Written by
Robert Pinsky |
to Robert Hass and in memory of Elliot Gilbert
Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,
The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing. "Bashõ"
He named himself, "Banana Tree": banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance
Threading a long night through the rules and channels
Of their collaborative linking-poem
Scored in their teacher's heart: live, rigid, fluid
Like passages etched in a microscopic cicuit.
Elliot had in his memory so many jokes
They seemed to breed like microbes in a culture
Inside his brain, one so much making another
It was impossible to tell them all:
In the court-culture of jokes, a top banana.
Imagine a court of one: the queen a young mother,
Unhappy, alone all day with her firstborn child
And her new baby in a squalid apartment
Of too few rooms, a different race from her neighbors.
She tells the child she's going to kill herself.
She broods, she rages. Hoping to distract her,
The child cuts capers, he sings, he does imitations
Of different people in the building, he jokes,
He feels if he keeps her alive until the father
Gets home from work, they'll be okay till morning.
It's laughter versus the bedroom and the pills.
What is he in his efforts but a courtier?
Impossible to tell his whole delusion.
In the first months when I had moved back East
From California and had to leave a message
On Bob's machine, I used to make a habit
Of telling the tape a joke; and part-way through,
I would pretend that I forgot the punchline,
Or make believe that I was interrupted--
As though he'd be so eager to hear the end
He'd have to call me back. The joke was Elliot's,
More often than not. The doctors made the blunder
That killed him some time later that same year.
One day when I got home I found a message
On my machine from Bob. He had a story
About two rabbis, one of them tall, one short,
One day while walking along the street together
They see the corpse of a Chinese man before them,
And Bob said, sorry, he forgot the rest.
Of course he thought that his joke was a dummy,
Impossible to tell--a dead-end challenge.
But here it is, as Elliot told it to me:
The dead man's widow came to the rabbis weeping,
Begging them, if they could, to resurrect him.
Shocked, the tall rabbi said absolutely not.
But the short rabbi told her to bring the body
Into the study house, and ordered the shutters
Closed so the room was night-dark. Then he prayed
Over the body, chanting a secret blessing
Out of Kabala. "Arise and breathe," he shouted;
But nothing happened. The body lay still. So then
The little rabbi called for hundreds of candles
And danced around the body, chanting and praying
In Hebrew, then Yiddish, then Aramaic. He prayed
In Turkish and Egyptian and Old Galician
For nearly three hours, leaping about the coffin
In the candlelight so that his tiny black shoes
Seemed not to touch the floor. With one last prayer
Sobbed in the Spanish of before the Inquisition
He stopped, exhausted, and looked in the dead man's face.
Panting, he raised both arms in a mystic gesture
And said, "Arise and breathe!" And still the body
Lay as before. Impossible to tell
In words how Elliot's eyebrows flailed and snorted
Like shaggy mammoths as--the Chinese widow
Granting permission--the little rabbi sang
The blessing for performing a circumcision
And removed the dead man's foreskin, chanting blessings
In Finnish and Swahili, and bathed the corpse
From head to foot, and with a final prayer
In Babylonian, gasping with exhaustion,
He seized the dead man's head and kissed the lips
And dropped it again and leaping back commanded,
"Arise and breathe!" The corpse lay still as ever.
At this, as when Bashõ's disciples wind
Along the curving spine that links the renga
Across the different voices, each one adding
A transformation according to the rules
Of stasis and repetition, all in order
And yet impossible to tell beforehand,
Elliot changes for the punchline: the wee
Rabbi, still panting, like a startled boxer,
Looks at the dead one, then up at all those watching,
A kind of Mel Brooks gesture: "Hoo boy!" he says,
"Now that's what I call really dead." O mortal
Powers and princes of earth, and you immortal
Lords of the underground and afterlife,
Jehovah, Raa, Bol-Morah, Hecate, Pluto,
What has a brilliant, living soul to do with
Your harps and fires and boats, your bric-a-brac
And troughs of smoking blood? Provincial stinkers,
Our languages don't touch you, you're like that mother
Whose small child entertained her to beg her life.
