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Best Famous Codes Poems

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Written by David Lehman | Create an image from this poem

A Little History

 Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude them by running away.
They were happy just to see him run away.
The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their secret faith died.
No one would ever have known if not for the bones that turned up on the dig.
A disaster.
How could it have happened to them? They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last! They are free to marry other Jews, and divorce them, and intermarry with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else, yet in their hearts they know they're different.
In every minyan there are always two or three, hated by the others, who give life to one ugly stereotype or another: The grasping Jew with the hooked nose or the Ivy League Bolshevik who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover, anniversary of the Exodus, when all the uncles and aunts and cousins get together.
They wonder about the heritage of Judaism they are passing along to their children.
Have they done as much as they could to keep the old embers burning? Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp.
" He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody Allen.
He wonders what that means.
I'm funny? A sort of nervous intellectual type from New York? A Jew? Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the Jewish question.
" It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their children.
That is why he came to this dry place where the bones have come to life.
To live in a state of perpetual war puts a tremendous burden on the population.
As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter- terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's wives.
As a spy he has a unique mission: to get his name on the front page of the nation's newspaper of record.
Only by doing that would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but this was incredible: To talk his way into being the chief suspect in the most flamboyant murder case in years! And he was innocent! He could prove it! And what a book he would write when they free him from this prison: A novel, obliquely autobiographical, set in Vienna in the twilight of the Hapsburg Empire, in the year that his mother was born.


Written by Percy Bysshe Shelley | Create an image from this poem

Mont Blanc

 (Lines written in the Vale of Chamouni)

1

The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark - now glittering - now reflecting gloom -
Now lending splendor, where from secret springs
The source of human thought its tribute brings
Of waters, - with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, amon the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
2 Thus thou, Ravine of Arve - dark, deep Ravine- Thou many-colored, many voiced vale, Over whose pines, and crags, and caverns sail Fast cloud-shadows and sunbeams: awful scene, Where Power in likeness of the Arve comes down From the ice-gulfs that gird his secret throne, Bursting through these dark mountains like the flame Of lightning through the tempest; -thou dost lie, Thy giant brood of pines around thee clinging, Children of elder time, in whose devotion The chainless winds still come and ever came To drink their odors, and their mighty swinging To hear - an old and solemn harmony; Thine earthly rainbows stretched across the sweep Of the ethereal waterfall, whose veil Robes some unsculptured image; the strange sleep Which when the voices of the desert fail Wraps all in its own deep eternity;- Thy caverns echoing to the Arve's commotion, A loud, lone sound no other sound can tame; Thou art pervaded with that ceaseless motion, Thou art the path of that unresting sound- Dizzy Ravine! and when I gaze on thee I seem as in a trance sublime and strange To muse on my own separate fantasy, My own, my human mind, which passively Now renders and receives fast influencings, Holding an unremitting interchange With the clear universe of things around; One legion of wild thoughts, whose wandering wings Now float above thy darkness, and now rest Where that or thou art no unbidden guest, In the still cave of the witch Poesy, Seeking among the shadows that pass by Ghosts of all things that are, some shade of thee, Some phantom, some faint image; till the breast From which they fled recalls them, thou art there! 3 Some say that gleams of a remoter world Visit the soul in sleep,-that death is slumber, And that its shapes the busy thoughts outnumber Of those who wake and live.
-I look on high; Has some unknown omnipotence unfurled The veil of life and death? or do I lie In dream, and does the mightier world of sleep Spread far and round and inaccessibly Its circles? For the very spirit fails, Driven like a homeless cloud from steep to steep That vanishes amon the viewless gales! Far, far above, piercing the infinite sky, Mont Blanc appears,-still snowy and serene- Its subject mountains their unearthly forms Pile around it, ice and rock; broad vales between Of frozen floods, unfathomable deeps, Blue as the overhanging heaven, that spread And wind among the accumulated steeps; A desert peopled by the storms alone, Save when the eagle brings some hunter's bone, And the wolf tracks her there - how hideously Its shapes are heaped around! rude, bare, and high, Ghastly, and scarred, and riven.
-Is this the scene Where the old Earthquake-demon taught her young Ruin? Were these their toys? or did a sea Of fire envelop once this silent snow? None can reply - all seems eternal now.
The wilderness has a mysterious tongue Which teaches awful doubt, or faith so mild, So solemn, so serene, that man may be, But for such faith, with nature reconciled; Thou hast a voice, great Mountain, to repeal Large codes of fraud and woe; not understood By all, but which the wise, and great, and good Interpret, or make felt, or deeply feel.
4 The fields, the lakes, the forests, and the streams, Ocean, and all the living things that dwell Within the daedal earth; lightning, and rain, Earthquake, and fiery flood, and hurricane, The torpor of the year when feeble dreams Visit the hidden buds, or dreamless sleep Holds every future leaf and flower; -the bound With which from that detested trance they leap; The works and ways of man, their death and birth, And that of him, and all that his may be; All things that move and breathe with toil and sound Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquility, Remote, serene, and inaccessible: And this, the naked countenance of earth, On which I gaze, even these primeval mountains Teach the adverting mind.
The glaciers creep Like snakes that watch their prey, from their far fountains, Slow rolling on; there, many a precipice, Frost and the Sun in scorn of mortal power Have piled: dome, pyramid, and pinnacle, A city of death, distinct with many a tower And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin Is there, that from the boundaries of the sky Rolls its perpetual stream; vast pines are strewing Its destined path, or in the mangled soil Branchless and shattered stand; the rocks, drawn down From yon remotest waste, have overthrown The limits of the dead and living world, Never to be reclaimed.
The dwelling-place Of insects, beasts, and birds, becomes its spoil Their food and their retreat for ever gone, So much of life and joy is lost.
The race Of man flies far in dread; his work and dwelling Vanish, like smoke before the tempest's stream, And their place is not known.
Below, vast caves Shine in the rushing torrents' restless gleam, Which from those secret chasms in tumult welling Meet in the vale, and one majestic River, The breath and blood of distant lands , for ever Rolls its loud waters to the ocean-waves, Breathes its swift vapors to the circling air.
5 Mont Blanc yet gleams on high:-the power is there, The still and solemn power of many sights, And many sounds, and much of life and death.
In the calm darkness of the moonless nights, In the lone glare of day, the snows descend Upon that mountain; none beholds them there, Nor when the flakes burn in the sinking sun, Or the star-beams dart through them:-Winds contend Silently there, and heap the snow with breath Rapid and strong, but silently! Its home The voiceless lightning in these solitudes Keeps innocently, and like vapor broods Over the snow.
The secret Strength of things Which governs thought, and to the infinite dome Of Heaven is as a law, inhabits thee! And what were thou, and earth, and stars, and sea, If to the human mind's imaginings Silence and solitude were vacancy?
Written by Barry Tebb | Create an image from this poem

