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Best Famous Conceivable Poems

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Written by Walt Whitman | Create an image from this poem

Manhattan Streets I Saunter'd Pondering

 1
MANHATTAN’S streets I saunter’d, pondering, 
On time, space, reality—on such as these, and abreast with them, prudence. 

2
After all, the last explanation remains to be made about prudence; 
Little and large alike drop quietly aside from the prudence that suits immortality. 

The Soul is of itself;
All verges to it—all has reference to what ensues; 
All that a person does, says, thinks, is of consequence; 
Not a move can a man or woman make, that affects him or her in a day, month, any part of
 the
 direct
 life-time, or the hour of death, but the same affects him or her onward afterward through
 the
 indirect life-time. 

3
The indirect is just as much as the direct, 
The spirit receives from the body just as much as it gives to the body, if not more.

Not one word or deed—not venereal sore, discoloration, privacy of the onanist,
 putridity
 of
 gluttons or rum-drinkers, peculation, cunning, betrayal, murder, seduction, prostitution,
 but
 has
 results beyond death, as really as before death. 

4
Charity and personal force are the only investments worth anything. 

No specification is necessary—all that a male or female does, that is vigorous,
 benevolent,
 clean, is so much profit to him or her, in the unshakable order of the universe, and
 through
 the
 whole scope of it forever. 

5
Who has been wise, receives interest, 
Savage, felon, President, judge, farmer, sailor, mechanic, literat, young, old, it is the
 same,
The interest will come round—all will come round. 

Singly, wholly, to affect now, affected their time, will forever affect all of the past,
 and
 all of
 the present, and all of the future, 
All the brave actions of war and peace, 
All help given to relatives, strangers, the poor, old, sorrowful, young children, widows,
 the
 sick,
 and to shunn’d persons, 
All furtherance of fugitives, and of the escape of slaves,
All self-denial that stood steady and aloof on wrecks, and saw others fill the seats of
 the
 boats, 
All offering of substance or life for the good old cause, or for a friend’s sake, or
 opinion’s sake, 
All pains of enthusiasts, scoff’d at by their neighbors, 
All the limitless sweet love and precious suffering of mothers, 
All honest men baffled in strifes recorded or unrecorded,
All the grandeur and good of ancient nations whose fragments we inherit, 
All the good of the dozens of ancient nations unknown to us by name, date, location, 
All that was ever manfully begun, whether it succeeded or no, 
All suggestions of the divine mind of man, or the divinity of his mouth, or the shaping of
 his
 great
 hands; 
All that is well thought or said this day on any part of the globe—or on any of the
 wandering
 stars, or on any of the fix’d stars, by those there as we are here;
All that is henceforth to be thought or done by you, whoever you are, or by any one; 
These inure, have inured, shall inure, to the identities from which they sprang, or shall
 spring. 

6
Did you guess anything lived only its moment? 
The world does not so exist—no parts palpable or impalpable so exist; 
No consummation exists without being from some long previous consummation—and that
 from
 some
 other,
Without the farthest conceivable one coming a bit nearer the beginning than any. 

7
Whatever satisfies Souls is true; 
Prudence entirely satisfies the craving and glut of Souls; 
Itself only finally satisfies the Soul; 
The Soul has that measureless pride which revolts from every lesson but its own.

8
Now I give you an inkling; 
Now I breathe the word of the prudence that walks abreast with time, space, reality, 
That answers the pride which refuses every lesson but its own. 

What is prudence, is indivisible, 
Declines to separate one part of life from every part,
Divides not the righteous from the unrighteous, or the living from the dead, 
Matches every thought or act by its correlative, 
Knows no possible forgiveness, or deputed atonement, 
Knows that the young man who composedly peril’d his life and lost it, has done
 exceedingly
 well
 for himself without doubt, 
That he who never peril’d his life, but retains it to old age in riches and ease, has
 probably
 achiev’d nothing for himself worth mentioning;
Knows that only that person has really learn’d, who has learn’d to prefer
 results, 
Who favors Body and Soul the same, 
Who perceives the indirect assuredly following the direct, 
Who in his spirit in any emergency whatever neither hurries or, avoids death.


Written by Walt Whitman | Create an image from this poem

Carol of Words

 1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
 said; 
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future, 
Behold! these are vast words to be said. 

Were you thinking that those were the words—those upright lines? those curves,
 angles,
 dots? 
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you. 

Were you thinking that those were the words—those delicious sounds out of your
 friends’
 mouths? 
No, the real words are more delicious than they. 

Human bodies are words, myriads of words; 
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
 gay,
Every part able, active, receptive, without shame or the need of shame. 

2
Air, soil, water, fire—these are words; 
I myself am a word with them—my qualities interpenetrate with theirs—my name is
 nothing to
 them; 
Though it were told in the three thousand languages, what would air, soil, water, fire,
 know of
 my
 name? 

A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
 also. 

3
The workmanship of souls is by the inaudible words of the earth; 
The great masters know the earth’s words, and use them more than the audible words. 

Amelioration is one of the earth’s words; 
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump; 
It is not half beautiful only—defects and excrescences show just as much as
 perfections
 show. 

The earth does not withhold, it is generous enough; 
The truths of the earth continually wait, they are not so conceal’d either; 
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly, 
Conveying a sentiment and invitation of the earth—I utter and utter, 
I speak not, yet if you hear me not, of what avail am I to you? 
To bear—to better—lacking these, of what avail am I? 