Possibly he grew up to be the tall rabbi,
The one who washed his hands of all those capers
Right at the outset. Or maybe he became
The author of these lines, a one-man renga
The one for whom it seems to be impossible
To tell a story straight. It was a routine
Procedure. When it was finished the physicians
Told Sandra and the kids it had succeeded,
But Elliot wouldn't wake up for maybe an hour,
They should go eat. The two of them loved to bicker
In a way that on his side went back to Yiddish,
On Sandra's to some Sicilian dialect.
He used to scold her endlessly for smoking.
When she got back from dinner with their children
The doctors had to tell them about the mistake.
Oh swirling petals, falling leaves! The movement
Of linking renga coursing from moment to moment
Is meaning, Bob says in his Haiku book.
Oh swirling petals, all living things are contingent,
Falling leaves, and transient, and they suffer.
But the Universal is the goal of jokes,
Especially certain ethnic jokes, which taper
Down through the swirling funnel of tongues and gestures
Toward their preposterous Ithaca. There's one
A journalist told me. He heard it while a hero
Of the South African freedom movement was speaking
To elderly Jews. The speaker's own right arm
Had been blown off by right-wing letter-bombers.
He told his listeners they had to cast their ballots
For the ANC--a group the old Jews feared
As "in with the Arabs." But they started weeping
As the old one-armed fighter told them their country
Needed them to vote for what was right, their vote
Could make a country their children could return to
From London and Chicago. The moved old people
Applauded wildly, and the speaker's friend
Whispered to the journalist, "It's the Belgian Army
Joke come to life." I wish I could tell it
To Elliot. In the Belgian Army, the feud
Between the Flemings and Walloons grew vicious,
So out of hand the army could barely function.
Finally one commander assembled his men
In one great room, to deal with things directly.
They stood before him at attention. "All Flemings,"
He ordered, "to the left wall." Half the men
Clustered to the left. "Now all Walloons," he ordered,
"Move to the right." An equal number crowded
Against the right wall. Only one man remained
At attention in the middle: "What are you, soldier?"
Saluting, the man said, "Sir, I am a Belgian."
"Why, that's astonishing, Corporal--what's your name?"
Saluting again, "Rabinowitz," he answered:
A joke that seems at first to be a story
About the Jews. But as the renga describes
Religious meaning by moving in drifting petals
And brittle leaves that touch and die and suffer
The changing winds that riffle the gutter swirl,
So in the joke, just under the raucous music
Of Fleming, Jew, Walloon, a courtly allegiance
Moves to the dulcimer, gavotte and bow,
Over the banana tree the moon in autumn--
Allegiance to a state impossible to tell.
|
Written by
Anna Akhmatova |
Not under foreign skies
Nor under foreign wings protected -
I shared all this with my own people
There, where misfortune had abandoned us.
[1961]
INSTEAD OF A PREFACE
During the frightening years of the Yezhov terror, I
spent seventeen months waiting in prison queues in
Leningrad. One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me,
her lips blue with cold, who, of course, had never in
her life heard my name. Jolted out of the torpor
characteristic of all of us, she said into my ear
(everyone whispered there) - 'Could one ever describe
this?' And I answered - 'I can.' It was then that
something like a smile slid across what had previously
been just a face.
[The 1st of April in the year 1957. Leningrad]
DEDICATION
Mountains fall before this grief,
A mighty river stops its flow,
But prison doors stay firmly bolted
Shutting off the convict burrows
And an anguish close to death.
Fresh winds softly blow for someone,
Gentle sunsets warm them through; we don't know this,
We are everywhere the same, listening
To the scrape and turn of hateful keys
And the heavy tread of marching soldiers.
Waking early, as if for early mass,
Walking through the capital run wild, gone to seed,
We'd meet - the dead, lifeless; the sun,
Lower every day; the Neva, mistier:
But hope still sings forever in the distance.
The verdict. Immediately a flood of tears,
Followed by a total isolation,
As if a beating heart is painfully ripped out, or,
Thumped, she lies there brutally laid out,
But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends,
Captives of my two satanic years?
What miracle do you see in a Siberian blizzard?
What shimmering mirage around the circle of the moon?
I send each one of you my salutation, and farewell.
