Written by
Robinson Jeffers |
I. Reference to a Passage in Plutarch's Life of Sulla
The people buying and selling, consuming pleasures, talking in the archways,
Were all suddenly struck quiet
And ran from under stone to look up at the sky: so shrill and mournful,
So fierce and final, a brazen
Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered:
"Although the Gods are little troubled toward men, at the end of each period
A sign is declared in heaven
Indicating new times, new customs, a changed people; the Romans
Rule, and Etruria is finished;
A wise mariner will trim the sails to the wind."
I heard yesterday
So shrill and mournful a trumpet-blast,
It was hard to be wise.... You must eat change and endure; not be much troubled
For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It;
When life grows hateful, there's power ...
II. To the Children
Power's good; life is not always good but power's good.
So you must think when abundance
Makes pawns of people and all the loaves are one dough.
The steep singleness of passion
Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass
And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains
Instead of faces, and millions
Instead of persons; not to hate life; and massed power
After the lone hawk's dead.
III
That light blood-loving weasel, a tongue of yellow
Fire licking the sides of the gray stones,
Has a more passionate and more pure heart
In the snake-slender flanks than man can imagine;
But he is betrayed by his own courage,
The man who kills him is like a cloud hiding a star.
Then praise the jewel-eyed hawk and the tall blue heron;
The black cormorants that fatten their sea-rock
With shining slime; even that ruiner of anthills
The red-shafted woodpecker flying,
A white star between blood-color wing-clouds,
Across the glades of the wood and the green lakes of shade.
These live their felt natures; they know their norm
And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked
Their natures until the souls the in them;
They have sold themselves for toys and protection:
No, but consider awhile: what else? Men sold for toys.
Uneasy and fractional people, having no center
But in the eyes and mouths that surround them,
Having no function but to serve and support
Civilization, the enemy of man,
No wonder they live insanely, and desire
With their tongues, progress; with their eyes, pleasure; with their hearts, death.
Their ancestors were good hunters, good herdsmen and swordsman,
But now the world is turned upside down;
The good do evil, the hope's in criminals; in vice
That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on. Be glad: the house is mined, it will fall.
IV
Rain, hail and brutal sun, the plow in the roots,
The pitiless pruning-iron in the branches,
Strengthen the vines, they are all feeding friends
Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.
The world sickens with change, rain becomes poison,
The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature
Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.
Reach down the long morbid roots that forget the plow,
Discover the depths; let the long pale tendrils
Spend all to discover the sky, now nothing is good
But only the steel mirrors of discovery . . .
And the beautiful enormous dawns of time, after we perish.
V
Mourning the broken balance, the hopeless prostration of the earth
Under men's hands and their minds,
The beautiful places killed like rabbits to make a city,
The spreading fungus, the slime-threads
And spores; my own coast's obscene future: I remember the farther
Future, and the last man dying
Without succession under the confident eyes of the stars.
It was only a moment's accident,
The race that plagued us; the world resumes the old lonely immortal
Splendor; from here I can even
Perceive that that snuffed candle had something . . . a fantastic virtue,
A faint and unshapely pathos . . .
So death will flatter them at last: what, even the bald ape's by-shot
Was moderately admirable?
VI. Palinode
All summer neither rain nor wave washes the cormorants'
Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain
At noon, a rose in the morning, a beacon at moonrise
On the black water: it is barely possible that even men's present
Lives are something; their arts and sciences (by moonlight)
Not wholly ridiculous, nor their cities merely an offense.
VII
Under my windows, between the road and the sea-cliff, bitter wild grass
Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet
Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color,
Gray-blue or pale-green, will please the late stars;
But laugh at the other, your seed shall enjoy wonderful vengeances and suck
The arteries and walk in triumph on the faces.
|
Written by
Walt Whitman |
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
Written by
Pam Ayres |
You know this world is complicated, imperfect and oppressed
And it’s not hard to feel timid, apprehensive and depressed.
It seems that all around us tides of questions ebb and flow
And people want solutions but they don’t know where to go.
Opinions abound but who is wrong and who is right.
People need a prophet, a diffuser of the light.
Someone they can turn to as the crises rage and swirl.
Someone with the remedy, the wisdom, and the pearl.
Well . . . they should have asked my ‘usband, he’d have told’em then and there.
His thoughts on immigration, teenage mothers, Tony Blair,
The future of the monarchy, house prices in the south
The wait for hip replacements, BSE and foot and mouth.
