Written by
Kahlil Gibran |
As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?"
In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age!
I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes."
A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved."
They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
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Written by
Robert William Service |
Deeming that I were better dead,
"How shall I kill myself?" I said.
Thus mooning by the river Seine
I sought extinction without pain,
When on a bridge I saw a flash
Of lingerie and heard a splash . . .
So as I am a swimmer stout
I plunged and pulled the poor wretch out.
The female that I saved? Ah yes,
To yield the Morgue of one corpse the less,
Apart from all heroic action,
Gave me a moral satisfaction.
was she an old and withered hag,
Too tired of life to long to lag?
Ah no, she was so young and fair
I fell in love with her right there.
And when she took me to her attic
Her gratitude was most emphatic.
A sweet and simple girl she proved,
Distraught because the man she loved
In battle his life-blood had shed . . .
So I, too, told her of my dead,
The girl who in a garret grey
Had coughed and coughed her life away.
Thus as we sought our griefs to smother,
With kisses we consoled each other . . .
And there's the ending of my story;
It wasn't grim, it wasn't gory.
For comforted were hearts forlorn,
And from black sorrow joy was born:
So may our dead dears be forgiving,
And bless the rapture of the living.
|
Written by
Paul Muldoon |
Even as we speak, there's a smoker's cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.
In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we've consoled ourselves with the dregs
of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for "Alcohol."
This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen
(a diminutive form of the Gaelic bóthar, "a road,"
from bó, "a cow," and thar
meaning, in this case, something like "athwart,"
"boreen" has entered English "through the air"
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare
then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?
That smoker's cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline
and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon
cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate
scoring a bull's-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones
buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth
of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line
that's tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize
some oscaraboscarabinary bevy
of cattle there's no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?
Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?
Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.
Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let's rest for a while in a place where a cow has lain.
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Written by
Robert William Service |
My virtues in Carara stone
Cut carefully you all my scan;
Beneath I lie, a fetid bone,
The marble worth more than the man.
If on my pure tomb they should grave
My vices,--how the folks would grin!
And say with sympathetic wave:
"Like us he was a man of sin."
And somehow he consoled thereby,
Knowing they may, though Hades bent,
When finally they come to die,
Enjoy a snow-white monument.
And maybe it is just as well
When we from life and lust are riven,
That though our souls should sink to hell
Our tombs point: Destination Heaven!
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Written by
William Cullen Bryant |
WITHIN this lowly grave a Conqueror lies
And yet the monument proclaims it not
Nor round the sleeper's name hath chisel wrought
The emblems of a fame that never dies ¡ª
Ivy and amaranth in a graceful sheaf 5
Twined with the laurel's fair imperial leaf.
A simple name alone
To the great world unknown
Is graven here and wild-flowers rising round
Meek meadow-sweet and violets of the ground 10
Lean lovingly against the humble stone.
Here in the quiet earth they laid apart
No man of iron mould and bloody hands
Who sought to wreak upon the cowering lands
The passions that consumed his restless heart; 15
But one of tender spirit and delicate frame
Gentlest in mien and mind
Of gentle womankind
Timidly shrinking from the breath of blame:
One in whose eyes the smile of kindness made 20
Its haunt like flowers by sunny brooks in May
Yet at the thought of others' pain a shade
Of sweeter sadness chased the smile away.
Nor deem that when the hand that moulders here
Was raised in menace realms were chilled with fear 25
And armies mustered at the sign as when
Clouds rise on clouds before the rainy East¡ª
Gray captains leading bands of veteran men
And fiery youths to be the vulture's feast.
Not thus were waged the mighty wars that gave 30
The victory to her who fills this grave;
Alone her task was wrought
Alone the battle fought;
Through that long strife her constant hope was staid
On God alone nor looked for other aid. 35
She met the hosts of Sorrow with a look
That altered not beneath the frown they wore
And soon the lowering brood were tamed and took
Meekly her gentle rule and frowned no more.
Her soft hand put aside the assaults of wrath 40
And calmly broke in twain
The fiery shafts of pain
And rent the nets of passion from her path.
By that victorious hand despair was slain.
With love she vanquished hate and overcame 45
Evil with good in her Great Master's name.
Her glory is not of this shadowy state
Glory that with the fleeting season dies;
But when she entered at the sapphire gate
What joy was radiant in celestial eyes! 50
How heaven's bright depths with sounding welcomes rung
And flowers of heaven by shining hands were flung!
And He who long before
Pain scorn and sorrow bore
The Mighty Sufferer with aspect sweet 55
Smiled on the timid stranger from his seat;
He who returning glorious from the grave
Dragged Death disarmed in chains a crouching slave.
See as I linger here the sun grows low;
Cool airs are murmuring that the night is near. 60
O gentle sleeper from thy grave I go
Consoled though sad in hope and yet in fear.
