Get Your Premium Membership

Best Famous Comely Poems

Here is a collection of the all-time best famous Comely poems. This is a select list of the best famous Comely poetry. Reading, writing, and enjoying famous Comely poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of comely poems.

Search and read the best famous Comely poems, articles about Comely poems, poetry blogs, or anything else Comely poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by John Davidson | Create an image from this poem

A Ballad of Hell

 'A letter from my love to-day!
Oh, unexpected, dear appeal!'
She struck a happy tear away,
And broke the crimson seal.
'My love, there is no help on earth, No help in heaven; the dead-man's bell Must toll our wedding; our first hearth Must be the well-paved floor of hell.
' The colour died from out her face, Her eyes like ghostly candles shone; She cast dread looks about the place, Then clenched her teeth and read right on.
'I may not pass the prison door; Here must I rot from day to day, Unless I wed whom I abhor, My cousin, Blanche of Valencay.
'At midnight with my dagger keen, I'll take my life; it must be so.
Meet me in hell to-night, my queen, For weal and woe.
' She laughed although her face was wan, She girded on her golden belt, She took her jewelled ivory fan, And at her glowing missal knelt.
Then rose, 'And am I mad?' she said: She broke her fan, her belt untied; With leather girt herself instead, And stuck a dagger at her side.
She waited, shuddering in her room, Till sleep had fallen on all the house.
She never flinched; she faced her doom: They two must sin to keep their vows.
Then out into the night she went, And, stooping, crept by hedge and tree; Her rose-bush flung a snare of scent, And caught a happy memory.
She fell, and lay a minute's space; She tore the sward in her distress; The dewy grass refreshed her face; She rose and ran with lifted dress.
She started like a morn-caught ghost Once when the moon came out and stood To watch; the naked road she crossed, And dived into the murmuring wood.
The branches snatched her streaming cloak; A live thing shrieked; she made no stay! She hurried to the trysting-oak— Right well she knew the way.
Without a pause she bared her breast, And drove her dagger home and fell, And lay like one that takes her rest, And died and wakened up in hell.
She bathed her spirit in the flame, And near the centre took her post; From all sides to her ears there came The dreary anguish of the lost.
The devil started at her side, Comely, and tall, and black as jet.
'I am young Malespina's bride; Has he come hither yet?' 'My poppet, welcome to your bed.
' 'Is Malespina here?' 'Not he! To-morrow he must wed His cousin Blanche, my dear!' 'You lie, he died with me to-night.
' 'Not he! it was a plot' .
.
.
'You lie.
' 'My dear, I never lie outright.
' 'We died at midnight, he and I.
' The devil went.
Without a groan She, gathered up in one fierce prayer, Took root in hell's midst all alone, And waited for him there.
She dared to make herself at home Amidst the wail, the uneasy stir.
The blood-stained flame that filled the dome, Scentless and silent, shrouded her.
How long she stayed I cannot tell; But when she felt his perfidy, She marched across the floor of hell; And all the damned stood up to see.
The devil stopped her at the brink: She shook him off; she cried, 'Away!' 'My dear, you have gone mad, I think.
' 'I was betrayed: I will not stay.
' Across the weltering deep she ran; A stranger thing was never seen: The damned stood silent to a man; They saw the great gulf set between.
To her it seemed a meadow fair; And flowers sprang up about her feet She entered heaven; she climbed the stair And knelt down at the mercy-seat.
Seraphs and saints with one great voice Welcomed that soul that knew not fear.
Amazed to find it could rejoice, Hell raised a hoarse, half-human cheer.


Written by William Wordsworth | Create an image from this poem

THE LAST OF THE FLOCK

  In distant countries I have been,
  And yet I have not often seen
  A healthy man, a man full grown,
  Weep in the public roads alone.
  But such a one, on English ground,
  And in the broad high-way, I met;
  Along the broad high-way he came,
  His cheeks with tears were wet.
  Sturdy he seemed, though he was sad;
  And in his arms a lamb he had.

  He saw me, and he turned aside,
  As if he wished himself to hide:
  Then with his coat he made essay
  To wipe those briny tears away.
  I follow'd him, and said, "My friend
  What ails you? wherefore weep you so?"
  —"Shame on me, Sir! this lusty lamb,
  He makes my tears to flow.
  To-day I fetched him from the rock;
  He is the last of all my flock.
"

  When I was young, a single man,
  And after youthful follies ran.
  Though little given to care and thought,
  Yet, so it was, a ewe I bought;
  And other sheep from her I raised,
  As healthy sheep as you might see,
  And then I married, and was rich
  As I could wish to be;
  Of sheep I numbered a full score,
  And every year increas'd my store.

