Written by
Charlotte Bronte |
The room is quiet, thoughts alone
People its mute tranquillity;
The yoke put on, the long task done,
I am, as it is bliss to be,
Still and untroubled.
Now, I see,
For the first time, how soft the day
O'er waveless water, stirless tree,
Silent and sunny, wings its way.
Now, as I watch that distant hill,
So faint, so blue, so far removed,
Sweet dreams of home my heart may fill,
That home where I am known and loved:
It lies beyond; yon azure brow
Parts me from all Earth holds for me;
And, morn and eve, my yearnings flow
Thitherward tending, changelessly.
My happiest hours, aye ! all the time,
I love to keep in memory,
Lapsed among moors, ere life's first prime
Decayed to dark anxiety.
Sometimes, I think a narrow heart
Makes me thus mourn those far away,
And keeps my love so far apart
From friends and friendships of to-day;
Sometimes, I think 'tis but a dream
I measure up so jealously,
All the sweet thoughts I live on seem
To vanish into vacancy:
And then, this strange, coarse world around
Seems all that's palpable and true;
And every sight, and every sound,
Combines my spirit to subdue
To aching grief, so void and lone
Is Life and Earthso worse than vain,
The hopes that, in my own heart sown,
And cherished by such sun and rain
As Joy and transient Sorrow shed,
Have ripened to a harvest there:
Alas ! methinks I hear it said,
"Thy golden sheaves are empty air.
"
All fades away; my very home
I think will soon be desolate;
I hear, at times, a warning come
Of bitter partings at its gate;
And, if I should return and see
The hearth-fire quenched, the vacant chair;
And hear it whispered mournfully,
That farewells have been spoken there,
What shall I do, and whither turn ?
Where look for peace ? When cease to mourn ?
'Tis not the air I wished to play,
The strain I wished to sing;
My wilful spirit slipped away
And struck another string.
I neither wanted smile nor tear,
Bright joy nor bitter woe,
But just a song that sweet and clear,
Though haply sad, might flow.
A quiet song, to solace me
When sleep refused to come;
A strain to chase despondency,
When sorrowful for home.
In vain I try; I cannot sing;
All feels so cold and dead;
No wild distress, no gushing spring
Of tears in anguish shed;
But all the impatient gloom of one
Who waits a distant day,
When, some great task of suffering done,
Repose shall toil repay.
For youth departs, and pleasure flies,
And life consumes away,
And youth's rejoicing ardour dies
Beneath this drear delay;
And Patience, weary with her yoke,
Is yielding to despair,
And Health's elastic spring is broke
Beneath the strain of care.
Life will be gone ere I have lived;
Where now is Life's first prime ?
I've worked and studied, longed and grieved,
Through all that rosy time.
To toil, to think, to long, to grieve,
Is such my future fate ?
The morn was dreary, must the eve
Be also desolate ?
Well, such a life at least makes Death
A welcome, wished-for friend;
Then, aid me, Reason, Patience, Faith,
To suffer to the end !
|
Written by
John Matthew |
White, pristine, unblemished
They say it is not a color
I love white mists, clouds
Lingering on blue mountains.
White, no shades
No off white, cream
Pure as snow on shimmering peaks
Is my favorite sight.
Nurses, priests, politicians
Are bound, chained to white
White nebulous clouds
evoke deep nostalgic thoughts.
They swaddled my father in white
As he lay in the black coffin
His best shirt was white
His loin cloth was white.
The paper I write is white
White is holy, pure
They say light is white
Because it combines all colors.
So white is the mother of all colors
The churning of all yellow, blue, green
Colors sacrifice their egos
To the eternal white.
They say they are "white"
The purest of all races
I think they aren't white
But pink, beige and red.
Why can't colors of people
Merge and become white
Would people called "white"
Allow their color to merge?
Is white a color?
The matriarch of all colors
The fountain of all extent colors
Yes, king white reigns supreme!
|
Written by
Charlotte Turner Smith |
Press'd by the Moon, mute arbitress of tides,
While the loud equinox its power combines,
The sea no more its swelling surge confines,
But o'er the shrinking land sublimely rides.
The wild blast, rising from the Western cave,
Drives the huge billows from their heaving bed;
Tears from their grassy tombs the village dead,
And breaks the silent sabbath of the grave!
