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Best Famous Cleaner Poems

Here is a collection of the all-time best famous Cleaner poems. This is a select list of the best famous Cleaner poetry. Reading, writing, and enjoying famous Cleaner poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cleaner poems.

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Written by John Betjeman | Create an image from this poem

Diary of a Church Mouse

 Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun. All the same,
They do not fill my meagre frame.
For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes ... it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear our organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't see at all
Except at Harvest Festival.


Written by Vladimir Mayakovsky | Create an image from this poem

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.

And, possibly, your scholars
 will declare,
with their erudition overwhelming
 a swarm of problems;
once there lived
 a certain champion of boiled water,
and inveterate enemy of raw water.

Professor,
 take off your bicycle glasses!
I myself will expound
 those times
 and myself.

I, a latrine cleaner
 and water carrier,
by the revolution
 mobilized and drafted,
went off to the front
 from the aristocratic gardens 
of poetry - 
 the capricious wench
She planted a delicious garden,
the daughter,
 cottage,
 pond
 and meadow.

Myself a garden I did plant,
myself with water sprinkled it.
some pour their verse from water cans;
others spit water
 from their mouth - 
the curly Macks,
 the clever jacks - 
but what the hell’s it all about!
There’s no damming al this up - 
beneath the walls they mandoline:
“Tara-tina, tara-tine,
tw-a-n-g...” 
It’s no great honor, then,
 for my monuments
to rise from such roses
above the public squares,
 where consumption coughs,
where whores, hooligans and syphilis
 walk.

Agitprop
 sticks
 in my teeth too,
and I’d rather
 compose
 romances for you - 
more profit in it
 and more charm.

But I
 subdued
 myself,
 setting my heel
on the throat
 of my own song.
Listen,
 comrades of posterity,
to the agitator
 the rabble-rouser.

Stifling
 the torrents of poetry,
I’ll skip
 the volumes of lyrics;
as one alive,
 I’ll address the living.
I’ll join you
 in the far communist future,
I who am
 no Esenin super-hero.

My verse will reach you
 across the peaks of ages,
over the heads
 of governments and poets.

My verse 
 will reach you
not as an arrow
 in a cupid-lyred chase,
not as worn penny
Reaches a numismatist,
not as the light of dead stars reaches you.

My verse
 by labor
 will break the mountain chain of years,
and will present itself
 ponderous, 
 crude,
 tangible,
as an aqueduct,
 by slaves of Rome
constructed,
 enters into our days.

When in mounds of books,
 where verse lies buried,
you discover by chance the iron filings of lines,
touch them
 with respect,
 as you would
some antique
 yet awesome weapon.

It’s no habit of mine
 to caress
 the ear
 with words;
a maiden’s ear
 curly-ringed
will not crimson
 when flicked by smut.

In parade deploying
 the armies of my pages,
I shall inspect
 the regiments in line.

Heavy as lead,
 my verses at attention stand,
ready for death
 and for immortal fame.

The poems are rigid,
 pressing muzzle
to muzzle their gaping
 pointed titles.

The favorite 
 of all the armed forces
the cavalry of witticisms
 ready
to launch a wild hallooing charge,
reins its chargers still,
 raising
the pointed lances of the rhymes.
and all
 these troops armed to the teeth,
which have flashed by
 victoriously for twenty years,
all these,
 to their very last page,
I present to you,
 the planet’s proletarian.

The enemy
 of the massed working class
is my enemy too
 inveterate and of long standing.

Years of trial
 and days of hunger
 ordered us
to march 
 under the red flag.

We opened
 each volume
 of Marx
as we would open
 the shutters
 in our own house;
but we did not have to read
 to make up our minds
which side to join,
 which side to fight on.

Our dialectics
 were not learned
 from Hegel.
In the roar of battle
 it erupted into verse,
when,
 under fire,
 the bourgeois decamped
as once we ourselves
 had fled
 from them.
Let fame
 trudge
 after genius
like an inconsolable widow
 to a funeral march - 
die then, my verse,
 die like a common soldier,
like our men
 who nameless died attacking!
I don’t care a spit
 for tons of bronze;
I don’t care a spit
 for slimy marble.
We’re men of kind,
 we’ll come to terms about our fame;
let our
 common monument be
socialism
 built
 in battle.
Men of posterity
 examine the flotsam of dictionaries:
out of Lethe
 will bob up
 the debris of such words
as “prostitution,” 
 “tuberculosis,” 
 “blockade.” 
For you,
 who are now
 healthy and agile,
the poet
 with the rough tongue
 of his posters,
has licked away consumptives’ spittle.
With the tail of my years behind me,
 I begin to resemble
those monsters,
 excavated dinosaurs.
Comrade life,
 let us
 march faster,
march
 faster through what’s left
 of the five-year plan.
My verse
 has brought me
 no rubles to spare:
no craftsmen have made
 mahogany chairs for my house.
In all conscience,
 I need nothing
except
 a freshly laundered shirt.
When I appear 
 before the CCC
 of the coming
 bright years,
by way of my Bolshevik party card,
 I’ll raise
above the heads
 of a gang of self-seeking
 poets and rogues,
all the hundred volumes
 of my 
 communist-committed books.


