Written by
Henry Wadsworth Longfellow |
Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.
She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
"See! a star falls!" said the people;
"From the sky a star is falling!"
There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.
And Nokomis warned her often,
Saying oft, and oft repeating,
"Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o'er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.
Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha's gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.
For her daughter long and loudly
Wailed and wept the sad Nokomis;
"Oh that I were dead!" she murmured,
"Oh that I were dead, as thou art!
No more work, and no more weeping,
Wahonowin! Wahonowin!"
By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
"Hush! the Naked Bear will hear thee!"
Lulled him into slumber, singing,
"Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!"
Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.
At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
'Minne-wawa!" said the Pine-trees,
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
"Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!"
Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
'T is her body that you see there.
"
Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"'T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us.
"
When he heard the owls at midnight,
Hooting, laughing in the forest,
'What is that?" he cried in terror,
"What is that," he said, "Nokomis?"
And the good Nokomis answered:
"That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other.
"
Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene'er he met them,
Called them "Hiawatha's Chickens.
"
Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene'er he met them,
Called them "Hiawatha's Brothers.
"
Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.
Then he said to Hiawatha:
"Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!"
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o'er him,
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.
Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.
Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!
Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.
From the red deer's hide Nokomis
Made a cloak for Hiawatha,
From the red deer's flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
|
Written by
Sylvia Plath |
for Ruth Fainlight
I know the bottom, she says.
I know it with my great tap root;
It is what you fear.
I do not fear it: I have been there.
Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was you madness?
Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.
All night I shall gallup thus, impetuously,
Till your head is a stone, your pillow a little turf,
Echoing, echoing.
Or shall I bring you the sound of poisons?
This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.
I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand,a hand of wires.
Now I break up in pieces that fly about like clubs.
A wind of such violence
Will tolerate no bystanding: I must shriek.
The moon, also, is merciless: she would drag me
Cruelly, being barren.
Her radiance scathes me.
Or perhaps I have caught her.
I let her go.
I let her go
Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.
I am inhabited by a cry.
Nightly it flaps out
Looking, with its hooks, for something to love.
I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?
I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? ----
Its snaky acids kiss.
It petrifies the will.
These are the isolate, slow faults
That kill, that kill, that kill.
|
Written by
Vachel Lindsay |
A Song in Chinese Tapestries
"How, how," he said.
"Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"
"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings.
"
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack.
"
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"
And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face.
.
.
.
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.
The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten.
.
.
.
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown.
.
.
.
"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade.
.
.
.
"
"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.
My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away.
.
.
.
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.
And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright.
.
.
.
And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Homeward went,
And then the bronze bird sang for you and me.
We walked alone.
Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"
Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.
"Darling .
.
.
darling .
.
.
darling .
.
.
darling .
.
.
"
Said the Chinese nightingale.
The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.
'"
Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies.
"
Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate.
.
.
.
With his flag-born dragon
And his crown of pearl.
.
.
and.
.
.
jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town.
"
Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.
Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree.
.
.
.
The evergreen tree.
.
.
and the mulberry tree.
.
.
Life and hurry and joy forgotten,
Years on years I but half-remember.
.
.
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion.
.
.
I remember, I remember
There were ghostly veils and laces.
.
.
In the shadowy bowery places.
.
.
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.
'
They said to one another.
They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.
|
Written by
Billy Collins |
It could be the name of a prehistoric beast
that roamed the Paleozoic earth, rising up
on its hind legs to show off its large vocabulary,
or some lover in a myth who is metamorphosed into a book.
It means treasury, but it is just a place
where words congregate with their relatives,
a big park where hundreds of family reunions
are always being held,
house, home, abode, dwelling, lodgings, and digs,
all sharing the same picnic basket and thermos;
hairy, hirsute, woolly, furry, fleecy, and shaggy
all running a sack race or throwing horseshoes,
inert, static, motionless, fixed and immobile
standing and kneeling in rows for a group photograph.
Here father is next to sire and brother close
to sibling, separated only by fine shades of meaning.
And every group has its odd cousin, the one
who traveled the farthest to be here:
astereognosis, polydipsia, or some eleven
syllable, unpronounceable substitute for the word tool.
Even their own relatives have to squint at their name tags.