Brief is the time I know
The warfare scarce begun;
Yet all may win the triumphs thou hast won. 65
Still flows the fount whose waters strengthened thee
The victors' names are yet too few to fill
Heaven's mighty roll; the glorious armory
That ministered to thee is open still.
|
Written by
Eugene Field |
The Blue Horizon wuz a mine us fellers all thought well uv,
And there befell the episode I now perpose to tell uv;
'T wuz in the year uv sixty-nine,--somewhere along in summer,--
There hove in sight one afternoon a new and curious comer;
His name wuz Silas Pettibone,--a' artist by perfession,--
With a kit of tools and a big mustache and a pipe in his possession.
He told us, by our leave, he 'd kind uv like to make some sketches
Uv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountain
stretches;
"You're welkim, sir," sez we, although this scenery dodge seemed to us
A waste uv time where scenery wuz already sooper-floo-us.
All through the summer Pettibone kep' busy at his sketchin',--
At daybreak off for Eagle Pass, and home at nightfall, fetchin'
That everlastin' book uv his with spider-lines all through it;
Three-Fingered Hoover used to say there warn't no meanin' to it.
"Gol durn a man," sez he to him, "whose shif'less hand is sot at
A-drawin' hills that's full uv quartz that's pinin' to be got at!"
"Go on," sez Pettibone, "go on, if joshin' gratifies ye;
But one uv these fine times I'll show ye sumthin' will surprise ye!"
The which remark led us to think--although he didn't say it--
That Pettibone wuz owin' us a gredge 'nd meant to pay it.
One evenin' as we sat around the Restauraw de Casey,
A-singin' songs 'nd tellin' yarns the which wuz sumwhat racy,
In come that feller Pettibone, 'nd sez, "With your permission,
I'd like to put a picture I have made on exhibition."
He sot the picture on the bar 'nd drew aside its curtain,
Sayin', "I reckon you'll allow as how that's art, f'r certain!"
And then we looked, with jaws agape, but nary word wuz spoken,
And f'r a likely spell the charm uv silence wuz unbroken--
Till presently, as in a dream, remarked Three-Fingered Hoover:
"Onless I am mistaken, this is Pettibone's shef doover!"
It wuz a face--a human face--a woman's, fair 'nd tender--
Sot gracefully upon a neck white as a swan's, and slender;
The hair wuz kind uv sunny, 'nd the eyes wuz sort uv dreamy,
The mouth wuz half a-smilin', 'nd the cheeks wuz soft 'nd creamy;
It seemed like she wuz lookin' off into the west out yonder,
And seemed like, while she looked, we saw her eyes grow softer, fonder,--
Like, lookin' off into the west, where mountain mists wuz fallin',
She saw the face she longed to see and heerd his voice a-callin';
"Hooray!" we cried,--"a woman in the camp uv Blue Horizon!
Step right up, Colonel Pettibone, 'nd nominate your pizen!"
A curious situation,--one deservin' uv your pity,--
No human, livin', female thing this side of Denver City!
But jest a lot uv husky men that lived on sand 'nd bitters,--
Do you wonder that that woman's face consoled the lonesome critters?
And not a one but what it served in some way to remind him
Of a mother or a sister or a sweetheart left behind him;
And some looked back on happier days, and saw the old-time faces
And heerd the dear familiar sounds in old familiar places,--
A gracious touch of home. "Look here," sez Hoover, "ever'body
Quit thinkin' 'nd perceed at oncet to name his favorite toddy!"
It wuzn't long afore the news had spread the country over,
And miners come a-flockin' in like honey-bees to clover;
It kind uv did 'em good, they said, to feast their hungry eyes on
That picture uv Our Lady in the camp uv Blue Horizon.
But one mean cuss from ****** Crick passed criticisms on 'er,--
Leastwise we overheerd him call her Pettibone's madonner,
The which we did not take to be respectful to a lady,
So we hung him in a quiet spot that wuz cool 'nd dry 'nd shady;
Which same might not have been good law, but it wuz the right manoeuvre
To give the critics due respect for Pettibone's shef doover.
Gone is the camp,--yes, years ago the Blue Horizon busted,
And every mother's son uv us got up one day 'nd dusted,
While Pettibone perceeded East with wealth in his possession,
And went to Yurrup, as I heerd, to study his perfession;
So, like as not, you'll find him now a-paintin' heads 'nd faces
At Venus, Billy Florence, and the like I-talyun places.
But no sech face he'll paint again as at old Blue Horizon,
For I'll allow no sweeter face no human soul sot eyes on;
And when the critics talk so grand uv Paris 'nd the Loover,
I say, "Oh, but you orter seen the Pettibone shef doover!"
|
Written by
Rabindranath Tagore |
You left me and went on your way.
I thought I should mourn for you
and set your solitary image in my
heart wrought in a golden song.
But ah, my evil fortune, time is
short.
Youth wanes year after year; the
spring days are fugitive; the frail
flowers die for nothing, and the wise
man warns me that life is but a
dewdrop on the lotus leaf.
Should I neglect all this to gaze after
one who has turned her back on me?
That would be rude and foolish,
for time is short.
Then, come, my rainy nights with
pattering feet; smile, my golden
autumn; come, careless April, scatter-
ing your kisses abroad.
You come, and you, and you also!
My loves, you know we are mortals.
