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Best Famous Concludes Poems

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Written by Phillis Wheatley | Create an image from this poem

An Hymn to the Morning

Attend my lays, ye ever honour'd nine,
Assist my labours, and my strains refine;
In smoothest numbers pour the notes along,
For bright Aurora now demands my song.

Aurora hail, and all the thousand dies,
Which deck thy progress through the vaulted skies:
The morn awakes, and wide extends her rays,
On ev'ry leaf the gentle zephyr plays;
Harmonious lays the feather'd race resume,
Dart the bright eye, and shake the painted plume.

Ye shady groves, your verdant gloom display
To shield your poet from the burning day:
Calliope awake the sacred lyre,
While thy fair sisters fan the pleasing fire:
The bow'rs, the gales, the variegated skies
In all their pleasures in my bosom rise.

See in the east th' illustrious king of day!
His rising radiance drives the shades away--
But Oh! I feel his fervid beams too strong,
And scarce begun, concludes th' abortive song.


Written by Emily Brontë | Create an image from this poem

The Philosopher

 "Enough of thought, philosopher!
Too long hast thou been dreaming
Unlightened, in this chamber drear,
While summer's sun is beaming!
Space - sweeping soul, what sad refrain
Concludes thy musings once again? 

"Oh, for the time when I shall sleep
Without identity,
And never care how rain may steep,
Or snow may cover me!
No promised heaven, these wild desires,
Could all, or half fulfil;
No threathened hell, with quenchless fires,
Subdue this quenchless will!" 

"So said I, and still say the same;
Still, to my death, will say -
Three gods, within this little frame,
Are warring night and day;
Heaven could not hold them all, and yet 
They all are held in me;
And must be mine till I forget
My present entity!
Oh, for the time, when in my breast
Their struggles will be o'er!
Oh, for the day, when I shall rest,
And never suffer more!" 

"I saw a spirit, standing, man,
Where thou dost stand - an hour ago, 
And round his feet three rivers ran,
Of equal depth, and equal flow -
"A golden stream - and one like blood;
And one like sapphire, seemed to be;
But, where they joined their triple flood
It tumbled in an inky sea. 

The spirit sent his dazzling gaze
Down through that ocean's gloomy night
Then, kindling all, with sudden blaze,
The glad deep sparkled wide and bright -
White as the sun, far, far more fair
Than its divided sources were!" 

"And even for that spirit, seer,
I've watched and sought my life - time long;
Sought him in heaven, hell, earth and air -
An endless search, and always wrong!
Had I but seen his glorious eye
Once light the clouds that wilder me,
I ne'er had raised this coward cry
To cease to think and cease to be;
I ne'er had called oblivion blest,
Nor, stretching eager hands to death,
Implored to change for senseless rest
This sentient soul, this living breath -
Oh, let me die - that power and will
Their cruel strife may close;
And conquered good, and conquering ill
Be lost in one repose!"
Written by Johann Wolfgang von Goethe | Create an image from this poem

Winter Journey Over The Hartz Mountains

 [The following explanation is necessary, in order 
to make this ode in any way intelligible. The Poet is supposed to 
leave his companions, who are proceeding on a hunting expedition 
in winter, in order himself to pay a visit to a hypochondriacal 
friend, and also to see the mining in the Hartz mountains. The ode 
alternately describes, in a very fragmentary and peculiar manner, 
the naturally happy disposition of the Poet himself and the unhappiness 
of his friend; it pictures the wildness of the road and the dreariness 
of the prospect, which is relieved at one spot by the distant sight 
of a town, a very vague allusion to which is made in the third strophe; 
it recalls the hunting party on which his companions have gone; 
and after an address to Love, concludes by a contrast between the 
unexplored recesses of the highest peak of the Hartz and the metalliferous 
veins of its smaller brethren.]

LIKE the vulture
Who on heavy morning clouds
With gentle wing reposing
Looks for his prey,--
Hover, my song!

For a God hath
Unto each prescribed
His destined path,
Which the happy one
Runs o'er swiftly
To his glad goal:
He whose heart cruel
Fate hath contracted,
Struggles but vainly
Against all the barriers
The brazen thread raises,
But which the harsh shears
Must one day sever.

Through gloomy thickets
Presseth the wild deer on,
And with the sparrows
Long have the wealthy
Settled themselves in the marsh.

Easy 'tis following the chariot
That by Fortune is driven,
Like the baggage that moves
Over well-mended highways
After the train of a prince.

But who stands there apart?
In the thicket, lost is his path;
Behind him the bushes
Are closing together,
The grass springs up again,
The desert engulphs him.

