10 Best Famous Comets Poems

Here is a collection of the top 10 all-time best famous Comets poems. This is a select list of the best famous Comets poetry. Reading, writing, and enjoying famous Comets poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of comets poems.

• All Famous Comets Poems

 I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

 In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

 In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

 Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.


II

What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.

 That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

 The houses are all gone under the sea.

 The dancers are all gone under the hill.


III

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

 You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
 You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
 You must go by a way which is the way of ignorance.
In order to possess what you do not possess
 You must go by the way of dispossession.
In order to arrive at what you are not
 You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.


IV

The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.

 Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.

 The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.

 The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.

 The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.


V

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.

 Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.

 Thinking of Caroline Herschel (1750-1848), 
astronomer, sister of William; and others.

A woman in the shape of a monster
a monster in the shape of a woman
the skies are full of them

a woman 'in the snow
among the Clocks and instruments
or measuring the ground with poles'

in her 98 years to discover
8 comets

She whom the moon ruled
like us
levitating into the night sky
riding the polished lenses

Galaxies of women, there
doing penance for impetuousness
ribs chilled


in those spaces of the mind

An eye,
'virile, precise and absolutely certain'
from the mad webs of Uranusborg
encountering the NOVA
every impulse of light exploding
from the core
as life flies out of us

Tycho whispering at last
'Let me not seem to have lived in vain'

What we see, we see
and seeing is changing

the light that shrivels a mountain
and leaves a man alive

Heartbeat of the pulsar
heart sweating through my body

The radio impulse
pouring in from Taurus

I am bombarded yet I stand
I have been standing all my life in the
direct path of a battery of signals
the most accurately transmitted most
untranslatable language in the universe
I am a galactic cloud so deep so invo-
luted that a light wave could take 15
years to travel through me And has
taken I am an instrument in the shape
of a woman trying to translate pulsations
into images for the relief of the body
and the reconstruction of the mind.

 Our sardine fishermen work at night in the dark
 of the moon; daylight or moonlight
They could not tell where to spread the net, 
 unable to see the phosphorescence of the 
 shoals of fish.
They work northward from Monterey, coasting 
 Santa Cruz; off New Year's Point or off 
 Pigeon Point
The look-out man will see some lakes of milk-color 
 light on the sea's night-purple; he points, 
 and the helmsman
Turns the dark prow, the motorboat circles the 
 gleaming shoal and drifts out her seine-net. 
 They close the circle
And purse the bottom of the net, then with great 
 labor haul it in.

 I cannot tell you
How beautiful the scene is, and a little terrible, 
 then, when the crowded fish
Know they are caught, and wildly beat from one wall 
 to the other of their closing destiny the 
 phosphorescent
Water to a pool of flame, each beautiful slender body 
 sheeted with flame, like a live rocket
A comet's tail wake of clear yellow flame; while outside 
 the narrowing
Floats and cordage of the net great sea-lions come up 
 to watch, sighing in the dark; the vast walls 
 of night
Stand erect to the stars.

 Lately I was looking from a night mountain-top
On a wide city, the colored splendor, galaxies of light: 
 how could I help but recall the seine-net
Gathering the luminous fish? I cannot tell you how 
 beautiful the city appeared, and a little terrible.
I thought, We have geared the machines and locked all together 
 into inter-dependence; we have built the great cities; now
There is no escape. We have gathered vast populations incapable 
 of free survival, insulated
From the strong earth, each person in himself helpless, on all 
 dependent. The circle is closed, and the net
Is being hauled in. They hardly feel the cords drawing, yet 
 they shine already. The inevitable mass-disasters
Will not come in our time nor in our children's, but we 
 and our children
Must watch the net draw narrower, government take all 
 powers--or revolution, and the new government
Take more than all, add to kept bodies kept souls--or anarchy, 
 the mass-disasters.
 These things are Progress;
Do you marvel our verse is troubled or frowning, while it keeps 
 its reason? Or it lets go, lets the mood flow
In the manner of the recent young men into mere hysteria, 
 splintered gleams, crackled laughter. But they are 
 quite wrong.
There is no reason for amazement: surely one always knew 
 that cultures decay, and life's end is death.

 It is December in Wicklow:
Alders dripping, birches
Inheriting the last light,
The ash tree cold to look at.

A comet that was lost
Should be visible at sunset,
Those million tons of light
Like a glimmer of haws and rose-hips,

And I sometimes see a falling star.
If I could come on meteorite!
Instead I walk through damp leaves,
Husks, the spent flukes of autumn,

Imagining a hero
On some muddy compound,
His gift like a slingstone
Whirled for the desperate.

How did I end up like this?
I often think of my friends'
Beautiful prismatic counselling
And the anvil brains of some who hate me

As I sit weighing and weighing
My responsible tristia.
For what? For the ear? For the people?
For what is said behind-backs?

