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Best Famous Companions Poems

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Written by Kathleen Raine | Create an image from this poem

Millenial Hymn to Lord Shiva

 Earth no longer
hymns the Creator,
the seven days of wonder,
the Garden is over —
all the stories are told,
the seven seals broken
all that begins
must have its ending,
our striving, desiring,
our living and dying,
for Time, the bringer
of abundant days
is Time the destroyer —
In the Iron Age
the Kali Yuga
To whom can we pray
at the end of an era
but the Lord Shiva,
the Liberator, the purifier?

Our forests are felled,
our mountains eroded,
the wild places
where the beautiful animals
found food and sanctuary
we have desolated,
a third of our seas,
a third of our rivers
we have polluted
and the sea-creatures dying.
Our civilization’s
blind progress
in wrong courses
through wrong choices
has brought us to nightmare
where what seems,
is, to the dreamer,
the collective mind
of the twentieth century —
this world of wonders
not divine creation
but a big bang
of blind chance,
purposeless accident,
mother earth’s children,
their living and loving,
their delight in being
not joy but chemistry,
stimulus, reflex,
valueless, meaningless,
while to our machines
we impute intelligence,
in computers and robots
we store information
and call it knowledge,
we seek guidance
by dialling numbers,
pressing buttons, 
throwing switches,
in place of family
our companions are shadows,
cast on a screen,
bodiless voices, fleshless faces,
where was the Garden
a Disney-land
of virtual reality,
in place of angels
the human imagination
is peopled with foot-ballers
film-stars, media-men,
experts, know-all
television personalities,
animated puppets
with cartoon faces —
To whom can we pray
for release from illusion,
from the world-cave,
but Time the destroyer,
the liberator, the purifier?

The curse of Midas
has changed at a touch,
a golden handshake
earthly paradise
to lifeless matter,
where once was seed-time,
summer and winter,
food-chain, factory farming,
monocrops for supermarkets,
pesticides, weed-killers
birdless springs, 
endangered species,
battery-hens, hormone injections,
artificial insemination,
implants, transplants, sterilization,
surrogate births, contraception,
cloning, genetic engineering, abortion,
and our days shall be short
in the land we have sown
with the Dragon’s teeth
where our armies arise
fully armed on our killing-fields
with land-mines and missiles,
tanks and artillery,
gas-masks and body-bags,
our air-craft rain down
fire and destruction,
our space-craft broadcast
lies and corruption,
our elected parliaments
parrot their rhetoric
of peace and democracy
while the truth we deny
returns in our dreams
of Armageddon,
the death-wish, the arms-trade,
hatred and slaughter
profitable employment
of our thriving cities,
the arms-race
to the end of the world
of our postmodern, 
post-Christian,
post-human nations,
progress to the nihil
of our spent civilization.
But cause and effect,
just and inexorable
law of the universe
no fix of science,
nor amenable god
can save from ourselves
the selves we have become —
At the end of history
to whom can we pray
but to the destroyer,
the liberator, the purifier?

In the beginning
the stars sang together
the cosmic harmony,
but Time, imperceptible
taker-away
of all that has been,
all that will be,
our heart-beat your drum,
our dance of life
your dance of death
in the crematorium,
our high-rise dreams,
Valhalla, Utopia,
Xanadu, Shangri-la, world revolution
Time has taken, and soon will be gone
Cambridge, Princeton and M.I.T.,
Nalanda, Athens and Alexandria
all for the holocaust
of civilization —
To whom shall we pray
when our vision has faded
but the world-destroyer,
the liberator, the purifier?

But great is the realm
of the world-creator,
the world-sustainer
from whom we come,
in whom we move
and have our being,
about us, within us
the wonders of wisdom,
the trees and the fountains,
the stars and the mountains,
all the children of joy,
the loved and the known,
the unknowable mystery
to whom we return
through the world-destroyer, —
Holy, holy
at the end of the world
the purging fire
of the purifier, the liberator!


