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Best Famous Convened Poems

Here is a collection of the all-time best famous Convened poems. This is a select list of the best famous Convened poetry. Reading, writing, and enjoying famous Convened poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of convened poems.

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Written by Robert William Service | Create an image from this poem

The Ballad Of Lenins Tomb

 This is the yarn he told me
 As we sat in Casey's Bar,
 That Rooshun mug who scammed from the jug
 In the Land of the Crimson Star;
 That Soviet guy with the single eye,
 And the face like a flaming scar.
Where Lenin lies the red flag flies, and the rat-grey workers wait To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm; For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red, And pilgrims from the Sour Lands say: "He sleeps and is not dead.
" Before their eyes in peace he lies, a symbol and a sign, And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust, So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me .
.
.
a secret I'll disclose, For I did see what none did see; I know what no one knows.
I was a Cheko terrorist - Oh I served the Soviets well, Till they put me down on the bone-yard list, for the fear that I might tell; That I might tell the thing I saw, and that only I did see, They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you; Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine; Ten thousand men of Muscovy, Mongol and Turkoman, Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp, Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray, As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain, For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host, When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin - A man I knew, a man I slew, Prince Boris Mazarin.
Now do not think because I drink I love the flowing bowl; But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen, Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far Is the death of Boris Mazarin, that soldier of the Czar.
A mighty nobleman was he; we took him by surprise; His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore, Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew! I'd die with joy could I destroy a hundred dogs like you.
" I thrust my sword into his throat; the blade was gay with blood; We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race.
.
.
.
And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?) He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go; I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim; Into the bowels of the Tomb I followed, followed him.
The light within was weird and dim, and icy cold the air; My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm; For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own, This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay .
.
.
And so we came to the crystal frame where lonely Lenin lay.
Without a sound we shuffled round> I sought to make a sign, But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest, We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart, And from the hollow of his ribs he drew his blackened heart.
.
.
.
Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread, With fiendish cry he raised it high, and .
.
.
swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar, And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again The leprous light 'twas in a cell, and I was racked with pain; And ringèd around by shapes of gloom, who hoped that I would die; For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed, But by their eyes of evil gleam I knew my doom was sealed.
I need not tell how from my cell in Lubianka gaol, I broke away, but listen, here's the point of all my tale.
.
.
.
Outside the "Gay Pay Oo" none knew of that grim scene of gore; They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign, And rancid races come to thrill and wonder at his Shrine; And hold the thought: if Lenin rot the Soviets will decay; And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz, So stern and firm it mocks the worm, it looks like wax .
.
.
and is.
They tell you he's a mummy - don't you make that bright mistake: I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet .
.
.
there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be? But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both .
.
.
Well, I don't care a damn: I tell you this: their Lenin is a waxen, show-case SHAM.
Such was the yarn he handed me, Down there in Casey's Bar, That Rooshun bug with the scrambled mug From the land of the Commissar.
It may be true, I leave it you To figger out how far.


Written by Sir Walter Raleigh | Create an image from this poem

Sestina Otiosa

 Our great work, the Otia Merseiana, 
Edited by learned Mister Sampson, 
And supported by Professor Woodward, 
Is financed by numerous Bogus Meetings
Hastily convened by Kuno Meyer 
To impose upon the Man of Business.
All in vain! The accomplished Man of Business Disapproves of Otia Merseiana, Turns his back on Doctor Kuno Meyer; Cannot be enticed by Mister Sampson, To be present at the Bogus Meetings, Though attended by Professor Woodward.
Little cares the staid Professor Woodward: He, being something of a man of business, Knows that not a hundred Bogus Meetings To discuss the Otia Merseiana Can involve himself and Mister Sampson In the debts of Doctor Kuno Meyer.
So the poor deluded Kuno Meyer, Unenlightened by Professor Woodward -- Whom, upon the word of Mister Sampson, He believes to be a man of business Fit to run the Otia Merseiana -- Keeps on calling endless Bogus Meetings.
Every week has now its Bogus Meetings, Punctually convened by Kuno Meyer In the name of Otia Merseiana: Every other week Professor Woodward Takes his place, and, as a man of business, Audits the accounts with Mister Sampson.
He and impecunious Mister Sampson Are the mainstay of the Bogus Meetings; But the alienated Man of Business Cannot be allured by Kuno Meyer To attend and meet Professor Woodward, Glory of the Otia Merseiana.
Kuno Meyer! Great Professor Woodward! Bogus Meetings damn, for men of business, Mister Sampson's Otia Merseiana.
Written by W S Merwin | Create an image from this poem

Vehicles

 This is a place on the way after the distances
 can no longer be kept straight here in this dark corner
of the barn a mound of wheels has convened along
 raveling courses to stop in a single moment
and lie down as still as the chariots of the Pharaohs
 some in pairs that rolled as one over the same roads
to the end and never touched each other until they
 arrived here some that broke by themselves and were left
until they could be repaired some that went only
 to occasions before my time and some that have spun
across other countries through uncounted summers
 now they go all the way back together the tall
cobweb-hung models of galaxies in their rings
 of rust leaning against the stone hail from Rene's
manure cart the year he wanted to store them here
 because there was nobody left who could make them like that
in case he should need them and there are the carriage wheels
 that Merot said would be worth a lot some day
and the rim of the spare from bald Bleret's green Samson
 that rose like Borobudur out of the high grass
behind the old house by the river where he stuffed
 mattresses in the morning sunlight and the hens
scavenged around his shoes in the days when the black
 top-hat sedan still towered outside Sandeau's cow barn
with velvet upholstery and sconces for flowers and room
 for two calves instead of the back seat when their time came

Book: Reflection on the Important Things