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Best Famous Contracting Poems

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Written by Marianne Moore | Create an image from this poem

The Pangolin

 Another armored animal--scale
 lapping scale with spruce-cone regularity until they
form the uninterrupted central
 tail-row! This near artichoke with head and legs and grit-equipped
 gizzard,
the night miniature artist engineer is,
 yes, Leonardo da Vinci's replica--
 impressive animal and toiler of whom we seldom hear.
 Armor seems extra. But for him,
 the closing ear-ridge--
 or bare ear lacking even this small
 eminence and similarly safe

contracting nose and eye apertures
 impenetrably closable, are not; a true ant-eater,
not cockroach eater, who endures
 exhausting solitary trips through unfamiliar ground at night,
 returning before sunrise, stepping in the moonlight,
 on the moonlight peculiarly, that the outside
 edges of his hands may bear the weight and save the claws
 for digging. Serpentined about
 the tree, he draws
 away from danger unpugnaciously,
 with no sound but a harmless hiss; keeping

the fragile grace of the Thomas-
 of-Leighton Buzzard Westminster Abbey wrought-iron vine, or
rolls himself into a ball that has
 power to defy all effort to unroll it; strongly intailed, neat
 head for core, on neck not breaking off, with curled-in-feet.
 Nevertheless he has sting-proof scales; and nest
 of rocks closed with earth from inside, which can thus
 darken.
 Sun and moon and day and night and man and beast
 each with a splendor
 which man in all his vileness cannot
 set aside; each with an excellence!

"Fearfull yet to be feared," the armored
 ant-eater met by the driver-ant does not turn back, but
engulfs what he can, the flattened sword-
 edged leafpoints on the tail and artichoke set leg- and body-plates
 quivering violently when it retaliates
 and swarms on him. Compact like the furled fringed frill
 on the hat-brim of Gargallo's hollow iron head of a
 matador, he will drop and will
 then walk away
 unhurt, although if unintruded on,
 he cautiously works down the tree, helped

by his tail. The giant-pangolin-
 tail, graceful tool, as a prop or hand or broom or ax, tipped like
an elephant's trunkwith special skin,
 is not lost on this ant- and stone-swallowing uninjurable
 artichoke which simpletons thought a living fable
 whom the stones had nourished, whereas ants had done
 so. Pangolins are not aggressive animals; between
 dusk and day they have not unchain-like machine-like
 form and frictionless creep of a thing
 made graceful by adversities, con-

versities. To explain grace requires
 a curious hand. If that which is at all were not forever,
why would those who graced the spires
 with animals and gathered there to rest, on cold luxurious
 low stone seats--a monk and monk and monk--between the thus
 ingenious roof supports, have slaved to confuse
 grace with a kindly manner, time in which to pay a debt,
 the cure for sins, a graceful use
 of what are yet
 approved stone mullions branching out across
 the perpendiculars? A sailboat

was the first machine. Pangolins, made
 for moving quietly also, are models of exactness,
on four legs; on hind feet plantigrade,
 with certain postures of a man. Beneath sun and moon, man slaving
 to make his life more sweet, leaves half the flowers worth having,
 needing to choose wisely how to use his strength;
 a paper-maker like the wasp; a tractor of foodstuffs,
 like the ant; spidering a length
 of web from bluffs
 above a stream; in fighting, mechanicked
 like the pangolin; capsizing in

disheartenment. Bedizened or stark
 naked, man, the self, the being we call human, writing-
masters to this world, griffons a dark
 "Like does not like like that is abnoxious"; and writes error with four
 r's. Among animals, one has sense of humor.
 Humor saves a few steps, it saves years. Unignorant,
 modest and unemotional, and all emotion,
 he has everlasting vigor,
 power to grow,
 though there are few creatures who can make one
 breathe faster and make one erecter.
 Not afraid of anything is he,
 and then goes cowering forth, tread paced to meet an obstacle
at every step. Consistent with the
 formula--warm blood, no gills, two pairs of hands and a few hairs--
 that
 is a mammal; there he sits on his own habitat,
 serge-clad, strong-shod. The prey of fear, he, always
 curtailed, extinguished, thwarted by the dusk, work partly
 done,
 says to the alternating blaze,
 "Again the sun!
 anew each day; and new and new and new,
 that comes into and steadies my soul."