4
Accouche! Accouchez!
Will you rot your own fruit in yourself there? 
Will you squat and stifle there? 

The earth does not argue, 
Is not pathetic, has no arrangements, 
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures, 
Closes nothing, refuses nothing, shuts none out, 
Of all the powers, objects, states, it notifies, shuts none out. 

5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
 underneath; 
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
 bargainers, 
Underneath these, possessing the words that never fail. 

To her children, the words of the eloquent dumb great mother never fail; 
The true words do not fail, for motion does not fail, and reflection does not fail; 
Also the day and night do not fail, and the voyage we pursue does not fail.

6
Of the interminable sisters, 
Of the ceaseless cotillions of sisters, 
Of the centripetal and centrifugal sisters, the elder and younger sisters, 
The beautiful sister we know dances on with the rest. 
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age, 
Sits she whom I too love like the rest—sits undisturb’d, 
Holding up in her hand what has the character of a mirror, while her eyes glance back from
 it, 
Glance as she sits, inviting none, denying none, 
Holding a mirror day and night tirelessly before her own face.

7
Seen at hand, or seen at a distance, 
Duly the twenty-four appear in public every day, 
Duly approach and pass with their companions, or a companion, 
Looking from no countenances of their own, but from the countenances of those who are with
 them, 
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things, 
From the landscape or waters, or from the exquisite apparition of the sky, 
From our countenances, mine and yours, faithfully returning them, 
Every day in public appearing without fail, but never twice with the same companions. 

8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
 the
 sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
 the
 first,
 sure and necessary as they. 

9
Tumbling on steadily, nothing dreading, 
Sunshine, storm, cold, heat, forever withstanding, passing, carrying, 
The Soul’s realization and determination still inheriting, 
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking, 
Swift, glad, content, unbereav’d, nothing losing, 
Of all able and ready at any time to give strict account, 
The divine ship sails the divine sea. 

10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you. 

Whoever you are! you are he or she for whom the earth is solid and liquid, 
You are he or she for whom the sun and moon hang in the sky, 
For none more than you are the present and the past, 
For none more than you is immortality.

11
Each man to himself, and each woman to herself, such is the word of the past and present,
 and
 the
 word of immortality; 
No one can acquire for another—not one! 
Not one can grow for another—not one! 

The song is to the singer, and comes back most to him; 
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him; 
The theft is to the thief, and comes back most to him; 
The love is to the lover, and comes back most to him; 
The gift is to the giver, and comes back most to him—it cannot fail; 
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
 own. 

12
I swear the earth shall surely be complete to him or her who shall be complete! 
I swear the earth remains jagged and broken only to him or her who remains jagged and
 broken! 
I swear there is no greatness or power that does not emulate those of the earth! 
I swear there can be no theory of any account, unless it corroborate the theory of the
 earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
 the
 amplitude of the earth, 
Unless it face the exactness, vitality, impartiality, rectitude of the earth. 

13
I swear I begin to see love with sweeter spasms than that which responds love! 
It is that which contains itself—which never invites, and never refuses. 

I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth! 
Toward him who sings the songs of the Body, and of the truths of the earth; 
Toward him who makes the dictionaries of words that print cannot touch. 

14
I swear I see what is better than to tell the best; 
It is always to leave the best untold.

When I undertake to tell the best, I find I cannot, 
My tongue is ineffectual on its pivots, 
My breath will not be obedient to its organs, 
I become a dumb man. 

The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer; 
Things are not dismiss’d from the places they held before; 
The earth is just as positive and direct as it was before; 
Facts, religions, improvements, politics, trades, are as real as before; 
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it, 
Undeniable growth has establish’d it. 

15
This is a poem—a carol of words—these are hints of meanings, 
These are to echo the tones of Souls, and the phrases of Souls; 
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then? 

I swear I will never henceforth have to do with the faith that tells the best! 
I will have to do only with that faith that leaves the best untold. 

16
Say on, sayers! 
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;) 
Work on, age after age! nothing is to be lost; 
It may have to wait long, but it will certainly come in use; 
When the materials are all prepared, the architects shall appear. 

I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you; 
I swear to you the greatest among them shall be he who best knows you, and encloses all,
 and is
 faithful to all; 
I swear to you, he and the rest shall not forget you—they shall perceive that you are
 not
 an
 iota less than they; 
I swear to you, you shall be glorified in them.
Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe? 
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.
Written by Delmore Schwartz | Create an image from this poem

News Of The Gold World Of May

 News of the Gold World of May in Holland Michigan:
"Wooden shoes will clatter again
 on freshly scrubbed streets--"

The tulip will arise and reign again from awnings and
 windows
 of all colors and forms
 its vine, verve and valentine curves

 upon the city streets, the public grounds 
 and private lawns
 (wherever it is conceivable
 that a bulb might take root
 and the two lips, softly curved, come up 
 possessed by the skilled love and will of a ballerina.)

The citizens will dance in folk dances.
 They will thump, they will pump, 
 thudding and shoving 
 elbow and thigh, 
 bumping and laughing, like barrels and bells.

Vast fields of tulips in full bloom,
 the reproduction of a miniature Dutch village, 
 part of a gigantic flower show.

Book: Radiant Verses: A Journey Through Inspiring Poetry