I can see my own copy up on a high shelf.
I rarely open it, because I know there is no
such thing as a synonym and because I get nervous
around people who always assemble with their own kind,
forming clubs and nailing signs to closed front doors
while others huddle alone in the dark streets.
I would rather see words out on their own, away
from their families and the warehouse of Roget,
wandering the world where they sometimes fall
in love with a completely different word.
Surely, you have seen pairs of them standing forever
next to each other on the same line inside a poem,
a small chapel where weddings like these,
between perfect strangers, can take place.
|
Written by
Henry Wadsworth Longfellow |
In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary,
Often said to Chibiabos,
"O my brother! do not leave me,
Lest the Evil Spirits harm you!"
Chibiabos, young and heedless,
Laughing shook his coal-black tresses,
Answered ever sweet and childlike,
"Do not fear for me, O brother!
Harm and evil come not near me!"
Once when Peboan, the Winter,
Roofed with ice the Big-Sea-Water,
When the snow-flakes, whirling downward,
Hissed among the withered oak-leaves,
Changed the pine-trees into wigwams,
Covered all the earth with silence,
Armed with arrows, shod with snow-shoes,
Heeding not his brother's warning,
Fearing not the Evil Spirits,
Forth to hunt the deer with antlers
All alone went Chibiabos.
Right across the Big-Sea-Water
Sprang with speed the deer before him.
With the wind and snow he followed,
O'er the treacherous ice he followed,
Wild with all the fierce commotion
And the rapture of the hunting.
But beneath, the Evil Spirits
Lay in ambush, waiting for him,
Broke the treacherous ice beneath him,
Dragged him downward to the bottom,
Buried in the sand his body.
Unktahee, the god of water,
He the god of the Dacotahs,
Drowned him in the deep abysses
Of the lake of Gitche Gumee.
From the headlands Hiawatha
Sent forth such a wail of anguish,
Such a fearful lamentation,
That the bison paused to listen,
And the wolves howled from the prairies,
And the thunder in the distance
Starting answered "Baim-wawa!"
Then his face with black he painted,
With his robe his head he covered,
In his wigwam sat lamenting,
Seven long weeks he sat lamenting,
Uttering still this moan of sorrow:
"He is dead, the sweet musician!
He the sweetest of all singers!
He has gone from us forever,
He has moved a little nearer
To the Master of all music,
To the Master of all singing!
O my brother, Chibiabos!"
And the melancholy fir-trees
Waved their dark green fans above him,
Waved their purple cones above him,
Sighing with him to console him,
Mingling with his lamentation
Their complaining, their lamenting.
Came the Spring, and all the forest
Looked in vain for Chibiabos;
Sighed the rivulet, Sebowisha,
Sighed the rushes in the meadow.
From the tree-tops sang the bluebird,
Sang the bluebird, the Owaissa,
"Chibiabos! Chibiabos!
He is dead, the sweet musician!"
From the wigwam sang the robin,
Sang the robin, the Opechee,
"Chibiabos! Chibiabos!
He is dead, the sweetest singer!"
And at night through all the forest
Went the whippoorwill complaining,
Wailing went the Wawonaissa,
"Chibiabos! Chibiabos!
He is dead, the sweet musician!
He the sweetest of all singers!"
Then the Medicine-men, the Medas,
The magicians, the Wabenos,
And the Jossakeeds, the Prophets,
Came to visit Hiawatha;
Built a Sacred Lodge beside him,
To appease him, to console him,
Walked in silent, grave procession,
Bearing each a pouch of healing,
Skin of beaver, lynx, or otter,
Filled with magic roots and simples,
Filled with very potent medicines.
When he heard their steps approaching~,
Hiawatha ceased lamenting,
Called no more on Chibiabos;
Naught he questioned, naught he answered,
But his mournful head uncovered,
From his face the mourning colors
Washed he slowly and in silence,
Slowly and in silence followed
Onward to the Sacred Wigwam.
There a magic drink they gave him,
Made of Nahma-wusk, the spearmint,
And Wabeno-wusk, the yarrow,
Roots of power, and herbs of healing;
Beat their drums, and shook their rattles;
Chanted singly and in chorus,
Mystic songs like these, they chanted.
