Written by
William Butler Yeats |
I.
Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II.
Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity.
Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III.
Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences.
My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead.
Some shadow fell.
My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV.
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V.
Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI.
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.
'
All creation shivers
With that sweet cry.
VII.
What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII.
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash.
Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX.
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X.
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI.
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII.
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
|
Written by
Derek Walcott |
When sunset, a brass gong,
vibrate through Couva,
is then I see my soul, swiftly unsheathed,
like a white cattle bird growing more small
over the ocean of the evening canes,
and I sit quiet, waiting for it to return
like a hog-cattle blistered with mud,
because, for my spirit, India is too far.
And to that gong
sometimes bald clouds in saffron robes assemble
sacred to the evening,
sacred even to Ramlochan,
singing Indian hits from his jute hammock
while evening strokes the flanks
and silver horns of his maroon taxi,
as the mosquitoes whine their evening mantras,
my friend Anopheles, on the sitar,
and the fireflies making every dusk Divali.
I knot my head with a cloud,
my white mustache bristle like horns,
my hands are brittle as the pages of Ramayana.
Once the sacred monkeys multiplied like branches
in the ancient temples: I did not miss them,
because these fields sang of Bengal,
behind Ramlochan Repairs there was Uttar Pradesh;
but time roars in my ears like a river,
old age is a conflagration
as fierce as the cane fires of crop time.
I will pass through these people like a cloud,
they will see a white bird beating the evening sea
of the canes behind Couva,
and who will point it as my soul unsheathed?
Naither the bridegroom in beads,
nor the bride in her veils,
their sacred language on the cinema hoardings.
I talked too damn much on the Couva Village Council.
I talked too softly, I was always drowned
by the loudspeakers in front of the stores
or the loudspeakers with the greatest pictures.
I am best suited to stalk like a white cattle bird
on legs like sticks, with sticking to the Path
between the canes on a district road at dusk.
Playing the Elder.
There are no more elders.
Is only old people.
My friends spit on the government.
I do not think is just the government.
Suppose all the gods too old,
Suppose they dead and they burning them,
supposing when some cane cutter
start chopping up snakes with a cutlass
he is severing the snake-armed god,
and suppose some hunter has caught
Hanuman in his mischief in a monkey cage.
Suppose all the gods were killed by electric light?
Sunset, a bonfire, roars in my ears;
embers of brown swallows dart and cry,
like women distracted,
around its cremation.
I ascend to my bed of sweet sandalwood.
|
Written by
Andrew Barton Paterson |
Beyond the land where Leichhardt went,
Beyond Sturt's Western track,
The rolling tide of change has sent
Some strange J.
P.
's out back.
And Saltbush Bill, grown old and grey,
And worn for want of sleep,
Received the news in camp one day
Behind the travelling sheep
That Edward Rex, confiding in
His known integrity,
By hand and seal on parchment skin
Had made hiim a J.
P.
He read the news with eager face
But found no word of pay.
"I'd like to see my sister's place
And kids on Christmas Day.
"I'd like to see green grass again,
And watch clear water run,
Away from this unholy plain,
And flies, and dust, and sun.
"
At last one little clause he found
That might some hope inspire,
"A magistrate may charge a pound
For inquest on a fire.
"
A big blacks' camp was built close by,
And Saltbush Bill, says he,
"I think that camp might well supply
A job for a J.
P.
"
That night, by strange coincidence,
A most disastrous fire
Destroyed the country residence
Of Jacky Jack, Esquire.
'Twas mostly leaves, and bark, and dirt;
The party most concerned
Appeared to think it wouldn't hurt
If forty such were burned.
Quite otherwise thought Saltbush Bill,
Who watched the leaping flame.
"The home is small," said he, "but still
The principle's the same.
"Midst palaces though you should roam,
Or follow pleasure's tracks,
You'll find," he said, "no place like home --
At least like Jacky Jack's.
"Tell every man in camp, 'Come quick,'
Tell every black Maria
I give tobacco, half a stick --
Hold inquest long-a fire.
"
Each juryman received a name
Well suited to a Court.
"Long Jack" and "Stumpy Bill" became
"John Long" and "William Short".
While such as "Tarpot", "Bullock Dray",
And "Tommy Wait-a-While",
Became, for ever and a day,
"Scot", "Dickens", and "Carlyle".
