Written by
Edna St Vincent Millay |
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—
Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here.
Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"
You are not here.
I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.
—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.
There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here.
I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still.
When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro.
.
.
And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you.
Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's.
" You were so small,
And wrote so brave a hand!
How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again.
If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day.
"
To-day! Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back
That day you filled this circle of my arms
That now is empty.
(O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.
) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew.
(Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.
) What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure.
I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first.
I did not know
Then, that it was the last.
If I had known—
But then, it does not matter.
Strange how few,
After all's said and done, the things that are
Of moment.
Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more.
"
There, there it dangles,—where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!
"I had you and I have you now no more.
"
O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on! Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!
We were so wholly one I had not thought
That we could die apart.
I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre.
And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you.
I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?
Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms.
What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.
I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!
—What do I say?
God! God!—God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive.
If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!
O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—
* * * * * * *
Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep.
Though you were dead again,
I am but flesh and blood and I must sleep.
|
Written by
William Butler Yeats |
I
Swear by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.
Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.
Here's the gist of what they mean.
II
Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but thrust their buried men
Back in the human mind again.
III
You that Mitchel's prayer have heard,
'Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.
IV
Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.
Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler phidias wrought.
Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.
Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.
Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.
V
Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.
VI
Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.
No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life, on death.
Horseman, pass by!
|
Written by
Lewis Carroll |
The Bellman's Speech
The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.
"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!
"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"
This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell.
He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?
Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked".
But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!
But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags.
The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.
He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.
"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).
"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!
"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!
"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.
"Let us take them in order.
The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp.
"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.
"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.
"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.
"The fifth is ambition.
It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.
"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.
|
Written by
G K Chesterton |
"Why shouldn't I have a purely vegetarian drink? Why shouldn't I take vegetables in their highest form, so to speak? The modest vegetarians ought to stick to wine or beer, plain vegetable drinks, instead of filling their goblets with the blood of bulls and elephants, as all conventional meat-eaters do, I suppose"--Dalroy.
You will find me drinking rum,
Like a sailor in a slum,
You will find me drinking beer like a Bavarian
You will find me drinking gin
In the lowest kind of inn
Because I am a rigid Vegetarian.
So I cleared the inn of wine,
And I tried to climb the sign,
And I tried to hail the constable as "Marion.
"
But he said I couldn't speak,
And he bowled me to the Beak
Because I was a Happy Vegetarian.
Oh, I know a Doctor Gluck,
And his nose it had a hook,
And his attitudes were anything but Aryan;
So I gave him all the pork
That I had, upon a fork
Because I am myself a Vegetarian.
I am silent in the Club,
I am silent in the pub.
,
I am silent on a bally peak in Darien;
For I stuff away for life
Shoving peas in with a knife,
Because I am a rigid Vegetarian.
No more the milk of cows
Shall pollute my private house
Than the milk of the wild mares of the Barbarian
I will stick to port and sherry,
For they are so very, very,
So very, very, very, Vegetarian.
|