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Best Famous Conceit Poems

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Written by Maya Angelou | Create an image from this poem

A Conceit

Give me your hand

Make room for me
to lead and follow
you
beyond this rage of poetry.
Let others have the privacy of touching words and love of loss of love.
For me Give me your hand.


Written by Elizabeth Bishop | Create an image from this poem

Roosters

 At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock

just below
the gun-metal blue window
and immediately there is an echo

off in the distance,
then one from the backyard fence,
then one, with horrible insistence,

grates like a wet match 
from the broccoli patch,
flares,and all over town begins to catch.
Cries galore come from the water-closet door, from the dropping-plastered henhouse floor, where in the blue blur their rusting wives admire, the roosters brace their cruel feet and glare with stupid eyes while from their beaks there rise the uncontrolled, traditional cries.
Deep from protruding chests in green-gold medals dressed, planned to command and terrorize the rest, the many wives who lead hens' lives of being courted and despised; deep from raw throats a senseless order floats all over town.
A rooster gloats over our beds from rusty irons sheds and fences made from old bedsteads, over our churches where the tin rooster perches, over our little wooden northern houses, making sallies from all the muddy alleys, marking out maps like Rand McNally's: glass-headed pins, oil-golds and copper greens, anthracite blues, alizarins, each one an active displacement in perspective; each screaming, "This is where I live!" Each screaming "Get up! Stop dreaming!" Roosters, what are you projecting? You, whom the Greeks elected to shoot at on a post, who struggled when sacrificed, you whom they labeled "Very combative.
.
.
" what right have you to give commands and tell us how to live, cry "Here!" and "Here!" and wake us here where are unwanted love, conceit and war? The crown of red set on your little head is charged with all your fighting blood Yes, that excrescence makes a most virile presence, plus all that vulgar beauty of iridescence Now in mid-air by two they fight each other.
Down comes a first flame-feather, and one is flying, with raging heroism defying even the sensation of dying.
And one has fallen but still above the town his torn-out, bloodied feathers drift down; and what he sung no matter.
He is flung on the gray ash-heap, lies in dung with his dead wives with open, bloody eyes, while those metallic feathers oxidize.
St.
Peter's sin was worse than that of Magdalen whose sin was of the flesh alone; of spirit, Peter's, falling, beneath the flares, among the "servants and officers.
" Old holy sculpture could set it all together in one small scene, past and future: Christ stands amazed, Peter, two fingers raised to surprised lips, both as if dazed.
But in between a little cock is seen carved on a dim column in the travertine, explained by gallus canit; flet Petrus underneath it, There is inescapable hope, the pivot; yes, and there Peter's tears run down our chanticleer's sides and gem his spurs.
Tear-encrusted thick as a medieval relic he waits.
Poor Peter, heart-sick, still cannot guess those cock-a-doodles yet might bless, his dreadful rooster come to mean forgiveness, a new weathervane on basilica and barn, and that outside the Lateran there would always be a bronze cock on a porphyry pillar so the people and the Pope might see that event the Prince of the Apostles long since had been forgiven, and to convince all the assembly that "Deny deny deny" is not all the roosters cry.
In the morning a low light is floating in the backyard, and gilding from underneath the broccoli, leaf by leaf; how could the night have come to grief? gilding the tiny floating swallow's belly and lines of pink cloud in the sky, the day's preamble like wandering lines in marble, The cocks are now almost inaudible.
The sun climbs in, following "to see the end," faithful as enemy, or friend.
Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by William Cowper | Create an image from this poem