MARGINALIA

 Here is a silence I had not hoped for

This side of paradise, I am an old believer

In nature’s bounty as God’s grace

To us poor mortals, fretting and fuming

At frustrated lust or the scent of fame 

Coming too late to make a difference

Blue with white vertebrae of cloud forms

Riming the spectrum of green dark of poplars

Lined like soldiers, paler the hue of hawthorn 

With the heather beginning to bud blue

Before September purple, yellow ragwort

Sways in the wind as distantly a plane hums

And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie, My favourite of her seven cats, they soothe better Than Diazepan for panic Seroxat for grief Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea Aware of the ticking clock: I have to be back To talk to my son’s key nurse when she comes on For the night shift.
Always there are things to sort, Misapprehensions to untangle, delusions to decipher, Lies to expose, statistics to disclose, Trust Boards And team meetings to attend, ‘Mental Health Monthly’ To peruse, funds for my press to raise – the only one I ever got will leave me out of pocket.
A couple sat on the next bench Are earnestly discussing child custody, broken marriages, Failed affairs, social service interventions – Even here I cannot escape complexity "I should never have slept with her once we split" "The kids are what matters when it comes to the bottom line" "Is he poisoning their minds against me?" Part of me nags to offer help but I’ve too much On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear" But better not to interfere.
Damn my bloody superego Nattering like an old woman or Daisy nagging About my pipe and my loud voice on buses – No doubt she’s right – smoking’s not good And hearing about psychosis, medication and end-on-sections Isn’t what people are on buses for.
I long for a girl in summer, pubescent With a twinkle in her eye to come and say "Come on, let’s do it!" I was always shy in adolescence, too busy reading Baudelaire To find a decent whore and learn to score And now I’m probably impotent with depression So I’d better forget sex and read more of Andr? Green On metaphor from Hegel to Lacan and how the colloquium At Bonneval changed analytic history, a mystery I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss From jumped-up SHO’s and locums who’d miss vital side effects And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors To cut and suture neatly and renew my stocks Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks On the moor? Suburban excesses spread like the sores Of syphilis and more regulations in a decade of Blair Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E If you want NHS treatment free.
Be careful not to bleed to death While finding the certificate.
Blunkett wants us all to have ID Photo cards, genetic codes, DNA database, eye scans, the lot – And kiss good-bye to the last bits of freedom we’ve got" "At the end of the day she shopped me and all I’d done Was take a few pound from the till ’cos Jenny was ill And I didn’t have thirteen quid to get the bloody prescription done" To-morrow I’ll be back in the Great Wen, Two days of manic catching up and then Thistledown, wild wheat, a dozen kinds of grass, The mass of beckoning hills I’d love to make A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines Entice me still but slimy Fenton had to have his will And slate it in the NYB, arguing that panetone Isn’t tin foil as Lowell thought.
James you are a dreadful bore, A pedantic creep like hundreds more, five A4 pages Of sniping and nit-picking for how many greenbacks? A thousand or two I’d guess, they couldn’t pay you less For churning out such a king-size mess But not even you can spoil this afternoon Of watching Haworth heather bloom.
Written by Vachel Lindsay | Create an image from this poem