"I myself, myself! behold me!
`T Is the great Gray Eagle talking;
Come, ye white crows, come and hear him!
The loud-speaking thunder helps me;
All the unseen spirits help me;
I can hear their voices calling,
All around the sky I hear them!
I can blow you strong, my brother,
I can heal you, Hiawatha!"
"Hi-au-ha!" replied the chorus,
"Wayha-way!" the mystic chorus.
Friends of mine are all the serpents!
Hear me shake my skin of hen-hawk!
Mahng, the white loon, I can kill him;
I can shoot your heart and kill it!
I can blow you strong, my brother,
I can heal you, Hiawatha !"
"Hi-au-ha!" replied the chorus,
"Wayhaway!" the mystic chorus.
"I myself, myself! the prophet!
When I speak the wigwam trembles,
Shakes the Sacred Lodge with terror,
Hands unseen begin to shake it!
When I walk, the sky I tread on
Bends and makes a noise beneath me!
I can blow you strong, my brother!
Rise and speak, O Hiawatha!"
"Hi-au-ha!" replied the chorus,
"Way-ha-way!" the mystic chorus.
Then they shook their medicine-pouches
O'er the head of Hiawatha,
Danced their medicine-dance around him;
And upstarting wild and haggard,
Like a man from dreams awakened,
He was healed of all his madness.
As the clouds are swept from heaven,
Straightway from his brain departed
All his moody melancholy;
As the ice is swept from rivers,
Straightway from his heart departed
All his sorrow and affliction.
Then they summoned Chibiabos
From his grave beneath the waters,
From the sands of Gitche Gumee
Summoned Hiawatha's brother.
And so mighty was the magic
Of that cry and invocation,
That he heard it as he lay there
Underneath the Big-Sea-Water;
From the sand he rose and listened,
Heard the music and the singing,
Came, obedient to the summons,
To the doorway of the wigwam,
But to enter they forbade him.
Through a chink a coal they gave him,
Through the door a burning fire-brand;
Ruler in the Land of Spirits,
Ruler o'er the dead, they made him,
Telling him a fire to kindle
For all those that died thereafter,
Camp-fires for their night encampments
On their solitary journey
To the kingdom of Ponemah,
To the land of the Hereafter.
From the village of his childhood,
From the homes of those who knew him,
Passing silent through the forest,
Like a smoke-wreath wafted sideways,
Slowly vanished Chibiabos!
Where he passed, the branches moved not,
Where he trod, the grasses bent not,
And the fallen leaves of last year
Made no sound beneath his footstep.
Four whole days he journeyed onward
Down the pathway of the dead men;
On the dead-man's strawberry feasted,
Crossed the melancholy river,
On the swinging log he crossed it,
Came unto the Lake of Silver,
In the Stone Canoe was carried
To the Islands of the Blessed,
To the land of ghosts and shadows.
On that journey, moving slowly,
Many weary spirits saw he,
Panting under heavy burdens,
Laden with war-clubs, bows and arrows,
Robes of fur, and pots and kettles,
And with food that friends had given
For that solitary journey.
"Ay! why do the living," said they,
"Lay such heavy burdens on us!
Better were it to go naked,
Better were it to go fasting,
Than to bear such heavy burdens
On our long and weary journey!"
Forth then issued Hiawatha,
Wandered eastward, wandered westward,
Teaching men the use of simples
And the antidotes for poisons,
And the cure of all diseases.
Thus was first made known to mortals
All the mystery of Medamin,
All the sacred art of healing.
|
Written by
Robert Burns |
WHEN Guilford good our pilot stood
An’ did our hellim thraw, man,
Ae night, at tea, began a plea,
Within America, man:
Then up they gat the maskin-pat,
And in the sea did jaw, man;
An’ did nae less, in full congress,
Than quite refuse our law, man.
Then thro’ the lakes Montgomery takes,
I wat he was na slaw, man;
Down Lowrie’s Burn he took a turn,
And Carleton did ca’, man:
But yet, whatreck, he, at Quebec,
Montgomery-like did fa’, man,
Wi’ sword in hand, before his band,
Amang his en’mies a’, man.