[March 1940]
INTRODUCTION
[PRELUDE]
It happened like this when only the dead
Were smiling, glad of their release,
That Leningrad hung around its prisons
Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang
Short songs of farewell
To the ranks of convicted, demented by suffering,
As they, in regiments, walked along -
Stars of death stood over us
As innocent Russia squirmed
Under the blood-spattered boots and tyres
Of the black marias.
I
You were taken away at dawn. I followed you
As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God. . .
The cold of an icon was on your lips, a death-cold
sweat
On your brow - I will never forget this; I will gather
To wail with the wives of the murdered streltsy (1)
Inconsolably, beneath the Kremlin towers.
[1935. Autumn. Moscow]
II
Silent flows the river Don
A yellow moon looks quietly on
Swanking about, with cap askew
It sees through the window a shadow of you
Gravely ill, all alone
The moon sees a woman lying at home
Her son is in jail, her husband is dead
Say a prayer for her instead.
III
It isn't me, someone else is suffering. I couldn't.
Not like this. Everything that has happened,
Cover it with a black cloth,
Then let the torches be removed. . .
Night.
IV
Giggling, poking fun, everyone's darling,
The carefree sinner of Tsarskoye Selo (2)
If only you could have foreseen
What life would do with you -
That you would stand, parcel in hand,
Beneath the Crosses (3), three hundredth in
line,
Burning the new year's ice
With your hot tears.
Back and forth the prison poplar sways
With not a sound - how many innocent
Blameless lives are being taken away. . .
[1938]
V
For seventeen months I have been screaming,
Calling you home.
I've thrown myself at the feet of butchers
For you, my son and my horror.
Everything has become muddled forever -
I can no longer distinguish
Who is an animal, who a person, and how long
The wait can be for an execution.
There are now only dusty flowers,
The chinking of the thurible,
Tracks from somewhere into nowhere
And, staring me in the face
And threatening me with swift annihilation,
An enormous star.
[1939]
VI
Weeks fly lightly by. Even so,
I cannot understand what has arisen,
How, my son, into your prison
White nights stare so brilliantly.
Now once more they burn,
Eyes that focus like a hawk,
And, upon your cross, the talk
Is again of death.
[1939. Spring]
VII
THE VERDICT
The word landed with a stony thud
Onto my still-beating breast.
Nevermind, I was prepared,
I will manage with the rest.
I have a lot of work to do today;
I need to slaughter memory,
Turn my living soul to stone
Then teach myself to live again. . .
But how. The hot summer rustles
Like a carnival outside my window;
I have long had this premonition
Of a bright day and a deserted house.
[22 June 1939. Summer. Fontannyi Dom (4)]
VIII
TO DEATH
You will come anyway - so why not now?
I wait for you; things have become too hard.
I have turned out the lights and opened the door
For you, so simple and so wonderful.
Assume whatever shape you wish. Burst in
Like a shell of noxious gas. Creep up on me
Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation,
Or, with a simple tale prepared by you
(And known by all to the point of nausea), take me
Before the commander of the blue caps and let me
glimpse
The house administrator's terrified white face.
I don't care anymore. The river Yenisey
Swirls on. The Pole star blazes.
The blue sparks of those much-loved eyes
Close over and cover the final horror.
[19 August 1939. Fontannyi Dom]
IX
Madness with its wings
Has covered half my soul
It feeds me fiery wine
And lures me into the abyss.
That's when I understood
While listening to my alien delirium
That I must hand the victory
To it.
However much I nag
However much I beg
It will not let me take
One single thing away:
Not my son's frightening eyes -
A suffering set in stone,
Or prison visiting hours
Or days that end in storms
Nor the sweet coolness of a hand
The anxious shade of lime trees
Nor the light distant sound
Of final comforting words.
[14 May 1940. Fontannyi Dom]
X
CRUCIFIXION
Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour,
The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!'
But to his mother, 'Weep not for me. . .'
[1940. Fontannyi Dom]
2.
Magdalena smote herself and wept,
The favourite disciple turned to stone,
But there, where the mother stood silent,
Not one person dared to look.
[1943. Tashkent]
EPILOGUE
1.
