Written by
Robert Graves |
Strawberries that in gardens grow
Are plump and juicy fine,
But sweeter far as wise men know
Spring from the woodland vine.
No need for bowl or silver spoon,
Sugar or spice or cream,
Has the wild berry plucked in June
Beside the trickling stream.
One such to melt at the tongue's root,
Confounding taste with scent,
Beats a full peck of garden fruit:
Which points my argument.
May sudden justice overtake
And snap the froward pen,
That old and palsied poets shake
Against the minds of men.
Blasphemers trusting to hold caught
In far-flung webs of ink,
The utmost ends of human thought
Till nothing's left to think.
But may the gift of heavenly peace
And glory for all time
Keep the boy Tom who tending geese
First made the nursery rhyme.
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Written by
Harold Pinter |
I send my voice into your mouth
You return the compliment
I am the Count of Cannizzaro
You are Her Royal Highness the Princess Augusta
I am the thaumaturgic chain
You hold the opera glass and cards
You become extemporaneous song
I am your tutor
You are my invisible seed
I am Timour the Tartar
You are my curious trick
I your enchanted caddy
I am your confounding doll
You my confounded dummy.
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Written by
Rudyard Kipling |
As our mother the Frigate, bepainted and fine,
Made play for her bully the Ship of the Line;
So we, her bold daughters by iron and fire,
Accost and decoy to our masters' desire.
Now, pray you, consider what toils we endure,
Night-walking wet sea-lanes, a guard and a lure;
Since half of our trade is that same pretty sort
As mettlesome wenches do practise in port.
For this is our office: to spy and make room,
As hiding yet guiding the foe to their doom.
Surrounding, confounding, we bait and betray
And tempt them to battle the seas' width away.
The pot-bellied merchant foreboding no wrong
With headlight and sidelight he lieth along,
Till, lightless and lightfoot and lurking, leap we
To force him discover his business by sea.
And when we have wakened the lust of a foe,
To draw him by flight toward our bullies we go,
Till, 'ware of strange smoke stealing nearer, he flies
Or our bullies close in for to make him good prize.
So, when we have spied on the path of their host,
One flieth to carry that word to the coast;
And, lest by false doublings they turn and go free,
One lieth behind them to follow and see.
Anon we return, being gathered again,
Across the sad valleys all drabbled with rain --
Across the grey ridges all crisped and curled --
To join the long dance round the curve of the world.
The bitter salt spindrift, the sun-glare likewise,
The moon-track a-tremble, bewilders our eyes,
Where, linking and lifting, our sisters we hail
'Twixt wrench of cross-surges or plunge of head-gale.
As maidens awaiting the bride to come forth
Make play with light jestings and wit of no worth,
So, widdershins circling the bride-bed of death,
Each fleereth her neighbour and signeth and saith: --
"What see ye? Their signals, or levin afar?
"What hear ye? God's thunder, or guns of our war?
"What mark ye? Their smoke, or the cloud-rack outblown?
"What chase ye? Their lights, or the Daystar low down?"
So, times past all number deceived by false shows,
Deceiving we cumber the road of our foes,
For this is our virtue: to track and betray;
Preparing great battles a sea's width away.
Now peace is at end and our peoples take heart,
For the laws are clean gone that restrained our art;
Up and down the near headlands and against the far wind
We are loosed (O be swift!) to the work of our kind!
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Written by
David Lehman |
He woke up in New York City on Valentine's Day,
Speeding.
The body in the booth next to his was still warm,
Was gone.
He had bought her a sweater, a box of chocolate
Said her life wasn't working he looked stricken she said
You're all bent out of shape, accusingly, and when he
She went from being an Ivy League professor of French
To an illustrator for a slick midtown magazine
They agreed it was his fault.
But for now they needed
To sharpen to a point like a pencil the way
The Empire State Building does.
What I really want to say
To you, my love, is a whisper on the rooftop lost in the wind
And you turn to me with your rally cap on backwards rooting
For a big inning, the bases loaded, our best slugger up
And no one out, but it doesn't work that way.
Like the time
Kirk Gibson hit the homer off Dennis Eckersley to win the game:
It doesn't happen like that in fiction.
In fiction, we are
On a train, listening to a storyteller about to reach the climax
Of his tale as the train pulls into Minsk, his stop.
That's
My stop, he says, stepping off the train, confounding us who
Can't get off it.
"You can't leave without telling us the end,"
We say, but he is already on the platform, grinning.
"End?" he says.
"It was only the beginning.
"
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Written by
William Shakespeare |
Against my love shall be, as I am now,
With Time's injurious hand crushed and o'erworn;
When hours have drained his blood and filled his brow
With lines and wrinkles; when his youthful morn
Hath travelled on to age's steepy night,
And all those beauties whereof now he's king
Are vanishing, or vanished out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life.
His beauty shall in these black lines be seen,
And they shall live, and he in them still green.
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Written by
William Shakespeare |
Against my love shall be, as I am now,
With Time's injurious hand crush'd and o'er-worn;
When hours have drain'd his blood and fill'd his brow
With lines and wrinkles; when his youthful morn
Hath travell'd on to age's steepy night,
And all those beauties whereof now he's king
Are vanishing or vanish'd out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life:
His beauty shall in these black lines be seen,
And they shall live, and he in them still green.
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