Poor Tammy Gage within a cage
Was kept at Boston-ha’, man;
Till Willie Howe took o’er the knowe
For Philadelphia, man;
Wi’ sword an’ gun he thought a sin
Guid Christian bluid to draw, man;
But at New York, wi’ knife an’ fork,
Sir-Loin he hacked sma’, man.
Burgoyne gaed up, like spur an’ whip,
Till Fraser brave did fa’, man;
Then lost his way, ae misty day,
In Saratoga shaw, man.
Cornwallis fought as lang’s he dought,
An’ did the Buckskins claw, man;
But Clinton’s glaive frae rust to save,
He hung it to the wa’, man.
Then Montague, an’ Guilford too,
Began to fear, a fa’, man;
And Sackville dour, wha stood the stour,
The German chief to thraw, man:
For Paddy Burke, like ony Turk,
Nae mercy had at a’, man;
An’ Charlie Fox threw by the box,
An’ lows’d his tinkler jaw, man.
Then Rockingham took up the game,
Till death did on him ca’, man;
When Shelburne meek held up his cheek,
Conform to gospel law, man:
Saint Stephen’s boys, wi’ jarring noise,
They did his measures thraw, man;
For North an’ Fox united stocks,
An’ bore him to the wa’, man.
Then clubs an’ hearts were Charlie’s cartes,
He swept the stakes awa’, man,
Till the diamond’s ace, of Indian race,
Led him a sair faux pas, man:
The Saxon lads, wi’ loud placads,
On Chatham’s boy did ca’, man;
An’ Scotland drew her pipe an’ blew,
“Up, Willie, waur them a’, man!”
Behind the throne then Granville’s gone,
A secret word or twa, man;
While slee Dundas arous’d the class
Be-north the Roman wa’, man:
An’ Chatham’s wraith, in heav’nly graith,
(Inspired bardies saw, man),
Wi’ kindling eyes, cry’d, “Willie, rise!
Would I hae fear’d them a’, man?”
But, word an’ blow, North, Fox, and Co.
Gowff’d Willie like a ba’, man;
Till Suthron raise, an’ coost their claise
Behind him in a raw, man:
An’ Caledon threw by the drone,
An’ did her whittle draw, man;
An’ swoor fu’ rude, thro’ dirt an’ bluid,
To mak it guid in law, man.
|
Written by
William Topaz McGonagall |
All ye tourists who wish to be away
From the crowded city for a brief holiday;
The town of Nairn is worth a visit, I do confess,
And it's only about fifteen miles from Inverness.
And in the summer season it's a very popular bathing-place,
And the visitors from London and Edinburgh finds solace,
As they walk along the yellow sand beach inhaling fresh air;
Besides, there's every accommodation for ladies and gentlemen there.
Then there's a large number of bathing coaches there,
And the climate is salubrious, and very warm the air;
And every convenience is within the bathers' reach,
Besides, there's very beautiful walks by the sea beach.
The visitors to Nairn can pass away the time agreeably,
By viewing Tarbetness, which slopes downwards to the sea;
And Queen Street is one of the prettiest thoroughfares,
Because there's splendid shops in it, and stocked with different wares.
And there's ornamental grounds, and lovely shady nooks,
Which is a great advantage to visitors while reading their books;
And there's a certain place known as the Ladies' Beach,
So private that no intruder can them reach.
And there's many neat cottages with gardens very nice,
And picturesque villas, which can be rented at a reasonable price;
Besides, there's a golf course for those that such a game seeks,
Which would prove a great attraction to the knights of clubs and cleeks.
The surrounding scenery of Nairn is magnificent to be seen,
Especially its fertile fields and woodlands so green;
Besides, not far from Nairn, there's Cawdor Castle, the ancient seat
Of the noble Thanes of Cawdor, with its bold turrets so neat.
And its massive proportions is very imposing to see,
Because the arched entrance is secured by a drawbridge and a fosse;
And visitors will be allowed all over the grounds to roam,
Besides shown over the castle if the Earl is not at home.
The scenery surrounding the castle is charming in the summertime,
And the apples in the orchard there is very fine,
Also the flower-beds are most beautiful to see,
Especially in the month of June, when the birds sing merrily.