  Year after year my stock it grew,
  And from this one, this single ewe,
  Full fifty comely sheep I raised,
  As sweet a flock as ever grazed!
  Upon the mountain did they feed;
  They throve, and we at home did thrive.
  —This lusty lamb of all my store
  Is all that is alive;
  And now I care not if we die,
  And perish all of poverty.

  Six children, Sir! had I to feed,
  Hard labour in a time of need!
  My pride was tamed, and in our grief,
  I of the parish ask'd relief.
  They said I was a wealthy man;
  My sheep upon the mountain fed,
  And it was fit that thence I took
  Whereof to buy us bread:
  "Do this; how can we give to you,"
  They cried, "what to the poor is due?"

  I sold a sheep as they had said,
  And bought my little children bread,
  And they were healthy with their food;
  For me it never did me good.
  A woeful time it was for me,
  To see the end of all my gains,
  The pretty flock which I had reared
  With all my care and pains,
  To see it melt like snow away!
  For me it was a woeful day.

  Another still! and still another!
  A little lamb, and then its mother!
  It was a vein that never stopp'd,
  Like blood-drops from my heart they dropp'd.
  Till thirty were not left alive
  They dwindled, dwindled, one by one,
  And I may say that many a time
  I wished they all were gone:
  They dwindled one by one away;
  For me it was a woeful day.

  To wicked deeds I was inclined,
  And wicked fancies cross'd my mind,
  And every man I chanc'd to see,
  I thought he knew some ill of me.
  No peace, no comfort could I find,
  No ease, within doors or without,
  And crazily, and wearily
  I went my work about.
  Oft-times I thought to run away;
  For me it was a woeful day.

  Sir! 'twas a precious flock to me,
  As dear as my own children be;
  For daily with my growing store
  I loved my children more and more.
  Alas! it was an evil time;
  God cursed me in my sore distress,
  I prayed, yet every day I thought
  I loved my children less;
  And every week, and every day,
  My flock, it seemed to melt away.

  They dwindled.
Sir, sad sight to see!
  From ten to five, from five to three,
  A lamb, a weather, and a ewe;
  And then at last, from three to two;
  And of my fifty, yesterday
  I had but only one,
  And here it lies upon my arm,
  Alas! and I have none;
  To-day I fetched it from the rock;
  It is the last of all my flock.

Written by Delmira Agustini | Create an image from this poem

Mi Musa Triste (My Sad Muse)

SpanishVagos preludios.
En la noche espléndidaSu voz de perlas una fuente calla,Cuelgan las brisas sus celestes pifanosEn el follaje.
Las cabezas pardasDe los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellosEn las lagunas pálidas.
Selene mira del azul.
Las frondasTiemblan… y todo! hasta el silencio, calla…Es que ella pasa con su boca tristeY el gran misterio de sus ojos de ámbar,A través de la noche, hacia el olvido,Como una estrella fugitiva y blanca.
Como una destronada reina exóticaDe bellos gestos y palabras raras.
Horizontes violados sus ojerasDentro sus ojos–dos estrellas de ámbar–Se abren cansados y húmedos y tristesComo llagas de luz que quejaran.
Es un dolor que vive y que no espera,Es una aurora gris que se levantaDel gran lecho de sombras de la noche,Cansada ya, sin esplendor, sin ansiasY sus canciones son como hadas tristesAlhajadas de lágrimas…              EnglishMurmuring preludes.
On this resplendent nightHer pearled voice quiets a fountain.
The breezes hang their celestial fifesIn the foliage.
The gray headsOf the owls keep watch.
Flowers open themselves, as if surprised.
Ivory swans extend their necksIn the pallid lakes.
Selene watches from the blue.
FrondsTremble…and everything! Even the silence, quiets.
She wanders with her sad mouthAnd the grand mystery of amber eyes,Across the night, toward forgetfulnessLike a star, fugitive and white.
Like a dethroned exotic queenWith comely gestures and rare utterings.
Her undereyes are violated horizonsAnd her irises–two stars of amber–Open wet and weary and sadLike ulcers of light that weep.
She is a grief which thrives and does not hope,She is a gray aurora risingFrom the shadowy bed of night,Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairiesJeweled in teardrops…                          The strings of lyres                          Are the souls' fibers.
–The blood of bitter vineyards, noble vineyards,In goblets of regal beauty, risesTo her marble hands, to lips carvedLike the blazon of a great lineage.
Strange Princes of Fantasy! TheyHave seen her languid head, once erect,And heard her laugh, for her eyesTremble with the flower of aristocracies!And her soul clean as fire, like a star,Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,Perhaps the echo of a profane voice,This white and pristine soul shrinksLike a luminous flower, folding herself up!