Written by Johann Wolfgang von Goethe | Create an image from this poem

The Metamorphosis Of Plants

 THOU art confused, my beloved, at, seeing the thousandfold 
union

Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another

Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness;

Therefore, a mystical law is by the chorus proclaim'd;
Yes, a sacred enigma! Oh, dearest friend, could I only

Happily teach thee the word, which may the mystery 
solve!
Closely observe how the plant, by little and little progressing,

Step by step guided on, changeth to blossom and 
fruit!
First from the seed it unravels itself, as soon as the silent

Fruit-bearing womb of the earth kindly allows Its 
escape,
And to the charms of the light, the holy, the ever-in-motion,

Trusteth the delicate leaves, feebly beginning 
to shoot.
Simply slumber'd the force in the seed; a germ of the future,

Peacefully lock'd in itself, 'neath the integument 
lay,
Leaf and root, and bud, still void of colour, and shapeless;

Thus doth the kernel, while dry, cover that motionless 
life.
Upward then strives it to swell, in gentle moisture confiding,

And, from the night where it dwelt, straightway 
ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth;

And 'tis a token like this, points out the child 
'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth,

Piling-up node upon node, ever the primitive form;
Yet not ever alike: for the following leaf, as thou seest,

Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided,

Which. all-deform'd until now, slept in the organ 
below,
So at length it attaineth the noble and destined perfection,

Which, in full many a tribe, fills thee with wondering 
awe.
Many ribb'd and tooth'd, on a surface juicy and swelling,

Free and unending the shoot seemeth in fullness 
to be;
Yet here Nature restraineth, with powerful hands, the formation,

And to a perfecter end, guideth with softness its 
growth,
Less abundantly yielding the sap, contracting the vessels,

So that the figure ere long gentler effects doth 
disclose.
Soon and in silence is check'd the growth of the vigorous branches,

And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth,

And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless,

Gather the smaller-sized leaves, close by the side 
of their like.
Round the axis compress'd the sheltering calyx unfoldeth,

And, as the perfectest type, brilliant-hued coronals 
forms.
Thus doth Nature bloom, in glory still nobler and fuller,

Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower

Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller,

Yes, the leaf with its hues feeleth the hand all 
divine,
And on a sudden contracteth itself; the tenderest figures

Twofold as yet, hasten on, destined to blend into 
one.
Lovingly now the beauteous pairs are standing together,

Gather'd in countless array, there where the altar 
is raised.
Hymen hovereth o'er them, and scents delicious and mighty

Stream forth their fragrance so sweet, all things 
enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling,

Sweetly conceald in the womb, where is made perfect 
the fruit.
Here doth Nature close the ring of her forces eternal;

Yet doth a new one, at once, cling to the one gone 
before,
So that the chain be prolonged for ever through all generations,

And that the whole may have life, e'en as enjoy'd 
by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands

Which, confusing no more, gladden the mind as they 
wave.
Every plant unto thee proclaimeth the laws everlasting,

Every flowered speaks louder and louder to thee;
But if thou here canst decipher the mystic words of the goddess,

Everywhere will they be seen, e'en though the features 
are changed.
Creeping insects may linger, the eager butterfly hasten,--

Plastic and forming, may man change e'en the figure 
decreed!
Oh, then, bethink thee, as well, how out of the germ of acquaintance,

Kindly intercourse sprang, slowly unfolding its 
leaves;
Soon how friendship with might unveil'd itself in our bosoms,

And how Amor, at length, brought forth blossom 
and fruit
Think of the manifold ways wherein Nature hath lent to our feelings,

Silently giving them birth, either the first or 
the last!
Yes, and rejoice in the present day! For love that is holy

Seeketh the noblest of fruits,--that where the 
thoughts are the same,
Where the opinions agree,--that the pair may, in rapt contemplation,

Lovingly blend into one,--find the more excellent 
world.

