Written by
Kahlil Gibran |
As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass.
I took heed and saw a young couple approaching my arbor.
The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin.
"Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret.
Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?"
In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor.
As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age!
I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience.
Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation.
I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude.
Good-bye, my beloved; I must leave before the heartening moon vanishes.
"
A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved.
"
They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase.
Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
|
Written by
Amy Lowell |
The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him.
'Twarn't me!
Somethin' got aholt o' me.
I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it.
I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)
|
Written by
Kahlil Gibran |
Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments.
Now I could breathe.
I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.
I commenced analyzing man's mission, but could conclude only that most of his life was identified with struggle and hardship.
Then I tried not to ponder over what the sons of Adam had done, and centered my eyes on the field which is the throne of God's glory.
In one secluded corner of the field I observed a burying ground surrounded by poplar trees.
There, between the city of the dead and the city of the living, I meditated.
I thought of the eternal silence in the first and the endless sorrow in the second.
In the city of the living I found hope and despair; love and hatred, joy and sorrow, wealth and poverty, faith and infidelity.
In the city of the dead there is buried earth in earth that Nature converts, in the night's silence, into vegetation, and then into animal, and then into man.
As my mind wandered in this fashion, I saw a procession moving slowly and reverently, accompanied by pieces of music that filled the sky with sad melody.
It was an elaborate funeral.
The dead was followed by the living who wept and lamented his going.
As the cortege reached the place of interment the priests commenced praying and burning incense, and musicians blowing and plucking their instruments, mourning the departed.
Then the leaders came forward one after the other and recited their eulogies with fine choice of words.
At last the multitude departed, leaving the dead resting in a most spacious and beautiful vault, expertly designed in stone and iron, and surrounded by the most expensively-entwined wreaths of flowers.
The farewell-bidders returned to the city and I remained, watching them from a distance and speaking softly to myself while the sun was descending to the horizon and Nature was making her many preparations for slumber.
Then I saw two men laboring under the weight of a wooden casket, and behind them a shabby-appearing woman carrying an infant on her arms.
Following last was a dog who, with heartbreaking eyes, stared first at the woman and then at the casket.
It was a poor funeral.
This guest of Death left to cold society a miserable wife and an infant to share her sorrows and a faithful dog whose heart knew of his companion's departure.
As they reached the burial place they deposited the casket into a ditch away from the tended shrubs and marble stones, and retreated after a few simple words to God.
The dog made one last turn to look at his friend's grave as the small group disappeared behind the trees.
I looked at the city of the living and said to myself, "That place belongs to the few.
" Then I looked upon the trim city of the dead and said, "That place, too, belongs to the few.
Oh Lord, where is the haven of all the people?"
As I said this, I looked toward the clouds, mingled with the sun's longest and most beautiful golden rays.
And I heard a voice within me saying, "Over there!"
|
Written by
Walt Whitman |
A BATTER’D, wreck’d old man,
Thrown on this savage shore, far, far from home,
Pent by the sea, and dark rebellious brows, twelve dreary months,
Sore, stiff with many toils, sicken’d, and nigh to death,
I take my way along the island’s edge,
Venting a heavy heart.
I am too full of woe!
Haply, I may not live another day;
I can not rest, O God—I can not eat or drink or sleep,
Till I put forth myself, my prayer, once more to Thee,
Breathe, bathe myself once more in Thee—commune with Thee,
Report myself once more to Thee.
Thou knowest my years entire, my life,
(My long and crowded life of active work—not adoration merely;)
Thou knowest the prayers and vigils of my youth;
Thou knowest my manhood’s solemn and visionary meditations;
Thou knowest how, before I commenced, I devoted all to come to Thee;
Thou knowest I have in age ratified all those vows, and strictly kept them;
Thou knowest I have not once lost nor faith nor ecstasy in Thee;
(In shackles, prison’d, in disgrace, repining not,
Accepting all from Thee—as duly come from Thee.
)
All my emprises have been fill’d with Thee,
My speculations, plans, begun and carried on in thoughts of Thee,
Sailing the deep, or journeying the land for Thee;
Intentions, purports, aspirations mine—leaving results to Thee.
O I am sure they really come from Thee!
The urge, the ardor, the unconquerable will,
The potent, felt, interior command, stronger than words,
A message from the Heavens, whispering to me even in sleep,
These sped me on.