Written by Robert William Service | Create an image from this poem

A Hero

 Three times I had the lust to kill,
To clutch a throat so young and fair,
And squeeze with all my might until
No breath of being lingered there.
Three times I drove the demon out, Though on my brow was evil sweat.
.
.
.
And yet I know beyond a doubt He'll get me yet, he'll get me yet.
I know I'm mad, I ought to tell The doctors, let them care for me, Confine me in a padded cell And never, never set me free; But Oh how cruel that would be! For I am young - and comely too .
.
.
Yet dim my demon I can see, And there is but one thing to do.
Three times I beat the foul fiend back; The fourth, I know he will prevail, And so I'll seek the railway track And lay my head upon the rail, And sight the dark and distant train, And hear its thunder louder roll, Coming to crush my cursed brain .
.
.
Oh God, have mercy on my soul!
Written by Emily Dickinson | Create an image from this poem

Awake ye muses nine

 Awake ye muses nine, sing me a strain divine,
Unwind the solemn twine, and tie my Valentine!

Oh the Earth was made for lovers, for damsel, and hopeless swain,
For sighing, and gentle whispering, and unity made of twain.
All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree.
The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son.
The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose.
The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue.
Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown.
Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower -- And bring the fife, and trumpet, and beat upon the drum -- And bid the world Goodmorrow, and go to glory home!


Written by Robert Herrick | Create an image from this poem

THE COUNTRY LIFE:

 TO THE HONOURED MR ENDYMION PORTER, GROOM OF
THE BED-CHAMBER TO HIS MAJESTY

Sweet country life, to such unknown,
Whose lives are others', not their own!
But serving courts and cities, be
Less happy, less enjoying thee.
Thou never plough'st the ocean's foam To seek and bring rough pepper home: Nor to the Eastern Ind dost rove To bring from thence the scorched clove: Nor, with the loss of thy loved rest, Bring'st home the ingot from the West.
No, thy ambition's master-piece Flies no thought higher than a fleece: Or how to pay thy hinds, and clear All scores: and so to end the year: But walk'st about thine own dear bounds, Not envying others' larger grounds: For well thou know'st, 'tis not th' extent Of land makes life, but sweet content.
When now the cock (the ploughman's horn) Calls forth the lily-wristed morn; Then to thy corn-fields thou dost go, Which though well soil'd, yet thou dost know That the best compost for the lands Is the wise master's feet, and hands.
There at the plough thou find'st thy team, With a hind whistling there to them: And cheer'st them up, by singing how The kingdom's portion is the plough.
This done, then to th' enamell'd meads Thou go'st; and as thy foot there treads, Thou seest a present God-like power Imprinted in each herb and flower: And smell'st the breath of great-eyed kine, Sweet as the blossoms of the vine.
Here thou behold'st thy large sleek neat Unto the dew-laps up in meat: And, as thou look'st, the wanton steer, The heifer, cow, and ox draw near, To make a pleasing pastime there.
These seen, thou go'st to view thy flocks Of sheep, safe from the wolf and fox, And find'st their bellies there as full Of short sweet grass, as backs with wool: And leav'st them, as they feed and fill, A shepherd piping on a hill.
For sports, for pageantry, and plays, Thou hast thy eves, and holydays: On which the young men and maids meet, To exercise their dancing feet: Tripping the comely country Round, With daffadils and daisies crown'd.
Thy wakes, thy quintels, here thou hast, Thy May-poles too with garlands graced; Thy Morris-dance; thy Whitsun-ale; Thy shearing-feast, which never fail.
Thy harvest home; thy wassail bowl, That's toss'd up after Fox i' th' hole: Thy mummeries; thy Twelve-tide kings And queens; thy Christmas revellings: Thy nut-brown mirth, thy russet wit, And no man pays too dear for it.
-- To these, thou hast thy times to go And trace the hare i' th' treacherous snow: Thy witty wiles to draw, and get The lark into the trammel net: Thou hast thy cockrood, and thy glade To take the precious pheasant made: Thy lime-twigs, snares, and pit-falls then To catch the pilfering birds, not men.
--O happy life! if that their good The husbandmen but understood! Who all the day themselves do please, And younglings, with such sports as these: And lying down, have nought t' affright Sweet Sleep, that makes more short the night.
CAETERA DESUNT--
Written by Victor Hugo | Create an image from this poem

THE MARBLE FAUN

 ("Il semblait grelotter.") 
 
