing, and enjoying famous Convictions poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of convictions poems.

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The Female of the Species

by Rudyard Kipling
 1911

When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.

When Nag the basking cobra hears the careless foot of man,
He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.

When the early Jesuit fathers preached to Hurons and Choctaws,
They prayed to be delivered from the vengeance of the squaws.
'Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.

Man's timid heart is bursting with the things he must not say,
For the Woman that God gave him isn't his to give away;
But when hunter meets with husbands, each confirms the other's tale --
The female of the species is more deadly than the male.

Man, a bear in most relations-worm and savage otherwise, --
Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact
To its ultimate conclusion in unmitigated act.

Fear, or foolishness, impels him, ere he lay the wicked low,
To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger --- Doubt and Pity oft perplex
Him in dealing with an issue -- to the scandal of The Sex!

But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same,
And to serve that single issue, lest the generations fail,
The female of the species must be deadlier than the male.

She who faces Death by torture for each life beneath her breast
May not deal in doubt or pity -- must not swerve for fact or jest.
These be purely male diversions -- not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.

She can bring no more to living than the powers that make her great
As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unchained to claim
Her right as femme (and baron), her equipment is the same.

She is wedded to convictions -- in default of grosser ties;
Her contentions are her children, Heaven help him who denies! --
He will meet no suave discussion, but the instant, white-hot, wild,
Wakened female of the species warring as for spouse and child.

Unprovoked and awful charges -- even so the she-bear fights,
Speech that drips, corrodes, and poisons -- even so the cobra bites,
Scientific vivisection of one nerve till it is raw
And the victim writhes in anguish -- like the Jesuit with the squaw!

So it cames that Man, the coward, when he gathers to confer
With his fellow-braves in council, dare nat leave a place for her
Where, at war with Life and Conscience, he uplifts his erring hands
To some God of Abstract Justice -- which no woman understands.

And Man knows it! Knows, moreover, that the Woman that God gave him
Must command but may not govern -- shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail,
That the Female of Her Species is more deadly than the Male.

What Soft -- Cherubic Creatures

by Emily Dickinson
 What Soft -- Cherubic Creatures --
These Gentlewomen are --
One would as soon assault a Plush --
Or violate a Star --

Such Dimity Convictions --
A Horror so refined
Of freckled Human Nature --
Of Deity -- ashamed --

It's such a common -- Glory --
A Fisherman's -- Degree --
Redemption -- Brittle Lady --
Be so -- ashamed of Thee --

Knee-Deep in June

by James Whitcomb Riley
 Tell you what I like the best -- 
'Long about knee-deep in June, 
'Bout the time strawberries melts 
On the vine, -- some afternoon 
Like to jes' git out and rest, 
And not work at nothin' else! 

Orchard's where I'd ruther be -- 
Needn't fence it in fer me! -- 
Jes' the whole sky overhead, 
And the whole airth underneath -- 
Sort o' so's a man kin breathe 
Like he ort, and kind o' has 
Elbow-room to keerlessly 
Sprawl out len'thways on the grass 
Where the shadders thick and soft 
As the kivvers on the bed 
Mother fixes in the loft 
Allus, when they's company! 

Jes' a-sort o' lazin there - 
S'lazy, 'at you peek and peer 
Through the wavin' leaves above, 
Like a feller 'ats in love 
And don't know it, ner don't keer! 
Ever'thing you hear and see 
Got some sort o' interest - 
Maybe find a bluebird's nest 
Tucked up there conveenently 
Fer the boy 'at's ap' to be 
Up some other apple tree! 
Watch the swallers skootin' past 
Bout as peert as you could ast; 
Er the Bob-white raise and whiz 
Where some other's whistle is. 

Ketch a shadder down below, 
And look up to find the crow -- 
Er a hawk, - away up there, 
'Pearantly froze in the air! -- 
Hear the old hen squawk, and squat 
Over ever' chick she's got, 
Suddent-like! - and she knows where 
That-air hawk is, well as you! -- 
You jes' bet yer life she do! -- 
Eyes a-glitterin' like glass, 
Waitin' till he makes a pass! 

Pee-wees wingin', to express 
My opinion, 's second-class, 
Yit you'll hear 'em more er less; 
Sapsucks gittin' down to biz, 
Weedin' out the lonesomeness; 
Mr. Bluejay, full o' sass, 
In them baseball clothes o' his, 
Sportin' round the orchad jes' 
Like he owned the premises! 
Sun out in the fields kin sizz, 
But flat on yer back, I guess, 
In the shade's where glory is! 
That's jes' what I'd like to do 
Stiddy fer a year er two! 

Plague! Ef they ain't somepin' in 
Work 'at kind o' goes ag'in' 
My convictions! - 'long about 
Here in June especially! -- 
Under some ole apple tree, 
Jes' a-restin through and through, 
I could git along without 
Nothin' else at all to do 
Only jes' a-wishin' you 
Wuz a-gittin' there like me, 
And June wuz eternity! 

Lay out there and try to see 
Jes' how lazy you kin be! -- 
Tumble round and souse yer head 
In the clover-bloom, er pull 
Yer straw hat acrost yer eyes 
And peek through it at the skies, 
Thinkin' of old chums 'ats dead, 
Maybe, smilin' back at you 
In betwixt the beautiful 
Clouds o'gold and white and blue! -- 
Month a man kin railly love -- 
June, you know, I'm talkin' of! 