By me, and these, the work so far accomplish’d (for what has been, has been;)
By me Earth’s elder, cloy’d and stifled lands, uncloy’d, unloos’d;
By me the hemispheres rounded and tied—the unknown to the known.
The end I know not—it is all in Thee;
Or small, or great, I know not—haply, what broad fields, what lands;
Haply, the brutish, measureless human undergrowth I know,
Transplanted there, may rise to stature, knowledge worthy Thee;
Haply the swords I know may there indeed be turn’d to reaping-tools;
Haply the lifeless cross I know—Europe’s dead cross—may bud and blossom
there.
One effort more—my altar this bleak sand:
That Thou, O God, my life hast lighted,
With ray of light, steady, ineffable, vouchsafed of Thee,
(Light rare, untellable—lighting the very light!
Beyond all signs, descriptions, languages!)
For that, O God—be it my latest word—here on my knees,
Old, poor, and paralyzed—I thank Thee.
My terminus near,
The clouds already closing in upon me,
The voyage balk’d—the course disputed, lost,
I yield my ships to Thee.
Steersman unseen! henceforth the helms are Thine;
Take Thou command—(what to my petty skill Thy navigation?)
My hands, my limbs grow nerveless;
My brain feels rack’d, bewilder’d; Let the old timbers part—I will not
part!
I will cling fast to Thee, O God, though the waves buffet me;
Thee, Thee, at least, I know.
Is it the prophet’s thought I speak, or am I raving?
What do I know of life? what of myself?
I know not even my own work, past or present;
Dim, ever-shifting guesses of it spread before me,
Of newer, better worlds, their mighty parturition,
Mocking, perplexing me.
And these things I see suddenly—what mean they?
As if some miracle, some hand divine unseal’d my eyes,
Shadowy, vast shapes, smile through the air and sky,
And on the distant waves sail countless ships,
And anthems in new tongues I hear saluting me.
|
Written by
Kahlil Gibran |
My wearied heart bade me farewell and left for the House of Fortune.
As he reached that holy city which the soul had blessed and worshipped, he commenced wondering, for he could not find what he had always imagined would be there.
The city was empty of power, money, and authority.
And my heart spoke to the daughter of Love saying, "Oh Love, where can I find Contentment? I heard that she had come here to join you.
"
And the daughter of Love responded, "Contentment has already gone to preach her gospel in the city, where greed and corruption are paramount; we are not in need of her.
"
Fortune craves not Contentment, for it is an earthly hope, and its desires are embraced by union with objects, while Contentment is naught but heartfelt.
The eternal soul is never contented; it ever seeks exaltation.
Then my heart looked upon Life of Beauty and said: "Thou art all knowledge; enlighten me as to the mystery of Woman.
" And he answered, "Oh human heart, woman is your own reflection, and whatever you are, she is; wherever you live, she lives; she is like religion if not interpreted by the ignorant, and like a moon, if not veiled with clouds, and like a breeze, if not poisoned with impurities.
"
And my heart walked toward Knowledge, the daughter of Love and Beauty, and said, "Bestow upon me wisdom, that I might share it with the people.
" And she responded, "Say not wisdom, but rather fortune, for real fortune comes not from outside, but begins in the Holy of Holies of life.
Share of thyself with the people.
"
|
Written by
Paul Laurence Dunbar |
De 'cession's stahted on de gospel way,
De Capting is a-drawin' nigh:
Bettah stop a-foolin' an' a-try to pray;
Lif' up yo' haid w'en de King go by!
Oh, sinnah mou'nin' in de dusty road,
Hyeah 's de minute fu' to dry yo' eye:
Dey 's a moughty One a-comin' fu' to baih yo' load;
Lif' up yo' haid w'en de King go by!
Oh, widder weepin' by yo' husban's grave,
Hit 's bettah fu' to sing den sigh:
Hyeah come de Mastah wid de powah to save;
Lif' up yo' haid w'en de King go by!
Oh, orphans a-weepin' lak de widder do,
An' I wish you 'd tell me why:
De Mastah is a mammy an' a pappy too;
Lif' up yo' haid w'en de King go by!
Oh, Moses sot de sarpint in de wildahness
W'en de chillun had commenced to die:
Some 'efused to look, but hit cuohed de res';
Lif' up yo' haid w'en de King go by!
Bow down, bow 'way down, Bow down,
But lif' up yo' haid w'en de King go by!
|
Written by
Andrew Barton Paterson |
There was movement at the station, for the word has passed around
That the colt from old Regret had got away,
And had joined the wild bush horses—he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stock-horse snuffs the battle with delight.