With shells and sea-weed mingled, on the shore
Lo! their bones whiten in the frequent wave;
But vain to them the winds and waters rave;
They hear the warring elements no more:
While I am doom'd—by life's long storm opprest,
To gaze with envy on their gloomy rest.
|
Written by
Allen Ginsberg |
To Ezra Pound
These are the names of the companies that have made
money from this war
nineteenhundredsixtyeight Annodomini fourthousand
eighty Hebraic
These are the Corporations who have profited by merchan-
dising skinburning phosphorous or shells fragmented
to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
manufacture
and here are gains numbered, index'd swelling a decade, set
in order,
here named the Fathers in office in these industries, tele-
phones directing finance,
names of directors, makers of fates, and the names of the
stockholders of these destined Aggregates,
and here are the names of their ambassadors to the Capital,
representatives to legislature, those who sit drinking
in hotel lobbies to persuade,
and separate listed, those who drop Amphetamine with
military, gossip, argue, and persuade
suggesting policy naming language proposing strategy, this
done for fee as ambassadors to Pentagon, consul-
tants to military, paid by their industry:
and these are the names of the generals & captains mili-
tary, who know thus work for war goods manufactur-
ers;
and above these, listed, the names of the banks, combines,
investment trusts that control these industries:
and these are the names of the newspapers owned by these
banks
and these are the names of the airstations owned by these
combines;
and these are the numbers of thousands of citizens em-
ployed by these businesses named;
and the beginning of this accounting is 1958 and the end
1968, that static be contained in orderly mind,
coherent and definite,
and the first form of this litany begun first day December
1967 furthers this poem of these States.
December 1, 1967
|
Written by
Emily Dickinson |
A Cap of Lead across the sky
Was tight and surly drawn
We could not find the mighty Face
The Figure was withdrawn --
A Chill came up as from a shaft
Our noon became a well
A Thunder storm combines the charms
Of Winter and of Hell.
|
Written by
Ben Jonson |
XI.
— EPODE.
And her black spite expel,
Which to effect (since no breast is so sure,
Or safe, but she'll procure
Some way of entrance) we must plant a guard
Of thoughts to watch, and ward
At the eye and ear, the ports unto the mind, Give knowledge instantly,
To wakeful reason, our affections' king :
Who, in th' examining,
Will quickly taste the treason, and commit
Close, the close cause of it.
'Tis the securest policy we have,
To make our sense our slave.
But this true course is not embraced by many : Or else the sentinel,
That should ring larum to the heart, doth sleep ;
Or some great thought doth keep
Back the intelligence, and falsely swears,
They are base, and idle fears
Whereof the loyal conscience so complains,
Thus, by these subtile trains,
Do several passions invade the mind, The first ; as prone to move
Most frequent tumults, horrors, and unrests,
In our enflamed breasts :
But this doth from the cloud of error grow,
Which thus we over-blow.
The thing they here call Love, is blind desire,
Arm'd with bow, shafts, and fire ;
Inconstant, like the sea, of whence 'tis born, And boils, as if he were
In a continual tempest.
Now, true love
No such effects doth prove ;
That is an essence far more gentle, fine,
Pure, perfect, nay divine ;
It is a golden chain let down from heaven,
Whose links are bright and even,
That falls like sleep on lovers, and combines To murder different hearts,
But in a calm, and god-like unity,
Preserves community.
O, who is he, that, in this peace, enjoys
The elixir of all joys ?
A form more fresh than are the Eden bowers,
And lasting as her flowers :
Richer than Time, and as time's virtue rare Who, blest with such high chance
Would, at suggestion of a steep desire,
Cast himself from the spire
Of all his happiness ? But soft : I hear
Some vicious fool draw near,
That cries, we dream, and swears there's no such thing,
As this chaste love we sing.
Peace, Luxury, thou art like one of those No, Vice, we let thee know,
Though thy wild thoughts with sparrows' wings do flie,
Turtles can chastly die ;
And yet (in this t' express ourselves more clear)
We do not number here
Such spirits as are only continent,
Because lust's means are spent :
Or those, who doubt the common mouth of fame, Is mere necessity.
Nor mean we those, whom vows and conscience
Have fill'd with abstinence :
Though we acknowledge, who can so abstain,
Makes a most blessed gain.
He that for love of goodness hateth ill,
Is more crown-worthy still,
Than he, which for sin's penalty forbears ; Graced with a Phoenix' love ;
A beauty of that clear and sparkling light,
Would make a day of night,
And turn the blackest sorrows to bright joys ;
Whose odorous breath destroys
All taste of bitterness, and makes the air
As sweet as she is fair.