Yes . . . they should have asked my husband he can sort out any mess
He can rejuvenate the railways he can cure the NHS
So any little niggle, anything you want to know
Just run it past my husband, wind him up and let him go.
Congestion on the motorways, free holidays for thugs
The damage to the ozone layer, refugees and drugs.
These may defeat the brain of any politician bloke
But present it to my husband and he’ll solve it at a stroke.
He’ll clarify the situation; he will make it crystal clear
You’ll feel the glazing of your eyeballs, and the bending of your ear.
Corruption at the top, he’s an authority on that
And the Mafia, Gadafia and Yasser Arafat.
Upon these areas he brings his intellect to shine
In a great compelling voice that’s twice as loud as yours or mine.
I often wonder what it must be like to be so strong,
Infallible, articulate, self-confident …… and wrong.
When it comes to tolerance – he hasn’t got a lot
Joyriders should be guillotined and muggers should be shot.
The sound of his own voice becomes like music to his ears
And he hasn’t got an inkling that he’s boring us to tears.
My friends don’t call so often, they have busy lives I know
But its not everyday you want to hear a windbag suck and blow.
Encyclopaedias, on them we never have to call
Why clutter up the bookshelf when my husband knows it all!
© Pam Ayres 2012
Official Website
http://pamayres.com/
|
Written by
Philip Levine |
If the shoe fell from the other foot
who would hear? If the door
opened onto a pure darkness
and it was no dream? If your life
ended the way a book ends
with half a blank page and the survivors
gone off to Africa or madness?
If my life ended in late spring
of 1964 while I walked alone
back down the mountain road?
I sing an old song to myself. I study
the way the snow remains, gray
and damp, in the deep shadows of the firs.
I wonder if the bike is safe hidden
just off the highway. Up ahead
the road, black and winding, falls
away, and there is the valley where
I lived half of my life, spectral
and calm. I sigh with gratitude,
and then I feel an odd pain rising
through the back of my head,
and my eyes go dark. I bend forward
and place my palms on something rough,
the black asphalt or a field of stubble,
and the movement is that of the penitent
just before he stands to his full height
with the knowledge of his enormity.
For that moment which will survive
the burning of all the small pockets
of fat and oil that are the soul,
I am the soul stretching into
the furthest reaches of my fingers
and beyond, glowing like ten candles
in the vault of night for anyone
who could see, even though it is
12:40 in the afternoon and I
have passed from darkness into sunlight
so fierce the sweat streams down
into my eyes. I did not rise.
A wind or a stray animal or a group
of kids dragged me to the side
of the road and turned me over
so that my open eyes could flood heaven.
My clothes went skittering down
the road without me, ballooning
out into any shape, giddy
with release. My coins, my rings,
the keys to my house shattered
like ice and fell into the mountain
thorns and grasses, little bright points
that make you think there is magic
in everything you see. No, it can't
be, you say, for someone is speaking
calmly to you in a voice you know.
Someone alive and confident has put
each of these words down exactly
as he wants them on the page.
You have lived through years
of denial, of public lies, of death
falling like snow on any head
it chooses. You're not a child.
You know the real thing. I am
here, as I always was, faithful
to a need to speak even when all
you hear is a light current of air
tickling your ear. Perhaps.
But what if that dried bundle
of leaves and dirt were not dirt
and leaves but the spent wafer
of a desire to be human? Stop the car,
turn off the engine, and stand
in the silence above your life. See
how the grass mirrors fire, how
a wind rides up the hillside
steadily toward you until it surges
into your ears like breath coming
and going, released from its bondage
to blood or speech and denying nothing.
|
Written by
Norman Dubie |
for Allen
Here, on the farthest point of the peninsula
The winter storm
Off the Atlantic shook the schoolhouse.
Mrs. Whitimore, dying
Of tuberculosis, said it would be after dark
Before the snowplow and bus would reach us.
She read to us from Melville.
How in an almost calamitous moment
Of sea hunting
Some men in an open boat suddenly found themselves
At the still and protected center
Of a great herd of whales
Where all the females floated on their sides
While their young nursed there. The cold frightened whalers
Just stared into what they allowed
Was the ecstatic lapidary pond of a nursing cow's
One visible eyeball.
And they were at peace with themselves.
Today I listened to a woman say
That Melville might
Be taught in the next decade. Another woman asked, "And why not?"
The first responded, "Because there are
No women in his one novel."