And twelve good sable men and true
Were soon engaged upon
The conflagration that o'erthrew
The home of John A.
John.
Their verdict, "Burnt by act of Fate",
They scarcely had returned
When, just behind the magistrate,
Another humpy burned!
The jury sat again and drew
Another stick of plug.
Said Saltbush Bill, "It's up to you
Put some one long-a Jug.
"
"I'll camp the sheep," he said, "and sift
The evidence about.
"
For quite a week he couldn't shift,
The way the fires broke out.
The jury thought the whole concern
As good as any play.
They used to "take him oath" and earn
Three sticks of plug a day.
At last the tribe lay down to sleep
Homeless, beneath a tree;
And onward with his travelling sheep
Went Saltbush bill, J.
P.
His sheep delivered, safe and sound,
His horse to town he turned,
And drew some five-and-twenty pound
For fees that he had earned.
And where Monaro's ranges hide
Their little farms away --
His sister's children by his side --
He spent his Christmas Day.
The next J.
P.
that went out back
Was shocked, or pained, or both,
At hearing every pagan black
Repeat the juror's oath.
No matter how he turned and fled
They followed faster still;
"You make it inkwich, boss," they said,
"All same like Saltbush Bill.
"
They even said they'd let him see
The fires originate.
When he refused they said that he
Was "No good magistrate".
And out beyond Sturt's western track,
And Leichhardt's farthest tree,
They wait till fate shall send them back
Their Saltbush Bill, J.
P.
|
Written by
Sylvia Plath |
The air is a mill of hooks --
Questions without answer,
Glittering and drunk as flies
Whose kiss stings unbearably
In the fetid wombs of black air under pines in summer.
I remember
The dead smell of sun on wood cabins,
The stiffness of sails, the long salt winding sheets.
Once one has seen God, what is the remedy?
Once one has been seized up
Without a part left over,
Not a toe, not a finger, and used,
Used utterly, in the sun's conflagration, the stains
That lengthen from ancient cathedrals
What is the remedy?
The pill of the Communion tablet,
The walking beside still water? Memory?
Or picking up the bright pieces
Of Christ in the faces of rodents,
The tame flower-nibblers, the ones
Whose hopes are so low they are comfortable --
The humpback in his small, washed cottage
Under the spokes of the clematis.
Is there no great love, only tenderness?
Does the sea
Remember the walker upon it?
Meaning leaks from the molecules.
The chimneys of the city breathe, the window sweats,
The children leap in their cots.
The sun blooms, it is a geranium.
The heart has not stopped.
|
Written by
William Butler Yeats |
The light of evening, Lissadell,
Great windows open to the south,
Two girls in silk kimonos, both
Beautiful, one a gazelle.
But a raving autumn shears
Blossom from the summer's wreath;
The older is condemned to death,
Pardoned, drags out lonely years
Conspiring among the ignorant.
I know not what the younger dreams -
Some vague Utopia - and she seems,
When withered old and skeleton-gaunt,
An image of such politics.
Many a time I think to seek
One or the other out and speak
Of that old Georgian mansion, mix
pictures of the mind, recall
That table and the talk of youth,
Two girls in silk kimonos, both
Beautiful, one a gazelle.
Dear shadows, now you know it all,
All the folly of a fight
With a common wrong or right.
The innocent and the beautiful.
Have no enemy but time;
Arise and bid me strike a match
And strike another till time catch;
Should the conflagration climb,
Run till all the sages know.
We the great gazebo built,
They convicted us of guilt;
Bid me strike a match and blow.
|
Written by
Robert Browning |
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews -- sons mine -- ah God, I know not! Well --
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
"Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine.
I fought
With tooth and nail to save my niche, ye know:
-- Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam's sure to lurk:
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
-- Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
-- What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find -- Ah God, I know not, I! --
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black --
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables -- but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me -- all of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world --
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
-- That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line --
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
-- Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To death -- ye wish it -- God, ye wish it! Stone --
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through --
And no more lapis to delight the world!
Well, go! I bless ye.
Fewer tapers there,
But in a row: and, going, turn your backs
-- Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers --
Old Gandolf -- at me, from his onion-stone,
As still he envied me, so fair she was!
|
Written by
Ella Wheeler Wilcox |
You call me an angel of love and of light,
A being of goodness and heavenly fire,
Sent out from God’s kingdom to guide you aright,
In paths where your spirits may mount and aspire.