The Retired Cat

 A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick-- Nature perhaps herself had cast her In such a mould [lang f]philosophique[lang e], Or else she learn'd it of her master.
Sometimes ascending, debonair, An apple-tree or lofty pear, Lodg'd with convenience in the fork, She watch'd the gardener at his work; Sometimes her ease and solace sought In an old empty wat'ring-pot; There, wanting nothing save a fan To seem some nymph in her sedan, Apparell'd in exactest sort, And ready to be borne to court.
But love of change, it seems, has place Not only in our wiser race; Cats also feel, as well as we, That passion's force, and so did she.
Her climbing, she began to find, Expos'd her too much to the wind, And the old utensil of tin Was cold and comfortless within: She therefore wish'd instead of those Some place of more serene repose, Where neither cold might come, nor air Too rudely wanton with her hair, And sought it in the likeliest mode Within her master's snug abode.
A drawer, it chanc'd, at bottom lin'd With linen of the softest kind, With such as merchants introduce From India, for the ladies' use-- A drawer impending o'er the rest, Half-open in the topmost chest, Of depth enough, and none to spare, Invited her to slumber there; Puss with delight beyond expression Survey'd the scene, and took possession.
Recumbent at her ease ere long, And lull'd by her own humdrum song, She left the cares of life behind, And slept as she would sleep her last, When in came, housewifely inclin'd The chambermaid, and shut it fast; By no malignity impell'd, But all unconscious whom it held.
Awaken'd by the shock, cried Puss, "Was ever cat attended thus! The open drawer was left, I see, Merely to prove a nest for me.
For soon as I was well compos'd, Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet! Oh, what a delicate retreat! I will resign myself to rest Till Sol, declining in the west, Shall call to supper, when, no doubt, Susan will come and let me out.
" The evening came, the sun descended, And puss remain'd still unattended.
The night roll'd tardily away (With her indeed 'twas never day), The sprightly morn her course renew'd, The evening gray again ensued, And puss came into mind no more Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room, She now presag'd approaching doom, Nor slept a single wink, or purr'd, Conscious of jeopardy incurr'd.
That night, by chance, the poet watching Heard an inexplicable scratching; His noble heart went pit-a-pat And to himself he said, "What's that?" He drew the curtain at his side, And forth he peep'd, but nothing spied; Yet, by his ear directed, guess'd Something imprison'd in the chest, And, doubtful what, with prudent care Resolv'd it should continue there.
At length a voice which well he knew, A long and melancholy mew, Saluting his poetic ears, Consol'd him, and dispell'd his fears: He left his bed, he trod the floor, He 'gan in haste the drawers explore, The lowest first, and without stop The rest in order to the top; For 'tis a truth well known to most, That whatsoever thing is lost, We seek it, ere it come to light, In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete As erst with airy self-conceit, Nor in her own fond apprehension A theme for all the world's attention, But modest, sober, cured of all Her notions hyperbolical, And wishing for a place of rest Anything rather than a chest.
Then stepp'd the poet into bed, With this reflection in his head:MORAL Beware of too sublime a sense Of your own worth and consequence.
The man who dreams himself so great, And his importance of such weight, That all around in all that's done Must move and act for him alone, Will learn in school of tribulation The folly of his expectation.
Written by D. H. Lawrence | Create an image from this poem

Blue

 The earth again like a ship steams out of the dark sea over
The edge of the blue, and the sun stands up to see us glide
Slowly into another day; slowly the rover 
Vessel of darkness takes the rising tide.
I, on the deck, am startled by this dawn confronting Me who am issued amazed from the darkness, stripped And quailing here in the sunshine, delivered from haunting The night unsounded whereon our days are shipped.
Feeling myself undawning, the day’s light playing upon me, I who am substance of shadow, I all compact Of the stuff of the night, finding myself all wrongly Among the crowds of things in the sunshine jostled and racked.
I with the night on my lips, I sigh with the silence of death; And what do I care though the very stones should cry me unreal, though the clouds Shine in conceit of substance upon me, who am less than the rain.
Do I know the darkness within them? What are they but shrouds? The clouds go down the sky with a wealthy ease Casting a shadow of scorn upon me for my share in death; but I Hold my own in the midst of them, darkling, defy The whole of the day to extinguish the shadow I lift on the breeze.
Yea, though the very clouds have vantage over me, Enjoying their glancing flight, though my love is dead, I still am not homeless here, I’ve a tent by day Of darkness where she sleeps on her perfect bed.
And I know the host, the minute sparkling of darkness Which vibrates untouched and virile through the grandeur of night, But which, when dawn crows challenge, assaulting the vivid motes Of living darkness, bursts fretfully, and is bright: Runs like a fretted arc-lamp into light, Stirred by conflict to shining, which else Were dark and whole with the night.
Runs to a fret of speed like a racing wheel, Which else were aslumber along with the whole Of the dark, swinging rhythmic instead of a-reel.
Is chafed to anger, bursts into rage like thunder; Which else were a silent grasp that held the heavens Arrested, beating thick with wonder.
Leaps like a fountain of blue sparks leaping In a jet from out of obscurity, Which erst was darkness sleeping.
Runs into streams of bright blue drops, Water and stones and stars, and myriads Of twin-blue eyes, and crops Of floury grain, and all the hosts of day, All lovely hosts of ripples caused by fretting The Darkness into play.


