Written by
Barry Tebb |
Eggshell and Wedgwood Blue were just two
Of the range on the colour cards Dulux
Tailored to our taste in the fifties,
Brentford nylons, Formica table tops and
Fablon shelf-covering in original oak or
Spruce under neon tubes and Dayglo shades.
Wartime brown and green went out, along with
The Yorkist Range, the wire-mesh food safe
In the cellar, the scrubbed board bath lid
And marbled glass bowl over the light bulb
With its hidden hoard of dead flies and
Rusting three-tier chain.
We moved to the new estate, Airey semis
With their pebble-dash prefabricated slats,
Built-in kitchen units and made-to-measure gardens.
Every Saturday I went back to the streets,
Dinner at Auntie Nellie’s, Yorkies, mash and gravy,
Then the matinee at the Princess with Margaret,
The queen of my ten-year old heart.
Everybody was on the move, half the neighbours
To the new estates or death, newcomers with
Rough tongues from over the bridge slum clearance.
A drive-in Readymix cement works bruised the Hollows,
Ellerby Lane School closed, St.
Hilda’s bulldozed.
The trams stopped for good after the Coronation Special
In purple and gold toured the city's tracks and
The red-white and blue on the cake at the street party
Crumbled to dust and the river-bank rats fed on it
Like Miss Haversham’s wedding feast all over again.
The cobbled hill past the Mansions led nowhere,
The buses ran empty, then the route closed.
I returned again and again in friends’ cars,
Now alone, on foot, again and again.
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Written by
Seamus Heaney |
The tightness and the nilness round that space
when the car stops in the road, the troops inspect
its make and number and, as one bends his face
towards your window, you catch sight of more
on a hill beyond, eyeing with intent
down cradled guns that hold you under cover
and everything is pure interrogation
until a rifle motions and you move
with guarded unconcerned acceleration—
a little emptier, a little spent
as always by that quiver in the self,
subjugated, yes, and obedient.
So you drive on to the frontier of writing
where it happens again.
The guns on tripods;
the sergeant with his on-off mike repeating
data about you, waiting for the squawk
of clearance; the marksman training down
out of the sun upon you like a hawk.
And suddenly you're through, arraigned yet freed,
as if you'd passed from behind a waterfall
on the black current of a tarmac road
past armor-plated vehicles, out between
the posted soldiers flowing and receding
like tree shadows into the polished windscreen.
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Written by
Paul Laurence Dunbar |
Oh, I have n't got long to live, for we all
Die soon, e'en those who live longest;
And the poorest and weakest are taking their chance
Along with the richest and strongest.
So it's heigho for a glass and a song,
And a bright eye over the table,
And a dog for the hunt when the game is flush,
And the pick of a gentleman's stable.
There is Dimmock o' Dune, he was here yester-night,
But he 's rotting to-day on Glen Arragh;
'Twas the hand o' MacPherson that gave him the blow,
And the vultures shall feast on his marrow.
But it's heigho for a brave old song
And a glass while we are able;
Here 's a health to death and another cup
To the bright eye over the table.
I can show a broad back and a jolly deep chest,
But who argues now on appearance?
A blow or a thrust or a stumble at best
May send me to-day to my clearance.
Then it's heigho for the things I love,
My mother 'll be soon wearing sable,
But give me my horse and my dog and my glass,
[Pg 49]And a bright eye over the table.
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