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Best Famous Coarseness Poems

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Written by William Butler Yeats | Create an image from this poem

The Phases Of The Moon

 An old man cocked his car upon a bridge;
 He and his friend, their faces to the South,
 Had trod the uneven road. Their hoots were soiled,
 Their Connemara cloth worn out of shape;
 They had kept a steady pace as though their beds,
 Despite a dwindling and late-risen moon,
 Were distant still. An old man cocked his ear.

Aherne. What made that Sound?

Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.

Ahernc. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?

Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.

Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'

Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!

Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.

Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.

Aherne. All dreams of the soul
End in a beautiful man's or woman's body.

Robartes, Have you not always known it?

Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.

Robartes. The lover's heart knows that.

Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.

Robartes. When the moon's full those creatures of the
 full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.

 And thereupon with aged, high-pitched voice
 Aherne laughed, thinking of the man within,
 His sleepless candle and lahorious pen.

Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.

Aherne. Before the full
It sought itself and afterwards the world.

Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.

Aherne. And what of those
That the last servile crescent has set free?

Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.

Aherne. And then?

Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.

Aherne. But the escape; the song's not finished yet.

Robartes. Hunchback and Saint and Fool are the last
 crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter -
Out of that raving tide - is drawn betwixt
Deformity of body and of mind.

Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.

 And then he laughed to think that what seemed hard
 Should be so simple - a bat rose from the hazels
 And circled round him with its squeaky cry,
 The light in the tower window was put out.


Written by Walt Whitman | Create an image from this poem

Kosmos

 WHO includes diversity, and is Nature, 
Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the
 great
 charity of the earth, and the equilibrium also, 
Who has not look’d forth from the windows, the eyes, for nothing, or whose brain held
 audience with messengers for nothing; 
Who contains believers and disbelievers—Who is the most majestic lover; 
Who holds duly his or her triune proportion of realism, spiritualism, and of the
 aesthetic, or
 intellectual,
Who, having consider’d the Body, finds all its organs and parts good; 
Who, out of the theory of the earth, and of his or her body, understands by subtle
 analogies
 all other theories, 
The theory of a city, a poem, and of the large politics of These States; 
Who believes not only in our globe, with its sun and moon, but in other globes, with their
 suns
 and moons; 
Who, constructing the house of himself or herself, not for a day, but for all time, sees
 races,
 eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.
Written by Amy Lowell | Create an image from this poem

The Dinner-Party

 Fish
"So . . ." they said,
With their wine-glasses delicately poised,
Mocking at the thing they cannot understand.
"So . . ." they said again,
Amused and insolent.
The silver on the table glittered,
And the red wine in the glasses
Seemed the blood I had wasted
In a foolish cause.

Game
The gentleman with the grey-and-black whiskers
Sneered languidly over his quail.
Then my heart flew up and laboured,
And I burst from my own holding
And hurled myself forward.
With straight blows I beat upon him,
Furiously, with red-hot anger, I thrust against him.
But my weapon slithered over his polished surface,
And I recoiled upon myself,
Panting.

Drawing-Room
In a dress all softness and half-tones,
Indolent and half-reclined,
She lay upon a couch,
With the firelight reflected in her jewels.
But her eyes had no reflection,
They swam in a grey smoke,
The smoke of smouldering ashes,
The smoke of her cindered heart.

Coffee
They sat in a circle with their coffee-cups.
One dropped in a lump of sugar,
One stirred with a spoon.
I saw them as a circle of ghosts
Sipping blackness out of beautiful china,
And mildly protesting against my coarseness
In being alive.

Talk
They took dead men's souls
And pinned them on their breasts for ornament;
Their cuff-links and tiaras
Were gems dug from a grave;
They were ghouls battening on exhumed thoughts;
And I took a green liqueur from a servant
So that he might come near me
And give me the comfort of a living thing.

Eleven O'Clock
The front door was hard and heavy,
It shut behind me on the house of ghosts.
I flattened my feet on the pavement
To feel it solid under me;
I ran my hand along the railings
And shook them,
And pressed their pointed bars
Into my palms.
The hurt of it reassured me,
And I did it again and again
Until they were bruised.
When I woke in the night
I laughed to find them aching,
For only living flesh can suffer.

Book: Reflection on the Important Things