Written by John Drinkwater | Create an image from this poem

Persuasion

Persuasion

I 	At any moment love unheralded
Comes, and is king. Then as, with a fall
Of frost, the buds upon the hawthorn spread
Are withered in untimely burial,
So love, occasion gone, his crown puts by,
And as a beggar walks unfriended ways,
With but remembered beauty to defy
The frozen sorrows of unsceptred days.
Or in that later travelling he comes
Upon a bleak oblivion, and tells
Himself, again, again, forgotten tombs
Are all now that love was, and blindly spells
His royal state of old a glory cursed,
Saying 'I have forgot', and that's the worst.
II 	If we should part upon that one embrace,
And set our courses ever, each from each,
With all our treasure but a fading face
And little ghostly syllables of speech;
Should beauty's moment never be renewed,
And moons on moons look out for us in vain,
And each but whisper from a solitude
To hear but echoes of a lonely pain, —
Still in a world that fortune cannot change
Should walk those two that once were you and I,
Those two that once when moon and stars were strange
Poets above us in an April sky,
Heard a voice falling on the midnight sea,
Mute, and for ever, but for you and me.
III 	This nature, this great flood of life, this cheat
That uses us as baubles for her coat,
Takes love, that should be nothing but the beat
Of blood for its own beauty, by the throat,
Saying, you are my servant and shall do
My purposes, or utter bitterness
Shall be your wage, and nothing come to you
But stammering tongues that never can confess.
Undaunted then in answer here I cry,
'You wanton, that control the hand of him
Who masquerades as wisdom in a sky
Where holy, holy, sing the cherubim,
I will not pay one penny to your name
Though all my body crumble into shame.'
IV 	Woman, I once had whimpered at your hand,
Saying that all the wisdom that I sought
Lay in your brain, that you were as the sand
Should cleanse the muddy mirrors of my thought;
I should have read in you the character
Of oracles that quick a thousand lays,
Looked in your eyes, and seen accounted there
Solomons legioned for bewildered praise.
Now have I learnt love as love is. I take
Your hand, and with no inquisition learn
All that your eyes can tell, and that's to make
A little reckoning and brief, then turn
Away, and in my heart I hear a call,
'I love, I love, I love'; and that is all.
V 	When all the hungry pain of love I bear,
And in poor lightless thought but burn and burn,
And wit goes hunting wisdom everywhere,
Yet can no word of revelation learn;
When endlessly the scales of yea and nay
In dreadful motion fall and rise and fall,
When all my heart in sorrow I could pay
Until at last were left no tear at all;
Then if with tame or subtle argument
Companions come and draw me to a place
Where words are but the tappings of content,
And life spreads all her garments with a grace,
I curse that ease, and hunger in my heart
Back to my pain and lonely to depart.
VI 	Not anything you do can make you mine,
For enterprise with equal charity
In duty as in love elect will shine,
The constant slave of mutability.
Nor can your words for all their honey breath
Outsing the speech of many an older rhyme,
And though my ear deliver them from death
One day or two, it is so little time.
Nor does your beauty in its excellence
Excel a thousand in the daily sun,
Yet must I put a period to pretence,
And with my logic's catalogue have done,
For act and word and beauty are but keys
To unlock the heart, and you, dear love, are these.
VII 	Never the heart of spring had trembled so
As on that day when first in Paradise
We went afoot as novices to know
For the first time what blue was in the skies,
What fresher green than any in the grass,
And how the sap goes beating to the sun,
And tell how on the clocks of beauty pass
Minute by minute till the last is done.
But not the new birds singing in the brake,
And not the buds of our discovery,
The deeper blue, the wilder green, the ache
For beauty that we shadow as we see,
Made heaven, but we, as love's occasion brings,
Took these, and made them Paradisal things.
VIII 	The lilacs offer beauty to the sun,
Throbbing with wonder as eternally
For sad and happy lovers they have done
With the first bloom of summer in the sky;
Yet they are newly spread in honour now,
Because, for every beam of beauty given
Out of that clustering heart, back to the bough
My love goes beating, from a greater heaven.
So be my love for good or sorry luck
Bound, it has virtue on this April eve
That shall be there for ever when they pluck
Lilacs for love. And though I come to grieve
Long at a frosty tomb, there still shall be
My happy lyric in the lilac tree.
IX 	When they make silly question of my love,
And speak to me of danger and disdain,
And look by fond old argument to move
My wisdom to docility again;
When to my prouder heart they set the pride
Of custom and the gossip of the street,
And show me figures of myself beside
A self diminished at their judgment seat;
Then do I sit as in a drowsy pew
To hear a priest expounding th' heavenly will,
Defiling wonder that he never knew
With stolen words of measured good and ill;
For to the love that knows their counselling,
Out of my love contempt alone I bring.
X 	Not love of you is most that I can bring,
Since what I am to love you is the test,
And should I love you more than any thing
You would but be of idle love possessed,
A mere love wandering in appetite,
Counting your glories and yet bringing none,
Finding in you occasions of delight,
A thief of payment for no service done.
But when of labouring life I make a song
And bring it you, as that were my reward,
To let what most is me to you belong,
Then do I come of high possessions lord,
And loving life more than my love of you
I give you love more excellently true.
XI 	What better tale could any lover tell
When age or death his reckoning shall write
Than thus, 'Love taught me only to rebel
Against these things, — the thieving of delight
Without return; the gospellers of fear
Who, loving, yet deny the truth they bear,
Sad-suited lusts with lecherous hands to smear
The cloth of gold they would but dare not wear.
And love gave me great knowledge of the trees,
And singing birds, and earth with all her flowers;
Wisdom I knew and righteousness in these,
I lived in their atonement all my hours;
Love taught me how to beauty's eye alone
The secret of the lying heart is known.'
XII 	This then at last; we may be wiser far
Than love, and put his folly to our measure,
Yet shall we learn, poor wizards that we are,
That love chimes not nor motions at our pleasure.
We bid him come, and light an eager fire,
And he goes down the road without debating;
We cast him from the house of our desire,
And when at last we leave he will be waiting.
And in the end there is no folly but this,
To counsel love out of our little learning.
For still he knows where rotten timber is,
And where the boughs for the long winter burning;
And when life needs no more of us at all,
Love's word will be the last that we recall.
Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.
Written by Ezra Pound | Create an image from this poem

