Written by
Jorie Graham |
Shall I move the flowers again?
Shall I put them further to the left
into the light?
Win that fix it, will that arrange the
thing?
Yellow sky.
Faint cricket in the dried-out bush.
As I approach, my footfall in the leaves
drowns out the cricket-chirping I was
coming close to hear
Yellow sky with black leaves rearranging it.
Wind rearranging the black leaves in it.
But anyway I am indoors, of course, and this is a pane, here,
and I have arranged the flowers for you
again.
Have taken the dead cordless ones, the yellow bits past apogee,
the faded cloth, the pollen-free abandoned marriage-hymn
back out, leaving the few crisp blooms to swagger, winglets, limpid
debris
Shall I arrange these few remaining flowers?
Shall I rearrange these gossamer efficiencies?
Please don't touch me with your skin.
Please let the thing evaporate.
Please tell me clearly what it is.
The party is so loud downstairs, bristling with souvenirs.
It's a philosophy of life, of course,
drinks fluorescent, whips of syntax in the air
above the heads -- how small they seem from here,
the bobbing universal heads, stuffing the void with eloquence,
and also tiny merciless darts
of truth.
It's pulled on tight, the air they breathe and rip.
It's like a prize the way it's stretched on tight
over the voices, keeping them intermingling, forcing the breaths to
marry, marry,
cunning little hermeneutic cupola,
dome of occasion in which the thoughts re-
group, the footprints stall and gnaw in tiny ruts,
the napkins wave, are waved , the honeycombing
thoughts are felt to dialogue, a form of self-
congratulation, no?, or is it suffering? I'm a bit
dizzy up here rearranging things,
they will come up here soon, and need a setting for their fears,
and loves, an architecture for their evolutionary
morphic needs -- what will they need if I don't make the place? --
what will they know to miss?, what cry out for, what feel the bitter
restless irritations
for? A bit dizzy from the altitude of everlastingness,
the tireless altitudes of the created place,
in which to make a life -- a liberty -- the hollow, fetishized, and starry
place,
a bit gossamer with dream, a vortex of evaporations,
oh little dream, invisible city, invisible hill
I make here on the upper floors for you --
down there, where you are entertained, where you are passing
time, there's glass and moss on air,
there's the feeling of being numerous, mouths submitting to air, lips
to protocol,
and dreams of sense, tongues, hinges, forceps clicking
in anticipation ofas if the moment, freeze-burned by accuracies--of
could be thawed open into life again
by gladnesses, by rectitude -- no, no -- by the sinewy efforts at
sincerity -- can't you feel it gliding round you,
mutating, yielding the effort-filled phrases of your talk to air,
compounding, stemming them, honeying-open the sheerest
innuendoes till
the rightness seems to root, in the air, in the compact indoor sky,
and the rest, all round, feels like desert, falls away,
and you have the sensation of muscular timeliness,and you feel the calligraphic in you reach out like a soul
into the midst of others, in conversation,
gloved by desire, into the tiny carnage
of opinionsSo dizzy.
Life buzzing beneath me
though my feeling says the hive is gone, queen gone,
the continuum continuing beneath, busy, earnest, in con-
versation.
Shall I prepare.
Shall I put this further
to the left, shall I move the light, the point-of-view, the shades are
drawn, to cast a glow resembling disappearance, slightly red,
will that fix it, will that make clear the task, the trellised ongoingness
and all these tiny purposes, these parables, this marketplace
of tightening truths?
Oh knit me that am crumpled dust,
the heap is all dispersed.
Knit me that am.
Say therefore.
Say
philosophy and mean by that the pane.
Let us look out again.
The yellow sky.
With black leaves rearranging it
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Written by
Anne Bronte |
Ellen, you were thoughtless once
Of beauty or of grace,
Simple and homely in attire,
Careless of form and face;
Then whence this change? and wherefore now
So often smooth your hair?
And wherefore deck your youthful form
With such unwearied care?
Tell us - and cease to tire our ears
With that familiar strain -
Why will you play those simple tunes
So often, o'er again?
'Indeed, dear friends, I can but say
That childhood's thoughts are gone;
Each year its own new feelings brings,
And years move swiftly on:
'And for these little simple airs --
I love to play them o'er
So much - I dare not promise, now,
To play them never more.
'
I answered - and it was enough;
They turned them to depart;
They could not read my secret thoughts,
Nor see my throbbing heart.
I've noticed many a youthful form,
Upon whose changeful face
The inmost workings of the soul
The gazer well might trace;
The speaking eye, the changing lip,
The ready blushing cheek,
The smiling, or beclouded brow,
Their different feelings speak.
But, thank God! you might gaze on mine
For hours, and never know
The secret changes of my soul
From joy to keenest woe.
Last night, as we sat round the fire
Conversing merrily,
We heard, without, approaching steps
Of one well known to me!
There was no trembling in my voice,
No blush upon my cheek,
No lustrous sparkle in my eyes,
Of hope, or joy, to speak;
But, oh! my spirit burned within,
My heart beat full and fast!
He came not nigh - he went away -
And then my joy was past.
And yet my comrades marked it not:
My voice was still the same;
They saw me smile, and o'er my face
No signs of sadness came.
They little knew my hidden thoughts;
And they will never know
The aching anguish of my heart,
The bitter burning woe!
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