 1797.
Written by Conrad Aiken | Create an image from this poem

The Room

 Through that window—all else being extinct
Except itself and me—I saw the struggle
Of darkness against darkness. Within the room
It turned and turned, dived downward. Then I saw
How order might—if chaos wished—become:
And saw the darkness crush upon itself,
Contracting powerfully; it was as if
It killed itself, slowly: and with much pain.
Pain. The scene was pain, and nothing but pain.
What else, when chaos draws all forces inward
To shape a single leaf? . . .
 For the leaf came
Alone and shining in the empty room;
After a while the twig shot downward from it;
And from the twig a bough; and then the trunk,
Massive and coarse; and last the one black root.
The black root cracked the walls. Boughs burst
 the window:
The great tree took possession.
 Tree of trees!
Remember (when time comes) how chaos died
To shape the shining leaf. Then turn, have courage,
Wrap arms and roots together, be convulsed
With grief, and bring back chaos out of shape.
I will be watching then as I watch now.
I will praise darkness now, but then the leaf.
Written by Emily Dickinson | Create an image from this poem

From Cocoon forth a Butterfly

 From Cocoon forth a Butterfly
As Lady from her Door
Emerged -- a Summer Afternoon --
Repairing Everywhere --

Without Design -- that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers -- understood --

Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay --
Then struggling hard
With an opposing Cloud --

Where Parties -- Phantom as Herself --
To Nowhere -- seemed to go
In purposeless Circumference --
As 'twere a Tropic Show --

And notwithstanding Bee -- that worked --
And Flower -- that zealous blew --
This Audience of Idleness
Disdained them, from the Sky --

Till Sundown crept -- a steady Tide --
And Men that made the Hay --
And Afternoon -- and Butterfly --
Extinguished -- in the Sea --
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 2

 Not with more glories, in th' etherial plain, 
The sun first rises o'er the purpled main,
Than, issuing forth, the rival of his beams
Launch'd on the bosom of the silver Thames.
Fair nymphs, and well-dress'd youths around her shone,
But ev'ry eye was fix'd on her alone.
On her white breast a sparkling cross she wore,
Which Jews might kiss, and infidels adore.
Her lively looks a sprightly mind disclose,
Quick as her eyes, and as unfix'd as those:
Favours to none, to all she smiles extends;
Oft she rejects, but never once offends.
Bright as the sun, her eyes the gazers strike,
And, like the sun, they shine on all alike.
Yet graceful ease, and sweetness void of pride,
Might hide her faults, if belles had faults to hide:
If to her share some female errors fall,
Look on her face, and you'll forget 'em all.
This nymph, to the destruction of mankind,
Nourish'd two locks, which graceful hung behind
In equal curls, and well conspir'd to deck
With shining ringlets the smooth iv'ry neck.
Love in these labyrinths his slaves detains,
And mighty hearts are held in slender chains.
With hairy springes we the birds betray,
Slight lines of hair surprise the finney prey,
Fair tresses man's imperial race ensnare,
And beauty draws us with a single hair.
Th' advent'rous baron the bright locks admir'd;
He saw, he wish'd, and to the prize aspir'd.
Resolv'd to win, he meditates the way,
By force to ravish, or by fraud betray;
For when success a lover's toil attends,
Few ask, if fraud or force attain'd his ends.
For this, ere Phœbus rose, he had implor'd
Propitious Heav'n, and ev'ry pow'r ador'd,
But chiefly love--to love an altar built,
Of twelve vast French romances, neatly gilt.
There lay three garters, half a pair of gloves;
And all the trophies of his former loves;
With tender billet-doux he lights the pyre,
And breathes three am'rous sighs to raise the fire.
Then prostrate falls, and begs with ardent eyes
Soon to obtain, and long possess the prize:
The pow'rs gave ear, and granted half his pray'r,
The rest, the winds dispers'd in empty air.

