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Best Famous Commencing Poems

Here is a collection of the all-time best famous Commencing poems. This is a select list of the best famous Commencing poetry. Reading, writing, and enjoying famous Commencing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of commencing poems.

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Written by Walt Whitman | Create an image from this poem

A Broadway Pageant

 1
OVER the western sea, hither from Niphon come, 
Courteous, the swart-cheek’d two-sworded envoys, 
Leaning back in their open barouches, bare-headed, impassive, 
Ride to-day through Manhattan.
Libertad! I do not know whether others behold what I behold, In the procession, along with the nobles of Asia, the errand-bearers, Bringing up the rear, hovering above, around, or in the ranks marching; But I will sing you a song of what I behold, Libertad.
2 When million-footed Manhattan, unpent, descends to her pavements; When the thunder-cracking guns arouse me with the proud roar I love; When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes; When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a delicate thin haze; When, gorgeous, the countless straight stems, the forests at the wharves, thicken with colors; When every ship, richly drest, carries her flag at the peak; When pennants trail, and street-festoons hang from the windows; When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is densest; When the façades of the houses are alive with people—when eyes gaze, riveted, tens of thousands at a time; When the guests from the islands advance—when the pageant moves forward, visible; When the summons is made—when the answer that waited thousands of years, answers; I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with them.
3 Superb-faced Manhattan! Comrade Americanos!—to us, then, at last, the Orient comes.
To us, my city, Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space between, To-day our Antipodes comes.
The Originatress comes, The nest of languages, the bequeather of poems, the race of eld, Florid with blood, pensive, rapt with musings, hot with passion, Sultry with perfume, with ample and flowing garments, With sunburnt visage, with intense soul and glittering eyes, The race of Brahma comes! 4 See, my cantabile! these, and more, are flashing to us from the procession; As it moves, changing, a kaleidoscope divine it moves, changing, before us.
For not the envoys, nor the tann’d Japanee from his island only; Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the dead, The murky night morning of wonder and fable, inscrutable, The envelop’d mysteries, the old and unknown hive-bees, The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients, Vast desolated cities—the gliding Present—all of these, and more, are in the pageant-procession.
Geography, the world, is in it; The Great Sea, the brood of islands, Polynesia, the coast beyond; The coast you, henceforth, are facing—you Libertad! from your Western golden shores The countries there, with their populations—the millions en-masse, are curiously here; The swarming market places—the temples, with idols ranged along the sides, or at the end—bonze, brahmin, and lama; The mandarin, farmer, merchant, mechanic, and fisherman; The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors, Confucius himself—the great poets and heroes—the warriors, the castes, all, Trooping up, crowding from all directions—from the Altay mountains, From Thibet—from the four winding and far-flowing rivers of China, From the Southern peninsulas, and the demi-continental islands—from Malaysia; These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me, And I am seiz’d by them, and friendlily held by them, Till, as here, them all I chant, Libertad! for themselves and for you.
5 For I too, raising my voice, join the ranks of this pageant; I am the chanter—I chant aloud over the pageant; I chant the world on my Western Sea; I chant, copious, the islands beyond, thick as stars in the sky; I chant the new empire, grander than any before—As in a vision it comes to me; I chant America, the Mistress—I chant a greater supremacy; I chant, projected, a thousand blooming cities yet, in time, on those groups of sea-islands; I chant my sail-ships and steam-ships threading the archipelagoes; I chant my stars and stripes fluttering in the wind; I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d; Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must be, Commencing from this day, surrounded by the world.
6 And you, Libertad of the world! You shall sit in the middle, well-pois’d, thousands of years; As to-day, from one side, the nobles of Asia come to you; As to-morrow, from the other side, the Queen of England sends her eldest son to you.
7 The sign is reversing, the orb is enclosed, The ring is circled, the journey is done; The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the whole box.
8 Young Libertad! With the venerable Asia, the all-mother, Be considerate with her, now and ever, hot Libertad—for you are all; Bend your proud neck to the long-off mother, now sending messages over the archipelagoes to you; Bend your proud neck low for once, young Libertad.
9 Were the children straying westward so long? so wide the tramping? Were the precedent dim ages debouching westward from Paradise so long? Were the centuries steadily footing it that way, all the while unknown, for you, for reasons? They are justified—they are accomplish’d—they shall now be turn’d the other way also, to travel toward you thence; They shall now also march obediently eastward, for your sake, Libertad.