A body so harmoniously composed, O, so divine a creature,
Who could be false to? chiefly, when he knows
How only she bestows
The wealthy treasure of her love on him ;
Making his fortune swim
In the full flood of her admired perfection ?
What savage, brute affection,
Would not be fearful to offend a dame To virtuous moods inclined
That knows the weight of guilt ; he will refrain
From thoughts of such a strain,
And to his sense object this sentence ever,
"Man may securely sin, but safely never.
"
Is virtue and not fate :
Next to that virtue, is to know vice well,
And her black spite expel,
Which to effect (since no breast is so sure,
Or safe, but she'll procure
Some way of entrance) we must plant a guard
Of thoughts to watch, and ward
At the eye and ear, the ports unto the mind,
|
Written by
Paul Laurence Dunbar |
By Mystic's banks I held my dream.
(I held my fishing rod as well,)
The vision was of dace and bream,
A fruitless vision, sooth to tell.
But round about the sylvan dell
Were other sweet Arcadian shrines,
Gone now, is all the rural spell,
Arcadia has trolley lines.
Oh, once loved, sluggish, darkling stream,
For me no more, thy waters swell,
Thy music now the engines' scream,
Thy fragrance now the factory's smell;
Too near for me the clanging bell;
A false light in the water shines
While Solitude lists to her knell,—
Arcadia has trolley lines.
Thy wooded lanes with shade and gleam
Where bloomed the fragrant asphodel,
Now bleak commercially teem
With signs "To Let," "To Buy," "To Sell."
And Commerce holds them fierce and fell;
With vulgar sport she now combines
Sweet Nature's piping voice to quell.
Arcadia has trolley lines.
|
Written by
A S J Tessimond |
This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.
This mind for hire, this mental prostitute
Can tell the half-lie hardest to refute;
Knows how to hide an inconvenient fact
And when to leave a doubtful claim unbacked;
Manipulates the truth but not too much,
And if his patter needs the Human Touch,
Skillfully artless, artlessly naive,
Wears his convenient heart upon his sleeve.
He uses words that once were strong and fine,
Primal as sun and moon and bread and wine,
True, honourable, honoured, clear and keen,
And leaves them shabby, worn, diminished, mean.
He takes ideas and trains them to engage
In the long little wars big combines wage.
.
.
He keeps his logic loose, his feelings flimsy;
Turns eloquence to cant and wit to whimsy;
Trims language till it fits his clients, pattern
And style's a glossy tart or limping slattern.
He studies our defences, finds the cracks
And where the wall is weak or worn, attacks.
lie finds the fear that's deep, the wound that's tender,
And mastered, outmanouevered, we surrender.
We who have tried to choose accept his choice
And tired succumb to his untiring voice.
The dripping tap makes even granite soften
We trust the brand-name we have heard so often
And join the queue of sheep that flock to buy;
We fools who know our folly, you and I.
|
Written by
Emile Verhaeren |
In his village grey
At foot of the dykes, that encompass him
With weary weaving of curves and lines
Toward the sea outstretching dim,
The rope-maker, visionary white.
Stepping backwards along the way,
Prudently 'twixt his hands combines
The distant threads, in their twisting play.
That come to him from the infinite.
When day is gone.
Through ardent, weary evenings, yon
The whirr of a wheel can yet be heard;
Something by unseen hands is stirred.
And parallel o'er the rakes, that trace
An even space
From point to point along all the way,
The flaxen hemp still plaits its chain
Ceaseless, for days and weeks amain.
With his poor, tired fingers, nimble still.
Fearing to break for want of skill
The fragments of gold that the gliding light
Threads through his toil so scantily—
Passing the walls and the houses by
The rope-maker, visionary white,
From depths of the evening's whirlpool dim,
Draws the horizons in to him.
Horizons that stretch back afar.
Where strife, regrets, hates, furies are:
Tears of the silence, and the tears
That find a voice: serenest years,
Or years convulsed with pang and throe:
Horizons of the long ago,
These gestures of the Past they shew.
Of old—as one in sleep, life, errant, strayed
Its wondrous morns and fabled evenings through;
When God's right hand toward far Canaan's blue
Traced golden paths, deep in the twilight shade.
Of old, 'twas life exasperate, huge and tense,
Swung savage at some stallion's mane—life, fleet.