But now secure the painted vessel glides,
The sun-beams trembling on the floating tides,
While melting music steals upon the sky,
And soften'd sounds along the waters die.
Smooth flow the waves, the zephyrs gently play,
Belinda smil'd, and all the world was gay.
All but the Sylph--with careful thoughts opprest,
Th' impending woe sat heavy on his breast.
He summons strait his denizens of air;
The lucid squadrons round the sails repair:
Soft o'er the shrouds aerial whispers breathe,
That seem'd but zephyrs to the train beneath.
Some to the sun their insect-wings unfold,
Waft on the breeze, or sink in clouds of gold.
Transparent forms, too fine for mortal sight,
Their fluid bodies half dissolv'd in light,
Loose to the wind their airy garments flew,
Thin glitt'ring textures of the filmy dew;
Dipp'd in the richest tincture of the skies,
Where light disports in ever-mingling dyes,
While ev'ry beam new transient colours flings,
Colours that change whene'er they wave their wings.
Amid the circle, on the gilded mast,
Superior by the head, was Ariel plac'd;
His purple pinions op'ning to the sun,
He rais'd his azure wand, and thus begun.

"Ye Sylphs and Sylphids, to your chief give ear!
Fays, Fairies, Genii, Elves, and Dæmons, hear!
Ye know the spheres and various tasks assign'd
By laws eternal to th' aerial kind.
Some in the fields of purest æther play,
And bask and whiten in the blaze of day.
Some guide the course of wand'ring orbs on high,
Or roll the planets through the boundless sky.
Some less refin'd, beneath the moon's pale light
Pursue the stars that shoot athwart the night,
Or suck the mists in grosser air below,
Or dip their pinions in the painted bow,
Or brew fierce tempests on the wintry main,
Or o'er the glebe distil the kindly rain.
Others on earth o'er human race preside,
Watch all their ways, and all their actions guide:
Of these the chief the care of nations own,
And guard with arms divine the British throne.

"Our humbler province is to tend the fair,
Not a less pleasing, though less glorious care.
To save the powder from too rude a gale,
Nor let th' imprison'd essences exhale,
To draw fresh colours from the vernal flow'rs,
To steal from rainbows e'er they drop in show'rs
A brighter wash; to curl their waving hairs,
Assist their blushes, and inspire their airs;
Nay oft, in dreams, invention we bestow,
To change a flounce, or add a furbelow.


"This day, black omens threat the brightest fair
That e'er deserv'd a watchful spirit's care;
Some dire disaster, or by force, or slight,
But what, or where, the fates have wrapt in night.
Whether the nymph shall break Diana's law,
Or some frail china jar receive a flaw;
Or stain her honour, or her new brocade,
Forget her pray'rs, or miss a masquerade;
Or lose her heart, or necklace, at a ball;
Or whether Heav'n has doom'd that Shock must fall.
Haste, then, ye spirits! to your charge repair:
The flutt'ring fan be Zephyretta's care;
The drops to thee, Brillante, we consign;
And, Momentilla, let the watch be thine;
Do thou, Crispissa, tend her fav'rite lock;
Ariel himself shall be the guard of Shock.
"To fifty chosen Sylphs, of special note,
We trust th' important charge, the petticoat:
Oft have we known that sev'n-fold fence to fail,
Though stiff with hoops, and arm'd with ribs of whale.
Form a strong line about the silver bound,
And guard the wide circumference around.
"Whatever spirit, careless of his charge,
His post neglects, or leaves the fair at large,
Shall feel sharp vengeance soon o'ertake his sins,
Be stopp'd in vials, or transfix'd with pins;
Or plung'd in lakes of bitter washes lie,
Or wedg'd whole ages in a bodkin's eye:
Gums and pomatums shall his flight restrain,
While clogg'd he beats his silken wings in vain;
Or alum styptics with contracting pow'r
Shrink his thin essence like a rivell'd flow'r.
Or, as Ixion fix'd, the wretch shall feel
The giddy motion of the whirling mill,
In fumes of burning chocolate shall glow,
And tremble at the sea that froths below!"
He spoke; the spirits from the sails descend;
Some, orb in orb, around the nymph extend,
Some thrid the mazy ringlets of her hair,
Some hang upon the pendants of her ear;
With beating hearts the dire event they wait,
Anxious, and trembling for the birth of fate.