Rain comes down through the alders,
Its low conductive voices
Mutter about let-downs and erosions
And yet each drop recalls

The diamond absolutes.
I am neither internee nor informer;
An inner ?migr?, grown long-haired
And thoughtful; a wood-kerne

Escaped from the massacre,
Taking protective colouring
From bole and bark, feeling
Every wind that blows;

Who, blowing up these sparks
For their meagre heat, have missed
The once-in-a-lifetime portent,
The comet's pulsing rose.

 Come, kings, and listen to my song:
When Gwin, the son of Nore,
Over the nations of the North
His cruel sceptre bore;
The nobles of the land did feed
Upon the hungry poor;
They tear the poor man's lamb, and drive
The needy from their door.

`The land is desolate; our wives
And children cry for bread;
Arise, and pull the tyrant down!
Let Gwin be humbl?d!'

Gordred the giant rous'd himself
From sleeping in his cave;
He shook the hills, and in the clouds
The troubl'd banners wave.

Beneath them roll'd, like tempests black,
The num'rous sons of blood;
Like lions' whelps, roaring abroad,
Seeking their nightly food.

Down Bleron's hills they dreadful rush,
Their cry ascends the clouds;
The trampling horse and clanging arms
Like rushing mighty floods!

Their wives and children, weeping loud,
Follow in wild array,
Howling like ghosts, furious as wolves
In the bleak wintry day.

`Pull down the tyrant to the dust,
Let Gwin be humbl?d,'
They cry, `and let ten thousand lives
Pay for the tyrant's head.'

From tow'r to tow'r the watchmen cry,
`O Gwin, the son of Nore,
Arouse thyself! the nations, black
Like clouds, come rolling o'er!'

Gwin rear'd his shield, his palace shakes,
His chiefs come rushing round;
Each, like an awful thunder cloud,
With voice of solemn sound:

Like rear?d stones around a grave
They stand around the King;
Then suddenly each seiz'd his spear,
And clashing steel does ring.

The husbandman does leave his plough
To wade thro' fields of gore;
The merchant binds his brows in steel,
And leaves the trading shore;

The shepherd leaves his mellow pipe,
And sounds the trumpet shrill;
The workman throws his hammer down
To heave the bloody bill.

Like the tall ghost of Barraton
Who sports in stormy sky,
Gwin leads his host, as black as night
When pestilence does fly,

With horses and with chariots--
And all his spearmen b 1000 old
March to the sound of mournful song,
Like clouds around him roll'd.

Gwin lifts his hand--the nations halt;
`Prepare for war!' he cries--
Gordred appears!--his frowning brow
Troubles our northern skies.

The armies stand, like balances
Held in th' Almighty's hand;--
`Gwin, thou hast fill'd thy measure up:
Thou'rt swept from out the land.'

And now the raging armies rush'd
Like warring mighty seas;
The heav'ns are shook with roaring war,
The dust ascends the skies!

Earth smokes with blood, and groans and shakes
To drink her children's gore,
A sea of blood; nor can the eye
See to the trembling shore!

And on the verge of this wild sea
Famine and death doth cry;
The cries of women and of babes
Over the field doth fly.

The King is seen raging afar,
With all his men of might;
Like blazing comets scattering death
Thro' the red fev'rous night.

Beneath his arm like sheep they die,
And groan upon the plain;
The battle faints, and bloody men
Fight upon hills of slain.

Now death is sick, and riven men
Labour and toil for life;
Steed rolls on steed, and shield on shield,
Sunk in this sea of strife!

The god of war is drunk with blood;
The earth doth faint and fail;
The stench of blood makes sick the heav'ns;
Ghosts glut the throat of hell!

O what have kings to answer for
Before that awful throne;
When thousand deaths for vengeance cry,
And ghosts accusing groan!

Like blazing comets in the sky
That shake the stars of light,
Which drop like fruit unto the earth
Thro' the fierce burning night;

Like these did Gwin and Gordred meet,
And the first blow decides;
Down from the brow unto the breast
Gordred his head divides!

Gwin fell: the sons of Norway fled,
All that remain'd alive;
The rest did fill the vale of death,
For them the eagles strive.

The river Dorman roll'd their blood
Into the northern sea;
Who mourn'd his sons, and overwhelm'd
The pleasant south country.