You say that I glow like a star on its course,
Like a ray from the alter, a spark from the source.
Now list to my answer; let all the world hear it;
I speak unafraid what I know to be true:
A pure, faithful love is the creative spirit
Which makes women angels! I live in but you.
We are bound soul to soul by life’s holiest laws;
If I am an angel – why, you are the cause.
As my ship skims the sea, I look up from the deck.
Fair, firm at the wheel shines Love’s beautiful form,
And shall I curse the barque that last night went to wreck,
By the Pilot abandoned to darkness and storm?
My craft is no stauncher, she too had been lost –
Had the wheelman deserted, or slept at his post.
I laid down the wealth of my soul at your feet
(Some woman does this for some man every day) .
No desperate creature who walks in the street,
Has a wickeder heart that I might have, I say,
Had you wantonly misused the treasures you woon,
-As so many men with heart riches have done.
This flame from God’s altar, this holy love flame,
That burns like sweet incense for ever for you,
Might now be a wild conflagration of shame,
Had you tortured my heart, or been base or untrue.
For angels and devils are cast in one mould,
Till love guides them upward, or downward, I hold.
I tell you the women who make fervent wives
And sweet tender mothers, had Fate been less fair,
Are the women who might have abandoned their lives
To the madness that springs from and ends in despair.
As the fire on the hearth which sheds brightness around,
Neglected, may level the walls to the ground.
The world makes grave errors in judging these things,
Great good and great evil are born in one breast.
Love horns us and hoofs us – or gives us our wings,
And the best could be worst, as the worst could be best.
You must thank your own worth for what I grew to be,
For the demon lurked under the angel in me.
|
Written by
Thomas Campbell |
Of Nelson and the North
Sing the glorious day's renown,
When to battle fierce came forth
All the might of Denmark's crown,
And her arms along the deep proudly shone;
By each gun the lighted brand
In a bold determined hand,
And the Prince of all the land
Led them on.
Like leviathans afloat
Lay their bulwarks on the brine,
While the sign of battle flew
On the lofty British line:
It was ten of April morn by the chime:
As they drifted on their path
There was silence deep as death,
And the boldest held his breath
For a time.
But the might of England flush'd
To anticipate the scene;
And her van the fleeter rush'd
O'er the deadly space between:
'Hearts of oak!' our captains cried, when each gun
From its adamantine lips
Spread a death-shade round the ships,
Like the hurricane eclipse
Of the sun.
Again! again! again!
And the havoc did not slack,
Till a feeble cheer the Dane
To our cheering sent us back;—
Their shots along the deep slowly boom:—
Then ceased—and all is wail,
As they strike the shatter'd sail,
Or in conflagration pale
Light the gloom.
Out spoke the victor then
As he hail'd them o'er the wave:
'Ye are brothers! ye are men!
And we conquer but to save:—
So peace instead of death let us bring:
But yield, proud foe, thy fleet,
With the crews, at England's feet,
And make submission meet
To our King.
'.
.
.
Now joy, old England, raise!
For the tidings of thy might,
By the festal cities' blaze,
Whilst the wine-cup shines in light!
And yet amidst that joy and uproar,
Let us think of them that sleep
Full many a fathom deep,
By thy wild and stormy steep,
Elsinore!
|
Written by
Alan Seeger |
Thy petals yet are closely curled,
Rose of the world,
Around their scented, golden core;
Nor yet has Summer purpled o'er
Thy tender clusters that begin
To swell within
The dewy vine-leaves' early screen
Of sheltering green.
O hearts that are Love's helpless prey,
While yet you may,
Fly, ere the shaft is on the string!
The fire that now is smouldering
Shall be the conflagration soon
Whose paths are strewn
With torment of blanched lips and eyes
That agonize.
|
Written by
Edgar Lee Masters |
After you have enriched your soul
To the highest point,
With books, thought, suffering, the understanding of many personalities,
The power to interpret glances, silences,
The pauses in momentous transformations,
The genius of divination and prophecy;
So that you feel able at times to hold the world
In the hollow of your hand;
Then, if, by the crowding of so many powers
Into the compass of your soul,
Your soul takes fire,
And in the conflagration of your soul
The evil of the world is lighted up and made clear --
Be thankful if in that hour of supreme vision
Life does not fiddle.
|