Written by Victor Hugo | Create an image from this poem

THE THREE GLORIOUS DAYS

 ("Frères, vous avez vos journées.") 
 
 {I., July, 1830.} 


 Youth of France, sons of the bold, 
 Your oak-leaf victor-wreaths behold! 
 Our civic-laurels—honored dead! 
 So bright your triumphs in life's morn, 
 Your maiden-standards hacked and torn, 
 On Austerlitz might lustre shed. 
 
 All that your fathers did re-done— 
 A people's rights all nobly won— 
 Ye tore them living from the shroud! 
 Three glorious days bright July's gift, 
 The Bastiles off our hearts ye lift! 
 Oh! of such deeds be ever proud! 
 
 Of patriot sires ye lineage claim, 
 Their souls shone in your eye of flame; 
 Commencing the great work was theirs; 
 On you the task to finish laid 
 Your fruitful mother, France, who bade 
 Flow in one day a hundred years. 
 
 E'en chilly Albion admires, 
 The grand example Europe fires; 
 America shall clap her hands, 
 When swiftly o'er the Atlantic wave, 
 Fame sounds the news of how the brave, 
 In three bright days, have burst their bands! 
 
 With tyrant dead your fathers traced 
 A circle wide, with battles graced; 
 Victorious garland, red and vast! 
 Which blooming out from home did go 
 To Cadiz, Cairo, Rome, Moscow, 
 From Jemappes to Montmirail passed! 
 
 Of warlike Lyceums{1} ye are 
 The favored sons; there, deeds of war 
 Formed e'en your plays, while o'er you shook 
 The battle-flags in air aloft! 
 Passing your lines, Napoleon oft 
 Electrified you with a look! 
 
 Eagle of France! whose vivid wing 
 Did in a hundred places fling 
 A bloody feather, till one night 
 The arrow whelmed thee 'neath the wave! 
 Look up—rejoice—for now thy brave 
 And worthy eaglets dare the light. 
 
 ELIZABETH COLLINS. 
 
 {Footnote 1: The pupils of the Polytechnic Military School distinguished 
 themselves by their patriotic zeal and military skill, through all the 
 troubles.} 


 




Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO VI ( Dyscomfyture )

 As one who strives a hill to climb,
Who never climbed before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the thing a bore: 

Yet, having once begun to try,
Dares not desert his quest,
But, climbing, ever keeps his eye
On one small hut against the sky
Wherein he hopes to rest: 

Who climbs till nerve and force are spent,
With many a puff and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath more scant: 

Who, climbing, gains at length the place
That crowns the upward track.
And, entering with unsteady pace, Receives a buffet in the face That lands him on his back: And feels himself, like one in sleep, Glide swiftly down again, A helpless weight, from steep to steep, Till, with a headlong giddy sweep, He drops upon the plain - So I, that had resolved to bring Conviction to a ghost, And found it quite a different thing From any human arguing, Yet dared not quit my post But, keeping still the end in view To which I hoped to come, I strove to prove the matter true By putting everything I knew Into an axiom: Commencing every single phrase With 'therefore' or 'because,' I blindly reeled, a hundred ways, About the syllogistic maze, Unconscious where I was.
Quoth he "That's regular clap-trap: Don't bluster any more.
Now DO be cool and take a nap! Such a ridiculous old chap Was never seen before! "You're like a man I used to meet, Who got one day so furious In arguing, the simple heat Scorched both his slippers off his feet!" I said "THAT'S VERY CURIOUS!" "Well, it IS curious, I agree, And sounds perhaps like fibs: But still it's true as true can be - As sure as your name's Tibbs," said he.
I said "My name's NOT Tibbs.
" "NOT Tibbs!" he cried - his tone became A shade or two less hearty - "Why, no," said I.
"My proper name Is Tibbets - " "Tibbets?" "Aye, the same.
" "Why, then YOU'RE NOT THE PARTY!" With that he struck the board a blow That shivered half the glasses.
"Why couldn't you have told me so Three quarters of an hour ago, You prince of all the asses? "To walk four miles through mud and rain, To spend the night in smoking, And then to find that it's in vain - And I've to do it all again - It's really TOO provoking! "Don't talk!" he cried, as I began To mutter some excuse.
"Who can have patience with a man That's got no more discretion than An idiotic goose? "To keep me waiting here, instead Of telling me at once That this was not the house!" he said.
"There, that'll do - be off to bed! Don't gape like that, you dunce!" "It's very fine to throw the blame On ME in such a fashion! Why didn't you enquire my name The very minute that you came?" I answered in a passion.
"Of course it worries you a bit To come so far on foot - But how was I to blame for it?" "Well, well!" said he.
"I must admit That isn't badly put.
"And certainly you've given me The best of wine and victual - Excuse my violence," said he, "But accidents like this, you see, They put one out a little.
"'Twas MY fault after all, I find - Shake hands, old Turnip-top!" The name was hardly to my mind, But, as no doubt he meant it kind, I let the matter drop.
"Good-night, old Turnip-top, good-night! When I am gone, perhaps They'll send you some inferior Sprite, Who'll keep you in a constant fright And spoil your soundest naps.
"Tell him you'll stand no sort of trick; Then, if he leers and chuckles, You just be handy with a stick (Mind that it's pretty hard and thick) And rap him on the knuckles! "Then carelessly remark 'Old coon! Perhaps you're not aware That, if you don't behave, you'll soon Be chuckling to another tune - And so you'd best take care!' "That's the right way to cure a Sprite Of such like goings-on - But gracious me! It's getting light! Good-night, old Turnip-top, good-night!" A nod, and he was gone.
Written by Henry Lawson | Create an image from this poem