Then there's the ancient stronghold of the Bays of Lochloy,
And visitors when they see it will it heartily enjoy;
And a little further on there's the blasted heath of Macbeth,
And a hillock where the witches are wont to dance till out of breath.
And as the visitors to Nairn walk along the yellow sand,
They can see, right across the Moray Firth, the Black Island so grand,
With its productive fields and romantic scenery,
And as the tourist gazes thereon his heart fills with ecstasy.
And Darnaway Castle is well worthy of praise,
And to oblige all visitors there are open days,
When they can see the castle where one thousand warriors in all
Oft have assembled in the Earl of Randolph's Hall.
And in conclusion I will say for good bathing Nairn is the best,
And besides its pleasant scenery is of historical interest;
And the climate gives health to many visitors while there,
Therefore I would recommend Nairn for balmy pure air.
|
Written by
Robert William Service |
Because I have ten thousand pounds I sit upon my stern,
And leave my living tranquilly for other folks to earn.
For in some procreative way that isn't very clear,
Ten thousand pounds will breed, they say, five hundred every year.
So as I have a healthy hate of economic strife,
I mean to stand aloof from it the balance of my life.
And yet with sympathy I see the grimy son of toil,
And heartly congratulate the tiller of the soil.
I like the miner in the mine, the sailor on the sea,
Because up to five hundred pounds they sail and mine for me.
For me their toil is taxed unto that annual extent,
According to the holy shibboleth of Five-per-Cent.
So get ten thousand pounds, my friend, in any way you can.
And leave your future welfare to the noble Working Man.
He'll buy you suits of Harris tweed, an Airedale and a car;
Your golf clubs and your morning Times, your whisky and cigar.
He'll cosily install you in a cottage by a stream,
With every modern comfort, and a garden that's a dream>
Or if your tastes be urban, he'll provide you with a flat,
Secluded from the clamour of the proletariat.
With pictures, music, easy chairs, a table of good cheer,
A chap can manage nicely on five hundred pounds a year.
And though around you painful signs of industry you view,
Why should you work when you can make your money work for you?
So I'll get down upon my knees and bless the Working Man,
Who offers me a life of ease through all my mortal span;
Whose loins are lean to make me fat, who slaves to keep me free,
Who dies before his prime to let me round the century;
Whose wife and children toil in urn until their strength is spent,
That I may live in idleness upon my five-per-cent.
And if at times they curse me, why should I feel any blame?
For in my place I know that they would do the very same.
Aye, though hey hoist a flag that's red on Sunday afternoon,
Just offer them ten thousand pounds and see them change their tune.
So I'll enjoy my dividends and live my life with zest,
And bless the mighty men who first - invented Interest.
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing.
It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological.
.
.
Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world.
.
.
.
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds.
.
.
But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 .
.
.
Oaks: the organization of this tree is difficult.
Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd.
roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points.
But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces.
And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end.
However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh.
it is possible to see composition in dips, etc.
But I shall study them further.
It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry.
What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe.
"
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
Jonathan Swift |
Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,
Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws,
That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums
A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop
Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess
Unlaces next her Steel-Rib'd Bodice;
Which by the Operator's Skill,
Press down the Lumps, the Hollows fill,
Up hoes her Hand, and off she slips
The Bolsters that supply her Hips.
With gentlest Touch, she next explores
Her Shankers, Issues, running Sores,
Effects of many a sad Disaster;
And then to each applies a Plaster.
But must, before she goes to Bed,
Rub off the Daubs of White and Red;
And smooth the Furrows in her Front,
With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps;
And then between two Blankets creeps.
With pains of love tormented lies;
Or if she chance to close her Eyes,
Of Bridewell and the Compter dreams,
And feels the Lash, and faintly screams;
Or, by a faithless Bully drawn,
At some Hedge-Tavern lies in Pawn;
Or to Jamaica seems transported,
Alone, and by no Planter courted;
Or, near Fleet-Ditch's oozy Brinks,
Surrounded with a Hundred Stinks,
Belated, seems on watch to lie,
And snap some Cull passing by;
Or, struck with Fear, her Fancy runs
On Watchmen, Constables and Duns,
From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.
CORINNA wakes.
A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaster stole,
Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd;
And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or show the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.
|