With mighty lightnings flashing 'neath her feet,
Upreared immensely over space immense.
Of old, 'twas life evoking ardent will;
And hell's red cross and Heaven's cross of white
Each marched, with gleam of steely armours' light.
Through streams of blood, to heavens of victory still.
Of old—life, livid, foaming, came and went
'Mid strokes of tocsin and assassin's knife;
Proscribers, murderers, each with each at strife,
While, mad and splendid. Death above them bent.
'Twixt fields of flax and of osiers red.
On the road where nothing doth move or tread,
By houses and walls to left and right
The rope-maker, visionary white,
From depths of evening's treasury dim
Draws the horizons in to him.
Horizons that stretch yonder far.
Where work, strifes, ardours, science are;
Horizons that change—they pass and glide,
And on their way
They shew in mirrors of eventide
The mourning image of dark To-day.
Here—writhing fires that never rest nor end.
Where, in one giant effort all employed,
Sages cast down the Gods, to change the void
Whither the flights of human science tend.
Here—'tis a room where thought, assertive, saith
That there are weights exact to gauge her by,
That inane ether, only, rounds the sky.
And that in phials of glass men breed up death.
Here—'tis a workship, where, all fiery bright,
Matter intense vibrates with fierce turmoil
In vaults where wonders new, 'mid stress and toil,
Are forged, that can absorb space, time and night.
—A palace—of an architecture grown
Effete, and weary 'neath its hundred years.
Whence voices vast invoke, instinct with fears,
The thunder in its flights toward the Unknown.
On the silent, even road—his eyes
Still fixed towards the waning light
That skirts the houses and walls as it dies—
The rope-maker, visionary white,
From depths of the evening's halo dim
Draws the horizons in to him.
Horizons that are there afar
Where light, hope, wakenings, strivings are;
Horizons that he sees defined
As hope for some future, far and kind.
Beyond those distant shores and faint
That evening on the clouds doth paint.
Yon—'mid that distance calm and musical
Twin stairs of gold suspend their steps of blue,
The sage doth climb them, and the seer too,
Starting from sides opposed toward one goal.
Yon—contradiction's lightning-shocks lose power.
Doubt's sullen hand unclenches to the light,
The eye sees in their essence laws unite
Rays scattered once 'mid doctrines of an hour.
Yon—keenest spirits pierce beyond the land
Of seeming and of death. The heart hath ease,
And one would say that Mildness held the keys
Of the colossal silence in her hand.
Up yon—the God each soul is, once again
Creates, expands, gives, finds himself in all;
And rises higher, the lowlier he doth fall
Before meek tenderness and sacred pain.
And there is ardent, living peace—its urns
Of even bliss ranged 'mid these twilights, where
—Embers of hope upon the ashen air—
Each great nocturnal planet steadfast burns.
In his village at foot of the dykes, that bend,
Sinuous, weary, about him and wend
Toward that distance of eddying light,
The rope-maker, visionary white.
Along by each house and each garden wall.
Absorbs in himself the horizons all.
|
Written by
Francesco Petrarch |
SONNET CLI.
Amor, Natura, e la bell' alma umile.
DURING A SERIOUS ILLNESS OF LAURA.
Love, Nature, Laura's gentle self combines,
She where each lofty virtue dwells and reigns,
[Pg 169]Against my peace: To pierce with mortal pains
Love toils—such ever are his stern designs.
Nature by bonds so slight to earth confines
Her slender form, a breath may break its chains;
And she, so much her heart the world disdains,
Longer to tread life's wearying round repines.
Hence still in her sweet frame we view decay
All that to earth can joy and radiance lend,
Or serve as mirror to this laggard age;
And Death's dread purpose should not Pity stay,
Too well I see where all those hopes must end,
With which I fondly soothed my lingering pilgrimage.
Wrangham.
Love, Nature, and that gentle soul as bright,
Where every lofty virtue dwells and reigns,
Are sworn against my peace.
As wont, Love strains
His every power that I may perish quite.
Nature her delicate form by bonds so slight
Holds in existence, that no help sustains;
She is so modest that she now disdains
Longer to brook this vile life's painful fight.
Thus fades and fails the spirit day by day,
Which on those dear and lovely limbs should wait,
Our mirror of true grace which wont to give:
And soon, if Mercy turn not Death away,
Alas! too well I see in what sad state
Are those vain hopes wherein I loved to live.
Macgregor.
|