Written by
Alexander Pushkin |
You saw perched on a cliff a maid,
Her raiment white above the breakers,
When the mad sea reared up and played
Its whips of spray on coastal acres
And now and then the lightnings flush,
And purple gleams upon her hover,
And fluttering up in swirling rush,
The wind rides in her airy cover?
Fair is the sea in gales arrayed,
The heavens drained of blue and flashing,
But fairer on her cliff the maid
Than storms and skies and breakers crashing.
|
Written by
Philip Levine |
You pull over to the shoulder
of the two-lane
road and sit for a moment wondering
where you were going
in such a hurry.
The valley is burned
out, the oaks
dream day and night of rain
that never comes.
At noon or just before noon
the short shadows
are gray and hold what little
life survives.
In the still heat the engine
clicks, although
the real heat is hours ahead.
You get out and step
cautiously over a low wire
fence and begin
the climb up the yellowed hill.
A hundred feet
ahead the trunks of two
fallen oaks
rust; something passes over
them, a lizard
perhaps or a trick of sight.
The next tree
you pass is unfamiliar,
the trunk dark,
as black as an olive's; the low
branches stab
out, gnarled and dull: a carob
or a Joshua tree.
A sudden flaring-up ahead,
a black-winged
bird rises from nowhere,
white patches
underneath its wings, and is gone.
You hear your own
breath catching in your ears,
a roaring, a sea
sound that goes on and on
until you lean
forward to place both hands
-- fingers spread --
into the bleached grasses
and let your knees
slowly down.
Your breath slows
and you know
you're back in central
California
on your way to San Francisco
or the coastal towns
with their damp sea breezes
you haven't
even a hint of.
But first
you must cross
the Pacheco Pass.
People
expect you, and yet
you remain, still leaning forward
into the grasses
that if you could hear them
would tell you
all you need to know about
the life ahead.
.
.
.
Out of a sense of modesty
or to avoid the truth
I've been writing in the second
person, but in truth
it was I, not you, who pulled
the green Ford
over to the side of the road
and decided to get
up that last hill to look
back at the valley
he'd come to call home.
I can't believe
that man, only thirty-two,
less than half
my age, could be the person
fashioning these lines.
That was late July of '60.
I had heard
all about magpies, how they
snooped and meddled
in the affairs of others, not
birds so much
as people.
If you dared
to remove a wedding
ring as you washed away
the stickiness of love
or the cherished odors of another
man or woman,
as you turned away
from the mirror
having admired your new-found
potency -- humming
"My Funny Valentine" or
"Body and Soul" --
to reach for a rough towel
or some garment
on which to dry yourself,
he would enter
the open window behind you
that gave gratefully
onto the fields and the roads
bathed in dawn --
he, the magpie -- and snatch
up the ring
in his hard beak and shoulder
his way back
into the currents of the world
on his way
to the only person who could
change your life:
a king or a bride or an old woman
asleep on her porch.
.
.
.
Can you believe the bird
stood beside you
just long enough, though far
smaller than you
but fearless in a way
a man or woman
could never be? An apparition
with two dark
and urgent eyes and motions
so quick and precise
they were barely motions at all?
When he was gone
you turned, alarmed by the rustling
of oily feathers
and the curious pungency,
and were sure
you'd heard him say the words
that could explain
the meaning of blond grasses
burning on a hillside
beneath the hands of a man
in the middle of
his life caught in the posture
of prayer.
I'd
heard that a magpie could talk,
so I waited
for the words, knowing without
the least doubt
what he'd do, for up ahead
an old woman
waited on her wide front porch.
My children
behind her house played
in a silted pond
poking sticks at the slow
carp that flashed
in the fallen sunlight.
You
are thirty-two
only once in your life, and though
July comes
too quickly, you pray for
the overbearing
heat to pass.
It does, and
the year turns
before it holds still for
even a moment.
Beyond the last carob
or Joshua tree
the magpie flashes his sudden
wings; a second
flames and vanishes into the pale
blue air.
July 23, 1960.
I lean down
closer to hear the burned grasses
whisper all I
need to know.
The words rise
around me, separate
and finite.
A yellow dust
rises and stops
caught in the noon's driving light.
Three ants pass
across the back of my reddened
right hand.
Everything is speaking or singing.
We're still here.
|
Written by
Henry Lawson |
By our place in the midst of the furthest seas we were fated to stand alone -
When the nations fly at each other's throats let Australia look to her own;
Let her spend her gold on the barren west, let her keep her men at home;
For the South must look to the South for strength in the storm that is to come.
