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Best Famous Closets Poems

Here is a collection of the all-time best famous Closets poems. This is a select list of the best famous Closets poetry. Reading, writing, and enjoying famous Closets poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of closets poems.

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Written by Anne Sexton | Create an image from this poem

Her Kind

 I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.


Written by Laure-Anne Bosselaar | Create an image from this poem

Dinner at the Who's Who

  amidst swirling wine 
and flickers of silver guests quote 
Dante, Brecht, Kant and each other. 

 I wait in the hall after not 
powdering my nose, trying to re-
compose that woman who’ll 

 graciously take her place 
at the table and won’t tell her hosts:
I looked into your bedroom 

 and closets, smelled your 
“Obsession” and “Brut,” sat 
on your bed, imagined you 

 in those spotless sheets, looked 
long into the sad eyes of your son
staring at your walls from his frame.

 I tried to smile at myself 
in your mirrors, wondering if you 
smile that way too: those resilient 

 little smiles one smiles 
at one’s self before facing the day, 
or another long night ahead — 

 guests coming for dinner. 
So I wait in this hall because 
there are nights it’s hard 

 not to blurt out Stop! Stop 
our babble: Pulitzer, Wall Street, sex,
Dante, politics, wars, have some Chianti...

 let’s stop and talk. Of our thirsts 
and obsessions, our bedrooms 
and closets, the brutes in our mirrors, 

 the eyes of our sons. 
There is time yet — let’s talk. 
I am starving.
Written by Barry Tebb | Create an image from this poem

Inspiration From A Visitation Of My Muse

 Memories bursting like tears or waves

On some lonely Adriatic shore

Beating again and again

Threshings of green sea foam

Flecked like the marble Leonardo

Chipped for his ‘Moses’.

And my tears came as suddenly

In that dream, criss-crossed

With memory and desire.

Grandad Nicky had worked

Down the pits for a pittance

To bring up his six children

But nothing left over for more

Than a few nuts and an orange

For six Christmas stockings

So hopefully hung, weighted by pennies,

Stretched across the black mantle.

So Lawrence-like and yet not, grandad

A strict Methodist who read only a vast Bible

Hunched in his fireside chair insisting

On chapel three times on Sundays.

Only in retirement did joy and wisdom

Enter him, abandoning chapel he took

To the Friends or Quakers as they called them then

And somehow at seventy the inner light

Consumed him.

Gruff but kind was my impression:

He would take me for walks

Along abandoned railways to the shutdown

Pipeworks where my three uncles

Worked their early manhood through.

It would have delighted Auden and perhaps

That was the bridge between us

Though we were of different generations

And by the time I began to write he had died.

All are gone except some few who may live still

But in their dotage.After my mother’s funeral

None wanted contact: I had been judged in my absence

And found wanting.

Durham was not my county,

Hardly my country, memories from childhood

Of Hunwick Village with its single cobbled street

Of squat stone cottages and paved yards

With earth closets and stacks of sawn logs

Perfuming the air with their sap

In a way only French poets could say

And that is why we have no word but clich?

‘Reflect’ or ‘make come alive’ or other earthbound

Anglicanisms; yet it is there in Valery Larbaud

‘J’ai senti pour la premiere fois toute la douceur de vivre’-

I experienced for the first time all the joy of living.

I quote of their plenitude to mock the absurdity

Of English poets who have no time for Francophiles

Better the ‘O altitudo’ of earlier generations –

Wallace Stevens’ "French and English

Are one language indivisible."

That scent of sawdust, the milkcart the pony pulled

Each morning over the cobbles, the earthenware jug

I carried to be filled, ladle by shining ladle,

From the great churns and there were birds singing

In the still blue over the fields beyond the village

But because I was city-bred I could not name them.

I write to please myself: ‘Only other poets read poems’
Written by Rg Gregory | Create an image from this poem

The Room

 It is an old story, the way it happens
sometimes in winter, sometimes not.
The listener falls to sleep,
the doors to the closets of his unhappiness open

and into his room the misfortunes come --
death by daybreak, death by nightfall,
their wooden wings bruising the air,
their shadows the spilled milk the world cries over.

