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Best Famous Constrains Poems

Here is a collection of the all-time best famous Constrains poems. This is a select list of the best famous Constrains poetry. Reading, writing, and enjoying famous Constrains poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of constrains poems.

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Written by Alan Seeger | Create an image from this poem

Ariosto. Orlando Furioso Canto X 91-99

 Ruggiero, to amaze the British host, 
And wake more wonder in their wondering ranks, 
The bridle of his winged courser loosed, 
And clapped his spurs into the creature's flanks; 
High in the air, even to the topmost banks 
Of crudded cloud, uprose the flying horse, 
And now above the Welsh, and now the Manx, 
And now across the sea he shaped his course, 
Till gleaming far below lay Erin's emerald shores.
There round Hibernia's fabled realm he coasted, Where the old saint had left the holy cave, Sought for the famous virtue that it boasted To purge the sinful visitor and save.
Thence back returning over land and wave, Ruggiero came where the blue currents flow, The shores of Lesser Brittany to lave, And, looking down while sailing to and fro, He saw Angelica chained to the rock below.
'Twas on the Island of Complaint -- well named, For there to that inhospitable shore, A savage people, cruel and untamed, Brought the rich prize of many a hateful war.
To feed a monster that bestead them sore, They of fair ladies those that loveliest shone, Of tender maidens they the tenderest bore, And, drowned in tears and making piteous moan, Left for that ravening beast, chained on the rocks alone.
Thither transported by enchanter's art, Angelica from dreams most innocent (As the tale mentioned in another part) Awoke, the victim for that sad event.
Beauty so rare, nor birth so excellent, Nor tears that make sweet Beauty lovelier still, Could turn that people from their harsh intent.
Alas, what temper is conceived so ill But, Pity moving not, Love's soft enthralment will? On the cold granite at the ocean's rim These folk had chained her fast and gone their way; Fresh in the softness of each delicate limb The pity of their bruising violence lay.
Over her beauty, from the eye of day To hide its pleading charms, no veil was thrown.
Only the fragments of the salt sea-spray Rose from the churning of the waves, wind-blown, To dash upon a whiteness creamier than their own.
Carved out of candid marble without flaw, Or alabaster blemishless and rare, Ruggiero might have fancied what he saw, For statue-like it seemed, and fastened there By craft of cunningest artificer; Save in the wistful eyes Ruggiero thought A teardrop gleamed, and with the rippling hair The ocean breezes played as if they sought In its loose depths to hide that which her hand might not.
Pity and wonder and awakening love Strove in the bosom of the Moorish Knight.
Down from his soaring in the skies above He urged the tenor of his courser's flight.
Fairer with every foot of lessening height Shone the sweet prisoner.
With tightening reins He drew more nigh, and gently as he might: "O lady, worthy only of the chains With which his bounden slaves the God of Love constrains, "And least for this or any ill designed, Oh, what unnatural and perverted race Could the sweet flesh with flushing stricture bind, And leave to suffer in this cold embrace That the warm arms so hunger to replace?" Into the damsel's cheeks such color flew As by the alchemy of ancient days If whitest ivory should take the hue Of coral where it blooms deep in the liquid blue.
Nor yet so tightly drawn the cruel chains Clasped the slim ankles and the wounded hands, But with soft, cringing attitudes in vain She strove to shield her from that ardent glance.
So, clinging to the walls of some old manse, The rose-vine strives to shield her tender flowers, When the rude wind, as autumn weeks advance, Beats on the walls and whirls about the towers And spills at every blast her pride in piteous showers.
And first for choking sobs she might not speak, And then, "Alas!" she cried, "ah, woe is me!" And more had said in accents faint and weak, Pleading for succor and sweet liberty.
But hark! across the wide ways of the sea Rose of a sudden such a fierce affray That any but the brave had turned to flee.
Ruggiero, turning, looked.
To his dismay, Lo, where the monster came to claim his quivering prey!