Now who shall gallop from cape to cape, and who shall defend our shores -
The crowd that stand on the kerb agape and glares at the cricket scores?
And who will hold the invader back when the shells tear up the ground -
The weeds that yelp by the cycling track while a ****** scorches round?
There may be many to man the forts in the big towns beside the sea -
But the East will call to the West for scouts in the storm that is to be:
The West cries out to the East in drought, but the coastal towns are dumb;
And the East must look to the West for food in the war that is to come.
The rain comes down on the Western land and the rivers run to waste,
When the city folk rush for the special tram in their childless, senseless haste,
And never a pile of a lock we drive - but a few mean tanks we scratch -
For the fate of a nation is nought compared with the turn of a cricket match!
There's a gutter of mud where there spread a flood from the land-long western creeks,
There is dust and drought on the plains far out where the water lay for weeks,
There's a pitiful dam where a dyke should stretch and a tank where a lake should be,
And the rain goes down through the silt and sand and the floods waste into the seas.
We'll fight for Britain or for Japan, we will fling the land's wealth out;
While every penny and every man should be used to fight the drought.
God helps the nation that helps itself, and the water brings the rain,
And a deadlier foe than the world could send is loose on the western plain.
I saw a vision in days gone by and would dream that dream again
Of the days when the Darling shall not back her billabongs up in vain.
There were reservoirs and grand canals where the Dry Country had been,
And a glorious network of aqueducts, and the fields were always green.
I have seen so long in the land I love what the land I love might be,
Where the Darling rises from Queensland rains and the floods run into the sea.
And it is our fate that we'll wake to late to the truth that we were blind,
With a foreign foe at our harbour gate and a blazing drought behind!
|
Written by
Philip Larkin |
At once whatever happened starts receding.
Panting, and back on board, we line the rail
With trousers ripped, light wallets, and lips bleeding.
Yes, gone, thank God! Remembering each detail
We toss for half the night, but find next day
All's kodak-distant.
Easily, then (though pale),
'Perspective brings significance,' we say,
Unhooding our photometers, and, snap!
What can't be printed can be thrown away.
Later, it's just a latitude: the map
Points out how unavoidable it was:
'Such coastal bedding always means mishap.
'
Curses? The dark? Struggling? Where's the source
Of these yarns now (except in nightmares, of course)?
|
Written by
James Lee Jobe |
It??™s two muddy miles from Highway 20,
just past the north fork of Cache Creek,
across the broad meadow, through
blue oak woodland, up, up to the ridge,
and back down to the creek bank,
the crossing point, me striding with
mud caking my old hiking boots.
For a millennia the Miwok people walked
these canyons and ridges.
Pomo, too.
Gathering acorns to trade, the sweetest
was said to be from the Coastal Live Oaks.
Or bringing down a mule deer, a Tule elk,
meat for everyone, garments or a drumskin
from the hide, tools from the bones,
a knife, a skewer, thanks given
to the beast??™s soul for its gift.
Once up on the ridge, the view takes me,
Brushy Sky High Mountain looms above
like an overanxious parent, the creek sings
old songs for the valley oaks, for the deer grass.
Less muddy, I kick my boots a little cleaner
on a rock that is maybe as old as the earth.
I used to come up here and cut sage for burning,
a smudge to carry my prayers to Her in smoke.
I grow sage now at my home, but still I come,
eating down by the creek, building a medicine wheel
from creek stones, in winter spreading a small tarp
across the mud to eat and sleep on.
I make prayers
for my mother, to fight the cancer inside her,
for my children to know peace and plenty,
prayers that I might find the right way.
The Pomo, the Miwok, the Patwin
were all basket-weavers, makers
of intricate designs from White Root,
Willow, Oak sticks.
Gathered here,
at this crossing, century after century.
Medicine too, from roots, bark, and nut,
prayers and songs offered up, thanks given.
Here.
Medicine that healed the hurts
the Earth caused, but could not ward off
the diseases the Europeans brought.
The people died by the thousands;
where are their spirits now?
At peace with the creek, I hope,
and I send a little prayer to them, too.
I take an apple from my pack,
bought at a Davis, California grocery store,
where the Patwin village Poo-tah-toi
once flourished.
Children ran
and played, families grew, all gone now.
There is a little opening at the base
of a Valley Oak, I imagine that it is a doorway
to the Other World, and leave the apple,
a snack for whatever may find it,
a raccoon or deer, a lost spirit,
or maybe even The Great She.
You can cross the creek here, but in winter I don??™t.
Two more miles through the Wilson Valley links
you to the Judge Davis Trail, which snakes
up the spine of a long ridge on an old fire road.