The Seafarer

 (From the early Anglo-Saxon text) 

May I for my own self song's truth reckon,
Journey's jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
Known on my keel many a care's hold,
And dire sea-surge, and there I oft spent
Narrow nightwatch nigh the ship's head
While she tossed close to cliffs. Coldly afflicted,
My feet were by frost benumbed.
Chill its chains are; chafing sighs
Hew my heart round and hunger begot
Mere-weary mood. Lest man know not
That he on dry land loveliest liveth,
List how I, care-wretched, on ice-cold sea,
Weathered the winter, wretched outcast
Deprived of my kinsmen;
Hung with hard ice-flakes, where hail-scur flew,
There I heard naught save the harsh sea
And ice-cold wave, at whiles the swan cries,
Did for my games the gannet's clamour,
Sea-fowls, loudness was for me laughter,
The mews' singing all my mead-drink.
Storms, on the stone-cliffs beaten, fell on the stern
In icy feathers; full oft the eagle screamed
With spray on his pinion.
Not any protector
May make merry man faring needy.
This he little believes, who aye in winsome life
Abides 'mid burghers some heavy business,
Wealthy and wine-flushed, how I weary oft
Must bide above brine.
Neareth nightshade, snoweth from north,
Frost froze the land, hail fell on earth then
Corn of the coldest. Nathless there knocketh now
The heart's thought that I on high streams
The salt-wavy tumult traverse alone.
Moaneth alway my mind's lust
That I fare forth, that I afar hence
Seek out a foreign fastness.
For this there's no mood-lofty man over earth's midst,
Not though he be given his good, but will have in his youth greed;
Nor his deed to the daring, nor his king to the faithful
But shall have his sorrow for sea-fare
Whatever his lord will.
He hath not heart for harping, nor in ring-having
Nor winsomeness to wife, nor world's delight
Nor any whit else save the wave's slash,
Yet longing comes upon him to fare forth on the water.
Bosque taketh blossom, cometh beauty of berries,
Fields to fairness, land fares brisker,
All this admonisheth man eager of mood,
The heart turns to travel so that he then thinks
On flood-ways to be far departing.
Cuckoo calleth with gloomy crying,
He singeth summerward, bodeth sorrow,
The bitter heart's blood. Burgher knows not --
He the prosperous man -- what some perform
Where wandering them widest draweth.
So that but now my heart burst from my breast-lock,
My mood 'mid the mere-flood,
Over the whale's acre, would wander wide.
On earth's shelter cometh oft to me,
Eager and ready, the crying lone-flyer,
Whets for the whale-path the heart irresistibly,
O'er tracks of ocean; seeing that anyhow
My lord deems to me this dead life
On loan and on land, I believe not
That any earth-weal eternal standeth
Save there be somewhat calamitous
That, ere a man's tide go, turn it to twain.
Disease or oldness or sword-hate
Beats out the breath from doom-gripped body.
And for this, every earl whatever, for those speaking after --
Laud of the living, boasteth some last word,
That he will work ere he pass onward,
Frame on the fair earth 'gainst foes his malice,
Daring ado, ...
So that all men shall honour him after
And his laud beyond them remain 'mid the English,
Aye, for ever, a lasting life's-blast,
Delight mid the doughty.
Days little durable,
And all arrogance of earthen riches,
There come now no kings nor Cæsars
Nor gold-giving lords like those gone.
Howe'er in mirth most magnified,
Whoe'er lived in life most lordliest,
Drear all this excellence, delights undurable!
Waneth the watch, but the world holdeth.
Tomb hideth trouble. The blade is layed low.
Earthly glory ageth and seareth.
No man at all going the earth's gait,
But age fares against him, his face paleth,
Grey-haired he groaneth, knows gone companions,
Lordly men are to earth o'ergiven,
Nor may he then the flesh-cover, whose life ceaseth,
Nor eat the sweet nor feel the sorry,
Nor stir hand nor think in mid heart,
And though he strew the grave with gold,
His born brothers, their buried bodies
Be an unlikely treasure hoard.
Written by Percy Bysshe Shelley | Create an image from this poem