 I bring ye wine from above,
From the vats of the storied sun;
For every one of yer love,
And life for every one.
Ye shall dance on hill and level;
Ye shall sing in hollow and height
In the festal mystical revel,
The rapurous Bacchanal rite!
The rocks and trees are yours,
And the waters under the hill,
By the might of that which endures,
The holy heaven of will!
I kindle a flame like a torrent
To rush from star to star;
Your hair as a comet’s horrent,
Ye shall see things as they are!
I lift the mask of matter;
I open the heart of man;
For I am of force to shatter
The cast that hideth -Pan!
Your loves shall lap up slaughter,
And dabbled with roses of blood
Each desperate darling daughter
Shall swim in the fervid flood.
I bring ye laughter and tears,
The kisses that foam and bleed,
The joys of a million years,
The flowers that bear no seed.
My life is bitter and sterile,
Its flame is a wandering star.
Ye shall pass in pleasure and peril
Across the mystic bar
That is set for wrath and weeping
Against the children of earth;
But ye in singing and sleeping
Shall pass in measure and mirth!
I lift my wand and wave you
Through hill to hill of delight :
My rosy rivers lave you
In innermost lustral light..
I lead you, lord of the maze,
In the darkness free of the sun;
In spite of the spite that is day’s
We are wed, we are wild, we are one.

 The admirable number pi: 
three point one four one. 
All the following digits are also just a start, 
five nine two because it never ends. 
It can't be grasped, six five three five , at a glance, 
eight nine, by calculation, 
seven nine, through imagination, 
or even three two three eight in jest, or by comparison 
four six to anything 
two six four three in the world. 
The longest snake on earth ends at thirty-odd feet.
Same goes for fairy tale snakes, though they make it a little longer.
The caravan of digits that is pi
does not stop at the edge of the page,
but runs off the table and into the air,
over the wall, a leaf, a bird's nest, the clouds, straight into the sky,
through all the bloatedness and bottomlessness.
Oh how short, all but mouse-like is the comet's tail!
How frail is a ray of starlight, bending in any old space!
Meanwhile two three fifteen three hundred nineteen
my phone number your shirt size
the year nineteen hundred and seventy-three sixth floor
number of inhabitants sixty-five cents
hip measurement two fingers a charade and a code,
in which we find how blithe the trostle sings!
and please remain calm,
and heaven and earth shall pass away,
but not pi, that won't happen,
it still has an okay five,
and quite a fine eight,
and all but final seven,
prodding and prodding a plodding eternity
to last.

 ON the beach at night alone, 
As the old mother sways her to and fro, singing her husky song, 
As I watch the bright stars shining—I think a thought of the clef of the universes, and of
 the future. 

A VAST SIMILITUDE interlocks all, 
All spheres, grown, ungrown, small, large, suns, moons, planets, comets, asteroids,
All the substances of the same, and all that is spiritual upon the same, 
All distances of place, however wide, 
All distances of time—all inanimate forms, 
All Souls—all living bodies, though they be ever so different, or in different worlds, 
All gaseous, watery, vegetable, mineral processes—the fishes, the brutes,
All men and women—me also; 
All nations, colors, barbarisms, civilizations, languages; 
All identities that have existed, or may exist, on this globe, or any globe; 
All lives and deaths—all of the past, present, future; 
This vast similitude spans them, and always has spann’d, and shall forever span them, and
 compactly hold them, and enclose them.

 A smile fell in the grass.
Irretrievable!

And how will your night dances
Lose themselves. In mathematics?

Such pure leaps and spirals ----
Surely they travel

The world forever, I shall not entirely
Sit emptied of beauties, the gift

Of your small breath, the drenched grass
Smell of your sleeps, lilies, lilies.

Their flesh bears no relation.
Cold folds of ego, the calla,

And the tiger, embellishing itself ----
Spots, and a spread of hot petals.

The comets
Have such a space to cross,

Such coldness, forgetfulness.
So your gestures flake off ----

Warm and human, then their pink light
Bleeding and peeling

Through the black amnesias of heaven.
Why am I given

These lamps, these planets
Falling like blessings, like flakes

Six sided, white
On my eyes, my lips, my hair

Touching and melting.
Nowhere.

 Boss of all bosses of the universe.
Mr. know-it-all, wheeler-dealer, wire-puller,
And whatever else you're good at.
Go ahead, shuffle your zeros tonight.
Dip in ink the comets' tails.
Staple the night with starlight.

You'd be better off reading coffee dregs,
Thumbing the pages of the Farmer's Almanac.
But no! You love to put on airs,
And cultivate your famous serenity
While you sit behind your big desk
With zilch in your in-tray, zilch
In your out-tray,
And all of eternity spread around you.

Doesn't it give you the creeps
To hear them begging you on their knees,
Sputtering endearments,
As if you were an inflatable, life-size doll?
Tell them to button up and go to bed.
Stop pretending you're too busy to take notice.

Your hands are empty and so are your eyes.
There's nothing to put your signature to,
Even if you knew your own name,
Or believed the ones I keep inventing,
As I scribble this note to you in the dark.