And Mrs. Whitimore was now reading from the Psalms.
Coughing into her handkerchief. Snow above the windows.
There was a blue light on her face, breasts, and arms.
Sometimes a whole civilization can be dying
Peacefully in one young woman, in a small heated room
With thirty children
Rapt, confident and listening to the pure
God-rendering voice of a storm.
|
Written by
Thomas Hardy |
I
"Percussus sum sicut foenum, et aruit cor meum."
- Ps. ci
Wintertime nighs;
But my bereavement-pain
It cannot bring again:
Twice no one dies.
Flower-petals flee;
But, since it once hath been,
No more that severing scene
Can harrow me.
Birds faint in dread:
I shall not lose old strength
In the lone frost's black length:
Strength long since fled!
Leaves freeze to dun;
But friends can not turn cold
This season as of old
For him with none.
Tempests may scath;
But love can not make smart
Again this year his heart
Who no heart hath.
Black is night's cope;
But death will not appal
One who, past doubtings all,
Waits in unhope.
De Profundis
II
"Considerabam ad dexteram, et videbam; et non erat qui cognosceret me
When the clouds' swoln bosoms echo back the shouts of the many and
strong
That things are all as they best may be, save a few to be right ere
long,
And my eyes have not the vision in them to discern what to these is
so clear,
The blot seems straightway in me alone; one better he were not here.
The stout upstanders say, All's well with us: ruers have nought to
rue!
And what the potent say so oft, can it fail to be somewhat true?
Breezily go they, breezily come; their dust smokes around their
career,
Till I think I am one horn out of due time, who has no calling here.
Their dawns bring lusty joys, it seems; their eves exultance sweet;
Our times are blessed times, they cry: Life shapes it as is most
meet,
And nothing is much the matter; there are many smiles to a tear;
Then what is the matter is I, I say. Why should such an one be here?
Let him to whose ears the low-voiced Best seems stilled by the clash
of the First,
Who holds that if way to the Better there be, it exacts a full look
at the Worst,
Who feels that delight is a delicate growth cramped by crookedness,
custom, and fear,
Get him up and be gone as one shaped awry; he disturbs the order
here.
De Profundis
III
"Heu mihi, quia incolatus meus prolongatus est! Habitavi cum
habitantibus Cedar; multum incola fuit aninia mea."--Ps. cxix.
There have been times when I well might have passed and the ending
have come -
Points in my path when the dark might have stolen on me, artless,
unrueing -
Ere I had learnt that the world was a welter of futile doing:
Such had been times when I well might have passed, and the ending
have come!
Say, on the noon when the half-sunny hours told that April was nigh,
And I upgathered and cast forth the snow from the crocus-border,
Fashioned and furbished the soil into a summer-seeming order,
Glowing in gladsome faith that I quickened the year thereby.
Or on that loneliest of eves when afar and benighted we stood,
She who upheld me and I, in the midmost of Egdon together,
Confident I in her watching and ward through the blackening heather,
Deeming her matchless in might and with measureless scope endued.
Or on that winter-wild night when, reclined by the chimney-nook
quoin,
Slowly a drowse overgat me, the smallest and feeblest of folk there,
Weak from my baptism of pain; when at times and anon I awoke there -
Heard of a world wheeling on, with no listing or longing to join.
Even then! while unweeting that vision could vex or that knowledge
could numb,
That sweets to the mouth in the belly are bitter, and tart, and
untoward,
Then, on some dim-coloured scene should my briefly raised curtain
have lowered,
Then might the Voice that is law have said "Cease!" and the ending
have come.
|
Written by
Alan Seeger |
He faints with hope and fear. It is the hour.
Distant, across the thundering organ-swell,
In sweet discord from the cathedral-tower,
Fall the faint chimes and the thrice-sequent bell.
Over the crowd his eye uneasy roves.
He sees a plume, a fur; his heart dilates --
Soars . . . and then sinks again. It is not hers he loves.
She will not come, the woman that he waits.
Braided with streams of silver incense rise
The antique prayers and ponderous antiphones.
`Gloria Patri' echoes to the skies;
`Nunc et in saecula' the choir intones.
He marks not the monotonous refrain,
The priest that serves nor him that celebrates,
But ever scans the aisle for his blonde head. . . . In vain!
She will not come, the woman that he waits.
How like a flower seemed the perfumed place
Where the sweet flesh lay loveliest to kiss;
And her white hands in what delicious ways,
With what unfeigned caresses, answered his!