Ah, who'll heal his afflictions,
To whom balsam was poison,
Who, from love's fullness,
Drank in misanthropy only?
First despised, and now a despiser,
He, in secret, wasteth
All that he is worth,
In a selfishness vain.
If there be, on thy psaltery,
Father of Love, but one tone
That to his ear may be pleasing,
Oh, then, quicken his heart!
Clear his cloud-enveloped eyes
Over the thousand fountains
Close by the thirsty one
In the desert.

Thou who createst much joy,
For each a measure o'erflowing,
Bless the sons of the chase
When on the track of the prey,
With a wild thirsting for blood,
Youthful and joyous
Avenging late the injustice
Which the peasant resisted
Vainly for years with his staff.

But the lonely one veil
Within thy gold clouds!
Surround with winter-green,
Until the roses bloom again,
The humid locks,
Oh Love, of thy minstrel!

With thy glimmering torch
Lightest thou him
Through the fords when 'tis night,
Over bottomless places
On desert-like plains;
With the thousand colours of morning
Gladd'nest his bosom;
With the fierce-biting storm
Bearest him proudly on high;
Winter torrents rush from the cliffs,--
Blend with his psalms;
An altar of grateful delight
He finds in the much-dreaded mountain's
Snow-begirded summit,
Which foreboding nations
Crown'd with spirit-dances.

Thou stand'st with breast inscrutable,
Mysteriously disclosed,
High o'er the wondering world,
And look'st from clouds
Upon its realms and its majesty,
Which thou from the veins of thy brethren
Near thee dost water.

 1777.
Written by Robert Creeley | Create an image from this poem

Age

 Most explicit--
the sense of trap

as a narrowing
cone one's got

stuck into and
any movement

forward simply
wedges once more--

but where
or quite when,

even with whom,
since now there is no one

quite with you--Quite? Quiet?
English expression: Quait?

Language of singular
impedance? A dance? An

involuntary gesture to
others not there? What's

wrong here? How
reach out to the

other side all
others live on as

now you see the
two doctors, behind

you, in mind's eye,
probe into your anus,

or ass, or bottom,
behind you, the roto-

rooter-like device
sees all up, concludes

"like a worn-out inner tube,"
"old," prose prolapsed, person's

problems won't do, must
cut into, cut out . . .

The world is a round but
diminishing ball, a spherical

ice cube, a dusty
joke, a fading,

faint echo of its
former self but remembers,

sometimes, its past, sees
friends, places, reflections,

talks to itself in a fond,
judgemental murmur,

alone at last.
I stood so close

to you I could have
reached out and

touched you just
as you turned

over and began to
snore not unattractively,

no, never less than
attractively, my love,

my love--but in this
curiously glowing dark, this

finite emptiness, you, you, you
are crucial, hear the

whimpering back of
the talk, the approaching

fears when I may
cease to be me, all

lost or rather lumped
here in a retrograded,

dislocating, imploding
self, a uselessness

talks, even if finally to no one,
talks and talks.
Written by Sylvia Plath | Create an image from this poem

Two Campers In Cloud Country

 (Rock Lake, Canada)

In this country there is neither measure nor balance
To redress the dominance of rocks and woods,
The passage, say, of these man-shaming clouds.

No gesture of yours or mine could catch their attention,
No word make them carry water or fire the kindling
Like local trolls in the spell of a superior being.

Well, one wearies of the Public Gardens: one wants a vacation
Where trees and clouds and animals pay no notice;
Away from the labeled elms, the tame tea-roses.

It took three days driving north to find a cloud
The polite skies over Boston couldn't possibly accommodate.
Here on the last frontier of the big, brash spirit

The horizons are too far off to be chummy as uncles;
The colors assert themselves with a sort of vengeance.
Each day concludes in a huge splurge of vermilions

And night arrives in one gigantic step.
It is comfortable, for a change, to mean so little.
These rocks offer no purchase to herbage or people:

They are conceiving a dynasty of perfect cold.
In a month we'll wonder what plates and forks are for.
I lean to you, numb as a fossil. Tell me I'm here.

The Pilgrims and Indians might never have happened.
Planets pulse in the lake like bright amoebas;
The pines blot our voices up in their lightest sighs.

Around our tent the old simplicities sough
Sleepily as Lethe, trying to get in.
We'll wake blank-brained as water in the dawn.