To a Lady with a Guitar

ARIEL to Miranda:¡ªTake 
This slave of music for the sake 
Of him who is the slave of thee; 
And teach it all the harmony 
In which thou canst and only thou 5 
Make the delighted spirit glow  
Till joy denies itself again 
And too intense is turn'd to pain.
For by permission and command 
Of thine own Prince Ferdinand 10 
Poor Ariel sends this silent token 
Of more than ever can be spoken; 
Your guardian spirit Ariel who 
From life to life must still pursue 
Your happiness for thus alone 15 
Can Ariel ever find his own. 
From Prospero's enchanted cell  
As the mighty verses tell  
To the throne of Naples he 
Lit you o'er the trackless sea 20 
Flitting on your prow before  
Like a living meteor. 
When you die the silent Moon 
In her interlunar swoon 
Is not sadder in her cell 25 
Than deserted Ariel:¡ª 
When you live again on earth  
Like an unseen Star of birth 
Ariel guides you o'er the sea 
Of life from your nativity:¡ª 30 
Many changes have been run 
Since Ferdinand and you begun 
Your course of love and Ariel still 
Has track'd your steps and served your will. 
Now in humbler happier lot 35 
This is all remember'd not; 
And now alas the poor Sprite is 
Imprison'd for some fault of his 
In a body like a grave¡ª 
From you he only dares to crave 40 
For his service and his sorrow 
A smile to-day a song to-morrow. 

The artist who this viol wrought 
To echo all harmonious thought  
Fell'd a tree while on the steep 45 
The woods were in their winter sleep  
Rock'd in that repose divine 
On the wind-swept Apennine; 
And dreaming some of autumn past  
And some of spring approaching fast 50 
And some of April buds and showers  
And some of songs in July bowers  
And all of love; and so this tree ¡ª 
Oh that such our death may be!¡ª 
Died in sleep and felt no pain 55 
To live in happier form again: 
From which beneath heaven's fairest star  
The artist wrought this loved guitar; 
And taught it justly to reply 
To all who question skilfully 60 
In language gentle as thine own; 
Whispering in enamour'd tone 
Sweet oracles of woods and dells  
And summer winds in sylvan cells. 
For it had learnt all harmonies 65 
Of the plains and of the skies  
Of the forests and the mountains  
And the many-voic¨¨d fountains; 
The clearest echoes of the hills  
The softest notes of falling rills 70 
The melodies of birds and bees  
The murmuring of summer seas  
And pattering rain and breathing dew  
And airs of evening; and it knew 
That seldom-heard mysterious sound 75 
Which driven on its diurnal round  
As it floats through boundless day  
Our world enkindles on its way:¡ª 
All this it knows but will not tell 
To those who cannot question well 80 
The spirit that inhabits it: 
It talks according to the wit 
Of its companions; and no more 
Is heard than has been felt before 
By those who tempt it to betray 85 
These secrets of an elder day. 
But sweetly as its answers will 
Flatter hands of perfect skill  
It keeps its highest holiest tone 
For one beloved Friend alone. 90 


Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.


I 

Before the solemn bronze Saint Gaudens made 
To thrill the heedless passer's heart with awe, 
And set here in the city's talk and trade 
To the good memory of Robert Shaw, 
This bright March morn I stand, 
And hear the distant spring come up the land; 
Knowing that what I hear is not unheard 
Of this boy soldier and his ***** band, 
For all their gaze is fixed so stern ahead, 
For all the fatal rhythm of their tread. 
The land they died to save from death and shame 
Trembles and waits, hearing the spring's great name, 
And by her pangs these resolute ghosts are stirred. 


II 

Through street and mall the tides of people go 
Heedless; the trees upon the Common show 
No hint of green; but to my listening heart 
The still earth doth impart 
Assurance of her jubilant emprise, 
And it is clear to my long-searching eyes 
That love at last has might upon the skies. 
The ice is runneled on the little pond; 
A telltale patter drips from off the trees; 
The air is touched with southland spiceries, 
As if but yesterday it tossed the frond 
Of pendant mosses where the live-oaks grow 
Beyond Virginia and the Carolines, 
Or had its will among the fruits and vines 
Of aromatic isles asleep beyond 
Florida and the Gulf of Mexico. 