March ain't never nothin' new! -- 
April's altogether too 
Brash fer me! and May -- I jes' 
'Bominate its promises, -- 
Little hints o' sunshine and 
Green around the timber-land -- 
A few blossoms, and a few 
Chip-birds, and a sprout er two, -- 
Drap asleep, and it turns in 
Fore daylight and snows ag'in! -- 
But when June comes - Clear my th'oat 
With wild honey! -- Rench my hair 
In the dew! And hold my coat! 
Whoop out loud! And th'ow my hat! -- 
June wants me, and I'm to spare! 
Spread them shadders anywhere, 
I'll get down and waller there, 
And obleeged to you at that!

Monody to the Memory of Chatterton

by Mary Darby Robinson
 Chill penury repress'd his noble rage, 
And froze the genial current of his soul.
GRAY. 


IF GRIEF can deprecate the wrath of Heaven, 
Or human frailty hope to be forgiven ! 
Ere now thy sainted spirit bends its way 
To the bland regions of celestial day; 
Ere now, thy soul, immers'd in purest air 
Smiles at the triumphs of supreme Despair; 
Or bath'd in seas of endless bliss, disdains 
The vengeful memory of mortal pains; 
Yet shall the MUSE a fond memorial give 
To shield thy name, and bid thy GENIUS live. 

Too proud for pity, and too poor for praise, 
No voice to cherish, and no hand to raise; 
Torn, stung, and sated, with this "mortal coil," 
This weary, anxious scene of fruitless toil; 
Not all the graces that to youth belong, 
Nor all the energies of sacred song; 
Nor all that FANCY, all that GENIUS gave, 
Could snatch thy wounded spirit from the grave. 

Hard was thy lot, from every comfort torn; 
In POVERTY'S cold arms condemn'd to mourn; 
To live by mental toil, e'en when the brain 
Could scarce its trembling faculties sustain; 
To mark the dreary minutes slowly creep: 
Each day to labour, and each night to weep; 
'Till the last murmur of thy frantic soul, 
In proud concealment from its mansion stole, 
While ENVY springing from her lurid cave, 
Snatch'd the young LAURELS from thy rugged grave. 
So the pale primrose, sweetest bud of May, 
Scarce wakes to beauty, ere it feels decay; 
While baleful weeds their hidden n poisons pour, 
Choke the green sod, and wither every flow'r. 

Immur'd in shades, from busy scenes remov'd; 
No sound to solace,­but the verse he lov'd: 
No soothing numbers harmoniz'd his ear; 
No feeling bosom gave his griefs a tear; 
Obscurely born­no gen'rous friend he found 
To lead his trembling steps o'er classic ground. 
No patron fill'd his heart with flatt'ring hope, 
No tutor'd lesson gave his genius scope; 
Yet, while poetic ardour nerv'd each thought, 
And REASON sanction'd what AMBITION taught; 
He soar'd beyond the narrow spells that bind 
The slow perceptions of the vulgar mind; 
The fire once kindled by the breath of FAME, 
Her restless pinions fann'd the glitt'ring flame; 
Warm'd by its rays, he thought each vision just; 
For conscious VIRTUE seldom feels DISTRUST. 

Frail are the charms delusive FANCY shows, 
And short the bliss her fickle smile bestows; 
Yet the bright prospect pleas'd his dazzled view, 
Each HOPE seem'd ripened, and each PHANTOM true; 
Fill'd with delight, his unsuspecting mind 
Weigh'd not the grov'ling treach'ries of mankind; 
For while a niggard boon his Savants supply'd, 
And NATURE'S claims subdued the voice of PRIDE: 
His timid talents own'd a borrow'd name, 
And gain'd by FICTION what was due to FAME. 

With secret labour, and with taste refin'd, 
This son of mis'ry form'd his infant mind !
When op'ning Reason's earliest scenes began, 
The dawn of childhood mark'd the future man ! 
He scorn'd the puerile sports of vulgar boys, 
His little heart aspir'd to nobler joys; 
Creative Fancy wing'd his few short hours, 
While soothing Hope adorn'd his path with flow'rs, 
Yet FAME'S recording hand no trophy gave, 
Save the sad TEAR­to decorate his grave. 

Yet in this dark, mysterious scene of woe, 
Conviction's flame shall shed a radiant glow; 
His infant MUSE shall bind with nerves of fire 
The sacrilegious hand that stabs its sire. 
Methinks, I hear his wand'ring shade complain,
While mournful ECHO lingers on the strain; 
Thro' the lone aisle his restless spirit calls, 
His phantom glides along the minster's § walls; 
Where many an hour his devious footsteps trod, 
Ere Fate resign'd him TO HIS PITYING GOD. 

Yet, shall the MUSE to gentlest sorrow prone
Adopt his cause, and make his griefs her own; 
Ne'er shall her CHATTERTON's neglected name, 
Fade in inglorious dreams of doubtful fame; 
Shall he, whose pen immortal GENIUS gave, 
Sleep unlamented in an unknown grave? 
No, ­the fond MUSE shall spurn the base neglect, 
The verse she cherish'd she shall still protect. 

And if unpitied pangs the mind can move, 
Or graceful numbers warm the heart to love; 
If the fine raptures of poetic fire 
Delight to vibrate on the trembling lyre; 
If sorrow claims the kind embalming tear, 
Or worth oppress'd, excites a pang sincere? 
Some kindred soul shall pour the song divine, 
And with the cypress bough the laurel twine,
Whose weeping leaves the wint'ry blast shall wave 
In mournful murmurs o'er thy unbless'd grave. 

And tho' no lofty VASE or sculptur'd BUST 
Bends o'er the sod that hides thy sacred dust; 
Tho' no long line of ancestry betrays 
The PRIDE of RELATIVES, or POMP of PRAISE. 
Tho' o'er thy name a blushing nation rears 
OBLIVION'S wing­ to hide REFLECTION'S tears! 
Still shall thy verse in dazzling lustre live, 
And claim a brighter wreath THAN WEALTH CAN GIVE.
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