Transcribed: by Mitch Abidor.
Written by John Betjeman | Create an image from this poem

Executive

 I am a young executive. No cuffs than mine are cleaner;
I have a Slimline brief-case and I use the firm's Cortina.
In every roadside hostelry from here to Burgess Hill
The ma?tres d'h?tel all know me well, and let me sign the bill.

You ask me what it is I do. Well, actually, you know,
I'm partly a liaison man, and partly P.R.O.
Essentially, I integrate the current export drive
And basically I'm viable from ten o'clock till five.

For vital off-the-record work - that's talking transport-wise -
I've a scarlet Aston-Martin - and does she go? She flies!
Pedestrians and dogs and cats, we mark them down for slaughter.
I also own a speedboat which has never touched the water.

She's built of fibre-glass, of course. I call her 'Mandy Jane'
After a bird I used to know - No soda, please, just plain -
And how did I acquire her? Well, to tell you about that
And to put you in the picture, I must wear my other hat.

I do some mild developing. The sort of place I need
Is a quiet country market town that's rather run to seed
A luncheon and a drink or two, a little savoir faire -
I fix the Planning Officer, the Town Clerk and the Mayor.

And if some Preservationist attempts to interfere
A 'dangerous structure' notice from the Borough Engineer
Will settle any buildings that are standing in our way -
The modern style, sir, with respect, has really come to stay.
Written by Rudyard Kipling | Create an image from this poem

Mandalay

 By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
 Come you back to Mandalay,
 Where the old Flotilla lay:
 Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
 On the road to Mandalay,
 Where the flyin'-fishes play,
 An' the dawn comes up like thunder outer China 'crost the Bay!

'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat -- jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
 Bloomin' idol made o'mud --
 Wot they called the Great Gawd Budd --
 Plucky lot she cared for idols when I kissed 'er where she stud!
 On the road to Mandalay . . .

When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!"
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
 Elephints a-pilin' teak
 In the sludgy, squdgy creek,
 Where the silence 'ung that 'eavy you was 'arf afraid to speak!
 On the road to Mandalay . . .

But that's all shove be'ind me -- long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else."
 No! you won't 'eed nothin' else
 But them spicy garlic smells,
 An' the sunshine an' the palm-trees an' the tinkly temple-bells;
 On the road to Mandalay . . .

I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
 Beefy face an' grubby 'and --
 Law! wot do they understand?
 I've a neater, sweeter maiden in a cleaner, greener land!
 On the road to Mandalay . . .

Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be --
By the old Moulmein Pagoda, looking lazy at the sea;
 On the road to Mandalay,
 Where the old Flotilla lay,
 With our sick beneath the awnings when we went to Mandalay!
 On the road to Mandalay,
 Where the flyin'-fishes play,
 An' the dawn comes up like thunder outer China 'crost the Bay!
Written by James Lee Jobe | Create an image from this poem

Redbud Trail - Winter

 It??™s two muddy miles from Highway 20,
just past the north fork of Cache Creek,
across the broad meadow, through 
blue oak woodland, up, up to the ridge,
and back down to the creek bank,
the crossing point, me striding with
mud caking my old hiking boots.



For a millennia the Miwok people walked 
these canyons and ridges. Pomo, too.
Gathering acorns to trade, the sweetest 
was said to be from the Coastal Live Oaks.
Or bringing down a mule deer, a Tule elk,
meat for everyone, garments or a drumskin
from the hide, tools from the bones,
a knife, a skewer, thanks given
to the beast??™s soul for its gift. 



Once up on the ridge, the view takes me,
Brushy Sky High Mountain looms above 
like an overanxious parent, the creek sings 
old songs for the valley oaks, for the deer grass. 
Less muddy, I kick my boots a little cleaner 
on a rock that is maybe as old as the earth.



I used to come up here and cut sage for burning,
a smudge to carry my prayers to Her in smoke.
I grow sage now at my home, but still I come,
eating down by the creek, building a medicine wheel
from creek stones, in winter spreading a small tarp 
across the mud to eat and sleep on. I make prayers
for my mother, to fight the cancer inside her,
for my children to know peace and plenty,
prayers that I might find the right way.




The Pomo, the Miwok, the Patwin
were all basket-weavers, makers
of intricate designs from White Root,
Willow, Oak sticks. Gathered here,
at this crossing, century after century.
Medicine too, from roots, bark, and nut,
prayers and songs offered up, thanks given. 
Here. Medicine that healed the hurts 
the Earth caused, but could not ward off
the diseases the Europeans brought.
The people died by the thousands;
where are their spirits now?
At peace with the creek, I hope,
and I send a little prayer to them, too.



I take an apple from my pack,
bought at a Davis, California grocery store,
where the Patwin village Poo-tah-toi
once flourished. Children ran
and played, families grew, all gone now.
There is a little opening at the base
of a Valley Oak, I imagine that it is a doorway
to the Other World, and leave the apple,
a snack for whatever may find it,
a raccoon or deer, a lost spirit,
or maybe even The Great She.