The Jingo and the Minstrel

 AN ARGUMENT FOR THE MAINTENANCE OF PEACE AND GOODWILL WITH THE JAPANESE PEOPLE

Glossary for the uninstructed and the hasty: Jimmu Tenno, ancestor of all the Japanese Emperors; Nikko, Japan's loveliest shrine; Iyeyasu, her greatest statesman; Bushido, her code of knighthood; The Forty-seven Ronins, her classic heroes; Nogi, her latest hero; Fuji, her most beautiful mountain.
"Now do you know of Avalon That sailors call Japan? She holds as rare a chivalry As ever bled for man.
King Arthur sleeps at Nikko hill Where Iyeyasu lies, And there the broad Pendragon flag In deathless splendor flies.
" "Nay, minstrel, but the great ships come From out the sunset sea.
We cannot greet the souls they bring With welcome high and free.
How can the Nippon nondescripts That weird and dreadful band Be aught but what we find them here:— The blasters of the land?" "First race, first men from anywhere To face you, eye to eye.
For that do you curse Avalon And raise a hue and cry? These toilers cannot kiss your hand, Or fawn with hearts bowed down: Be glad for them, and Avalon, And Arthur's ghostly crown.
"No doubt your guests, with sage debate In grave things gentlemen Will let your trade and farms alone And turn them back again.
But why should brawling braggarts rise With hasty words of shame To drive them back like dogs and swine Who in due honor came?" "We cannot give them honor, sir.
We give them scorn for scorn.
And Rumor steals around the world All white-skinned men to warn Against this sleek silk-merchant here And viler coolie-man And wrath within the courts of war Brews on against Japan!" "Must Avalon, with hope forlorn, Her back against the wall, Have lived her brilliant life in vain While ruder tribes take all? Must Arthur stand with Asian Celts, A ghost with spear and crown, Behind the great Pendragon flag And be again cut down? "Tho Europe's self shall move against High Jimmu Tenno's throne The Forty-seven Ronin Men Will not be found alone.
For Percival and Bedivere And Nogi side by side Will stand,—with mourning Merlin there, Tho all go down in pride.
"But has the world the envious dream— Ah, such things cannot be,— To tear their fairy-land like silk And toss it in the sea? Must venom rob the future day The ultimate world-man Of rare Bushido, code of codes, The fair heart of Japan? "Go, be the guest of Avalon.
Believe me, it lies there Behind the mighty gray sea-wall Where heathen bend in prayer: Where peasants lift adoring eyes To Fuji's crown of snow.
King Arthur's knights will be your hosts, So cleanse your heart, and go.
"And you will find but gardens sweet Prepared beyond the seas, And you will find but gentlefolk Beneath the cherry-trees.
So walk you worthy of your Christ Tho church bells do not sound, And weave the bands of brotherhood On Jimmu Tenno's ground.
"
Written by Percy Bysshe Shelley | Create an image from this poem