Written by Sir John Suckling | Create an image from this poem

A Ballad upon a Wedding

 I tell thee, Dick, where I have been, 
Where I the rarest things have seen, 
O, things without compare! 
Such sights again cannot be found 
In any place on English ground, 
Be it at wake or fair.
At Charing Cross, hard by the way Where we, thou know'st, do sell our hay, There is a house with stairs; And there did I see coming down Such folks as are not in our town, Forty at least, in pairs.
Amongst the rest, one pest'lent fine (His beard no bigger, though, than thine) Walked on before the rest: Our landlord looks like nothing to him; The King (God bless him!) 'twould undo him, Should he go still so dressed.
At course-a-park, without all doubt, He should have first been taken out By all the maids i' th' town: Though lusty Roger there had been, Or little George upon the Green, Or Vincent of the Crown.
But wot you what? the youth was going To make an end of all his wooing; The Parson for him stayed.
Yet, by his leave, for all his haste, He did not so much wish all past, Perchance, as did the maid.
The maid (and thereby hangs a tale), For such a maid no Whitsun-ale Could ever yet produce; No grape that's kindly ripe could be So round, so plump, so soft, as she, Nor half so full of juice! Her finger was so small the ring Would not stay on, which they did bring; It was too wide a peck: And to say truth (for out it must), It looked like a great collar (just) About our young colt's neck.
Her feet beneath her petticoat, Like little mice, stole in and out, As if they feared the light: But oh! she dances such a way, No sun upon an Easter Day Is half so fine a sight! He would have kissed her once or twice, But she would not, she was so nice, She would not do 't in sight: And then she looked as who should say "I will do what I list today, And you shall do 't at night.
" Her cheeks so rare a white was on, No daisy makes comparison, (Who sees them is undone), For streaks of red were mingled there, Such as are on a Catherine pear, (The side that's next the sun).
Her lips were red, and one was thin Compared to that was next her chin, - (Some bee had stung it newly); But, Dick, her eyes so guard her face, I durst no more upon them gaze Than on the sun in July.
Her mouth so small, when she does speak Thou'dst swear her teeth her words did break, That they might passage get; But she so handled still the matter, They came as good as ours, or better, And are not spent a whit.
If wishing should be any sin, The Parson himself had guilty been, (She looked that day so purely); And, did the youth so oft the feat At night, as some did in conceit, It would have spoiled him surely.
Just in the nick, the cook knocked thrice, And all the waiters in a trice His summons did obey.
Each servingman, with dish in hand, Marched boldly up, like our trained band, Presented, and away.
When all the meat was on the table, What man of knife or teeth was able To stay to be entreated? And this the very reason was, Before the parson could say grace, The company was seated.
The business of the kitchen's great, For it is fit that man should eat; Nor was it there denied.
Passion o' me, how I run on! There's that that would be thought upon, I trow, besides the bride.
Now hats fly off, and youths carouse, Healths first go round, and then the house: The bride's came thick and thick; And when 'twas named another's health, Perhaps he made it hers by stealth.
And who could help it, Dick? O' th' sudden, up they rise and dance; Then sit again and sigh and glance; Then dance again and kiss.
Thus several ways the time did pass, Whilst every woman wished her place, And every man wished his! By this time all were stolen aside To counsel and undress the bride; But that he must not know; And yet 'twas thought he guessed her mind, And did not mean to stay behind Above an hour or so.
When in he came, Dick, there she lay Like new-fallen snow melting away ('Twas time, I trow, to part).
Kisses were now the only stay, Which soon she gave, as one would say, "God-be-with-ye, with all my heart.
" But, just as Heavens would have, to cross it, In came the bridesmaids with the posset: The bridegroom ate in spite; For, had he left the women to 't, It would have cost two hours to do 't, Which were too much that night.
At length the candle's out, and now All that they had not done they do; What that is, who can tell? But I believe it was no more Than thou and I have done before With Bridget and with Nell.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Despair

