Written by
Raymond Carver |
It's what the kids nowadays call weed.
And it drifts
like clouds from his lips.
He hopes no one
comes along tonight, or calls to ask for help.
Help is what he's most short on tonight.
A storm thrashes outside.
Heavy seas
with gale winds from the west.
The table he sits at
is, say, two cubits long and one wide.
The darkness in the room teems with insight.
Could be he'll write an adventure novel.
Or else
a children's story.
A play for two female characters,
one of whom is blind.
Cutthroat should be coming
into the river.
One thing he'll do is learn
to tie his own flies.
Maybe he should give
more money to each of his surviving
family members.
The ones who already expect a little
something in the mail first of each month.
Every time they write they tell him
they're coming up short.
He counts heads on his fingers
and finds they're all survivng.
So what
if he'd rather be remembered in the dreams of strangers?
He raises his eyes to the skylights where rain
hammers on.
After a while --
who knows how long? -- his eyes ask
that they be closed.
And he closes them.
But the rain keeps hammering.
Is this a cloudburst?
Should he do something? Secure the house
in some way? Uncle Bo stayed married to Aunt Ruby for 47 years.
Then hanged himself.
He opens his eyes again.
Nothing adds up.
It all adds up.
How long will this storm go on?
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Written by
Ted Hughes |
Crow
Decided to try words.
He imagined some words for the job, a lovely pack-
Clear-eyed, resounding, well-trained,
With strong teeth.
You could not find a better bred lot.
He pointed out the hare and away went the words
Resounding.
Crow was Crow without fail, but what is a hare?
It converted itself to a concrete bunker.
The words circled protesting, resounding.
Crow turned the words into bombs-they blasted the bunker.
The bits of bunker flew up-a flock of starlings.
Crow turned the words into shotguns, they shot down the starlings.
The falling starlings turned to a cloudburst.
Crow turned the words into a reservoir, collecting the water.
The water turned into an earthquake, swallowing the reservoir.
The earthquake turned into a hare and leaped for the hill
Having eaten Crow's words.
Crow gazed after the bounding hare
Speechless with admiration.
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Written by
Les Murray |
From the metal poppy
this good blast of trance
arriving as shock, private cloudburst blazing down,
worst in a boarding-house greased tub, or a barrack with competitions,
best in a stall, this enveloping passion of Australians:
tropics that sweat for you, torrent that braces with its heat,
inflames you with its chill, action sauna, inverse bidet,
sleek vertical coruscating ghost of your inner river,
reminding all your fluids, streaming off your points, awakening
the tacky soap to blossom and ripe autumn, releasing the squeezed gardens,
smoky valet smoothing your impalpable overnight pyjamas off,
pillar you can step through, force-field absolving love's efforts,
nicest yard of the jogging track, speeding aeroplane minutely
steered with two controls, or trimmed with a knurled wheel.
Some people like to still this energy and lie in it,
stirring circles with their pleasure in it, but my delight's that toga
worn on either or both shoulders, fluted drapery, silk whispering to the tiles,
with its spiralling, frothy hem continuous round the gurgle-hole'
this ecstatic partner, dreamy to dance in slow embrace with
after factory-floor rock, or even to meet as Lot's abstracted
merciful wife on a rusty ship in dog latitudes,
sweetest dressing of the day in the dusty bush, this persistent,
time-capsule of unwinding, this nimble straight well-wisher.
Only in England is its name an unkind word;
only in Europe is it enjoyed by telephone.
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