Is it wise to break one's heart for the
one who takes her heart away? For
time is short.
It is sweet to sit in a corner to muse
and write in rhymes that you are all
my world.
It is heroic to hug one's sorrow and
determine not to be consoled.
But a fresh face peeps across my
door and raise its eyes to my eyes.
I cannot but wipe away my tears
and change the tune of my song.
For time is short.
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Written by
Adela Florence Cory Nicolson |
Love me a little, Lord, or let me go,
I am so weary walking to and fro
Through all your lonely halls that were so sweet
Did they but echo to your coming feet.
When by the flowered scrolls of lace-like stone
Our women's windows—I am left alone,
Across the yellow Desert, looking forth,
I see the purple hills towards the north.
Behind those jagged Mountains' lilac crest
Once lay the captive bird's small rifled nest.
There was my brother slain, my sister bound;
His blood, her tears, drunk by the thirsty ground.
Then, while the burning village smoked on high,
And desecrated all the peaceful sky,
They took us captive, us, born frank and free,
On fleet, strong camels through the sandy sea.
Yet, when we rested, night-times, on the sand
By the rare waters of this dreary land,
Our captors, ere the camp was wrapped in sleep,
Talked, and I listened, and forgot to weep.
"Is he not brave and fair?" they asked, "our King,
Slender as one tall palm-tree by a spring;
Erect, serene, with gravely brilliant eyes,
As deeply dark as are these desert skies.
"Truly no bitter fate," they said, and smiled,
"Awaits the beauty of this captured child!"
Then something in my heart began to sing,
And secretly I longed to see the King.
Sometimes the other maidens sat in tears,
Sometimes, consoled, they jested at their fears,
Musing what lovers Time to them would bring;
But I was silent, thinking of the King.
Till, when the weary endless sands were passed,
When, far to south, the city rose at last,
All speech forsook me and my eyelids fell,
Since I already loved my Lord so well.
Then the division: some were sent away
To merchants in the city; some, they say,
To summer palaces, beyond the walls.
But me they took straight to the Sultan's halls.
Every morning I would wake and say
"Ah, sisters, shall I see our Lord to-day?"
The women robed me, perfumed me, and smiled;
"When were his feet unfleet to pleasure, child?"
And tales they told me of his deeds in war,
Of how his name was reverenced afar;
And, crouching closer in the lamp's faint glow,
They told me of his beauty, speaking low.
What need, what need? the women wasted art;
I love you with every fibre of my heart
Already. My God! when did I not love you,
In life, in death, when shall I not love you?
You never seek me. All day long I lie
Watching the changes of the far-off sky
Behind the lattice-work of carven stone.
And all night long, alas! I lie alone.
But you come never. Ah, my Lord the King,
How can you find it well to do this thing?
Come once, come only: sometimes, as I lie,
I doubt if I shall see you first, or die.
Ah, could I hear your footsteps at the door
Hallow the lintel and caress the floor,
Then I might drink your beauty, satisfied,
Die of delight, ere you could reach my side.
Alas, you come not, Lord: life's flame burns low,
Faint for a loveliness it may not know,
Faint for your face, Oh, come—come soon to me—
Lest, though you should not, Death should, set me free!
|
Written by
Emily Dickinson |
It ceased to hurt me, though so slow
I could not feel the Anguish go --
But only knew by looking back --
That something -- had benumbed the Track --
Nor when it altered, I could say,
For I had worn it, every day,
As constant as the Childish frock --
I hung upon the Peg, at night.
But not the Grief -- that nestled close
As needles -- ladies softly press
To Cushions Cheeks --
To keep their place --
Nor what consoled it, I could trace --
Except, whereas 'twas Wilderness --
It's better -- almost Peace --
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Written by
Francesco Petrarch |
SONNET LXXIV. Spinse amor e dolor ove ir non debbe. REFLECTING THAT LAURA IS IN HEAVEN, HE REPENTS HIS EXCESSIVE GRIEF, AND IS CONSOLED. Sorrow and Love encouraged my poor tongue,Discreet in sadness, where it should not go,To speak of her for whom I burn'd and sung,What, even were it true, 'twere wrong to show.That blessèd saint my miserable stateMight surely soothe, and ease my spirit's strife,Since she in heaven is now domesticateWith Him who ever ruled her heart in life.Wherefore I am contented and consoled,Nor would again in life her form behold;Nay, I prefer to die, and live alone.Fairer than ever to my mental eye,I see her soaring with the angels high,Before our Lord, her maker and my own. Macgregor. My love and grief compell'd me to proclaimMy heart's lament, and urged me to conveyThat, were it true, of her I should not sayWho woke alike my song and bosom's flame.For I should comfort find, 'mid this world's shame,To mark her soul's beatified array,To think that He who here had own'd its sway,Doth now within his home its presence claim.And true I comfort find—myself resign'd,I would not woo her back to earthly gloom;[Pg 301]Oh! rather let me die, or live still lone!My mental eye, that holds her there enshrined,Now paints her wing'd, bright with celestial bloom,Prostrate beneath our mutual Heaven's throne. Wollaston.
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