Mont Blanc: Lines Written in the Vale of Chamouni

 I
The everlasting universe of things 
Flows through the mind, and rolls its rapid waves,
Now dark--now glittering--now reflecting gloom--
Now lending splendour, where from secret springs
The source of human thought its tribute brings
Of waters--with a sound but half its own,
Such as a feeble brook will oft assume,
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
II Thus thou, Ravine of Arve--dark, deep Ravine-- Thou many-colour'd, many-voiced vale, Over whose pines, and crags, and caverns sail Fast cloud-shadows and sunbeams: awful scene, Where Power in likeness of the Arve comes down From the ice-gulfs that gird his secret throne, Bursting through these dark mountains like the flame Of lightning through the tempest;--thou dost lie, Thy giant brood of pines around thee clinging, Children of elder time, in whose devotion The chainless winds still come and ever came To drink their odours, and their mighty swinging To hear--an old and solemn harmony; Thine earthly rainbows stretch'd across the sweep Of the aethereal waterfall, whose veil Robes some unsculptur'd image; the strange sleep Which when the voices of the desert fail Wraps all in its own deep eternity; Thy caverns echoing to the Arve's commotion, A loud, lone sound no other sound can tame; Thou art pervaded with that ceaseless motion, Thou art the path of that unresting sound-- Dizzy Ravine! and when I gaze on thee I seem as in a trance sublime and strange To muse on my own separate fantasy, My own, my human mind, which passively Now renders and receives fast influencings, Holding an unremitting interchange With the clear universe of things around; One legion of wild thoughts, whose wandering wings Now float above thy darkness, and now rest Where that or thou art no unbidden guest, In the still cave of the witch Poesy, Seeking among the shadows that pass by Ghosts of all things that are, some shade of thee, Some phantom, some faint image; till the breast From which they fled recalls them, thou art there! III Some say that gleams of a remoter world Visit the soul in sleep, that death is slumber, And that its shapes the busy thoughts outnumber Of those who wake and live.
--I look on high; Has some unknown omnipotence unfurl'd The veil of life and death? or do I lie In dream, and does the mightier world of sleep Spread far around and inaccessibly Its circles? For the very spirit fails, Driven like a homeless cloud from steep to steep That vanishes among the viewless gales! Far, far above, piercing the infinite sky, Mont Blanc appears--still, snowy, and serene; Its subject mountains their unearthly forms Pile around it, ice and rock; broad vales between Of frozen floods, unfathomable deeps, Blue as the overhanging heaven, that spread And wind among the accumulated steeps; A desert peopled by the storms alone, Save when the eagle brings some hunter's bone, And the wolf tracks her there--how hideously Its shapes are heap'd around! rude, bare, and high, Ghastly, and scarr'd, and riven.
--Is this the scene Where the old Earthquake-daemon taught her young Ruin? Were these their toys? or did a sea Of fire envelop once this silent snow? None can reply--all seems eternal now.
The wilderness has a mysterious tongue Which teaches awful doubt, or faith so mild, So solemn, so serene, that man may be, But for such faith, with Nature reconcil'd; Thou hast a voice, great Mountain, to repeal Large codes of fraud and woe; not understood By all, but which the wise, and great, and good Interpret, or make felt, or deeply feel.
IV The fields, the lakes, the forests, and the streams, Ocean, and all the living things that dwell Within the daedal earth; lightning, and rain, Earthquake, and fiery flood, and hurricane, The torpor of the year when feeble dreams Visit the hidden buds, or dreamless sleep Holds every future leaf and flower; the bound With which from that detested trance they leap; The works and ways of man, their death and birth, And that of him and all that his may be; All things that move and breathe with toil and sound Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquillity, Remote, serene, and inaccessible: And this, the naked countenance of earth, On which I gaze, even these primeval mountains Teach the adverting mind.
The glaciers creep Like snakes that watch their prey, from their far fountains, Slow rolling on; there, many a precipice Frost and the Sun in scorn of mortal power Have pil'd: dome, pyramid, and pinnacle, A city of death, distinct with many a tower And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin Is there, that from the boundaries of the sky Rolls its perpetual stream; vast pines are strewing Its destin'd path, or in the mangled soil Branchless and shatter'd stand; the rocks, drawn down From yon remotest waste, have overthrown The limits of the dead and living world, Never to be reclaim'd.
The dwelling-place Of insects, beasts, and birds, becomes its spoil; Their food and their retreat for ever gone, So much of life and joy is lost.
The race Of man flies far in dread; his work and dwelling Vanish, like smoke before the tempest's stream, And their place is not known.
Below, vast caves Shine in the rushing torrents' restless gleam, Which from those secret chasms in tumult welling Meet in the vale, and one majestic River, The breath and blood of distant lands, for ever Rolls its loud waters to the ocean-waves, Breathes its swift vapours to the circling air.
V Mont Blanc yet gleams on high:--the power is there, The still and solemn power of many sights, And many sounds, and much of life and death.
In the calm darkness of the moonless nights, In the lone glare of day, the snows descend Upon that Mountain; none beholds them there, Nor when the flakes burn in the sinking sun, Or the star-beams dart through them.
Winds contend Silently there, and heap the snow with breath Rapid and strong, but silently! Its home The voiceless lightning in these solitudes Keeps innocently, and like vapour broods Over the snow.
The secret Strength of things Which governs thought, and to the infinite dome Of Heaven is as a law, inhabits thee! And what were thou, and earth, and stars, and sea, If to the human mind's imaginings Silence and solitude were vacancy?