There was Harrison, who made his pile when Pardon won the cup,
The old man with his hair as white as snow;
But few could ride beside him when his blood was fairly up—
He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand;
No better horseman ever held the reins;
For never horse could throw him while the saddle girths would stand—
He had learnt to ride while droving on the plains.
And one was there, a sripling on a small and weedy beast,
He was something like a racehorse undersized,
With a touch of Timor pony—three parts thoroughbred at least—
And such as are by mountain horsemen prized.
He was hard and tough and wiry—just the sort that won't say die—
There was courage in his quick impatient tread;
And he bore the badge of gameness in his bright and fiery eye,
And the proud and lofty carriage of his head.
But still so slight and weedy, one would doubt his power to stay,
And the old man said, "That horse will never do
For a long and tiring gallop—lad, you'd better stop away,
For those hills are far too rough for such as you.
"
So he waited, sad and wistful—only Clancy stood his friend—
"I think we ought to let him come," he said;
"I warrant he'll be with us when he's wanted at the end,
For both his horse and he are mountain bred.
'He hails from Snowy River, up by Kosiosko's side,
Where the hills are twice as steep and twice as rough;
Where the horse's hoofs strike firelight from the flintstones every stride,
There the man that holds his own is good enough.
And the Snowy River riders in the mountains make their home,
Wher the river runs those giant hills between;
I have seen full many riders since I first commenced to roam,
But nowhere yet such horsemen have I seen.
"
So he went; they found the horses by the big mimosa clump,
They raced away towards the mountain's brow,
And the old man gave his orders, "Boys, go at them from the jump,
No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills,
For never yet was rider that could keep the mob in sight,
If once they gain the shelter of those hills.
"
So Clancy rode to wheel them—he was racing on the wing
Where the best and boldest riders take their place.
And he raced his stock-horse past them.
and he made the ranges ring
With his stock-whip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash,
But they saw their well-loved mountain full in view,
And they charged beneath the stock-whip with a sharp and sudden dash,
And off into the mountain scrub they flew.
Then fast the horsemen followed, where the gorges deep and black
Resounded to the thunder of their tread,
And their stock-whips woke the echoes, and they fiercely answered back
from the cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way,
Where the mountain ash and kurrajong grew wide;
And the old man muttered fiercely, "We may bid the mob good-day,
For no man can hold them down the other side.
"
When they reached the mountain's summit, even Clancy took a pull—
It well might make the boldest hold their breath;
For the wild hop scrub grew thickly, and the hidden ground was full
Of wombat holes, and any slip meant death.
But the man from Snowy River let the pony have its head,
He swung his stock-whip round and gave a cheer,
And he raced him down that mountain like a torrent down its bed,
While the others stood and watched in very fear.
He sent the flintstones flying, but the pony kept its feet,
He cleared the fallen timber in his stride,
And the man from Snowy River never shifted in his seat—
It was grand to see that mountain horseman ride.
Through the stringy barks and saplings, over rough and broken ground,
Down the hillside at a racing pace he went;
And he never drew the bridle till he landed safe and sound
At the bottom of that terrible descent.
He was right among the horses as he climbed the further hill,
And the watchers on the hillside, standing mute,
Saw him ply the stock-whip fiercely; he was right among them still,
As he raced across a clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met
In the ranges—but a final glimpse reveals
On a dim and distant hillside, the wild horses racing yet
With the man from Snowy River at their heels.
And he ran them single-handed till their flanks were white with foam;
He followed like a bloodhound in their track,
Till they halted, cowed and beaten; and he turned their heads for home,
And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot,
He was blood from hip to shoulder from the spur;
But his pluck was still undaunted, and his courage fiery hot,
For never yet was mountain horse a cur.
And down by Kosiosko, where the pine-clad ridges raise
Their torn and rugged battlements on high,
Where the air is clear as crystal, and the white stars fairly blaze
Of a midnight in the cold and frosty sky,
And where around the Overflow the reed-beds sweep and sway
To the breezes, and the rolling plains are wide,
There the man from Snowy River is a household word today,
And the stockmen tell the story of his ride.
|
Written by
Paul Laurence Dunbar |
I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]
|
Written by
Amy Lowell |
Good ev'nin', Mis' Priest.
I jest stepped in to tell you Good-bye.
Yes, it's all over.