 TERRIFIC FIEND! thou Monster fell, 
Condemn'd in haunts profane to dwell, 
Why quit thy solitary Home, 
O'er wide Creation's paths to roam? 
Pale Tyrant of the timid Heart, 
Whose visionary spells can bind 
The strongest passions of the mind, 
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near, For round thy form all plagues are seen; Thine is the frantic tone, the sullen mien, The glance of petrifying fear, The haggard Brow, the low'ring Eye, The hollow Cheek, the smother'd Sigh, When thy usurping fangs assail, The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain; Imperious Sorrow spurns relief, Feeds on the luxury of Grief, Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart, In the dark centre of the guilty Heart; The POW'R SUPREME, with pitying eye, Looks on the erring Child of Misery; MERCY arrests the wing of Time; To expiate the wretch's crime; Insulted HEAV'N consign'd thy brand To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew, And round th' ensanguin'd Poisons threw, By CONSCIENCE goaded­driven by FEAR, Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave Imbib'd contagion o'er the midnight lamp, Close pent in loathsome cells, where poisons damp Hung round the confines of a Living Grave; * Where no glimm'ring ray illum'd The flinty walls, where pond'rous chains Bound the wan Victim to the humid earth, Where VALOUR, GENIUS, TASTE, and WORTH, In pestilential caves entomb'd, Sought thy cold arms, and smiling mock'd their pains.
THERE,­each procrastinated hour The woe-worn suff'rer gasping lay, While by his side in proud array Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye, And fainting HOPE retir'd to die, Truth shrunk appall'd, In spells of icy Apathy enthrall'd; Till FREEDOM spurn'd the ignominious chain, And roused from Superstition's night, Exulting Nature claim'd her right, And call'd dire Vengeance from her dark domain.
Now take thy solitary flight Amid the turbid gales of night, Where Spectres starting from the tomb, Glide along th' impervious gloom; Or, stretch'd upon the sea-beat shore, Let the wild winds, as they roar, Rock Thee on thy Bed of Stone; Or, in gelid caverns pent, Listen to the sullen moan Of subterranean winds;­or glut thy sight Where stupendous mountains rent Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine Shall o'er the shatter'd Rock incline, Whose trembling brow, with wild weeds drest, Frowns on the tawny EAGLE's nest; THERE enjoy the 'witching hour, And freeze in Frenzy's dire conceit, Or seek the Screech-owl's lone retreat, On the bleak rampart of some nodding Tow'r.
In some forest long and drear, Tempt the fierce BANDITTI's rage, War with famish'd Tygers wage, And mock the taunts of Fear.
When across the yawning deep, The Demons of the Tempest sweep, Or deaf'ning Thunders bursting cast Their red bolts on the shivering mast, While fix'd below the sea-boy stands, As threat'ning Death his soul dismays, He lifts his supplicating hands, And shrieks, and groans, and weeps, and prays, Till lost amid the floating fire The agonizing crew expire; THEN let thy transports rend the air, For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease The MOTHER bends, with tearful eye, And trembles, lest her quiv'ring sigh, Should wake the darling of her breast, Now, by the taper's feeble rays, She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more, Thy CHERUB soars among the Blest, Life's crimson Fount begins to freeze, His transitory scene is o'er.
She starts­she raves­her burning brain, Consumes, unconscious of its fires, Dead to the Heart's convulsive Pain, Bewilder'd Memory retires.
See! See! she grasps her flowing hair, From her fix'd eye the big drops roll, Her proud Affliction mocks controul, And riots in DESPAIR, Such are thy haunts, malignant Pow'r, There all thy murd'rous Poisons pour; But come not near my calm retreat, Where Peace and holy FRIENDSHIP meet; Where SCIENCE sheds a gentle ray, And guiltless Mirth beguiles the day, Where Bliss congenial to the MUSE Shall round my Heart her sweets diffuse, Where, from each restless Passion free, I give my noiseless hours, BLESS'D POETRY, TO THEE.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of Sigmund Freud