Too much mud this day, so I just nap
until I get cold, pack up, the friendly weight
of my pack on my back, down to Highway 20,
down to the other world.
Redbud Trail.
Winter.
|
Written by
Philip Levine |
Since I don't know who will be reading
this or even if it will be read, I must
invent someone on the other end
of eternity, a distant cousin laboring
under the same faint stars I labored
all those unnumbered years ago.
I make you
like me in everything I can -- a man
or woman in middle years who having
lost whatever faiths he held goes on
with only the faith that even more
will be lost.
Like me a wanderer,
someone with a taste for coastal towns
sparkling in the cold winter sun, boardwalks
without walkers, perfect beaches shrouded
in the dense fogs of December, morning cafes
before the second customer arrives,
the cats have been fed, and the proprietor
stops muttering into the cold dishwater.
I give you the gift of language, my gift
and no more, so that wherever you go
words fall around you meaning no more
than the full force of their making, and you
translate the clicking of teeth against
teeth and tongue as morning light spilling
into the enclosed squares of a white town,
breath drawn in and held as the ocean
when no one sees it, the waves still,
the fishing boats drift in a calm beyond sleep.
The gift of sleep, too, and the waking
from it day after day without knowing
why the small sunlit room with its single bed,
white counterpane going yellow, and bare floor
holds itself with such assurance
while the flaming nebulae of dust
swirl around you.
And the sense not to ask.
Like me you rise immediately and sit
on the bed's edge and let whatever dream
of a childhood home or a rightful place
you had withdraw into the long shadows
of the tilted wardrobe and the one chair.
Before you've even washed your face you
see it on the bedoilied chiffonier -- there,
balanced precariously on the orange you bought
at yesterday's market and saved for now.
Someone entered soundlessly while you slept
and left you sleeping and left this postcard
from me and thought to close the door
with no more fuss than the moon makes.
There's your name in black ink in a hand
as familiar as your own and not
your own, and the address even you
didn't know you'd have an hour before
you got it.
When you turn it over,
there it is, not the photo of a star,
or the bright sailboats your sister would
have chosen or the green urban meadows
my brother painted.
What is it? It could be
another planet just after its birth
except that at the center the colors
are earth colors.
It could be the cloud
that formed above the rivers of our blood,
the one that brought rain to a dry time
or took wine from a hungry one.
It could
be my way of telling you that I too
burned and froze by turns and the face I
came to was more dirt than flame, it
could be the face I put on everything,
or it could be my way of saying
nothing and saying it perfectly.
|
Written by
Henry Lawson |
There's many a schoolboy's bat and ball that are gathering dust at home,
For he hears a voice in the future call, and he trains for the war to come;
A serious light in his eyes is seen as he comes from the schoolhouse gate;
He keeps his kit and his rifle clean, and he sees that his back is straight.
But straight or crooked, or round, or lame – you may let these words take root;
As the time draws near for the sterner game, all boys should learn to shoot,
From the beardless youth to the grim grey-beard, let Australians ne'er forget,
A lame limb never interfered with a brave man's shooting yet.
Over and over and over again, to you and our friends and me,
The warning of danger has sounded plain – like the thud of a gun at sea.
The rich man turns to his wine once more, and the gay to their worldly joys,
The "statesman" laughs at a hint of war – but something has told the boys.
The schoolboy scouts of the White Man's Land are out on the hills to-day;
They trace the tracks from the sea-beach sand and sea-cliffs grim and grey;
They take the range for a likely shot by every cape and head,
And they spy the lay of each lonely spot where an enemy's foot might tread.
In the cooling breeze of the coastal streams, or out where the townships bake,
They march in fancy, and fight in dreams, and die for Australia's sake.
They hold the fort till relief arrives, when the landing parties storm,
And they take the pride of their fresh young lives in the set of a uniform.
Where never a loaded shell was hurled, nor a rifle fired to kill,
The schoolboy scouts of the Southern World are choosing their Battery Hill.
They run the tapes on the flats and fells by roads that the guns might sweep,
They are fixing in memory obstacles where the firing lines shall creep.
They read and they study the gunnery - they ask till the meaning's plain,
But the craft of the scout is a simple thing to the young Australian brain.
They blaze the track for a forward run, where the scrub is everywhere,
And they mark positions for every gun and every unit there.
They trace the track for a quick retreat – and the track for the other way round,
And they mark the spot in the summer heat where the water is always found.
They note the chances of cliff and tide, and where they can move, and when,
And every point where a man might hide in the days when they'll fight as men.