All my things is packed
An' every last one o' them boxes
Is on Bradley's team
Bein' hauled over to th' depot.
No, I ain't goin' back agin.
I'm stoppin' over to French's fer to-night,
And goin' down first train in th' mornin'.
Yes, it do seem kinder *****
Not to be goin' to see Cherry's Orchard no more,
But Land Sakes! When a change's comin',
Why, I al'ays say it can't come too quick.
Now, that's real kind o' you,
Your doughnuts is always so tasty.
Yes, I'm goin' to Chicago,
To my niece,
She's married to a fine man, hardware business,
An' doin' real well, she tells me.
Lizzie's be'n at me to go out ther for the longest while.
She ain't got no kith nor kin to Chicago, you know
She's rented me a real nice little flat,
Same house as hers,
An' I'm goin' to try that city livin' folks say's so pleasant.
Oh, yes, he was real generous,
Paid me a sight o' money fer the Orchard;
I told him 'twouldn't yield nothin' but stones,
But he ain't farmin' it.
Lor', no, Mis' Priest,
He's jest took it to set and look at the view.
Mebbe he wouldn't be so stuck on the view
Ef he'd seed it every mornin' and night for forty year
Same's as I have.
I dessay it's pretty enough,
But it's so pressed into me
I c'n see't with my eyes shut.
No.
I ain't cold, Mis' Priest,
Don't shut th' door.
I'll be all right in a minit.
But I ain't a mite sorry to leave that view.
Well, mebbe 'tis ***** to feel so,
An' mebbe 'taint.
My! But that tea's revivin'.
Old things ain't always pleasant things, Mis' Priest.
No, no, I don't cal'late on comin' back,
That's why I'd ruther be to Chicago,
Boston's too near.
It ain't cold, Mis' Priest,
It's jest my thoughts.
I ain't sick, only --
Mis' Priest, ef you've nothin' ter take yer time,
An' have a mind to listen,
Ther's somethin' I'd like ter speak about
I ain't never mentioned it,
But I'd like to tell yer 'fore I go.
Would you mind lowerin' them shades,
Fall twilight's awful grey,
An' that fire's real cosy with the shades drawed.
Well, I guess folks about here think I've be'n dret'ful onsociable.
You needn't say 'taint so, 'cause I know diff'rent.
An' what's more, it's true.
Well, the reason is I've be'n scared out o' my life.
Scared ev'ry minit o' th' time, fer eight year.
Eight mortal year 'tis, come next June.
'Twas on the eighteenth o' June,
Six months after I'd buried my husband,
That somethin' happened ter me.
Mebbe you'll mind that afore that
I was a cheery body.
Hiram was too,
Al'ays liked to ask a neighbor in,
An' ev'n when he died,
Barrin' low sperrits, I warn't averse to seein' nobody.
But that eighteenth o' June changed ev'rythin'.
I was doin' most o' th' farmwork myself,
With jest a hired boy, Clarence King, 'twas,
Comin' in fer an hour or two.
Well, that eighteenth o' June
I was goin' round,
Lockin' up and seein' to things 'fore I went to bed.
I was jest steppin' out t' th' barn,
Goin' round outside 'stead o' through the shed,
'Cause there was such a sight o' moonlight
Somehow or another I thought 'twould be pretty outdoors.
I got settled for pretty things that night, I guess.
I ain't stuck on 'em no more.
Well, them laylock bushes side o' th' house
Was real lovely.
Glitt'rin' and shakin' in the moonlight,
An' the smell o' them rose right up
An' most took my breath away.
The colour o' the spikes was all faded out,
They never keep their colour when the moon's on 'em,
But the smell fair 'toxicated me.
I was al'ays partial to a sweet scent,
An' I went close up t' th' bushes
So's to put my face right into a flower.
Mis' Priest, jest's I got breathin' in that laylock bloom
I saw, layin' right at my feet,
A man's hand!
It was as white's the side o' th' house,
And sparklin' like that lum'nous paint they put on gate-posts.
I screamed right out,
I couldn't help it,
An' I could hear my scream
Goin' over an' over
In that echo be'ind th' barn.
Hearin' it agin an' agin like that
Scared me so, I dar'sn't scream any more.
I jest stood ther,
And looked at that hand.
I thought the echo'd begin to hammer like my heart,
But it didn't.
There was only th' wind,
Sighin' through the laylock leaves,
An' slappin' 'em up agin the house.
Well, I guess I looked at that hand
Most ten minits,
An' it never moved,
Jest lay there white as white.