Mount Bukaroo

 Only one old post is standing -- 
Solid yet, but only one -- 
Where the milking, and the branding, 
And the slaughtering were done.
Later years have brought dejection, Care, and sorrow; but we knew Happy days on that selection Underneath old Bukaroo.
Then the light of day commencing Found us at the gully's head, Splitting timber for the fencing, Stripping bark to roof the shed.
Hands and hearts the labour strengthened; Weariness we never knew, Even when the shadows lengthened Round the base of Bukaroo.
There for days below the paddock How the wilderness would yield To the spade, and pick, and mattock, While we toiled to win the field.
Bronzed hands we used to sully Till they were of darkest hue, `Burning off' down in the gully At the back of Bukaroo.
When we came the baby brother Left in haste his broken toys, Shouted to the busy mother: `Here is dadda and the boys!' Strange it seems that she was able For the work that she would do; How she'd bustle round the table In the hut 'neath Bukaroo! When the cows were safely yarded, And the calves were in the pen, All the cares of day discarded, Closed we round the hut-fire then.
Rang the roof with boyish laughter While the flames o'er-topped the flue; Happy days remembered after -- Far away from Bukaroo.
But the years were full of changes, And a sorrow found us there; For our home amid the ranges Was not safe from searching Care.
On he came, a silent creeper; And another mountain threw O'er our lives a shadow deeper Than the shade of Bukaroo.
All the farm is disappearing; For the home has vanished now, Mountain scrub has choked the clearing, Hid the furrows of the plough.
Nearer still the scrub is creeping Where the little garden grew; And the old folks now are sleeping At the foot of Bukaroo.
Written by Anne Sexton | Create an image from this poem

The Fury Of Sunrises

 Darkness 
as black as your eyelid, 
poketricks of stars, 
the yellow mouth, 
the smell of a stranger, 
dawn coming up, 
dark blue, 
no stars, 
the smell of a love, 
warmer now 
as authenic as soap, 
wave after wave 
of lightness 
and the birds in their chains 
going mad with throat noises, 
the birds in their tracks 
yelling into their cheeks like clowns, 
lighter, lighter, 
the stars gone, 
the trees appearing in their green hoods, 
the house appearing across the way, 
the road and its sad macadam, 
the rock walls losing their cotton, 
lighter, lighter, 
letting the dog out and seeing 
fog lift by her legs, 
a gauze dance, 
lighter, lighter, 
yellow, blue at the tops of trees, 
more God, more God everywhere, 
lighter, lighter, 
more world everywhere, 
sheets bent back for people, 
the strange heads of love 
and breakfast, 
that sacrament, 
lighter, yellower, 
like the yolk of eggs, 
the flies gathering at the windowpane, 
the dog inside whining for good 
and the day commencing, 
not to die, not to die, 
as in the last day breaking, 
a final day digesting itself, 
lighter, lighter, 
the endless colors, 
the same old trees stepping toward me, 
the rock unpacking its crevices, 
breakfast like a dream 
and the whole day to live through, 
steadfast, deep, interior.
After the death, after the black of black, the lightness,— not to die, not to die— that God begot.



Book: Reflection on the Important Things