 {XXXVI., December, 1837.} 


 He seemed to shiver, for the wind was keen. 
 'Twas a poor statue underneath a mass 
 Of leafless branches, with a blackened back 
 And a green foot—an isolated Faun 
 In old deserted park, who, bending forward, 
 Half-merged himself in the entangled boughs, 
 Half in his marble settings. He was there, 
 Pensive, and bound to earth; and, as all things 
 Devoid of movement, he was there—forgotten. 
 
 Trees were around him, whipped by icy blasts— 
 Gigantic chestnuts, without leaf or bird, 
 And, like himself, grown old in that same place. 
 Through the dark network of their undergrowth, 
 Pallid his aspect; and the earth was brown. 
 Starless and moonless, a rough winter's night 
 Was letting down her lappets o'er the mist. 
 This—nothing more: old Faun, dull sky, dark wood. 
 
 Poor, helpless marble, how I've pitied it! 
 Less often man—the harder of the two. 
 
 So, then, without a word that might offend 
 His ear deformed—for well the marble hears 
 The voice of thought—I said to him: "You hail 
 From the gay amorous age. O Faun, what saw you 
 When you were happy? Were you of the Court? 
 
 "Speak to me, comely Faun, as you would speak 
 To tree, or zephyr, or untrodden grass. 
 Have you, O Greek, O mocker of old days, 
 Have you not sometimes with that oblique eye 
 Winked at the Farnese Hercules?—Alone, 
 Have you, O Faun, considerately turned 
 From side to side when counsel-seekers came, 
 And now advised as shepherd, now as satyr?— 
 Have you sometimes, upon this very bench, 
 Seen, at mid-day, Vincent de Paul instilling 
 Grace into Gondi?—Have you ever thrown 
 That searching glance on Louis with Fontange, 
 On Anne with Buckingham; and did they not 
 Start, with flushed cheeks, to hear your laugh ring forth 
 From corner of the wood?—Was your advice 
 As to the thyrsis or the ivy asked, 
 When, in grand ballet of fantastic form, 
 God Phoebus, or God Pan, and all his court, 
 Turned the fair head of the proud Montespan, 
 Calling her Amaryllis?—La Fontaine, 
 Flying the courtiers' ears of stone, came he, 
 Tears on his eyelids, to reveal to you 
 The sorrows of his nymphs of Vaux?—What said 
 Boileau to you—to you—O lettered Faun, 
 Who once with Virgil, in the Eclogue, held 
 That charming dialogue?—Say, have you seen 
 Young beauties sporting on the sward?—Have you 
 Been honored with a sight of Molière 
 In dreamy mood?—Has he perchance, at eve, 
 When here the thinker homeward went, has he, 
 Who—seeing souls all naked—could not fear 
 Your nudity, in his inquiring mind, 
 Confronted you with Man?" 
 
 Under the thickly-tangled branches, thus 
 Did I speak to him; he no answer gave. 
 
 I shook my head, and moved myself away; 
 Then, from the copses, and from secret caves 
 Hid in the wood, methought a ghostly voice 
 Came forth and woke an echo in my souls 
 As in the hollow of an amphora. 
 
 "Imprudent poet," thus it seemed to say, 
 "What dost thou here? Leave the forsaken Fauns 
 In peace beneath their trees! Dost thou not know, 
 Poet, that ever it is impious deemed, 
 In desert spots where drowsy shades repose— 
 Though love itself might prompt thee—to shake down 
 The moss that hangs from ruined centuries, 
 And, with the vain noise of throe ill-timed words, 
 To mar the recollections of the dead?" 
 
 Then to the gardens all enwrapped in mist 
 I hurried, dreaming of the vanished days, 
 And still behind me—hieroglyph obscure 
 Of antique alphabet—the lonely Faun 
 Held to his laughter, through the falling night. 
 
 I went my way; but yet—in saddened spirit 
 Pondering on all that had my vision crossed, 
 Leaves of old summers, fair ones of old time— 
 Through all, at distance, would my fancy see, 
 In the woods, statues; shadows in the past! 
 
 WILLIAM YOUNG 


 A LOVE FOR WINGED THINGS. 
 
 {XXXVII., April 12, 1840.} 


 My love flowed e'er for things with wings. 
 When boy I sought for forest fowl, 
 And caged them in rude rushes' mesh, 
 And fed them with my breakfast roll; 
 So that, though fragile were the door, 
 They rarely fled, and even then 
 Would flutter back at faintest call! 
 
 Man-grown, I charm for men. 