Written by Thomas Hardy | Create an image from this poem

Leipzig

 "OLD Norbert with the flat blue cap--
A German said to be--
Why let your pipe die on your lap,
Your eyes blink absently?"--

--"Ah!... Well, I had thought till my cheek was wet
Of my mother--her voice and mien
When she used to sing and pirouette,
And touse the tambourine

"To the march that yon street-fiddler plies;
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.

"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.

"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there!...

"--'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.

"Carl Schwartzenburg was of the plot,
And Bl?cher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.

"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.

"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.

"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept--
The Bridge of Lindenau.

"Hard by, in the City, the One, care-crossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.

"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire,
While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.

"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.

"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee....

"--Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.

"Around the town three battle beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.

"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard;
--The French held all at bay.

"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
--Thus raged it throughout the day.

"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.

"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?'...

"--The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.

"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.

"''Tis well to cover a feeble skill
By numbers!' scoff?d He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'

"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark death-bed
A miles-wide pant of pain.

"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;

"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,

"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.

"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run--
The Bridge of Lindenau.

"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;

"When there surged on the sky on earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.

"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.

"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.

"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.

"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;

"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs.... Ay, as simple maid,
My mother saw these things!

"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!"
Written by Emily Dickinson | Create an image from this poem

Said Death to Passion

 Said Death to Passion
"Give of thine an Acre unto me."
Said Passion, through contracting Breaths
"A Thousand Times Thee Nay."

Bore Death from Passion
All His East
He -- sovereign as the Sun
Resituated in the West
And the Debate was done.
Written by Walt Whitman | Create an image from this poem

Souvenirs of Democracy

 THE business man, the acquirer vast, 
After assiduous years, surveying results, preparing for departure, 
Devises houses and lands to his children—bequeaths stocks, goods—funds for a
 school
 or hospital, 
Leaves money to certain companions to buy tokens, souvenirs of gems and gold; 
Parceling out with care—And then, to prevent all cavil,
His name to his testament formally signs. 

But I, my life surveying, 
With nothing to show, to devise, from its idle years, 
Nor houses, nor lands—nor tokens of gems or gold for my friends, 
Only these Souvenirs of Democracy—In them—in all my songs—behind me
 leaving,
To You, who ever you are, (bathing, leavening this leaf especially with my
 breath—pressing
 on it a moment with my own hands; 
—Here! feel how the pulse beats in my wrists!—how my heart’s-blood is
 swelling,
 contracting!) 
I will You, in all, Myself, with promise to never desert you, 
To which I sign my name.
Written by Francesco Petrarch | Create an image from this poem

Sonnet XLVII

SONNET XLVII.

Tutta la mia fiorita e verde etade.

JUST WHEN HE MIGHT FAIRLY HOPE SOME RETURN OF AFFECTION, ENVIOUS DEATH CARRIES HER OFF.

All my green years and golden prime of manHad pass'd away, and with attemper'd sighsMy bosom heaved—ere yet the days ariseWhen life declines, contracting its brief span.Already my loved enemy beganTo lull suspicion, and in sportive guise,With timid confidence, though playful, wise,In gentle mockery my long pains to scan:The hour was near when Love, at length, may mateWith Chastity; and, by the dear one's side,The lover's thoughts and words may freely flow:Death saw, with envy, my too happy state,E'en its fair promise—and, with fatal pride,Strode in the midway forth, an armèd foe!
Dacre.
Now of my life each gay and greener yearPass'd by, and cooler grew each hour the flameWith which I burn'd: and to that point we cameWhence life descends, as to its end more near;Now 'gan my lovely foe each virtuous fearGently to lay aside, as safe from blame;And though with saint-like virtue still the same,Mock'd my sweet pains indeed, but deign'd to hear[Pg 272]Nigh drew the time when Love delights to dwellWith Chastity; and lovers with their mateCan fearless sit, and all they muse of tell.Death envied me the joys of such a state;Nay, e'en the hopes I form'd: and on them fellE'en in midway, like some arm'd foe in wait.
Anon., Ox., 1795.

Book: Radiant Verses: A Journey Through Inspiring Poetry