When silent men with their rifles lie by many a ferny dell;
And turn their heads when a scout goes by, with a cheery growl "All's well";
And scouts shall climb by the fisherman's ways, and watch for a sign of ships,
With stern eyes fixed on the threatening haze where the blue horizon dips.
When men shall camp in the dark and damp by the bough-marked battery,
Between the forts and the open ports where the miners watch the sea;
And talk perhaps of their boy-scout days, as they sit in their shelters rude,
While motors race to the distant bays with ammunition and food.
When the city alight shall wait by night for news from a far-out post,
And men ride down from the farming town to patrol the lonely coast –
Till they hear the thud of a distant gun, or the distant rifles crack,
And Australians spring to their arms as one to drive the invaders back.
There'll be no music or martial noise, save the guns to help you through,
For a plain and shirt-sleeve job, my boys, is the job that we'll have to do.
And many of those who had learned to shoot – and in learning learned to teach –
To the last three men, and the last galoot, shall die on some lonely beach.
But they'll waste their breath in no empty boast, and they'll prove to the world their worth,
When the shearers rush to the Eastern Coast, and the miners rush to Perth.
And the man who fights in a Queenscliff fort, or up by Keppel Bay,
Will know that his mates at Bunbury are doing their share that day.
There was never a land so great and wide, where the foreign fathers came,
That has bred her children so much alike, with their hearts so much the same.
And sons shall fight by the mangrove creeks that lie on the lone East Coast,
Who never shall know (or not for weeks) if the rest of Australia's lost.
And far in the future (I see it well, and born of such days as these),
There lies an Australia invincible, and mistress of all her seas;
With monuments standing on hill and head, where her sons shall point with pride
To the names of Australia's bravest dead, carved under the words "Here died.
"
|
Written by
Henry Lawson |
We boast no more of our bloodless flag, that rose from a nation's slime;
Better a shred of a deep-dyed rag from the storms of the olden time.
From grander clouds in our `peaceful skies' than ever were there before
I tell you the Star of the South shall rise -- in the lurid clouds of war.
It ever must be while blood is warm and the sons of men increase;
For ever the nations rose in storm, to rot in a deadly peace.
There comes a point that we will not yield, no matter if right or wrong,
And man will fight on the battle-field
while passion and pride are strong --
So long as he will not kiss the rod, and his stubborn spirit sours,
And the scorn of Nature and curse of God are heavy on peace like ours.
.
.
.
.
.
There are boys out there by the western creeks, who hurry away from school
To climb the sides of the breezy peaks or dive in the shaded pool,
Who'll stick to their guns when the mountains quake
to the tread of a mighty war,
And fight for Right or a Grand Mistake as men never fought before;
When the peaks are scarred and the sea-walls crack
till the furthest hills vibrate,
And the world for a while goes rolling back in a storm of love and hate.
.
.
.
.
.
There are boys to-day in the city slum and the home of wealth and pride
Who'll have one home when the storm is come, and fight for it side by side,
Who'll hold the cliffs 'gainst the armoured hells
that batter a coastal town,
Or grimly die in a hail of shells when the walls come crashing down.
And many a pink-white baby girl, the queen of her home to-day,
Shall see the wings of the tempest whirl the mist of our dawn away --
Shall live to shudder and stop her ears to the thud of the distant gun,
And know the sorrow that has no tears when a battle is lost and won, --
As a mother or wife in the years to come, will kneel, wild-eyed and white,
And pray to God in her darkened home for the `men in the fort to-night'.
.
.
.
.
.
But, oh! if the cavalry charge again as they did when the world was wide,
'Twill be grand in the ranks of a thousand men
in that glorious race to ride
And strike for all that is true and strong,
for all that is grand and brave,
And all that ever shall be, so long as man has a soul to save.
He must lift the saddle, and close his `wings', and shut his angels out,
And steel his heart for the end of things,
who'd ride with a stockman scout,
When the race they ride on the battle track, and the waning distance hums,
And the shelled sky shrieks or the rifles crack
like stockwhip amongst the gums --
And the `straight' is reached and the field is `gapped'
and the hoof-torn sward grows red
With the blood of those who are handicapped with iron and steel and lead;
And the gaps are filled, though unseen by eyes,
with the spirit and with the shades
Of the world-wide rebel dead who'll rise and rush with the Bush Brigades.
.
.
.
.
.
All creeds and trades will have soldiers there --
give every class its due --
And there'll be many a clerk to spare for the pride of the jackeroo.
They'll fight for honour and fight for love, and a few will fight for gold,
For the devil below and for God above, as our fathers fought of old;
And some half-blind with exultant tears, and some stiff-lipped, stern-eyed,
For the pride of a thousand after-years and the old eternal pride;
The soul of the world they will feel and see
in the chase and the grim retreat --
They'll know the glory of victory -- and the grandeur of defeat.