After a while I got to thinkin' that o' course
'Twas some drunken tramp over from Redfield.
That calmed me some,
An' I commenced to think I'd better git him out
From under them laylocks.
I planned to drag him in t' th' barn
An' lock him in ther till Clarence come in th' mornin'.
I got so mad thinkin' o' that all-fired brazen tramp
Asleep in my laylocks,
I jest stooped down and grabbed th' hand and give it an awful pull.
Then I bumped right down settin' on the ground.
Mis' Priest, ther warn't no body come with the hand.
No, it ain't cold, it's jest that I can't abear thinkin' of it,
Ev'n now.
I'll take a sip o' tea.
Thank you, Mis' Priest, that's better.
I'd ruther finish now I've begun.
Thank you, jest the same.
I dropped the hand's ef it'd be'n red hot
'Stead o' ice cold.
Fer a minit or two I jest laid on that grass
Pantin'.
Then I up and run to them laylocks
An' pulled 'em every which way.
True es I'm settin' here, Mis' Priest,
Ther warn't nothin' ther.
I peeked an' pryed all about 'em,
But ther warn't no man ther
Neither livin' nor dead.
But the hand was ther all right,
Upside down, the way I'd dropped it,
And glist'nin' fit to dazzle yer.
I don't know how I done it,
An' I don't know why I done it,
But I wanted to git that dret'ful hand out o' sight
I got in t' th' barn, somehow,
An' felt roun' till I got a spade.
I couldn't stop fer a lantern,
Besides, the moonlight was bright enough in all conscience.
Then I scooped that awful thing up in th' spade.
I had a sight o' trouble doin' it.
It slid off, and tipped over, and I couldn't bear
Ev'n to touch it with my foot to prop it,
But I done it somehow.
Then I carried it off be'ind the barn,
Clost to an old apple-tree
Where you couldn't see from the house,
An' I buried it,
Good an' deep.
I don't rec'lect nothin' more o' that night.
Clarence woke me up in th' mornin',
Hollerin' fer me to come down and set th' milk.
When he'd gone,
I stole roun' to the apple-tree
And seed the earth all new turned
Where I left it in my hurry.
I did a heap o' gardenin'
That mornin'.
I couldn't cut no big sods
Fear Clarence would notice and ask me what I wanted 'em fer,
So I got teeny bits o' turf here and ther,
And no one couldn't tell ther'd be'n any diggin'
When I got through.
They was awful days after that, Mis' Priest,
I used ter go every mornin' and poke about them bushes,
An' up and down the fence,
Ter find the body that hand come off of.
But I couldn't never find nothin'.
I'd lay awake nights
Hearin' them laylocks blowin' and whiskin'.
At last I had Clarence cut 'em down
An' make a big bonfire of 'em.
I told him the smell made me sick,
An' that warn't no lie,
I can't abear the smell on 'em now;
An' no wonder, es you say.
I fretted somethin' awful 'bout that hand
I wondered, could it be Hiram's,
But folks don't rob graveyards hereabouts.
Besides, Hiram's hands warn't that awful, starin' white.
I give up seein' people,
I was afeared I'd say somethin'.
You know what folks thought o' me
Better'n I do, I dessay,
But mebbe now you'll see I couldn't do nothin' diff'rent.
But I stuck it out,
I warn't goin' to be downed
By no loose hand, no matter how it come ther
But that ain't the worst, Mis' Priest,
Not by a long ways.
Two year ago, Mr.
Densmore made me an offer for Cherry's Orchard.
Well, I'd got used to th' thought o' bein' sort o' blighted,
An' I warn't scared no more.
Lived down my fear, I guess.
I'd kinder got used to th' thought o' that awful night,
And I didn't mope much about it.
Only I never went out o' doors by moonlight;
That stuck.
Well, when Mr.
Densmore's offer come,
I started thinkin' 'bout the place
An' all the things that had gone on ther.
Thinks I, I guess I'll go and see where I put the hand.
I was foolhardy with the long time that had gone by.
I know'd the place real well,
Fer I'd put it right in between two o' the apple roots.
I don't know what possessed me, Mis' Priest,
But I kinder wanted to know
That the hand had been flesh and bone, anyway.
It had sorter bothered me, thinkin' I might ha' imagined it.
I took a mornin' when the sun was real pleasant and warm;
I guessed I wouldn't jump for a few old bones.