You can cross the creek here, but in winter I don??™t.
Two more miles through the Wilson Valley links
you to the Judge Davis Trail, which snakes
up the spine of a long ridge on an old fire road.
Too much mud this day, so I just nap 
until I get cold, pack up, the friendly weight
of my pack on my back, down to Highway 20,
down to the other world. Redbud Trail. Winter.


Written by Carl Sandburg | Create an image from this poem

To a Contemporary Bunkshooter

 YOU come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips. . . always blabbing we're all
going to hell straight off and you know all about it.


I've read Jesus' words. I know what he said. You don't
throw any scare into me. I've got your number. I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along. It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.


I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth. He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.

This Jesus was good to look at, smelled good, listened
good. He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.

When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?


Go ahead and bust all the chairs you want to. Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head. If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.

You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out. Jesus played it different. The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game. He didn't sit in with
the big thieves.

I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.

I ask you to come through and show me where you're
pouring out the blood of your life.

I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
Written by Erica Jong | Create an image from this poem

Colder

 He was six foot four, and forty-six
and even colder than he thought he was
James Thurber, The Thirteen Clocks

Not that I cared about the other woman.
Those perfumed breasts with hearts
of pure rock salt.
Lot's wives-
all of them.

I didn't care
if they fondled him at parties,
eased him in at home
between a husband & a child,
sucked him dry
with vacuum cleaner kisses.

It was the coldness that I minded,
though he's warned me.
"I'm cold," He said- (as if that helped any).
But he was colder
than he thought he was.

Cold sex.
A woman has to die
& be exhumed
four times a week
to know the meaning of it.

His hips are razors
his pelvic bones are knives,
even his elbows could cut butter.

Cold flows from his mouth
like a cloud of carbon dioxide.
Hie ***** is pure dry ice
which turns to smoke.
His face hands over my face-
An ice carving.

One of these days
he'll shatter
or
he'll melt.
Written by Carl Sandburg | Create an image from this poem

Old Timers

 I AM an ancient reluctant conscript.

On the soup wagons of Xerxes I was a cleaner of pans.

On the march of Miltiades’ phalanx I had a haft and head;
I had a bristling gleaming spear-handle.

Red-headed Cæsar picked me for a teamster.
He said, “Go to work, you Tuscan bastard,
Rome calls for a man who can drive horses.”

The units of conquest led by Charles the Twelfth,
The whirling whimsical Napoleonic columns:
They saw me one of the horseshoers.

I trimmed the feet of a white horse Bonaparte swept the night stars with.

Lincoln said, “Get into the game; your nation takes you.”
And I drove a wagon and team and I had my arm shot off
At Spottsylvania Court House.

I am an ancient reluctant conscript.
Written by Rudyard Kipling | Create an image from this poem

The Reformers

 1901

Not in the camp his victory lies
 Or triumph in the market-place,
Who is his Nation's sacrifice
To turn the judgement from his race.

Happy is he who, bred and taught
 By sleek, sufficing Circumstance --
Whose Gospel was the apparelled thought,
 Whose Gods were Luxury and Chance --

Seese, on the threshold of his days,
 The old life shrivel like a scroll,
And to unheralded dismays
 Submits his body and his soul;

The fatted shows wherein he stood
 Foregoing, and the idiot pride,
That he may prove with his own blood
 All that his easy sires denied --

Ultimate issues, primal springs,
 Demands, abasements, penalties --
The imperishable plinth of things
 Seen and unseen, that touch our peace.

For, though ensnaring ritual dim
 His vision through the after-years,
Yet virtue shall go out of him --
Example profiting his peers.

With great things charged he shall not hold
 Aloof till great occasion rise,
But serve, full-harnessed, as of old,
 The Days that are the Destinies.

He shall forswear and put away
 The idols of his sheltered house;
And to Necessity shall pay
 Unflinching tribute of his vows.

He shall not plead another's act,
 Nor bind him in another's oath
To weigh the Word above the Fact,
 Or make or take excuse for sloth.

The yoke he bore shall press him still,
 And, long-ingrained effort goad
To find, to fasion, and fulfil
 The cleaner life, the sterner code.

Not in the camp his victory lies --
 The world (unheeding his return)
Shall see it in his children's eyes
 And from his grandson's lips shall learn!
Written by Chris Jones | Create an image from this poem

Work

 I caught rumours of some internal hearing
then you appeared with tears squeezing your eyes,
hands scrunched up like a child's, rice paper skin.
That work mates complained was a big surprise
as you were office sunshine, shafted no-one,
and turned your quick mind to the broadest cause.
But there you were, a whisper finished…gone,
scooping reams of data from cabinet drawers,
your kiddie snaps stacked face-down on the desk
and none of us sat safe enough to speak.
That night I helped a cleaner bin the mess.
Our chief would hire a temp inside the week
so I kept back your tissues as a wee bequest.
Sometimes I think I should have wiped your cheek.

Book: Radiant Verses: A Journey Through Inspiring Poetry