I have learned how faces fall,
How terror can escape from lowered eyes,
How suffering can etch cruel pages
Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair
Can suddenly turn white. I've learned to recognise
The fading smiles upon submissive lips,
The trembling fear inside a hollow laugh.
That's why I pray not for myself
But all of you who stood there with me
Through fiercest cold and scorching July heat
Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you:
The one who resisted the long drag to the open window;
The one who could no longer feel the kick of familiar
soil beneath her feet;
The one who, with a sudden flick of her head, replied,
'I arrive here as if I've come home!'
I'd like to name you all by name, but the list
Has been removed and there is nowhere else to look.
So,
I have woven you this wide shroud out of the humble
words
I overheard you use. Everywhere, forever and always,
I will never forget one single thing. Even in new
grief.
Even if they clamp shut my tormented mouth
Through which one hundred million people scream;
That's how I wish them to remember me when I am dead
On the eve of my remembrance day.
If someone someday in this country
Decides to raise a memorial to me,
I give my consent to this festivity
But only on this condition - do not build it
By the sea where I was born,
I have severed my last ties with the sea;
Nor in the Tsar's Park by the hallowed stump
Where an inconsolable shadow looks for me;
Build it here where I stood for three hundred hours
And no-one slid open the bolt.
Listen, even in blissful death I fear
That I will forget the Black Marias,
Forget how hatefully the door slammed and an old woman
Howled like a wounded beast.
Let the thawing ice flow like tears
From my immovable bronze eyelids
And let the prison dove coo in the distance
While ships sail quietly along the river.
[March 1940. Fontannyi Dom]
FOOTNOTES
1 An elite guard which rose up in rebellion
against Peter the Great in 1698. Most were either
executed or exiled.
2 The imperial summer residence outside St
Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the
Finland Station, called The Crosses because of the
shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.
|
Written by
John Dryden |
All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace,
And blest with issue of a large increase,
Worn out with business, did at length debate
To settle the succession of the State:
And pond'ring which of all his sons was fit
To reign, and wage immortal war with wit;
Cry'd, 'tis resolv'd; for nature pleads that he
Should only rule, who most resembles me:
Shadwell alone my perfect image bears,
Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through and make a lucid interval;
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day:
Besides his goodly fabric fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain,
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology:
Even I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And coarsely clad in Norwich drugget came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung
When to King John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames did'st cut thy way,
With well tim'd oars before the royal barge,
Swell'd with the pride of thy celestial charge;
And big with hymn, commander of an host,
The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail,
The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore
The treble squeaks for fear, the basses roar:
Echoes from Pissing-Alley, Shadwell call,
And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng,
As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rhyme:
Though they in number as in sense excel;
So just, so like tautology they fell,
That, pale with envy, Singleton forswore
The lute and sword which he in triumph bore
And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dullness he was made.
Close to the walls which fair Augusta bind,
(The fair Augusta much to fears inclin'd)
An ancient fabric, rais'd t'inform the sight,
There stood of yore, and Barbican it hight:
A watch tower once; but now, so fate ordains,
Of all the pile an empty name remains.
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep,
And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head,
Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Pure clinches, the suburbian muse affords;
And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense:
To whom true dullness should some Psyches owe,
But worlds of Misers from his pen should flow;
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown,
Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet,
From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way,
But scatter'd limbs of mangled poets lay:
From dusty shops neglected authors come,
Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay,
But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd,
And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dullness play'd around his face.
As Hannibal did to the altars come,
Sworn by his sire a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dullness would maintain;
And in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade:
In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung,
His temples last with poppies were o'er spread,
That nodding seem'd to consecrate his head:
Just at that point of time, if fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook,
Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dullness: long he stood,
Repelling from his breast the raging god;
At length burst out in this prophetic mood:
Heavens bless my son, from Ireland let him reign
To far Barbadoes on the Western main;
Of his dominion may no end be known,
And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen;
He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance
Still in new impudence, new ignorance.
Success let other teach, learn thou from me
Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage;
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their author's want of sense.
Let 'em be all by thy own model made
Of dullness, and desire no foreign aid:
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same,
All full of thee, and differing but in name;
But let no alien Sedley interpose
To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull,
Trust Nature, do not labour to be dull;
But write thy best, and top; and in each line,
Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill,
And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise,
And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part;
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in Prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my ****,
Promis'd a play and dwindled to a farce?