III 

Soon shall the Cape Ann children shout in glee, 
Spying the arbutus, spring's dear recluse; 
Hill lads at dawn shall hearken the wild goose 
Go honking northward over Tennessee; 
West from Oswego to Sault Sainte-Marie, 
And on to where the Pictured Rocks are hung, 
And yonder where, gigantic, wilful, young, 
Chicago sitteth at the northwest gates, 
With restless violent hands and casual tongue 
Moulding her mighty fates, 
The Lakes shall robe them in ethereal sheen; 
And like a larger sea, the vital green 
Of springing wheat shall vastly be outflung 
Over Dakota and the prairie states. 
By desert people immemorial 
On Arizonan mesas shall be done 
Dim rites unto the thunder and the sun; 
Nor shall the primal gods lack sacrifice 
More splendid, when the white Sierras call 
Unto the Rockies straightway to arise 
And dance before the unveiled ark of the year, 
Sounding their windy cedars as for shawms, 
Unrolling rivers clear 
For flutter of broad phylacteries; 
While Shasta signals to Alaskan seas 
That watch old sluggish glaciers downward creep 
To fling their icebergs thundering from the steep, 
And Mariposa through the purple calms 
Gazes at far Hawaii crowned with palms 
Where East and West are met, -- 
A rich seal on the ocean's bosom set 
To say that East and West are twain, 
With different loss and gain: 
The Lord hath sundered them; let them be sundered yet. 


IV 

Alas! what sounds are these that come 
Sullenly over the Pacific seas, -- 
Sounds of ignoble battle, striking dumb 
The season's half-awakened ecstasies? 
Must I be humble, then, 
Now when my heart hath need of pride? 
Wild love falls on me from these sculptured men; 
By loving much the land for which they died 
I would be justified. 
My spirit was away on pinions wide 
To soothe in praise of her its passionate mood 
And ease it of its ache of gratitude. 
Too sorely heavy is the debt they lay 
On me and the companions of my day. 
I would remember now 
My country's goodliness, make sweet her name. 
Alas! what shade art thou 
Of sorrow or of blame 
Liftest the lyric leafage from her brow, 
And pointest a slow finger at her shame? 


V 

Lies! lies! It cannot be! The wars we wage 
Are noble, and our battles still are won 
By justice for us, ere we lift the gage. 
We have not sold our loftiest heritage. 
The proud republic hath not stooped to cheat 
And scramble in the market-place of war; 
Her forehead weareth yet its solemn star. 
Here is her witness: this, her perfect son, 
This delicate and proud New England soul 
Who leads despisèd men, with just-unshackled feet, 
Up the large ways where death and glory meet, 
To show all peoples that our shame is done, 
That once more we are clean and spirit-whole. 


VI 

Crouched in the sea fog on the moaning sand 
All night he lay, speaking some simple word 
From hour to hour to the slow minds that heard, 
Holding each poor life gently in his hand 
And breathing on the base rejected clay 
Till each dark face shone mystical and grand 
Against the breaking day; 
And lo, the shard the potter cast away 
Was grown a fiery chalice crystal-fine 
Fulfilled of the divine 
Great wine of battle wrath by God's ring-finger stirred. 
Then upward, where the shadowy bastion loomed 
Huge on the mountain in the wet sea light, 
Whence now, and now, infernal flowerage bloomed, 
Bloomed, burst, and scattered down its deadly seed, -- 
They swept, and died like freemen on the height, 
Like freemen, and like men of noble breed; 
And when the battle fell away at night 
By hasty and contemptuous hands were thrust 
Obscurely in a common grave with him 
The fair-haired keeper of their love and trust. 
Now limb doth mingle with dissolvèd limb 
In nature's busy old democracy 
To flush the mountain laurel when she blows 
Sweet by the southern sea, 
And heart with crumbled heart climbs in the rose: -- 
The untaught hearts with the high heart that knew 
This mountain fortress for no earthly hold 
Of temporal quarrel, but the bastion old 
Of spiritual wrong, 
Built by an unjust nation sheer and strong, 
Expugnable but by a nation's rue 
And bowing down before that equal shrine 
By all men held divine, 
Whereof his band and he were the most holy sign. 


VII 

O bitter, bitter shade! 
Wilt thou not put the scorn 
And instant tragic question from thine eye? 
Do thy dark brows yet crave 
That swift and angry stave -- 
Unmeet for this desirous morn -- 
That I have striven, striven to evade? 
Gazing on him, must I not deem they err 
Whose careless lips in street and shop aver 
As common tidings, deeds to make his cheek 
Flush from the bronze, and his dead throat to speak? 
Surely some elder singer would arise, 
Whose harp hath leave to threaten and to mourn 
Above this people when they go astray. 
Is Whitman, the strong spirit, overworn? 
Has Whittier put his yearning wrath away? 
I will not and I dare not yet believe! 
Though furtively the sunlight seems to grieve, 
And the spring-laden breeze 
Out of the gladdening west is sinister 
With sounds of nameless battle overseas; 
Though when we turn and question in suspense 
If these things be indeed after these ways, 
And what things are to follow after these, 
Our fluent men of place and consequence 
Fumble and fill their mouths with hollow phrase, 
Or for the end-all of deep arguments 
Intone their dull commercial liturgies -- 
I dare not yet believe! My ears are shut! 
I will not hear the thin satiric praise 
And muffled laughter of our enemies, 
Bidding us never sheathe our valiant sword 
Till we have changed our birthright for a gourd 
Of wild pulse stolen from a barbarian's hut; 
Showing how wise it is to cast away 
The symbols of our spiritual sway, 
That so our hands with better ease 
May wield the driver's whip and grasp the jailer's keys. 