When there are so many we shall have to mourn,
when grief has been made so public, and exposed
to the critique of a whole epoch
the frailty of our conscience and anguish,
of whom shall we speak? For every day they die
among us, those who were doing us some good,
who knew it was never enough but
hoped to improve a little by living.
Such was this doctor: still at eighty he wished
to think of our life from whose unruliness
so many plausible young futures
with threats or flattery ask obedience,
but his wish was denied him: he closed his eyes
upon that last picture, common to us all,
of problems like relatives gathered
puzzled and jealous about our dying.
For about him till the very end were still
those he had studied, the fauna of the night,
and shades that still waited to enter
the bright circle of his recognition
turned elsewhere with their disappointment as he
was taken away from his life interest
to go back to the earth in London,
an important Jew who died in exile.
Only Hate was happy, hoping to augment
his practice now, and his dingy clientele
who think they can be cured by killing
and covering the garden with ashes.
They are still alive, but in a world he changed
simply by looking back with no false regrets;
all he did was to remember
like the old and be honest like children.
He wasn't clever at all: he merely told
the unhappy Present to recite the Past
like a poetry lesson till sooner
or later it faltered at the line where
long ago the accusations had begun,
and suddenly knew by whom it had been judged,
how rich life had been and how silly,
and was life-forgiven and more humble,
able to approach the Future as a friend
without a wardrobe of excuses, without
a set mask of rectitude or an
embarrassing over-familiar gesture.
No wonder the ancient cultures of conceit
in his technique of unsettlement foresaw
the fall of princes, the collapse of
their lucrative patterns of frustration:
if he succeeded, why, the Generalised Life
would become impossible, the monolith
of State be broken and prevented
the co-operation of avengers.
Of course they called on God, but he went his way
down among the lost people like Dante, down
to the stinking fosse where the injured
lead the ugly life of the rejected,
and showed us what evil is, not, as we thought,
deeds that must be punished, but our lack of faith,
our dishonest mood of denial,
the concupiscence of the oppressor.
If some traces of the autocratic pose,
the paternal strictness he distrusted, still
clung to his utterance and features,
it was a protective coloration
for one who'd lived among enemies so long:
if often he was wrong and, at times, absurd,
to us he is no more a person
now but a whole climate of opinion
under whom we conduct our different lives:
Like weather he can only hinder or help,
the proud can still be proud but find it
a little harder, the tyrant tries to
make do with him but doesn't care for him much:
he quietly surrounds all our habits of growth
and extends, till the tired in even
the remotest miserable duchy
have felt the change in their bones and are cheered
till the child, unlucky in his little State,
some hearth where freedom is excluded,
a hive whose honey is fear and worry,
feels calmer now and somehow assured of escape,
while, as they lie in the grass of our neglect,
so many long-forgotten objects
revealed by his undiscouraged shining
are returned to us and made precious again;
games we had thought we must drop as we grew up,
little noises we dared not laugh at,
faces we made when no one was looking.
But he wishes us more than this.
To be free
is often to be lonely.
He would unite
the unequal moieties fractured
by our own well-meaning sense of justice,
would restore to the larger the wit and will
the smaller possesses but can only use
for arid disputes, would give back to
the son the mother's richness of feeling:
but he would have us remember most of all
to be enthusiastic over the night,
not only for the sense of wonder
it alone has to offer, but also
because it needs our love.
With large sad eyes
its delectable creatures look up and beg
us dumbly to ask them to follow:
they are exiles who long for the future
that lives in our power, they too would rejoice
if allowed to serve enlightenment like him,
even to bear our cry of 'Judas',
as he did and all must bear who serve it.
One rational voice is dumb.
Over his grave
the household of Impulse mourns one dearly loved:
sad is Eros, builder of cities,
and weeping anarchic Aphrodite.
Written by William Shakespeare | Create an image from this poem