When did his muse from Fletcher scenes purloin,
As thou whole Eth'ridge dost transfuse to thine?
But so transfus'd as oil on waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,
By which one way, to dullness, 'tis inclin'd,
Which makes thy writings lean on one side still,
And in all changes that way bends thy will.
Nor let thy mountain belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep,
Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write,
Thy inoffensive satires never bite.
In thy felonious heart, though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen iambics, but mild anagram:
Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou may'st wings display and altars raise,
And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit,
Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard,
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Born upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.
|
Written by
William Shakespeare |
Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.
Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other."
This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.
And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.
By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.
For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.
This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.
Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;
Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.
A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.
Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.
When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.
Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.
"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?
"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.
"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.
"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour."
Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.
O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.
By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.
Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.
O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.
"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.
"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit."
Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.
"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.
"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves."
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.
As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;
Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:
Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,
Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;
And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.
|
Written by
William Topaz McGonagall |
Alas! Lord and Lady Dalhousie are dead, and buried at last,
Which causes many people to feel a little downcast;
And both lie side by side in one grave,
But I hope God in His goodness their souls will save.
And may He protect their children that are left behind,
And may they always food and raiment find;
And from the paths of virtue may they ne'er be led,
And may they always find a house wherein to lay their head.
Lord Dalhousie was a man worthy of all praise,
And to his memory I hope a monument the people will raise,
That will stand for many ages to came
To commemorate the good deeds he has done.
He was beloved by men of high and low degree,
Especially in Forfarshire by his tenantry:
And by many of the inhabitants in and around Dundee,
Because he was affable in temper. and void of all vanity.
He had great affection for his children, also his wife,
'Tis said he loved her as dear as his life;
And I trust they are now in heaven above,
Where all is joy, peace, and love.
At the age of fourteen he resolved to go to sea,
So he entered the training ship Britannia belonging the navy,
And entered as a midshipman as he considered most fit
Then passed through the course of training with the greatest credit.
In a short time he obtained the rank of lieutenant,
Then to her Majesty's ship Galatea he was sent;
Which was under the command of the Duke of Edinburgh,
And during his service there he felt but little sorrow.
And from that he was promoted to be commander of the Britannia,
And was well liked by the men, for what he said was law;
And by him Prince Albert Victor and Prince George received a naval education.
Which met with the Prince of Wales' roost hearty approbation.
'Twas in the year 1877 he married the Lady Ada Louisa Bennett,
And by marrying that noble lady he ne'er did regret;
And he was ever ready to give his service in any way,
Most willingly and cheerfully by night or by day.
'Twas in the year of 1887, and on Thursday the 1st of December,
Which his relatives and friends will long remember
That were present at the funeral in Cockpen, churchyard,
Because they had for the noble Lord a great regard.
About eleven o'clock the remains reached Dalhousie,
And were met by a body of the tenantry.
They conveyed them inside the building allseemingly woe begone
And among those that sent wreaths was Lord Claude Hamilton.
Those that sent wreaths were but very few,
But one in particular was the Duke of Buccleuch;
Besides Dr. Herbert Spencer, and Countess Rosebery, and Lady Bennett,
Which no doubt were sent by them with heartfelt regret.
Besides those that sent wreaths in addition were the Earl and Countess of Aberdeen,
Especially the Prince of Wales' was most lovely to be seen,
And the Earl of Dalkeith's wreath was very pretty too,
With a mixture of green and white flowers, beautiful to view.
Amongst those present at the interment were Mr Marjoribanks, M.P.,
Also ex-Provost Ballingall from Bonnie Dundee;
Besides the Honourable W. G. Colville, representing the Duke and Duchess of Edinburgh,
While in every one's face standing at the grave was depicted sorrow.
The funeral service was conducted in the Church of Cockpen
By the Rev. J. Crabb, of St. Andrew's Episcopal Church, town of Brechin;
And as the two coffins were lowered into their last resting place,
Then the people retired with sad hearts at a quick pace.
|
Written by
Hilaire Belloc |
To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!
Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds;
And northward in the valleys, next the meads
That sleep by misty river banks, the Vines
Have struck to spread below the solemn pines.
The Vines are on the roof-trees. All the Shrines
And Homes of men are consecrate with Vines.
And now the task of that triumphant day
Has reached to victory. In the reddening ray
With all his train, from hard Iberian lands
Fulfilled, apparent, that Creator stands
Halted on Atlas. Far Beneath him, far,
The strength of Ocean darkening and the star
Beyond all shores. There is a silence made.
It glorifies: and the gigantic shade
Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.
But what are these that from the outer murk
Of dense mephitic vapours creeping lurk
To breathe foul airs from that corrupted well
Which oozes slime along the floor of Hell?
These are the stricken palsied brood of sin
In whose vile veins, poor, poisonous and thin,
Decoctions of embittered hatreds crawl:
These are the Water-Drinkers, cursed all!
On what gin-sodden Hags, what flaccid sires
Bred these White Slugs from what exhaust desires?
In what close prison's horror were their wiles
Watched by what tyrant power with evil smiles;
Or in what caverns, blocked from grace and air
Received they, then, the mandates of despair?
What! Must our race, our tragic race, that roam
All exiled from our first, and final, home:
That in one moment of temptation lost
Our heritage, and now wander, hunger-tost
Beyond the Gates (still speaking with our eyes
For ever of remembered Paradise),
Must we with every gift accepted, still,
With every joy, receive attendant ill?
Must some lewd evil follow all our good
And muttering dog our brief beatitude?
A primal doom, inexorable, wise,
Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord
Must swarm and propagate the filthy horde
Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing. For whosoe'er
Shall suffer their contagion, everywhere
Falls from the estate of man and finds his end
To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled
Imperial centuries by hills of gold;
For such as these the flashing Rhone shall rage
In vain its lightning through the Hermitage
Or level-browed divine Touraine receive
The tribute of her vintages at eve.
For such as these Burgundian heats in vain
Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task
Of bottling God the Father in a flask
And leading all Creation down distilled
To one small ardent sphere immensely filled.
With memories empty, with experience null,
With vapid eye-balls meaningless and dull
They pass unblest through the unfruitful light;
And when we open the bronze doors of Night,
When we in high carousal, we reclined,
Spur up to Heaven the still ascending mind,
Pass with the all inspiring, to and fro,
The torch of genius and the Muse's glow,
They, lifeless, stare at vacancy alone
Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are
In young white arms, like our great Exemplar
Who, wearied with creation, takes his rest
And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press
Despised, abandoned and companionless.
And when the course of either's sleep has run
We leap to life like heralds of the sun;
We from the couch in roseate mornings gay
Salute as equals the exultant day
While they, the unworthy, unrewarded, they
The dank despisers of the Vine, arise
To watch grey dawns and mourn indifferent skies.
Forget them! Form the Dionysian ring
And pulse the ground, and Io, Io, sing.
Father Lenaean, to whom our strength belongs,
Our loves, our wars, our laughter and our songs,
Remember our inheritance, who praise
Your glory in these last unhappy days
When beauty sickens and a muddied robe
Of baseness fouls the universal globe.
Though all the Gods indignant and their train
Abandon ruined man, do thou remain!
By thee the vesture of our life was made,
The Embattled Gate, the lordly Colonnade,
The woven fabric's gracious hues, the sound
Of trumpets, and the quivering fountain-round,
And, indestructible, the Arch, and, high,
The Shaft of Stone that stands against the sky,
And, last, the guardian-genius of them, Rhyme,
Come from beyond the world to conquer time:
All these are thine, Lenaean.
By thee do seers the inward light discern;
By thee the statue lives, the Gods return;
By thee the thunder and the falling foam
Of loud Acquoria's torrent call to Rome;
Alba rejoices in a thousand springs,
Gensano laughs, and Orvieto sings...
But, Ah! With Orvieto, with that name
Of dark, Eturian, subterranean flame
The years dissolve. I am standing in that hour
Of majesty Septembral, and the power
Which swells the clusters when the nights are still
With autumn stars on Orvieto hill.
