Written by
Dorothy Parker |
They hurried here, as soon as you had died,
Their faces damp with haste and sympathy,
And pressed my hand in theirs, and smoothed my knee,
And clicked their tongues, and watched me, mournful-eyed.
Gently they told me of that Other Side-
How, even then, you waited there for me,
And what ecstatic meeting ours would be.
Moved by the lovely tale, they broke, and cried.
And when I smiled, they told me I was brave,
And they rejoiced that I was comforted,
And left to tell of all the help they gave.
But I had smiled to think how you, the dead,
So curiously preoccupied and grave,
Would laugh, could you have heard the things they said.
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Written by
Rudyard Kipling |
As I left the Halls at Lumley, rose the vision of a comely
Maid last season worshipped dumbly, watched with fervor from afar;
And I wondered idly, blindly, if the maid would greet me kindly.
That was all -- the rest was settled by the clinking tonga-bar.
Yea, my life and hers were coupled by the tonga coupling-bar.
For my misty meditation, at the second changin-station,
Suffered sudden dislocation, fled before the tuneless jar
Of a Wagner obbligato, scherzo, doublehand staccato,
Played on either pony's saddle by the clacking tonga-bar --
Played with human speech, I fancied, by the jigging, jolting bar.
"She was sweet," thought I, "last season, but 'twere surely wild unreason
Such tiny hope to freeze on as was offered by my Star,
When she whispered, something sadly: 'I -- we feel your going badly!'"
"And you let the chance escape you?" rapped the rattling tonga-bar.
"What a chance and what an idiot!" clicked the vicious tonga-bar.
Heart of man -- oh, heart of putty! Had I gone by Kakahutti,
On the old Hill-road and rutty, I had 'scaped that fatal car.
But his fortune each must bide by, so I watched the milestones slide by,
To "You call on Her to-morrow!" -- fugue with cymbals by the bar --
You must call on Her to-morrow!" -- post-horn gallop by the bar.
Yet a further stage my goal on -- we were whirling down to Solon,
With a double lurch and roll on, best foot foremost, ganz und gar --
"She was very sweet," I hinted. "If a kiss had been imprinted?" --
"'Would ha' saved a world of trouble!" clashed the busy tonga-bar.
"'Been accepted or rejected!" banged and clanged the tonga-bar.
Then a notion wild and daring, 'spite the income tax's paring,
And a hasty thought of sharing -- less than many incomes are,
Made me put a question private, you can guess what I would drive at.
"You must work the sum to prove it," clanked the careless tonga-bar.
"Simple Rule of Two will prove it," litled back the tonga-bar.
It was under Khyraghaut I muse. "Suppose the maid be haughty --
(There are lovers rich -- and roty) -- wait some wealthy Avatar?
Answer monitor untiring, 'twixt the ponies twain perspiring!"
"Faint heart never won fair lady," creaked the straining tonga-bar.
"Can I tell you ere you ask Her?" pounded slow the tonga-bar.
Last, the Tara Devi turning showed the lights of Simla burning,
Lit my little lazy yearning to a fiercer flame by far.
As below the Mall we jingled, through my very heart it tingled --
Did the iterated order of the threshing tonga-bar --
Truy your luck -- you can't do better!" twanged the loosened tongar-bar.
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Written by
James Whitcomb Riley |
THEY all climbed up on a high board-fence---
Nine little Goblins, with green-glass eyes---
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat---
And I asked them what they were staring at.
And the first one said, as he scratched his head
With a ***** little arm that reached out of his ear
And rasped its claws in his hair so red---
"This is what this little arm is fer!"
And he scratched and stared, and the next one said,
"How on earth do you scratch your head ?"
Nine Little Gobblins
And he laughed like the screech of a rusty hinge---
Laughed and laughed till his face grew black;
And when he clicked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.
And the third little Goblin leered round at me---
And there were no lids on his eyes at all---
And he clucked one eye, and he says, says he,
"What is the style of your socks this fall ?"
And he clapped his heels---and I sighed to see
That he had hands where his feet should be.
Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain---
"Would---Ah, would I'd me brows again!"
And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know---
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.
And ever they kept their green-glass eyes
Fixed on me with a stony stare---
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.
And they sang "You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!---
"Tis only a vision the mind invents
After a supper of cold mince-pies,---
And you're doomed to dream this way," they said,---
"And you sha'n't wake up till you're clean plum dead!"
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Written by
Anne Sexton |
My doctor, the comedian
I called you every time
and made you laugh yourself
when I wrote this silly rhyme...
Each time I give lectures
or gather in the grants
you send me off to boarding school
in training pants.
God damn it, father-doctor,
I'm really thirty-six.
I see dead rats in the toilet.
I'm one of the lunatics.
Disgusted, mother put me
on the potty. She was good at this.
My father was fat on scotch.
