Written by
Richard Wilbur |
It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language
Has never been fathomed, owing to the national habit
Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city,
Report that the railway-route from Schuldig passes
Through country best described as unrelieved.
Sheep are the national product.
The faint inscription
Over the city gates may perhaps be rendered,
"I'm afraid you won't find much of interest here.
"
Census-reports which give the population
As zero are, of course, not to be trusted,
Save as reflecting the natives' flustered insistence
That they do not count, as well as their modest horror
Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence
Of churches or comfort-stations, have given observers
An odd impression of ostentatious meanness,
And it must be said of the citizens (muttering by
In their ratty sheepskins, shying at cracks in the sidewalk)
That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff
Unsmiling carelessness of the border-guards
And douaniers, who admit, whenever they can,
Not merely the usual carloads of deodorant
But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however,
For the hoped-for invasion, at which time the happy people
(Sniggering, ruddily naked, and shamelessly drunk)
Will stun the foe by their overwhelming submission,
Corrupt the generals, infiltrate the staff,
Usurp the throne, proclaim themselves to be sun-gods,
And bring about the collapse of the whole empire.
|
Written by
Mark Doty |
Over the terminal,
the arms and chest
of the god
brightened by snow.
Formerly mercury,
formerly silver,
surface yellowed
by atmospheric sulphurs
acid exhalations,
and now the shining
thing's descendant.
Obscure passages,
dim apertures:
these clouded windows
show a few faces
or some empty car's
filmstrip of lit flames
--remember them
from school,
how they were supposed
to teach us something?--
waxy light hurrying
inches away from the phantom
smudge of us, vague
in spattered glass.
Then
daylight's soft charcoal
lusters stone walls
and we ascend to what
passes for brightness,
this February,
scumbled sky
above graduated zones
of decline:
dead rowhouses,
charred windows'
wet frames
around empty space,
a few chipboard polemics
nailed over the gaps,
speeches too long
and obsessive for anyone
on this train to read,
sealing the hollowed interiors
--some of them grand once,
you can tell by
the fillips of decoration,
stone leaves, the frieze
of sunflowers.
Desolate fields--open spaces,
in a city where you
can hardly turn around!--
seem to center
on little flames,
something always burning
in a barrel or can
As if to represent
inextinguishable,
dogged persistence?
Though whether what burns
is will or rage or
harsh amalgam
I couldn't say.
But I can tell you this,
what I've seen that
won my allegiance most,
though it was also
the hallmark of our ruin,
and quick as anything
seen in transit:
where Manhattan ends
in the narrowing
geographical equivalent
of a sigh (asphalt,
arc of trestle, dull-witted
industrial tanks
and scaffoldings, ancient now,
visited by no one)
on the concrete
embankment just
above the river,
a sudden density
and concentration
of trash, so much
I couldn't pick out
any one thing
from our rising track
as it arced onto the bridge
over the fantastic
accumulation of jetsam
and contraband
strewn under
the uncompromising
vault of heaven.
An unbelievable mess,
so heaped and scattered
it seemed the core
of chaos itself--
but no, the junk was arranged
in rough aisles,
someone's intimate
clutter and collection,
no walls but still
a kind of apartment
and a fire ribboned out
of a ruined stove,
and white plates
were laid out
on the table beside it.
White china! Something
was moving, and
--you understand
it takes longer to tell this
than to see it, only
a train window's worth
of actuality--
I knew what moved
was an arm,
the arm of the (man
or woman?) in the center
of that hapless welter
in layer upon layer
of coats blankets scarves
until the form
constituted one more
gray unreadable;
whoever
was lifting a hammer,
and bringing it down
again, tapping at
what work
I couldn't say;
whoever, under
the great exhausted dome
of winter light,
which the steep
and steel surfaces of the city
made both more soft
and more severe,
was making something,
or repairing,
was in the act
(sheer stubborn nerve of it)
of putting together.
Who knows what.
(And there was more,
more I'd take all spring
to see.
I'd pick my seat
and set my paper down
to study him again
--he, yes, some days not
at home though usually
in, huddled
by the smoldering,
and when my eye wandered
--five-second increments
of apprehension--I saw
he had a dog!
Who lay half in
half out his doghouse
in the rain, golden head
resting on splayed paws.
He had a ruined car,
and heaps of clothes,
and things to read--
was no emblem,
in other words,
but a citizen,
who'd built a citizen's
household, even
on the literal edge,
while I watched
from my quick,
high place, hurtling
over his encampment
by the waters of Babylon.