Written by Anne Kingsmill Finch | Create an image from this poem

Mans Injustice Towards Providence

 A Thriving Merchant, who no Loss sustained, 
In little time a mighty Fortune gain'd. 
No Pyrate seiz'd his still returning Freight; 
Nor foundring Vessel sunk with its own Weight: 
No Ruin enter'd through dissever'd Planks; 
No Wreck at Sea, nor in the Publick Banks. 
Aloft he sails, above the Reach of Chance, 
And do's in Pride, as fast as Wealth, advance. 
His Wife too, had her Town and Country-Seat, 
And rich in Purse, concludes her Person Great.

A Dutchess wears not so much Gold and Lace; 
Then 'tis with Her an undisputed Case, 
The finest Petticoat must take the Place. 
Her Rooms, anew at ev'ry Christ'ning drest, 
Put down the Court, and vex the City-Guest. 
Grinning Malottos in true Ermin stare; 
The best Japan, and clearest China Ware 
Are but as common Delft and English Laquar there. 
No Luxury's by either unenjoy'd, 
Or cost withheld, tho' awkardly employ'd. 
How comes this Wealth? A Country Friend demands, 
Who scarce cou'd live on Product of his Lands. 
How is it that, when Trading is so bad 
That some are Broke, and some with Fears run Mad, 
You can in better State yourself maintain, 
And your Effects still unimpair'd remain! 
My Industry, he cries, is all the Cause; 
Sometimes I interlope, and slight the Laws; 
I wiser Measures, than my Neighbors, take, 
And better speed, who better Bargains make. 
I knew, the Smyrna–Fleet wou'd fall a Prey, 
And therefore sent no Vessel out that way: 
My busy Factors prudently I chuse, 
And in streight Bonds their Friends and Kindred noose: 
At Home, I to the Publick Sums advance, 
Whilst, under-hand in Fee with hostile France, 
I care not for your Tourvills, or Du-Barts, 
No more than for the Rocks, and Shelves in Charts: 
My own sufficiency creates my Gain, 
Rais'd, and secur'd by this unfailing Brain. 
This idle Vaunt had scarcely past his Lips, 
When Tydings came, his ill-provided Ships 
Some thro' the want of Skill, and some of Care, 
Were lost, or back return'd without their Fare. 
From bad to worse, each Day his State declin'd, 
'Till leaving Town, and Wife, and Debts behind,
To his Acquaintance at the Rural Seat 
He Sculks, and humbly sues for a Retreat. 
Whence comes this Change, has Wisdom left that Head, 
(His Friend demands) where such right Schemes were bred? 
What Phrenzy, what Delirium mars the Scull, 
Which fill'd the Chests, and was it self so full? 
Here interrupting, sadly he Reply'd, 
In Me's no Change, but Fate must all Things guide; 
To Providence I attribute my Loss.

Vain-glorious Man do's thus the Praise engross, 
When Prosp'rous Days around him spread their Beams: 
But, if revolv'd to opposite Extreams, 
Still his own Sence he fondly will prefer, 
And Providence, not He, in his Affairs must Err!
Written by Delmore Schwartz | Create an image from this poem

Philology Recapitulates Ontology Poetry Is Ontology

 Faithful to your commandments, o consciousness, o

Holy bird of words soaring ever whether to nothingness or
 to inconceivable fulfillment slowly:

And still I follow you, awkward as that dandy of ontology
 and as awkward as his albatross and as

another dandy of ontology before him, another shepherd
 and watchdog of being, the one who

Talked forever of forever as if forever of having been
 and being an ancient mariner,

Hesitant forever as if forever were the albatross 

Hung round his neck by the seven seas of the seven muses,

and with as little conclusion, since being never concludes,

Studying the sibilance and the splashing of the seas and of
 seeing and of being's infinite seas,

Staring at the ever-blue and the far small stars and 
 the faint white endless curtain of the
 twinkling play's endless seasons.
Written by Anne Kingsmill Finch | Create an image from this poem

t of the Fifth Scene in the Second Act of Athalia

 Enter, as in the Temple of Jerusalem,
ATHALIA, MATHAN, ABNER

[Mathan]
WHY, to our Wonder, in this Place is seen, 
Thus discompos'd, and alter'd, Juda's Queen? 
May we demand, what Terrors seize your Breast, 
Or, why your Steps are to this House addrest, 
Where your unguarded Person stands expos'd 
To secret Foes, within its Walls inclos'd? 
Can it be thought that you remit that Hate? 