VIII 

Was it for this our fathers kept the law? 
This crown shall crown their struggle and their ruth? 
Are we the eagle nation Milton saw 
Mewing its mighty youth, 
Soon to possess the mountain winds of truth, 
And be a swift familiar of the sun 
Where aye before God's face his trumpets run? 
Or have we but the talons and the maw, 
And for the abject likeness of our heart 
Shall some less lordly bird be set apart? -- 
Some gross-billed wader where the swamps are fat? 
Some gorger in the sun? Some prowler with the bat? 


IX 

Ah no! 
We have not fallen so. 
We are our fathers' sons: let those who lead us know! 
'T was only yesterday sick Cuba's cry 
Came up the tropic wind, "Now help us, for we die!" 
Then Alabama heard, 
And rising, pale, to Maine and Idaho 
Shouted a burning word. 
Proud state with proud impassioned state conferred, 
And at the lifting of a hand sprang forth, 
East, west, and south, and north, 
Beautiful armies. Oh, by the sweet blood and young 
Shed on the awful hill slope at San Juan, 
By the unforgotten names of eager boys 
Who might have tasted girls' love and been stung 
With the old mystic joys 
And starry griefs, now the spring nights come on, 
But that the heart of youth is generous, -- 
We charge you, ye who lead us, 
Breathe on their chivalry no hint of stain! 
Turn not their new-world victories to gain! 
One least leaf plucked for chaffer from the bays 
Of their dear praise, 
One jot of their pure conquest put to hire, 
The implacable republic will require; 
With clamor, in the glare and gaze of noon, 
Or subtly, coming as a thief at night, 
But surely, very surely, slow or soon 
That insult deep we deeply will requite. 
Tempt not our weakness, our cupidity! 
For save we let the island men go free, 
Those baffled and dislaureled ghosts 
Will curse us from the lamentable coasts 
Where walk the frustrate dead. 
The cup of trembling shall be drainèd quite, 
Eaten the sour bread of astonishment, 
With ashes of the hearth shall be made white 
Our hair, and wailing shall be in the tent; 
Then on your guiltier head 
Shall our intolerable self-disdain 
Wreak suddenly its anger and its pain; 
For manifest in that disastrous light 
We shall discern the right 
And do it, tardily. -- O ye who lead, 
Take heed! 
Blindness we may forgive, but baseness we will smite.
Written by William Wordsworth | Create an image from this poem

The Complaint Of A Forsaken Indian Woman

[When a Northern Indian, from sickness, is unable to continue his journey with his companions; he is left behind, covered over with Deer-skins, and is supplied with water, food, and fuel if the situation of the place will afford it. He is informed of the track which his companions intend to pursue, and if he is unable to follow, or overtake them, he perishes alone in the Desart; unless he should have the good fortune to fall in with some other Tribes of Indians. It is unnecessary to add that the females are equally, or still more, exposed to the same fate. See that very interesting work, Hearne's Journey from Hudson's Bay to the Northern Ocean. In the high Northern Latititudes, as the same writer informs us, when the Northern Lights vary their position in the air, they make a rustling and a crackling noise. This circumstance is alluded to in the first stanza of the following poem.]

THE COMPLAINT, etc.

  Before I see another day,  Oh let my body die away!  In sleep I heard the northern gleams;  The stars they were among my dreams;  In sleep did I behold the skies,  I saw the crackling flashes drive;  And yet they are upon my eyes,  And yet I am alive.  Before I see another day,  Oh let my body die away!

  My fire is dead: it knew no pain;  Yet is it dead, and I remain.  All stiff with ice the ashes lie;  And they are dead, and I will die.  When I was well, I wished to live,  For clothes, for warmth, for food, and fire;  But they to me no joy can give,  No pleasure now, and no desire.  Then here contented will I lie;  Alone I cannot fear to die.

  Alas! you might have dragged me on  Another day, a single one!  Too soon despair o'er me prevailed;  Too soon my heartless spirit failed;  When you were gone my limbs were stronger,  And Oh how grievously I rue,  That, afterwards, a little longer,  My friends, I did not follow you!  For strong and without pain I lay,  My friends, when you were gone away.