)
Then we were gone,
in the heat and draft
of our silver, rattling
over the river
into the South Bronx,
against whose greasy
skyline rose that neoned
billboard for cigarettes
which hostages
my attention, always,
as it is meant to do,
its motto ruby
in the dark morning:
ALIVE WITH PLEASURE.
|
Written by
Emily Dickinson |
"Heavenly Father" -- take to thee
The supreme iniquity
Fashioned by thy candid Hand
In a moment contraband --
Though to trust us -- seems to us
More respectful -- "We are Dust" --
We apologize to thee
For thine own Duplicity --
|
Written by
Sophie Hannah |
I know the rules and hear myself agree
Not to invest beyond this one night stand.
I know your patter: in, out, like the sea.
The sharp north wind must blow away the sand.
Soon my supply will meet your last demand
And you will have no further use for me.
I will not swim against the tide, to land.
I know the rules.
I hear myself agree.
I've kept a stash of hours, just two or three
To smuggle off your coast like contraband.
We will both manage (you more easily)
Not to invest beyond this one night stand.
To narrow-minded friends I will expand
On cheap not being the same as duty free.
I'll say this was exactly what I planned.
I know your pattern: in, out, like the sea.
It's not as if we were designed to be
Strolling along the beach front, hand in hand.
Things change, of natural necessity.
The sharp north wind must blow away the sand
And every storm to rage, however grand,
Will end in pain and shipwreck and debris
And each time there's a voice I have to strand
On a bare rock, hardened against its plea;
I know the rules.
|
Written by
Erin Belieu |
Make your daily monument the Ego,
use a masochist's epistemology
of shame and dog-eared certainty
that others less exacting might forgo.
If memory's an elephant, then feed
the animal.
Resist revision: the stand
of feral raspberry, contraband
fruit the crows stole, ferrying seed
for miles .
.
.
No.
It was a broken hedge,
not beautiful, sunlight tacking
its leafy gut in loose sutures.
Lacking
imagination, you'll take the pledge
to remember - not the sexy, new
idea of history, each moment
swamped in legend, liable to judgment
and erosion; still, an appealing view,
to draft our lives, a series of vignettes
where endings could be substituted -
your father, unconvoluted
by desire, not grown bonsai in regret,
the bedroom of blue flowers left intact.
The room was nearly dark, the streetlight
a sentinel at the white curtain, its night
face implicated.
Do not retract
this.
Something did happen.
You recall,
can feel a stumbling over wet ground,
the cave the needled branches made around
your body, the creature you couldn't console.
|
Written by
Denise Levertov |
The tree of knowledge was the tree of reason.
That's why the taste of it
drove us from Eden.
That fruit
was meant to be dried and milled to a fine powder
for use a pinch at a time, a condiment.
God had probably planned to tell us later
about this new pleasure.
We stuffed our mouths full of it,
gorged on but and if and how and again
but, knowing no better.
It's toxic in large quantities; fumes
swirled in our heads and around us
to form a dense cloud that hardened to steel,
a wall between us and God, Who was Paradise.
Not that God is unreasonable – but reason
in such excess was tyranny
and locked us into its own limits, a polished cell
reflecting our own faces.
God lives
on the other side of that mirror,
but through the slit where the barrier doesn't
quite touch ground, manages still
to squeeze in – as filtered light,
splinters of fire, a strain of music heard
then lost, then heard again.
|
Written by
Ellis Parker Butler |
The great millennium is at hand.
Redder apples grow on the tree.
A saxophone is in ev’ry band.
Brandy no longer taints our tea.
Dimples smile in the red-rouged knee.
The dowagers are no longer fat.
Radio now makes safe the sea—
And the Turk has bought him a derby hat.
Even our sauerkraut now is canned.
Verse is a dangsight more than free.
A “highboy” now is the old dish stand.
Ev’ry flapper has her night key.
Chopin is jazzed into melody.
A child is a “kiddie” and not a “brat.
”
Bosses and miners at last agree—
And the Turk has bought him a derby hat.
All firewaters are bravely banned.
There is a ballot for every she.
The hairpin now is a contraband.
A New York mayor gets some sympathy.
My dealer brings some coal to me.
The plumber is an aristocrat.
In Miami all millionaires may be—
And the Turk has bought him a derby hat.
Son, the millennium is at hand!
What though Armenians be mashed flat?
The world is getting just perfectly grand,
For the Turk has bought him a derby hat.
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