But I did jump, somethin' wicked.
Ther warn't no bones!
Ther warn't nothin'!
Not ev'n the gold ring I'd minded bein' on the little finger.
I don't know ef ther ever was anythin'.
I've worried myself sick over it.
I be'n diggin' and diggin' day in and day out
Till Clarence ketched me at it.
Oh, I know'd real well what you all thought,
An' I ain't sayin' you're not right,
But I ain't goin' to end in no county 'sylum
If I c'n help it.
The shiv'rin' fits come on me sudden like.
I know 'em, don't you trouble.
I've fretted considerable about the 'sylum,
I guess I be'n frettin' all the time I ain't be'n diggin'.
But anyhow I can't dig to Chicago, can I?
Thank you, Mis' Priest,
I'm better now.
I only dropped in in passin'.
I'll jest be steppin' along down to French's.
No, I won't be seein' nobody in the mornin',
It's a pretty early start.
Don't you stand ther, Mis' Priest,
The wind'll blow yer lamp out,
An' I c'n see easy, I got aholt o' the gate now.
I ain't a mite tired, thank you.
Good-night.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1650, and on the twenty-first of May,
The city of Edinburgh was put into a state of dismay
By the noise of drums and trumpets, which on the air arose,
That the great sound attracted the notice of Montrose.
Who enquired at the Captain of the guard the cause of it,
Then the officer told him, as he thought most fit,
That the Parliament dreading an attempt might be made to rescue him,
The soldiers were called out to arms, and that had made the din.
Do I, said Montrose, continue such a terror still?
Now when these good men are about my blood to spill,
But let them look to themselves, for after I am dead,
Their wicked consciences will be in continual dread.
After partaking of a hearty breakfast, he commenced his toilet,
Which, in his greatest trouble, he seldom did forget.
And while in the act of combing his hair,
He was visited by the Clerk Register, who made him stare,
When he told him he shouldn't be so particular with his head,
For in a few hours he would be dead;
But Montrose replied, While my head is my own I'll dress it at my ease,
And to-morrow, when it becomes yours, treat it as you please.
He was waited upon by the Magistrates of the city,
But, alas! for him they had no pity.
He was habited in a superb cloak, ornamented with gold and silver lace;
And before the hour of execution an immense assemblage of people were round the place.
From the prison, bareheaded, in a cart, they conveyed him along the Watergate
To the place of execution on the High Street, where about thirty thousand people did wait,
Some crying and sighing, a most pitiful sight to see,
All waiting patiently to see the executioner hang Montrose, a man of high degree.
Around the place of execution, all of them were deeply affected,
But Montrose, the noble hero, seemed not the least dejected;
And when on the scaffold he had, says his biographer Wishart,
Such a grand air and majesty, which made the people start.
As the fatal hour was approaching when he had to bid the world adieu,
He told the executioner to make haste and get quickly through,
But the executioner smiled grimly, but spoke not a word,
Then he tied the Book of Montrose's Wars round his neck with a cord.
Then he told the executioner his foes would remember him hereafter,
And he was as well pleased as if his Majesty had made him Knight of the Garter;
Then he asked to be allowed to cover his head,
But he was denied permission, yet he felt no dread.
He then asked leave to keep on his cloak,
But was also denied, which was a most grievous stroke;
Then he told the Magistrates, if they could invent any more tortures for him,
He would endure them all for the cause he suffered, and think it no sin.
On arriving at the top of the ladder with great firmness,
His heroic appearance greatly did the bystanders impress,
Then Montrose asked the executioner how long his body would be suspended,
Three hours was the answer, but Montrose was not the least offended.
Then he presented the executioner with three or four pieces of gold,
Whom he freely forgave, to his honour be it told,
And told him to throw him off as soon as he uplifted his hands,
While the executioner watched the fatal signal, and in amazement stands.
And on the noble patriot raising his hands, the executioner began to cry,
Then quickly he pulled the rope down from the gibbet on high,
And around Montrose's neck he fixed the rope very gently,
And in an instant the great Montrose was launched into eternity.
Then the spectators expressed their disapprobation by general groan,
And they all dispersed quietly, and wended their way home
And his bitterest enemies that saw his death that day,
Their hearts were filled with sorrow and dismay.
Thus died, at the age of thirty-eight, James Graham, Marquis of Montrose,
Who was brought to a premature grave by his bitter foes;
A commander who had acquired great military glory
In a short space of time, which cannot be equalled in story.
|