Had these been mine, Ausonian Muse, to know
The large contented oxen heaving slow;
To count my sheaves at harvest; so to spend
Perfected days in peace until the end;
With every evening's dust of gold to hear
The bells upon the pasture height, the clear
Full horn of herdsmen gathering in the kine
To ancient byres in hamlets Appenine,
And crown abundant age with generous ease:
Had these, Ausonian Muse, had these, had these.....
But since I would not, since I could not stay,
Let me remember even in this my day
How, when the ephemeral vision's lure is past
All, all, must face their Passion at the last
Was there not one that did to Heaven complain
How, driving through the midnight and the rain,
He struck, the Atlantic seethe and surge before,
Wrecked in the North along a lonely shore
To make the lights of home and hear his name no
more.
Was there not one that from a desperate field
Rode with no guerdon but a rifted shield;
A name disherited; a broken sword;
Wounds unrenowned; battle beneath no Lord;
Strong blows, but on the void, and toil without
reward.
When from the waste of such long labour done
I too must leave the grape-ennobling sun
And like the vineyard worker take my way
Down the long shadows of declining day,
Bend on the sombre plain my clouded sight
And leave the mountain to the advancing night,
Come to the term of all that was mine own
With nothingness before me, and alone;
Then to what hope of answer shall I turn?
Comrade-Commander whom I dared not earn,
What said You then to trembling friends and
few?
"A moment, and I drink it with you new:
But in my Father's Kingdom." So, my Friend,
Let not Your cup desert me in the end.
But when the hour of mine adventure's near
Just and benignant, let my youth appear
Bearing a Chalice, open, golden, wide,
With benediction graven on its side.
So touch my dying lip: so bridge that deep:
So pledge my waking from the gift of sleep,
And, sacramental, raise me the Divine:
Strong brother in God and last companion, Wine.
|
Written by
Jane Austen |
Of a Ministry pitiful, angry, mean,
A gallant commander the victim is seen.
For promptitude, vigour, success, does he stand
Condemn'd to receive a severe reprimand!
To his foes I could wish a resemblance in fate:
That they, too, may suffer themselves, soon or late,
The injustice they warrent. But vain is my spite
They cannot so suffer who never do right.
|
Written by
Joseph Brodsky |
About a year has passed. I've returned to the place of the battle
to its birds that have learned their unfolding of wings
from a subtle
lift of a surprised eyebrow or perhaps from a razor blade
- wings now the shade of early twilight now of state
bad blood.
Now the place is abuzz with trading
in your ankles's remanants bronzes
of sunburnt breastplates dying laughter bruises
rumors of fresh reserves memories of high treason
laundered banners with imprints of the many
who since have risen.
All's overgrown with people. A ruin's a rather stubborn
architectural style. And the hearts's distinction
from a pitch-black cavern
isn't that great; not great enough to fear
that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often
set out on foot to a monument cast in molten
lengthy bad dreams. And it says on the plinth "commander
in chief." But it reads "in grief " or "in brief "
or "in going under."
1985 translated by the author.
|
Written by
Rudyard Kipling |
1913
These are our regulations--
There's just one law for the Scout
And the first and the last, and the present and the past,
And the future and the perfect is "Look out!"
I, thou and he, look out!
We, ye and they, look out!
Though you didn't or you wouldn't
Or you hadn't or you couldn't;
You jolly well must look out!
Look out, when you start for the day
That your kit is packed to your mind;
There is no use going away
With half of it left behind.
Look out that your laces are tight,
And your boots are easy and stout,
Or you'll end with a blister at night.
(Chorus) All Patrols look out!
Look out for the birds of the air,
Look out for the beasts of the field--
They'll tell you how and where
The other side's concealed.
When the blackbird bolts from the copse,
Or the cattle are staring about,
The wise commander stops
And (chorus) All Patrols look out!
Look out when your front is clear,
And you feel you are bound to win.
Look out for your flank and your rear--
That's where surprises begin.
For the rustle that isn't a rat,
For the splash that isn't a trout,
For the boulder that may be a hat
(Chorus) All Patrols look out!
For the innocent knee-high grass,
For the ditch that never tells,
Look out! Look out ere you pass--
And look out for everything else
A sign mis-read as you run
May turn retreat to a rout--
For all things under the sun
(Chorus) All Patrols look out!