  My child! they gave thee to another,  A woman who was not thy mother.  When from my arms my babe they took,  On me how strangely did he look!  Through his whole body something ran,  A most strange something did I see;  —As if he strove to be a man,  That he might pull the sledge for me.  And then he stretched his arms, how wild!  Oh mercy! like a little child.

  My little joy! my little pride!  In two days more I must have died.  Then do not weep and grieve for me;  I feel I must have died with thee.  Oh wind that o'er my head art flying,  The way my friends their course did bend,  I should not feel the pain of dying,  Could I with thee a message send.  Too soon, my friends, you went away;  For I had many things to say.

  I'll follow you across the snow,  You travel heavily and slow:  In spite of all my weary pain,  I'll look upon your tents again.  My fire is dead, and snowy white  The water which beside it stood;  The wolf has come to me to-night,  And he has stolen away my food.  For ever left alone am I,  Then wherefore should I fear to die?

  My journey will be shortly run,  I shall not see another sun,  I cannot lift my limbs to know  If they have any life or no.  My poor forsaken child! if I  For once could have thee close to me,  With happy heart I then should die,  And my last thoughts would happy be.  I feel my body die away,  I shall not see another day.

Written by Rabindranath Tagore | Create an image from this poem

The Journey

 The morning sea of silence broke into ripples of bird songs; 
and the flowers were all merry by the roadside; 
and the wealth of gold was scattered through the rift of the clouds 
while we busily went on our way and paid no heed. 

We sang no glad songs nor played; 
we went not to the village for barter; 
we spoke not a word nor smiled; 
we lingered not on the way. 
We quickened our pace more and more as the time sped by. 

The sun rose to the mid sky and doves cooed in the shade. 
Withered leaves danced and whirled in the hot air of noon. 
The shepherd boy drowsed and dreamed in the shadow of the banyan tree, 
and I laid myself down by the water 
and stretched my tired limbs on the grass. 

My companions laughed at me in scorn; 
they held their heads high and hurried on; 
they never looked back nor rested; 
they vanished in the distant blue haze. 

They crossed many meadows and hills, 
and passed through strange, far-away countries. 
All honor to you, heroic host of the interminable path! 
Mockery and reproach pricked me to rise, 
but found no response in me. 

I gave myself up for lost 
in the depth of a glad humiliation 
---in the shadow of a dim delight. 

The repose of the sun-embroidered green gloom 
slowly spread over my heart. 
I forgot for what I had traveled, 
and I surrendered my mind without struggle 
to the maze of shadows and songs. 

At last, when I woke from my slumber and opened my eyes, 
I saw thee standing by me, flooding my sleep with thy smile. 
How I had feared that the path was long and wearisome, 
and the struggle to reach thee was hard!
Written by Walt Whitman | Create an image from this poem

Carol of Words

 1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
 said; 
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future, 
Behold! these are vast words to be said. 

Were you thinking that those were the words—those upright lines? those curves,
 angles,
 dots? 
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you. 

Were you thinking that those were the words—those delicious sounds out of your
 friends’
 mouths? 
No, the real words are more delicious than they. 

Human bodies are words, myriads of words; 
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
 gay,
Every part able, active, receptive, without shame or the need of shame. 

2
Air, soil, water, fire—these are words; 
I myself am a word with them—my qualities interpenetrate with theirs—my name is
 nothing to
 them; 
Though it were told in the three thousand languages, what would air, soil, water, fire,
 know of
 my
 name? 

A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
 also. 

3
The workmanship of souls is by the inaudible words of the earth; 
The great masters know the earth’s words, and use them more than the audible words. 

Amelioration is one of the earth’s words; 
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump; 
It is not half beautiful only—defects and excrescences show just as much as
 perfections
 show. 

The earth does not withhold, it is generous enough; 
The truths of the earth continually wait, they are not so conceal’d either; 
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly, 
Conveying a sentiment and invitation of the earth—I utter and utter, 
I speak not, yet if you hear me not, of what avail am I to you? 
To bear—to better—lacking these, of what avail am I? 

4
Accouche! Accouchez!
Will you rot your own fruit in yourself there? 
Will you squat and stifle there? 

The earth does not argue, 
Is not pathetic, has no arrangements, 
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures, 
Closes nothing, refuses nothing, shuts none out, 
Of all the powers, objects, states, it notifies, shuts none out. 

5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
 underneath; 
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
 bargainers, 
Underneath these, possessing the words that never fail. 

To her children, the words of the eloquent dumb great mother never fail; 
The true words do not fail, for motion does not fail, and reflection does not fail; 
Also the day and night do not fail, and the voyage we pursue does not fail.