Written by Herman Melville | Create an image from this poem

Falstaffs Lament Over Prince Hal Become Henry V

 One that I cherished,
Yea, loved as a son - 
Up early, up late with,
My promising one:
No use in good nurture,
None, lads, none!

Here on this settle
He wore the true crown,
King of good fellows,
And Fat Jack was one - 
Now, Beadle of England
In formal array - 
Best fellow alive
On a throne flung away!

Companions and cronies
Keep fast and lament; - 
Come, drawer, more sack here
To drown discontent;
For now intuitions
Shall wither to codes,
Pragmatized morals
Shall libel the gods.
One I instructed, Yea, talked to -alone: Precept -example Clean away thrown! Sorrow makes thirsty: Sack, drawer, more sack! - One that I prayed for, I, Honest Jack! To bring down these grey hairs - To cut his old pal! But, I'll be magnanimous - Here's to thee Hal!
Written by Czeslaw Milosz | Create an image from this poem

Artificer

 Burning, he walks in the stream of flickering letters, clarinets,
machines throbbing quicker than the heart, lopped-off heads, silk
canvases, and he stops under the sky

and raises toward it his joined clenched fists.
Believers fall on their bellies, they suppose it is a monstrance that shines, but those are knuckles, sharp knuckles shine that way, my friends.
He cuts the glowing, yellow buildings in two, breaks the walls into motley halves; pensive, he looks at the honey seeping from those huge honeycombs: throbs of pianos, children's cries, the thud of a head banging against the floor.
This is the only landscape able to make him feel.
He wonders at his brother's skull shaped like an egg, every day he shoves back his black hair from his brow, then one day he plants a big load of dynamite and is surprised that afterward everything spouts up in the explosion.
Agape, he observes the clouds and what is hanging in them: globes, penal codes, dead cats floating on their backs, locomotives.
They turn in the skeins of white clouds like trash in a puddle.
While below on the earth a banner, the color of a romantic rose, flutters, and a long row of military trains crawls on the weed-covered tracks.
Written by Ella Wheeler Wilcox | Create an image from this poem

Bohemia

 Bohemia, o'er thy unatlassed borders 
How many cross, with half-reluctant feet, 
And unformed fears of dangers and disorders, 
To find delights, more wholesome and more sweet 
Than ever yet were known to the "elite.
" Herein can dwell no pretence and no seeming; No stilted pride thrives in this atmosphere, Which stimulates a tendency to dreaming.
The shores of the ideal world, from here, Seem sometimes to be tangible and near.
We have no use for formal codes of fashion; No "Etiquette f Courts" we emulate; We know it needs sincerity and passion To carry out the plans of God, or fate; We do not strive to seem inanimate.
We call no time lost that we give to pleasure; Life's hurrying river speeds to Death's great sea; We cast out no vain plummet-line to measure Imagined depths of that unknown To-Be, But grasp the Now, and fill it full of glee.
All creeds have room here, and we all together Devoutly worship at Art's sacred shrine; But he who dwells once in thy golden weather, Bohemia--sweet, lovely land of mine-- Can find no joy outside thy border-line.
Written by Emily Dickinson | Create an image from this poem

To her derided Home

 To her derided Home
A Weed of Summer came --
She did not know her station low
Nor Ignominy's Name --
Bestowed a summer long
Upon a frameless flower --
Then swept as lightly from disdain
As Lady from her Bower --

Of Bliss the Codes are few --
As Jesus cites of Him --
"Come unto me" the moiety
That wafts the Seraphim --

Book: Shattered Sighs