Written by
Robinson Jeffers |
What's the best life for a man?
--Never to have been born, sings the choros, and the next best
Is to die young.
I saw the Sybil at Cumae
Hung in her cage over the public street--
What do you want, Sybil? I want to die.
Apothanein Thelo.
Apothanein Thelo.
Apothanein Thelo.
You have got your wish.
But I meant life, not death.
What's the best life for a man? To ride in the wind.
To ride
horses and herd cattle
In solitary places above the ocean on the beautiful mountain,
and come home hungry in the evening
And eat and sleep.
He will live in the wild wind and quick rain,
he will not ruin his eyes with reading,
Nor think too much.
However, we must have philosophers.
I will have shepherds for my philosophers,
Tall dreary men lying on the hills all night
Watching the stars, let their dogs watch the sheep.
And I'll have
lunatics
For my poets, strolling from farm to farm, wild liars distorting
The country news into supernaturalism--
For all men to such minds are devils or gods--and that increases
Man's dignity, man's importance, necessary lies
Best told by fools.
I will have no lawyers nor constables
Each man guard his own goods: there will be manslaughter,
But no more wars, no more mass-sacrifice.
Nor I'll have no doctors,
Except old women gathering herbs on the mountain,
Let each have her sack of opium to ease the death-pains.
That would be a good world, free and out-doors.
But the vast hungry spirit of the time
Cries to his chosen that there is nothing good
Except discovery, experiment and experience and discovery: To look
truth in the eyes,
To strip truth naked, let our dogs do our living for us
But man discover.
It is a fine ambition,
But the wrong tools.
Science and mathematics
Run parallel to reality, they symbolize it, they squint at it,
They never touch it: consider what an explosion
Would rock the bones of men into little white fragments and unsky
the world
If any mind for a moment touch truth.
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Written by
Jonathan Swift |
Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,
Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws,
That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums
A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop
Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess
Unlaces next her Steel-Rib'd Bodice;
Which by the Operator's Skill,
Press down the Lumps, the Hollows fill,
Up hoes her Hand, and off she slips
The Bolsters that supply her Hips.
With gentlest Touch, she next explores
Her Shankers, Issues, running Sores,
Effects of many a sad Disaster;
And then to each applies a Plaster.
But must, before she goes to Bed,
Rub off the Daubs of White and Red;
And smooth the Furrows in her Front,
With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps;
And then between two Blankets creeps.
With pains of love tormented lies;
Or if she chance to close her Eyes,
Of Bridewell and the Compter dreams,
And feels the Lash, and faintly screams;
Or, by a faithless Bully drawn,
At some Hedge-Tavern lies in Pawn;
Or to Jamaica seems transported,
Alone, and by no Planter courted;
Or, near Fleet-Ditch's oozy Brinks,
Surrounded with a Hundred Stinks,
Belated, seems on watch to lie,
And snap some Cull passing by;
Or, struck with Fear, her Fancy runs
On Watchmen, Constables and Duns,
From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.
CORINNA wakes.
A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaster stole,
Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd;
And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or show the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.
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Written by
Robert Burns |
GUDE pity me, because I’m little!
For though I am an elf o’ mettle,
An’ can, like ony wabster’s shuttle,
Jink there or here,
Yet, scarce as lang’s a gude kail-whittle,
I’m unco *****.
An’ now Thou kens our waefu’ case;
For Geordie’s jurr we’re in disgrace,
Because we stang’d her through the place,
An’ hurt her spleuchan;
For whilk we daurna show our face
Within the clachan.
An’ now we’re dern’d in dens and hollows,
And hunted, as was William Wallace,
Wi’ constables-thae blackguard fallows,
An’ sodgers baith;
But Gude preserve us frae the gallows,
That shamefu’ death!
Auld grim black-bearded Geordie’s sel’—
O shake him owre the mouth o’ hell!
There let him hing, an’ roar, an’ yell
Wi’ hideous din,
And if he offers to rebel,
Then heave him in.
When Death comes in wi’ glimmerin blink,
An’ tips auld drucken Nanse the wink,
May Sautan gie her doup a clink
Within his yett,
An’ fill her up wi’ brimstone drink,
Red-reekin het.
Though Jock an’ hav’rel Jean are merry—
Some devil seize them in a hurry,
An’ waft them in th’ infernal wherry
Straught through the lake,
An’ gie their hides a noble curry
Wi’ oil of aik!
As for the jurr-puir worthless body!
She’s got mischief enough already;
Wi’ stanged hips, and buttocks bluidy
She’s suffer’d sair;
But, may she wintle in a woody,
If she wh-e mair!
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