Each tender charm intolerable to lose,
Each happy scene his fancy recreates.
And he calls out her name and spreads his arms . . . No use!
She will not come, the woman that he waits.
But the long vespers close. The priest on high
Raises the thing that Christ's own flesh enforms;
And down the Gothic nave the crowd flows by
And through the portal's carven entry swarms.
Maddened he peers upon each passing face
Till the long drab procession terminates.
No princess passes out with proud majestic pace.
She has not come, the woman that he waits.
Back in the empty silent church alone
He walks with aching heart. A white-robed boy
Puts out the altar-candles one by one,
Even as by inches darkens all his joy.
He dreams of the sweet night their lips first met,
And groans -- and turns to leave -- and hesitates . . .
Poor stricken heart, he will, he can not fancy yet
She will not come, the woman that he waits.
But in an arch where deepest shadows fall
He sits and studies the old, storied panes,
And the calm crucifix that from the wall
Looks on a world that quavers and complains.
Hopeless, abandoned, desolate, aghast,
On modes of violent death he meditates.
And the tower-clock tolls five, and he admits at last,
She will not come, the woman that he waits.
Through the stained rose the winter daylight dies,
And all the tide of anguish unrepressed
Swells in his throat and gathers in his eyes;
He kneels and bows his head upon his breast,
And feigns a prayer to hide his burning tears,
While the satanic voice reiterates
`Tonight, tomorrow, nay, nor all the impending years,
She will not come,' the woman that he waits.
Fond, fervent heart of life's enamored spring,
So true, so confident, so passing fair,
That thought of Love as some sweet, tender thing,
And not as war, red tooth and nail laid bare,
How in that hour its innocence was slain,
How from that hour our disillusion dates,
When first we learned thy sense, ironical refrain,
She will not come, the woman that he waits.
|
Written by
Paul Muldoon |
I was making my way home late one night
this summer, when I staggered
into a snow drift.
Her eyes spoke of a sloe-year,
her mouth a year of haws.
Was she Aurora, or the goddess Flora,
Artemidora, or Venus bright,
or Anorexia, who left
a lemon stain on my flannel sheet?
It's all much of a muchness.
In Belfast's Royal Victoria Hospital
a kidney machine
supports the latest hunger-striker
to have called off his fast, a saline
drip into his bag of brine.
A lick and a promise. Cuckoo spittle.
I hand my sample to Doctor Maw.
She gives me back a confident All Clear.
|
Written by
Robinson Jeffers |
The extraordinary patience of things!
This beautiful place defaced with a crop of surburban houses-
How beautiful when we first beheld it,
Unbroken field of poppy and lupin walled with clean cliffs;
No intrusion but two or three horses pasturing,
Or a few milch cows rubbing their flanks on the outcrop rockheads-
Now the spoiler has come: does it care?
Not faintly. It has all time. It knows the people are a tide
That swells and in time will ebb, and all
Their works dissolve. Meanwhile the image of the pristine beauty
Lives in the very grain of the granite,
Safe as the endless ocean that climbs our cliff.-As for us:
We must uncenter our minds from ourselves;
We must unhumanize our views a little, and become confident
As the rock and ocean that we were made from.
|
Written by
Federico García Lorca |
1. Cogida and death
At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.
The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.
A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!
2. The Spilled Blood
I will not see it!
Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.
I will not see it!
The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.
I will not see it!
Let my memory kindle!
Warm the jasmines
of such minute whiteness!
I will not see it!
The cow of the ancient world
passed har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!
Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him
He sought for his beautiful body
and encountered his opened blood
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multiude.
Who shouts that I should come near!
Do not ask me to see it!
His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!
But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No chalice can contain it,
no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!
3. The Laid Out Body
Stone is a forehead where dreames grieve
without curving waters and frozen cypresses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.
I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.
For stone gathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.
Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death has covered him with pale sulphur
and has place on him the head of dark minotaur.
All is finished. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.
What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away,
with a pure shape which had nightingales
and we see it being filled with depthless holes.
Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody pricks the spurs, nor terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.
Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.
Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.
I want them to show me a lament like a river
wich will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.
Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.
I don't want to cover his face with handkerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!
4. Absent Soul
The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have dead forever.
The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever
The autumn will come with small white snails,
misty grapes and clustered hills,
but no one will look into your eyes
because you have died forever.
Because you have died for ever,
like all the dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.
Nobady knows you. No. But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.
It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.
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