There is a need for surprise endings;
the green field where cows burn like newsprint,
where the farmer sits and stares,
where nothing, when it happens, is never terrible enough.
Written by Robert Browning | Create an image from this poem

Love In A Life

 I

Room after room,
I hunt the house through
We inhabit together.
Heart, fear nothing, for, heart, thou shalt find her,
Next time, herself!—not the trouble behind her
Left in the curtain, the couch's perfume!
As she brushed it, the cornice-wreath blossomed anew,— 
Yon looking-glass gleamed at the wave of her feather.

II

Yet the day wears,
And door succeeds door;
I try the fresh fortune— 
Range the wide house from the wing to the centre.
Still the same chance! she goes out as I enter.
Spend my whole day in the quest,—who cares?
But 'tis twilight, you see,—with such suites to explore,
Such closets to search, such alcoves to importune!


Written by Philip Levine | Create an image from this poem

Where We Live Now

 1 

We live here because the houses 
are clean, the lawns run 
right to the street 

and the streets run away. 
No one walks here. 
No one wakens at night or dies. 

The cars sit open-eyed 
in the driveways. 
The lights are on all day. 

2 

At home forever, she has removed 
her long foreign names 
that stained her face like hair. 

She smiles at you, and you think 
tears will start from the corners 
of her mouth. Such a look 

of tenderness, you look away. 
She's your sister. Quietly she says, 
You're a ****, I'll get you for it. 

3 

Money's the same, he says. 
He brings it home in white slabs 
that smell like soap. 

Throws them down 
on the table as though 
he didn't care. 

The children hear 
and come in from play glowing 
like honey and so hungry. 

4 

With it all we have 
such a talent for laughing. 
We can laugh at anything. 

And we forget no one. 
She listens to mother 
on the phone, and he remembers 

the exact phrasing of a child's sorrows, 
the oaths taken by bear and tiger 
never to forgive. 

5 

On Sunday we're having a party. 
The children are taken away 
in a black Dodge, their faces erased 

from the mirrors. Outside a scum 
is forming on the afternoon. 
A car parks but no one gets out. 

Brother is loading the fridge. 
Sister is polishing and spraying herself. 
Today we're having a party. 

6 

For fun we talk about you. 
Everything's better for being said. 
That's a rule. 

This is going to be some long night, she says. 
How could you? How could you? 
For the love of mother, he says. 

There will be no dawn 
until the laughing stops. Even the pines 
are burning in the dark. 

7 

Why do you love me? he says. 
Because. Because. 
You're best to me, she purrs. 

In the kitchen, in the closets, 
behind the doors, above the toilets, 
the calendars are eating it up. 

One blackened one watches you 
like another window. Why 
are you listening? it says. 

8 

No one says, There's a war. 
No one says, Children are burning. 
No one says, Bizniz as usual. 

But you have to take it all back. 
You have to hunt through your socks 
and dirty underwear 

and crush each word. If you're serious 
you have to sit in the corner 
and eat ten new dollars. Eat'em. 

9 

Whose rifles are brooding 
in the closet? What are 
the bolts whispering 

back and forth? And the pyramids 
of ammunition, so many 
hungry mouths to feed. 

When you hide in bed 
the revolver under the pillow 
smiles and shows its teeth. 

10 

On the last night the children 
waken from the same dream 
of leaves burning. 

Two girls in the dark 
knowing there are no wolves 
or bad men in the room. 

Only electricity on the loose, 
the television screaming at itself, 
the dishwasher tearing its heart out. 

11 

We're going away. The house 
is too warm. We disconnect 
the telephone. 

Bones, cans, broken dolls, bronzed shoes, 
ground down to face powder. Burn 
the toilet paper collected in the basement. 

Take back the bottles. 
The back stairs are raining glass. 
Cancel the milk. 

12 

You may go now, says Cupboard. 
I won't talk, 
says Clock. 

Your bag is black and waiting. 
How can you leave your house? 
The stove hunches its shoulders, 

the kitchen table stares at the sky. 
You're heaving yourself out in the snow 
groping toward the front door.
Written by Russell Edson | Create an image from this poem

The Reason Why The Closet-Man Is Never Sad

 This is the house of the closet-man. There are no rooms, 
just hallways and closets.
 Things happen in rooms. He does not like things to 
happen . . . Closets, you take things out of closets, 
you put things into closets, and nothing happens . . . 

 Why do you have such a strange house? 

 I am the closet-man, I am either going or coming, and I 
am never sad. 

 But why do you have such a strange house? 

 I am never sad . . .

Book: Radiant Verses: A Journey Through Inspiring Poetry