[Athalia]
No more! but Both observe what I relate: 
Not, that I mean (recalling Times of Blood) 
To make you Judges of the Paths I trod, 
When to the empty'd Throne I boldly rose, 
Treating all Intercepters as my Foes. 
'Twas Heav'ns Decree, that I should thus succeed, 
Whose following Favour justifies the Deed, 
Extending my unlimited Command 
From Sea to Sea o'er the obedient Land: 
Whilst your Jerusalem all Peace enjoys, 
Nor now the' encroaching Philistine destroys, 
Nor wandring Arab his Pavilion spreads, 
Near Jordan's Banks, nor wastes his flow'ry Meads. 
The great Assyrian, Terror of your Kings, 
Who bought his Friendship with their holiest Things, 
Yields that a Sister, of his pow'rful Race, 
Should sway these Realms, and dignify the Place. 
Nor need we add the late insulting Foe, 
The furious Jehu does this Sceptre know, 
And sinks beneath the Load of conscious Fears, 
When in Samaria he my Actions hears. 
Distrest by Foes, which I've against him rais'd, 
He sees me unmolested, fix'd, and pleas'd; 
At least, till now thus glorious was my State; 
But something's threatned from relaxing Fate, 
And the last Night, which should have brought me Rest, 
Has all these great Ideas dispossest. 
A Dream, a Vision, an apparent View 
Of what, methinks, does still my Steps pursue, 
Hangs on my pensive Heart, and bears it down 
More than the weight of an objected Crown, 
My Mother (be the Name with Rev'rence spoke!) 
Ere chearful Day thro' horrid Shades had broke, 
Approach'd my Bed, magnificent her Dress, 
Her Shape, her Air did Jesabel confess: 
Nor seem'd her Face to have refus'd that Art, 
Which, in despight of Age, does Youth impart, 
And which she practis'd, scorning to decay, 
Or to be vanquish'd ev'n in Nature's way. 
Thus all array'd, in such defying Pride 
As when th' injurious Conqu'ror she descry'd, 
And did in height of Pow'r for ill-got Pow'r deride. 
To me she spake, these Accents to me came: 
"Thou worthy Daughter of my soaring Fame, 
"Tho' with a more transcendent Spirit fill'd, 
"Tho' struggling Pow'rs attempt thy Life to shield, 
"The Hebrew's God (Oh, tremble at the sound!) 
"Shall Thee and Them, and all their Rights confound. 
A pitying Groan concludes, no Word of Aid. 
My Arms I thought to throw about the Shade 
Of that lov'd Parent, but my troubled Sight 
No more directed them to aim aright, 
Nor ought presented, but a heap of Bones, 
For which fierce Dogs contended on the Stones, 
With Flakes of mangled Flesh, that quiv'ring still 
Proclaim'd the Freshness of the suffer'd Ill; 
Distain'd with Blood the Pavement, and the Wall, 
Appear'd as in that memorable Fall– 


[Abner]
Oh! just avenging Heaven!– [aside. 

[Mathan]
Sure, Dreams like these are for Prevention given.
Written by Emily Dickinson | Create an image from this poem

A Visitor in Marl

 A Visitor in Marl --
Who influences Flowers --
Till they are orderly as Busts --
And Elegant -- as Glass --

Who visits in the Night --
And just before the Sun --
Concludes his glistening interview --
Caresses -- and is gone --

But whom his fingers touched --
And where his feet have run --
And whatsoever Mouth be kissed --
Is as it had not been --
Written by Robert Burns | Create an image from this poem

470. Song—She says she loes me best of a'

 SAE flaxen were her ringlets,
 Her eyebrows of a darker hue,
Bewitchingly o’er-arching
 Twa laughing e’en o’ lovely blue;
Her smiling, sae wyling.
 Wad make a wretch forget his woe;
What pleasure, what treasure,
 Unto these rosy lips to grow!
Such was my Chloris’ bonie face,
 When first that bonie face I saw;
And aye my Chloris’ dearest charm—
 She says, she lo’es me best of a’.


Like harmony her motion,
 Her pretty ankle is a spy,
Betraying fair proportion,
 Wad make a saint forget the sky:
Sae warming, sae charming,
 Her faultless form and gracefu’ air;
Ilk feature—auld Nature
 Declar’d that she could do nae mair:
Hers are the willing chains o’ love,
 By conquering Beauty’s sovereign law;
And still my Chloris’ dearest charm—
 She says, she lo’es me best of a’.


Let others love the city,
 And gaudy show, at sunny noon;
Gie me the lonely valley,
 The dewy eve and rising moon,
Fair beaming, and streaming,
 Her silver light the boughs amang;
While falling; recalling,
 The amorous thrush concludes his sang;
There, dearest Chloris, wilt thou rove,
 By wimpling burn and leafy shaw,
And hear my vows o’ truth and love,
 And say, thou lo’es me best of a’.

Book: Reflection on the Important Things