 




Written by Delmore Schwartz | Create an image from this poem

A Dream Of Whitman Paraphrased Recognized And Made More Vivid By Renoir

 Twenty-eight naked young women bathed by the shore
Or near the bank of a woodland lake
Twenty-eight girls and all of them comely
Worthy of Mack Sennett's camera and Florenz Ziegfield's
Foolish Follies.
They splashed and swam with the wondrous unconsciousness Of their youth and beauty In the full spontaneity and summer of the fieshes of awareness Heightened, intensified and softened By the soft and the silk of the waters Blooded made ready by the energy set afire by the nakedness of the body, Electrified: deified: undenied.
A young man of thirty years beholds them from a distance.
He lives in the dungeon of ten million dollars.
He is rich, handsome and empty standing behind the linen curtains Beholding them.
Which girl does he think most desirable, most beautiful? They are all equally beautiful and desirable from the gold distance.
For if poverty darkens discrimination and makes perception too vivid, The gold of wealth is also a form of blindness.
For has not a Frenchman said, Although this is America.
.
.
What he has said is not entirely relevant, That a naked woman is a proof of the existence of God.
Where is he going? Is he going to be among them to splash and to laugh with them? They did not see him although he saw them and was there among them.
He saw them as he would not have seen them had they been conscious Of him or conscious of men in complete depravation: This is his enchantment and impoverishment As he possesses them in gaze only.
.
.
.
He felt the wood secrecy, he knew the June softness The warmth surrounding him crackled Held in by the mansard roof mansion He glimpsed the shadowy light on last year's brittle leaves fallen, Looked over and overlooked, glimpsed by the fall of death, Winter's mourning and the May's renewal.
Written by Kahlil Gibran | Create an image from this poem

The City of the Dead XX

 Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments.
Now I could breathe.
I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.
I commenced analyzing man's mission, but could conclude only that most of his life was identified with struggle and hardship.
Then I tried not to ponder over what the sons of Adam had done, and centered my eyes on the field which is the throne of God's glory.
In one secluded corner of the field I observed a burying ground surrounded by poplar trees.
There, between the city of the dead and the city of the living, I meditated.
I thought of the eternal silence in the first and the endless sorrow in the second.
In the city of the living I found hope and despair; love and hatred, joy and sorrow, wealth and poverty, faith and infidelity.
In the city of the dead there is buried earth in earth that Nature converts, in the night's silence, into vegetation, and then into animal, and then into man.
As my mind wandered in this fashion, I saw a procession moving slowly and reverently, accompanied by pieces of music that filled the sky with sad melody.
It was an elaborate funeral.
The dead was followed by the living who wept and lamented his going.
As the cortege reached the place of interment the priests commenced praying and burning incense, and musicians blowing and plucking their instruments, mourning the departed.
Then the leaders came forward one after the other and recited their eulogies with fine choice of words.
At last the multitude departed, leaving the dead resting in a most spacious and beautiful vault, expertly designed in stone and iron, and surrounded by the most expensively-entwined wreaths of flowers.
The farewell-bidders returned to the city and I remained, watching them from a distance and speaking softly to myself while the sun was descending to the horizon and Nature was making her many preparations for slumber.
Then I saw two men laboring under the weight of a wooden casket, and behind them a shabby-appearing woman carrying an infant on her arms.
Following last was a dog who, with heartbreaking eyes, stared first at the woman and then at the casket.
It was a poor funeral.
This guest of Death left to cold society a miserable wife and an infant to share her sorrows and a faithful dog whose heart knew of his companion's departure.
As they reached the burial place they deposited the casket into a ditch away from the tended shrubs and marble stones, and retreated after a few simple words to God.
The dog made one last turn to look at his friend's grave as the small group disappeared behind the trees.
I looked at the city of the living and said to myself, "That place belongs to the few.
" Then I looked upon the trim city of the dead and said, "That place, too, belongs to the few.
Oh Lord, where is the haven of all the people?" As I said this, I looked toward the clouds, mingled with the sun's longest and most beautiful golden rays.
And I heard a voice within me saying, "Over there!"
Written by Gustavo Adolfo Bécquer | Create an image from this poem

I am black and comely

I am black and comely; my lips are glowing;
I am passion; my heart is hot;
The rapture of life in my veins is flowing.
For me thou callest?—I call thee not.
Pale is my forehead and gold my tresses;
Endless comforts are locked in me,
Treasure of hearthside tendernesses.
’Tis I whom thou seekest?—Nay, not thee.
I am a dream, afar, forbidden.
Vague as the mist on the mountain-brow,
A bodiless glory, haunting, hidden;
I cannot love thee.—Oh, come! come thou!

Book: Shattered Sighs