Sonnet 108: Whats in the brain that ink may character

 What's in the brain that ink may character
Which hath not figured to thee my true spirit?
What's new to speak, what now to register,
That may express my love, or thy dear merit?
Nothing, sweet boy, but yet, like prayers divine,
I must each day say o'er the very same,
Counting no old thing old—thou mine, I thine—
Even as when first I hallowed thy fair name.
So that eternal love in love's fresh case Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page, Finding the first conceit of love there bred Where time and outward form would show it dead.
Written by Anne Bradstreet | Create an image from this poem

The Vanity of All Worldly Things

 As he said vanity, so vain say I,
Oh! Vanity, O vain all under sky;
Where is the man can say, "Lo, I have found
On brittle earth a consolation sound"?
What isn't in honor to be set on high?
No, they like beasts and sons of men shall die,
And whilst they live, how oft doth turn their fate;
He's now a captive that was king of late.
What isn't in wealth great treasures to obtain? No, that's but labor, anxious care, and pain.
He heaps up riches, and he heaps up sorrow, It's his today, but who's his heir tomorrow? What then? Content in pleasures canst thou find? More vain than all, that's but to grasp the wind.
The sensual senses for a time they pleasure, Meanwhile the conscience rage, who shall appease? What isn't in beauty? No that's but a snare, They're foul enough today, that once were fair.
What is't in flow'ring youth, or manly age? The first is prone to vice, the last to rage.
Where is it then, in wisdom, learning, arts? Sure if on earth, it must be in those parts; Yet these the wisest man of men did find But vanity, vexation of the mind.
And he that know the most doth still bemoan He knows not all that here is to be known.
What is it then? To do as stoics tell, Nor laugh, nor weep, let things go ill or well? Such stoics are but stocks, such teaching vain, While man is man, he shall have ease or pain.
If not in honor, beauty, age, nor treasure, Nor yet in learning, wisdom, youth, nor pleasure, Where shall I climb, sound, seek, search, or find That summum bonum which may stay my mind? There is a path no vulture's eye hath seen, Where lion fierce, nor lion's whelps have been, Which leads unto that living crystal fount, Who drinks thereof, the world doth naught account.
The depth and sea have said " 'tis not in me," With pearl and gold it shall not valued be.
For sapphire, onyx, topaz who would change; It's hid from eyes of men, they count it strange.
Death and destruction the fame hath heard, But where and what it is, from heaven's declared; It brings to honor which shall ne'er decay, It stores with wealth which time can't wear away.
It yieldeth pleasures far beyond conceit, And truly beautifies without deceit.
Nor strength, nor wisdom, nor fresh youth shall fade, Nor death shall see, but are immortal made.
This pearl of price, this tree of life, this spring, Who is possessed of shall reign a king.
Nor change of state nor cares shall ever see, But wear his crown unto eternity.
This satiates the soul, this stays the mind, And all the rest, but vanity we find.

Book: Radiant Verses: A Journey Through Inspiring Poetry