The South will wake to a mighty change ere a hundred years are done
With arsenals west of the mountain range and every spur its gun.
And many a rickety son of a gun, on the tides of the future tossed,
Will tell how battles were really won that History says were lost,
Will trace the field with his pipe, and shirk
the facts that are hard to explain,
As grey old mates of the diggings work the old ground over again --
How `this was our centre, and this a redoubt,
and that was a scrub in the rear,
And this was the point where the guards held out,
and the enemy's lines were here.
'
.
.
.
.
.
They'll tell the tales of the nights before
and the tales of the ship and fort
Till the sons of Australia take to war as their fathers took to sport,
Their breath come deep and their eyes grow bright
at the tales of our chivalry,
And every boy will want to fight, no matter what cause it be --
When the children run to the doors and cry:
`Oh, mother, the troops are come!'
And every heart in the town leaps high at the first loud thud of the drum.
They'll know, apart from its mystic charm, what music is at last,
When, proud as a boy with a broken arm, the regiment marches past.
And the veriest wreck in the drink-fiend's clutch,
no matter how low or mean,
Will feel, when he hears the march, a touch
of the man that he might have been.
And fools, when the fiends of war are out and the city skies aflame,
Will have something better to talk about than an absent woman's shame,
Will have something nobler to do by far than jest at a friend's expense,
Or blacken a name in a public bar or over a backyard fence.
And this you learn from the libelled past,
though its methods were somewhat rude --
A nation's born where the shells fall fast, or its lease of life renewed.
We in part atone for the ghoulish strife,
and the crimes of the peace we boast,
And the better part of a people's life in the storm comes uppermost.
The self-same spirit that drives the man to the depths of drink and crime
Will do the deeds in the heroes' van that live till the end of time.
The living death in the lonely bush, the greed of the selfish town,
And even the creed of the outlawed push is chivalry -- upside down.
'Twill be while ever our blood is hot, while ever the world goes wrong,
The nations rise in a war, to rot in a peace that lasts too long.
And southern nation and southern state, aroused from their dream of ease,
Must sign in the Book of Eternal Fate their stormy histories.
|
Written by
Philip Larkin |
They **** you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.
But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another's throats.
Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don't have any kids yourself.
|
Written by
Philip Levine |
Pond snipe, bleached pine, rue weed, wart --
I walk by sedge and brown river rot
to where the old lake boats went daily out.
All the ships are gone, the gray wharf fallen
in upon itself.
Even the channel's
grown over.
Once we set sail here
for Bob-Lo, the Brewery Isles, Cleveland.
We would have gone as far as Niagara
or headed out to open sea if the Captain
said so, but the Captain drank.
Blood-eyed
in the morning, coffee shaking in his hand,
he'd plead to be put ashore or drowned,
but no one heard.
Enormous in his long coat,
Sinbad would take the helm and shout out
orders swiped from pirate movies.
Once
we docked north of Vermillion to meet
a single spur of the old Ohio Western
and sat for days waiting for a train,
waiting for someone to claim the cargo
or give us anything to take back,
like the silver Cadillac roadster
it was rumored we had once freighted
by itself.
The others went foraging
and left me with the Captain, locked up
in the head and sober.
Two days passed,
I counted eighty tankers pulling
through the flat lake waters on their way,
I counted blackbirds gathering at dusk
in the low trees, clustered like bees.
I counted the hours from noon to noon
and got nowhere.
At last the Captain slept.
I banked the fire, raised anchor, cast off,
and jumping ship left her drifting out
on the black bay.
I walked seven miles
to the Interstate and caught a meat truck
heading west, and came to over beer,
hashbrowns, and fried eggs in a cafe
northwest of Omaha.
I could write
how the radio spoke of war, how
the century was half its age, how
dark clouds gathered in the passes
up ahead, the dispossessed had clogged
the roads, but none the less I alone
made my way to the western waters,
a foreign ship, another life, and disappeared
from all Id known.
In fact I
come home every year, I walk the same streets
where I grew up, but now with my boys.
I settled down, just as you did, took
a degree in library sciences,
and got my present position with
the county.
I'm supposed to believe
something ended.
I'm supposed to be
dried up.
I'm supposed to represent
a yearning, but I like it the way it is.
Not once has the ocean wind changed
and brought the taste of salt
over the coastal hills and through
the orchards to my back yard.
Not once
have I wakened cold and scared
out of a dreamless sleep
into a dreamless life and cried
and cried out for what I left behind.
|