It leaked from every orifice.
Oh the enemas of childhood,
reeking of outhouses and shame!
Yet you rock me in your arms
and whisper my nickname.
Or else you hold my hand
and teach me love too late.
And that's the hand of the arm
they tried to amputate.
Though I was almost seven
I was an awful brat.
I put it in the Easy Wringer.
It came out nice and flat.
I was an instant cripple
from my finger to my shoulder.
The laundress wept and swooned.
My mother had to hold her.
I know I was a cripple.
Of course, I'd known it from the start.
My father took the crowbar
and broke the wringer's heart.
The surgeons shook their heads.
They really didn't know--
Would the cripple inside of me
be a cripple that would show?
My father was a perfect man,
clean and rich and fat.
My mother was a brilliant thing.
She was good at that.
You hold me in your arms.
How strange that you're so tender!
Child-woman that I am,
you think that you can mend her.
As for the arm,
unfortunately it grew.
Though mother said a withered arm
would put me in Who's Who.
For years she has described it.
She sang it like a hymn.
By then she loved the shrunken thing,
my little withered limb.
My father's cells clicked each night,
intent on making money.
And as for my cells, they brooded,
little queens, on honey.
Oh boys too, as a matter of fact,
and cigarettes and cars.
Mother frowned at my wasted life.
My father smoked cigars.
My cheeks blossomed with maggots.
I picked at them like pearls.
I covered them with pancake.
I wound my hair in curls.
My father didn't know me
but you kiss me in my fever.
My mother knew me twice
and then I had to leave her.
But those are just two stories
and I have more to tell
from the outhouse, the greenhouse
where you draw me out of hell.
Father, I am thirty-six,
yet I lie here in your crib.
I'm getting born again, Adam,
as you prod me with your rib.
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Written by
Edna St. Vincent Millay |
I, having loved ever since I was a child a few things, never having
wavered
In these affections; never through shyness in the houses of the
rich or in the presence of clergymen having denied these
loves;
Never when worked upon by cynics like chiropractors having
grunted or clicked a vertebra to the discredit of those loves;
Never when anxious to land a job having diminished them by a
conniving smile; or when befuddled by drink
Jeered at them through heartache or lazily fondled the fingers of
their alert enemies; declare
That I shall love you always.
No matter what party is in power;
No matter what temporarily expedient combination of allied
interests wins the war;
Shall love you always.
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Written by
Philip Levine |
In borrowed boots which don't fit
and an old olive greatcoat,
I hunt the corn-fed rabbit,
game fowl, squirrel, starved bobcat,
anything small. I bring down
young deer wandered from the doe's
gaze, and reload, and move on
leaving flesh to inform crows.
At dusk they seem to suspect
me, burrowed in a corn field
verging their stream. The unpecked
stalks call them. Nervous, they yield
to what they must: hunger, thirst,
habit. Closer and closer
comes the scratching which at first
sounds like sheaves clicked together.
I know them better than they
themselves, so I win. At night
the darkness is against me.
I can't see enough to sight
my weapon, which becomes freight
to be endured or at best
a crutch to ease swollen feet
that demand but don't get rest
unless I invade your barn,
which I do. Under my dark
coat, monstrous and vague, I turn
down your lane, float through the yard,
and roost. Or so I appear
to you who call me spirit
or devil, though I'm neither.
What's more, under all, I'm white
and soft, more like yourself than
you ever would have guessed before
you claimed your barn with shot gun,
torch, and hounds. Why am I here?
What do I want? Who am I?
You demand from the blank mask
which amuses the dogs. Leave me!
I do your work so why ask?
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Written by
Rg Gregory |
with landbound legs a wish
for the easy flow of a river - not
the clambering up crags to seek
more favour from the sun
(or long-haired moon) harped for
since those sparks of who am i
first clicked through consciousness
how the river sidles round
rocks blocking the painful straight
seems to brush aside
all snags disrupting its ambition
to be sea - certain from its source
downwardness is good - legs don’t have
that gift (being boned with doubt)
rivers in their waywardness
become a rattling cage of tigers
when the storm god snarls
legs are happy then
to have hard ground to run away on
legs and rivers you could say
should show compassion for each other
as if legs themselves aren’t rivers
when (from hip to toe) the energy
runs down from impulses
the high brain sources - summer’s joys
or winter’s nobbling aches
make the same ground safe
or fearful - as when the river legs it
legs or rivers - the game’s alike
seasons distort the flow
in age the river’s more appealing
(legs have a way of silting up)
after the high ground’s turmoils
you hope for the sanctity of meadows
a kind of green relief
legs feed on past dreams (now
kick a ball the leg drops off)
rivers are geared to what comes next
even in the sea’s maw
hope is on their lips (ever) - legs
rest on their elegiac laurels
with the weight off them they flow best
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