Written by Anne Kingsmill Finch | Create an image from this poem

An EPISTLE from Alexander to Hephaestion In His Sickness

 WITH such a Pulse, with such disorder'd Veins, 
Such lab'ring Breath, as thy Disease constrains; 
With failing Eyes, that scarce the Light endure, 
(So long unclos'd, they've watch'd thy doubtful Cure) 
To his Hephaestion Alexander writes, 
To soothe thy Days, and wing thy sleepless Nights, 
I send thee Love: Oh! that I could impart, 
As well my vital Spirits to thy Heart! 
That, when the fierce Distemper thine wou'd quell, 
They might renew the Fight, and the cold Foe repel.
As on Arbela's Plains we turn'd the Day, When Persians through our Troops had mow'd their way, When the rough Scythians on the Plunder run, And barb'rous Shouts proclaim'd the Conquest won, 'Till o'er my Head (to stop the swift Despair) The Bird of Jove fans the supporting Air, Above my Plume does his broad Wings display, And follows wheresoe'er I force my way: Whilst Aristander, in his Robe of White, Shews to the wav'ring Host th' auspicious Sight; New Courage it inspires in ev'ry Breast, And wins at once the Empire of the East.
Cou'd He, but now, some kind Presage afford, That Health might be again to Thee restor'd; Thou to my Wishes, to my fond Embrace; Thy Looks the same, the same Majestick Grace, That round thee shone, when we together went To chear the Royal Captives in their Tent, Where Sysigambis, prostrate on the Floor, Did Alexander in thy Form adore; Above great Æsculapius shou'd he stand, Or made immortal by Apelles Hand.
But no reviving Hope his Art allows, And such cold Damps invade my anxious Brows, As, when in Cydnus plung'd, I dar'd the Flood T' o'er-match the Boilings of my youthful Blood.
But Philip to my Aid repair'd in haste; And whilst the proffer'd Draught I boldly taste, As boldly He the dangerous Paper views, Which of hid Treasons does his Fame accuse.
More thy Physician's Life on Thine depends, And what he gives, his Own preserves, or ends.
If thou expir'st beneath his fruitless Care, To Rhadamanthus shall the Wretch repair, And give strict Answer for his Errors there.
Near thy Pavilion list'ning Princes wait, Seeking from thine to learn their Monarch's State.
Submitting Kings, that post from Day to Day, To keep those Crowns, which at my Feet they lay, Forget th' ambitious Subject of their Speed, And here arriv'd, only Thy Dangers heed.
The Beauties of the Clime, now Thou'rt away, Droop, and retire, as if their God of Day No more upon their early Pray'rs would shine, Or take their Incense, at his late Decline.
Thy Parisatis whom I fear to name, Lest to thy Heat it add redoubl'd Flame; Thy lovely Wife, thy Parisatis weeps, And in her Grief a solemn Silence keeps.
Stretch'd in her Tent, upon the Floor she lies, So pale her Looks, so motionless her Eyes, As when they gave thee leave at first to gaze Upon the Charms of her unguarded Face; When the beauteous Sisters lowly knelt, And su'd to those, who more than Pity felt.
To chear her now Statira vainly proves, And at thy Name alone she sighs, and moves.
But why these single Griefs shou'd I expose? The World no Mirth, no War, no Bus'ness knows, But, hush'd with Sorrow stands, to favour thy Repose.
Ev'n I my boasted Title now resign, Not Ammon's Son, nor born of Race Divine, But Mortal all, oppress'd with restless Fears, Wild with my Cares, and Womanish in Tears.
Tho' Tears, before, I for lost Clytus shed, And wept more Drops, than the old Hero bled; Ev'n now, methinks, I see him on the Ground, Now my dire Arms the wretched Corpse surround, Now the fled Soul I wooe, now rave upon the Wound.
Yet He, for whom this mighty Grief did spring, Not Alexander valu'd, but the King.
Then think, how much that Passion must transcend, Which not a Subject raises but a Friend: An equal Partner in the vanquished Earth, A Brother, not impos'd upon my Birth, Too weak a Tye unequal Thoughts to bind, But by the gen'rous Motions of the Mind.
My Love to thee for Empire was the Test, Since him, who from Mankind cou'd chuse the best, The Gods thought only fit for Monarch o'er the rest.
Live then, my Friend; but if that must not be, Nor Fate will with my boundless Mind agree, Affording, at one time, the World and Thee; To the most Worthy I'll that Sway resign, And in Elysium keep Hyphaestion mine.
Written by Anne Killigrew | Create an image from this poem

TO My Lord Colrane In Answer to his Complemental Verses sent me under the Name of CLEANOR

 LOng my dull Muse in heavy slumbers lay, 
Indulging Sloth, and to soft Ease gave way, 
Her Fill of Rest resolving to enjoy, 
Or fancying little worthy her employ.
When Noble Cleanors obliging Strains Her, the neglected Lyre to tune, constrains.
Confus'd at first, she rais'd her drowsie Head, Ponder'd a while, then pleas'd, forsook her Bed.
Survey'd each Line with Fancy richly fraught, Re-read, and then revolv'd them in her Thought.
And can it be ? she said, and can it be ? That 'mong the Great Ones I a Poet see ? The Great Ones? who their Ill-spent time devide, 'Twixt dang'rous Politicks, and formal Pride, Destructive Vice, expensive Vanity, In worse Ways yet, if Worse there any be: Leave to Inferiours the despised Arts, Let their Retainers be the Men of Parts.
But here with Wonder and with Joy I find, I'th'Noble Born, a no less Noble Mind; One, who on Ancestors, does not rely For Fame, in Merit, as in Title, high! The Severe Goddess thus approv'd the Laies: Yet too much pleas'd, alas, with her own Praise.
But to vain Pride, My Muse, cease to give place, Virgils immortal Numbers once did grace A Smother'd Gnat: By high Applause is shown, If undeserv'd, the Praisers worth alone: Nor that you should believ't, is't always meant, 'Tis often for Instruction only sent, To praise men to Amendment, and display, By its Perfection, where their Weakness lay.
This Use of these Applauding Numbers make Them for Example, not Encomium, take.