6
Of the interminable sisters, 
Of the ceaseless cotillions of sisters, 
Of the centripetal and centrifugal sisters, the elder and younger sisters, 
The beautiful sister we know dances on with the rest. 
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age, 
Sits she whom I too love like the rest—sits undisturb’d, 
Holding up in her hand what has the character of a mirror, while her eyes glance back from
 it, 
Glance as she sits, inviting none, denying none, 
Holding a mirror day and night tirelessly before her own face.

7
Seen at hand, or seen at a distance, 
Duly the twenty-four appear in public every day, 
Duly approach and pass with their companions, or a companion, 
Looking from no countenances of their own, but from the countenances of those who are with
 them, 
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things, 
From the landscape or waters, or from the exquisite apparition of the sky, 
From our countenances, mine and yours, faithfully returning them, 
Every day in public appearing without fail, but never twice with the same companions. 

8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
 the
 sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
 the
 first,
 sure and necessary as they. 

9
Tumbling on steadily, nothing dreading, 
Sunshine, storm, cold, heat, forever withstanding, passing, carrying, 
The Soul’s realization and determination still inheriting, 
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking, 
Swift, glad, content, unbereav’d, nothing losing, 
Of all able and ready at any time to give strict account, 
The divine ship sails the divine sea. 

10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you. 

Whoever you are! you are he or she for whom the earth is solid and liquid, 
You are he or she for whom the sun and moon hang in the sky, 
For none more than you are the present and the past, 
For none more than you is immortality.

11
Each man to himself, and each woman to herself, such is the word of the past and present,
 and
 the
 word of immortality; 
No one can acquire for another—not one! 
Not one can grow for another—not one! 

The song is to the singer, and comes back most to him; 
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him; 
The theft is to the thief, and comes back most to him; 
The love is to the lover, and comes back most to him; 
The gift is to the giver, and comes back most to him—it cannot fail; 
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
 own. 

12
I swear the earth shall surely be complete to him or her who shall be complete! 
I swear the earth remains jagged and broken only to him or her who remains jagged and
 broken! 
I swear there is no greatness or power that does not emulate those of the earth! 
I swear there can be no theory of any account, unless it corroborate the theory of the
 earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
 the
 amplitude of the earth, 
Unless it face the exactness, vitality, impartiality, rectitude of the earth. 

13
I swear I begin to see love with sweeter spasms than that which responds love! 
It is that which contains itself—which never invites, and never refuses. 

I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth! 
Toward him who sings the songs of the Body, and of the truths of the earth; 
Toward him who makes the dictionaries of words that print cannot touch. 

14
I swear I see what is better than to tell the best; 
It is always to leave the best untold.

When I undertake to tell the best, I find I cannot, 
My tongue is ineffectual on its pivots, 
My breath will not be obedient to its organs, 
I become a dumb man. 

The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer; 
Things are not dismiss’d from the places they held before; 
The earth is just as positive and direct as it was before; 
Facts, religions, improvements, politics, trades, are as real as before; 
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it, 
Undeniable growth has establish’d it. 

15
This is a poem—a carol of words—these are hints of meanings, 
These are to echo the tones of Souls, and the phrases of Souls; 
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then? 

I swear I will never henceforth have to do with the faith that tells the best! 
I will have to do only with that faith that leaves the best untold. 

16
Say on, sayers! 
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;) 
Work on, age after age! nothing is to be lost; 
It may have to wait long, but it will certainly come in use; 
When the materials are all prepared, the architects shall appear. 

I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you; 
I swear to you the greatest among them shall be he who best knows you, and encloses all,
 and is
 faithful to all; 
I swear to you, he and the rest shall not forget you—they shall perceive that you are
 not
 an
 iota less than they; 
I swear to you, you shall be glorified in them.
Written by John Betjeman | Create an image from this poem

Winter Landscape

 The three men coming down the winter hill
In brown, with tall poles and a pack of hounds
At heel, through the arrangement of the trees,
Past the five figures at the burning straw,
Returning cold and silent to their town,
Returning to the drifted snow, the rink
Lively with children, to the older men,
The long companions they can never reach,
The blue light, men with ladders, by the church
The sledge and shadow in the twilit street,
Are not aware that in the sandy time
To come, the evil waste of history
Outstretched, they will be seen upon the brow
Of that same hill: when all their company
Will have been irrecoverably lost,
These men, this particular three in brown
Witnessed by birds will keep the scene and say
By their configuration with the trees,
The small bridge, the red houses and the fire,
What place, what time, what morning occasion
Sent them into the wood, a pack of hounds
At heel and the tall poles upon their shoulders,
Thence to return as now we see them and
Ankle-deep in snow down the winter hill
Descend, while three birds watch and the fourth flies.

Book: Reflection on the Important Things