Look out where your temper goes
At the end of a losing game;
When your boots too tight for your toes;
And you answer and argue and blame.
It's the hardest part of the Low,
But it has to be learned by the Scout--
For whining and shrinking and "jaw"
(Chorus) All Patrols look out!
|
Written by
William Topaz McGonagall |
'Twas in the year of 1897, and on the 22nd of June,
Her Majesty's Diamond Jubilee in London caused a great boom;
Because high and low came from afar to see,
The grand celebrations at Her Majesty's Diamond Jubilee.
People were there from almost every foreign land,
Which made the scene really imposing and grand;
Especially the Queen's carriage, drawn by eight coloured bays,
And when the spectators saw it joyous shouts they did raise.
Oh! if was a most gorgeous sight to be seen,
Numerous foreign magnatss were there for to see the queen;
And to the vast multitude there of women and men,
Her Majesty for two hours showed herself to them.
The head of the procession looked very grand -
A party of the Horse Guards with their gold-belaced band;
Which also headed the procession of the Colonial States,
While slowly they rode on until opposite the Palace gates.
Then the sound of the National Anthem was heard quite clear,
And the sound the hearts of the mighty crowd it did cheer;
As they heard the loyal hymning on the morning air,
The scene was most beautiful and surpassing fair.
On the house tops thousands of people were to be seen,
All in eager expectation of seeing the queen;
And all of them seemed to be happy and gay,
Which enhanced the scene during the day.
And when Field Marshal Roberts in the procession passed by,
The cheers from thousands of people arose very high;
And to see him on his war horse was inspiring to see,
Because he rode his charger most splendidly.
The Natal mounted troops were loudly cheered, they looked so grand,
And also the London Irish Emerald Isle Band;
Oh if was a most magnificent sight to see.
The Malta Militia and Artillery,
And the Trinidad Artillery, and also bodies of infantry,
And, as the crowd gazed thereon, it filled their hearts with glee.
Her Majesty looked well considering her years,
And from the vast crowd burst forth joyous cheers;
And Her Majesty bowed to the shouts of acclamation,
And smiled upon the crowd with a loving look of admiration.
His Excellency Chan Yin Hun in his carriage wan a great attraction,
And his Oriental garb seemed to give the people great satisfaction;
While the two little Battenberg's carriage, as it drove along,
Received from the people cheering loud and long.
And when the Dragoon Guards and the Huasars filed past at the walk,
Then loudly in their praise the people did talk;
And the cavalry took forty minutes to trot past,
While the spectators in silent wonder stood aghast.
Her Majesty the Empress Frederick a great sensation made,
She was one of the chief attractions in the whole cavalcade;
And in her carriage was the Princess Louise, the Marchioness of Lorne,
In a beautiful white dress, which did per person adorn.
The scene in Piccadilly caused a great sensation,
The grand decorations there were the theme of admiration;
And the people in St. James Street were taken by surprise,
Because the lovely decorations dazzled their eyes
The 42nd Highlanders looked very fine,
When they appeared and took up a position on the line;
And the magnificent decorations in the Strand,
As far east as the Griffin wets attractive and grand.
And the grandstand from Buckingham Palace to Temple Bar,
Was crowded with eager eyes from afar,
Looking on the floral decorations and flags unfurled,
Which has been the grandest spectacle ever seen in the world.
The corner building of St. James Street side was lovely to view,
Ornamented with pink and white bunting and a screen of blue;
And to the eye, the inscription thereon most beautiful seems:
"Thou art alone the Queen of earthly Queens."
The welcome given to Commander-in-Chief Lord Wolseley was very flattering,
The people cheered him until the streets did ring;
And the foreign princes were watched with rivetted admiration,
And caused among the sight-seers great consternation,
And private householders seemed to vie with each other,
In the lavishness of their decorations, and considered it no bother;
And never before in the memory of man,
Has there been a national celebration so grand.
And in conclusion, I most earnestly do pray,
May God protect Her Majesty for many a day;
My blessing on her noble form and on her lofty head,
And may she wear a crown of glory hereafter when dead.
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